This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin's Russia, Mussolini's Italy, FDR's America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so confident in his vision of a future in which all aspects of life would be rationalized and modernized that no set of practical or political obstacles could ever stand in his way. Ciocca's endeavors included the development of "fast houses," a "theater for 20,000 spectators," the "guided roadway," and the rationalist pig farms referred to by Carlo Belli as "Ciocca's Grand Hotel for Pigs."

Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.

AHL is the most prominent, prestigious, and progressive architectural practice working in Hawaii. As such, the history of Modern Hawaiian architecture is very much the history of AHL. Over the past 75 years, no firm has built bigger, higher, or more frequently that AHL. This book tells their story and in so doing, tells the story of the making of a modern Hawaii. The output of the firm is extraordinary, ranging from numerous state and federal facilities like the Hawaii State Capitol building to the Prince Jonah Kuhio Kalaniana'ole Federal Building. The first high-rises in Hawaii belong to AHL along with some of most high-profile residential (Moana Pacific), hospitality (Aulani, A Disney Resort & Spa), healthcare and education (John A. Burns School of Medicine), and commercial complexes like the American Savings Bank and Pacific Guardian Center Towers, to numerous retail stores, schools and university buildings, churches, and extensive work with the military.

We recognise Mario Botta's buildings for their strong presence. His architecture is not ephemeral. It shapes the mass firmly and precisely. It touches the ground with self-reliance. A building by Mario Botta is an autonomous object. It comprises an ordered world of its own make. It is standing in dialogue with the urban tissue, but it establishes its own order as if it aims at differentiation instead of integration. Architectural order represents the core of his personal idiom. It is a well structured, compositional order which organises everything into a whole, as an underlying thread that connects and brings together houses on the mountains to museums and churches, banks and commercial buildings to buildings on the ground and buildings underground, different buildings at different places in time. The themes that underlie Mario Botta's architecture are ties that connect and spines that support, common threads that bind one building to the next. His architecture is one of mass. It is then of no surprise that mass is the first thing to be defined and ordered, in his creative process. The volume of his buildings is mostly composed by one or more primary solids. Volume is thus an a-priori for Botta. It is conceived beforehand, the starting point to the adventure of architectural design. From the Introduction, Thoughts on architectural creativity By Dr. Irena Sakellaridou

Bucky Inc. offers a deep exploration of Richard Buckminster Fuller's work and thought to shed new light on the questions raised by our increasingly electronic world. It shows that Fuller's entire career was a multi-dimensional reflection on the architecture of radio. He always insisted that the real site of architecture is the electromagnetic spectrum. His buildings were delicate mobile instruments for accessing the invisible universe of overlapping signals. Every detail was understood as a way of tuning into hidden waves. Architecture was built in, with, for and as radio. Bucky Inc. rethinks the legacy of one of the key protagonists of the twentieth-century. It draws extensively on Fuller's archive to follow his radical thinking from toilets to telepathy, plastic to prosthetics, and data to deep-space. It shows how the critical arguments and material techniques of arguably the single most exposed designer of the last century were overlooked at the time but have become urgently relevant today.

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, silver, textiles, stained glass, and jewellery, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. It is vigorous, direct, often witty, and provides an invaluable source for architectural and religio-historical research. By the end of this volume (the first of five) Pugin is established in his career.

As the number and distinctiveness of design directions in contemporary architecture expands, an outcome has emerged of a contradictory nature. While many of these directions hold great intrigue, a troubling aspect arises in that in their realisation an 'incompleteness' is often exhibited, one expressing a less developed architectural richness expressed an under utilised nature of the architectural language itself. Internal addresses this issue with a focus on topics underlying the creation of architectural languages. Concentrating on strategies and concepts that inform the creation of cohering architectural languages versus 'external' issues affecting design, such as those necessary to accommodate site or program, Internal focuses on design considerations with the authority grounded in 'internal' language-based architectural issues. Identifying underlying themes and strategies necessary to create coherent and informed architectural languages constitutes the effort underlying this book.

Amass makes a case for architectural experiments with massing. By understanding architecture as a collection of interrelationships between multiple masses, plusClover uses pressure, thickness and media - the core subjects of this book - to facilitate differing degrees of coherence. The work of plusClover straddles the territory between mass and weight, complex and generic, high tech and no tech. This book provides a framework for the relationships between these polarities, situating them in the community of ideas among the visual arts, the profession of architecture, and academic spheres. By tabulating selected projects under these three catagories of massing, this book demonstrates new possibilities in massing that move beyond the singular object towards multiplicity of effects. Amass unfolds the process - from bounding box diagrams to construction photos - through which the projects were conceived, explored and detailed.

Temporality and age are inherent in every object and creature and, depending on one's outlook, may transcend to infinity. How can this be imagined? What goes beyond it? Swiss filmmaker Christoph Schaub sets out for a personal journey through time and space. He starts in his childhood, when his fascination with sacred buildings began, and also his wondering about beginnings and ends. In dialogue with architects Peter Zumthor, Peter Markli, and Alvaro Siza, artists James Turell and Cristina Iglesias, and musician Jojo Mayer, Schaub explores the magic of sacred spaces, a term that for him represents much more than just churches. Architecture of Infinity traces spirituality in architecture and fine arts as well as in nature, and even over and above the limits of thought. The lightly floating camera immerses the viewer in somnambulistic images, taking him on a sensual and sensing journey through vast spaces, guiding his eye towards the star-spangled sky's infinity and the depths of the ocean. Past and present, primeval times and light years, it is all there. The running time of the film is 85 minutes, and the DVD is accompanied by a 32-page booklet with text in English and German.

Color is inextricably linked with architecture; as a design element and also as an inherent quality, it characterizes the shape and texture of the built fabric. The book presents extraordinary color schemes, both in terms of technology and aesthetics, for ground-breaking architecture with a wide spectrum of functions: from apartment to concert hall, from flagship store to city park. The focus is on the works of the three architects Frank O. Gehry, Jean Nouvel and Wang Shu. This is expanded by the works of other practices such as BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito and SANAA. This publication presents a compendium that documents color schemes in architecture in the context of very different aesthetic approaches. The large-format photographs by Iwan Baan, Christian Richters, Roland Halbe and Philippe Ruault fascinate with their clarity and presence.

This book makes the case that several urban technologies contribute to wicked problems such as climate change and vast social and economic inequalities. Such situations often create unfavorable conditions for mental life in cities. These conditions force us to expand the taxonomy of technology to include new designations: "wicked" and "saving" technologies. Epting holds that the latter can support worthwhile goals such as socially just urban sustainability. Along with fleshing out this view, he provides concrete examples of saving technologies, which include cohousing initiatives, ariel cable cars, participatory budgeting, and car-free zones/cities.

Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine solving great problems, imagine new problems never before thought of, imagine combining music, art, poetry, literature, architecture, theatre and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. This seventh volume starts with a homage to the Italian artist Mimmo Paladino who created exclusively for the Venice Conference 2019 ten original and unique works of art paper dedicated to the themes of the meeting. A large section is dedicated to the most recent Fields Medals including a Homage to Maryam Mirzakhani including a presentation of the exhibition on soap bubbles in art and science that took place in 2019. A section is dedicated to cinema and theatre including the performances by Claire Bardainne & Adrien Mondot. A part of the conference focused on the community of mathematicians, their role in literature and even in politics with the extraordinary example of Antanas Mockus Major of Bogota. Mathematics in the constructions of bridges, in particular in Italy in the Sixties was presented by Tullia Iori. A very particular contribution on Origami by a mathematician, Marco Abate and an artist, Alessandro Beber. And many other topics. As usual the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture. The world, life, culture, everything has changed in a few weeks with the Coronavirus. Culture, science are the main ways to safeguard people's physical and social life. Trust in humanity's creativity and ability. The motto today in Italy is Everything will be fine.This work is addressed to all those who have an interest in Mathematics.

Designed and built by Leo Salvotti, this small holiday building by the lake - renamed 'Casa Galina' by the local inhabitants for its zoomorphic shape - is the best-known building in Calceranica al Lago and represents a unique architectural experiment in Italy. Through pictures from the 1960s, drafts, and 3D reconstructions, alongside the photographic work of Luca Chiste, this book aims to enhance this building's history. Essays written by experts who insert Casa Galina into the local and Italian architectural history complement the book.

Jo Berben, Ingrid Mees and Luc Vanmuyssen are the founders of the Belgian architectural team a2o, with offices in Brussels and Hasselt. Their buildings are powerfully and inventively integrated into the mostly urban environment. Their forms and details are reduced, creating a meditative atmosphere. De aedibus international is a series on contemporary, highly qualified European architects and architecture; an archive of carefully selected buildings and projects. Text in English and German.

It is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies' ideas on architecture and on the logic of construction relate to his built - and sometimes unbuilt - oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies' construction concepts. The projects include Lange and Esters Houses (1927-30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies' work, and hence his German and American creative periods.

A former U.N. worker and prominent architect clearly explains every aspect of taking a greener approach to housing in impoverished tropical climates--including design, materials, and implementation. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started.

William Henry Jackson was an explorer, photographer, and artist. He is also one of those most often overlooked figures of the American West. His larger claim to fame involves his repeated forays into the western lands of nineteenth-century America as a photographer. Jackson's life spanned multiple incarnations of the American West. In a sense, he played a singular role in revealing the West to eastern Americans. While others opened the frontier with the axe and the rifle, Jackson did so with his collection of cameras. He dispelled the geological myths through a lens no one could deny or match. His wet plate collodion prints not only helped to reframe the nation's image of the West, but they also enticed businessmen, investors, scientists, and even tourists to venture into the western regions of the United States. Prior to Jackson's widely circulated photographs, the American West was little understood and unmapped-mysterious lands that required a camera and a cameraman to reveal their secrets and, ultimately, provide the first photographic record of such exotic destinations as Yellowstone, Mesa Verde, and the Rocky Mountains. Jackson's story was long and his life full, as he lived to the enviable age of 99. This biography presents the good, bad, and ugly of Jackson's life, both personal and professional, through the use primary source materials, including Jackson's autobiographies, letters, and government reports on the Hayden Surveys.

Accompanying an exhibition of the same name at the Louisiana Museum of Modern Art, this publication examines the recent work of the Chinese architect Wang Shu, Pritzker Prize winner in 2012. At a time when China's explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Wang Shu and Amateur Architecture Studio are keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down and rebuilding after western models. Wang Shu's architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react flexibly to the surroundings and history of a particular site.

Manual for Urban Design Urban design is based on planning and design principles that need to meet functional demands on the one hand, but on the other hand bring the design elements together into a distinctive whole. The basic compositional principles are, for the most part, timeless. Designing Cities examines the most important design and presentation principles of urban design, using historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA. At the core of the publication is the question of how the projects were designed and what methods and tools were available to the designer: such as parametric design, in which variable parameters automatically influence the design and provide a range of possible solutions. Tools for urban design Current projects and award-winning competition entries by renowned international practices A textbook for students and a practical design aid for practicing architects and planners

Architect Albert Frey (1903-1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future. Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city's postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California. In this dependable architect introduction, we follow Frey's long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique "desert modernism." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Here, Jacob Brillhart excavates the "visual thinking" of the twentieth century's pioneer architect, reproducing a selection of 175 drawings from the early sketchbooks of Charles-Edouard Jeanneret, whom we now know as Le Corbusier. Between 1907 and 1911, Jeanneret studied in Switzerland and travelled through Europe and the East, filling sketchbooks with exquisitely detailed drawings. Brillhart provides a physical and intellectual map for students, travellers and lovers of art and architecture. The first book to provide a succinct collection of Jeanneret's drawings, some of which are previously unpublished, Voyage Le Corbusier encourages a new generation to learn to see.