Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-present), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge – history, politics and media – in the making of postmodern architectural discourse. It explores how Portoghesi’s personal “postmodern project” is based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi’s most significant architectural projects – including Casa Baldi (1959), The Mosque in Rome (1975–95) and his Strada Novissima exhibition (1980) – and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.

Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how - in this pluralistic, fragmented, and fluid world - designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question "What is community?" in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia's Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany's Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.

Facades: Beauty. Utility. Performance illustrates the depth and breadth of the many innovative exterior wall facades that were designed from 2007-2020 at Adrian Smith + Gordon Gill Architecture (AS+GG). The featured projects, both built and unbuilt, are explored through photographs, renderings, model images, detail drawings, narratives, and illustrations. Each project addresses a series of environmental concerns, offering site-specific, performative solutions and innovative techniques that harvest resources and maximise efficiencies.

A renaissance man of Indian modernism, Aditya Prakash (1923-1988) trained as an architect in London and also studied at the Glasgow School of Art. His buildings adhered to the strictest principles of modernism as adapted to the Indian climatic and living conditions. His work in all forms is characterised by rigorous authenticity and directness. He began his career as an architect in the Chandigarh Capital Project and later went to work for the Punjab Agricultural University before he became the principal of the Chandigarh College of Architecture. Besides practising architecture, Prakash was a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. As an academic, his first love was sustainable urbanism. He published two books and several papers on the subject. This book traces the width of Prakash's career and obsessions, and includes critical essays, interviews and a chronology of works, along with lavish illustrations of a portfolio of select works.

Over the course of twenty years, acclaimed studio Miro Rivera Architects has produced an innovative, refined, and imaginative body of work-both modern and respectful of time-honored building traditions-that embodies the particularities of place and blurs the line between art and architecture. The firm's diverse practice weaves together a commitment to craftsmanship with a honed sense of materiality and space to create structures at once elegant, controlled, and pleasant to inhabit. In all, Miro Rivera Architects has won more than one hundred design awards and represented American architecture at exhibitions worldwide. The first from the firm, this volume provides critical insight into the studio's creative process through texts, 95 drawings, and 231 photographs, exploring two decades of work that has helped bring Texas architecture onto the international stage. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jimenez-prominent thinkers in urban design and architecture-and new images by renowned photographers Iwan Baan and Sebastian Schutyser, this book examines Miro Rivera's approach to Austin as a "landscape city" and situates the firm's work in a global context related to concepts of nature, urbanism, sustainability, and history.

During the post-war era, the emerging consumer economy radically changed both the discourse and practice of architecture. It was a time where architecture became a mainstream commodity whose products sold through mass media; a time in which Thomas Gordon Cullen came to be one of Britain's best-known twentieth-century architectural draftsmen. Despite Cullen's wide acclaim, there has been little research into his life and work; particularly his printed images and his methods of operation. This book examines Cullen's drawings and book design and also looks into his process of image making to help explain his considerable popularity and influence which continues to this day. It presents the lessons Cullen had to offer in today's design culture and practice and looks into the post-war consumerist design strategies that are still used today.

Innovation in design, construction, planning and sustainability have established bptw's reputation within the residential, regeneration, special needs, education, health care and mixed-use sectors. Based in Greenwich, London, for the last 14 years, the projects undertaken by the practice are models of socially and environmentally conscious design. Renowned for its work with a range of clients, including private developers, housing associations, local authorities and community groups, bptw's "Celebrating Differences" presents the work of the practice in all its diversity.

The objects of architecture are not simply inert assemblies of material-they are complex entities that unfold their potential agencies (whether political, social, or environmental) in equally complex ways. Exploring these forms of architectural agency has in recent years been a central aspect of the work of Andres Jaque and the Office for Political Innovation, who, in addition to their built works, pursue a research practice through the many other media of architectural production. Their projects are reactive, intervening on what already exists to demonstrate how design, politics, and criticality operate across different scales and at the intersection of multiple realities. Jaque's performances, videos, and installations-and this book, which collects a range of recent research projects-bring new subjects into the fold of architecture, focusing on alternative actors, distributions of power and representation, and the sociocultural effects of architecture. These episodes address ideas like genetic manipulation, the necessary requeering of dequeered spaces of online interaction, and the selling of modern architectural comforts in order to subvert the field from within and to contest capitalism's flattening-out of public life. Rather than propose alternative-from-scratch futuristic or idealized realities, Jaque and the Office for Political Innovation claim that reality is produced at the intersection of things like porn, interior design, maintenance, and the territorial distribution of toxicity. Documenting a series of performances, research projects, installations, films, characters, and exhibitions, Superpowers of Scale demonstrates the breadth of architectural knowledge and its possible representations.

The first volume of the series chronicling the work of architects gmp * Von Gerkan, Marg and Partner was published in 1978, while 2008 saw the publication of the eleventh and most recent volume in the series. More than a decade later, the series is at last picking up where it left off: volume twelve of the monograph documents the projects built between 2007 and 2011, including numerous sports facilities around the world, from the three stadiums erected for the soccer world championships in 2010 in Cape Town, Port Elizabeth, and Durban, South Africa; to the buildings for the World University Games in 2011 in Shenzhen, China; to the Olympic stadium in Kiev. Those, however, are just a few of the sixty-five projects found in this richly illustrated volume: transportation facilities such as the Hamburg Airport and the West Train Station in Tianjin, China, as well as iconic cultural buildings such as the Chinese National Museum, the Hanoi Museum, the China Maritime Museum in Lingang, and the grand theatres in Chongqing and Qingdao are also detailed. Languages: German and English

Washington, DC-area architect Robert M. Gurney, FAIA, designs ecologically aware modern homes using natural materials and varied construction methods. This latest volume in IMAGES' Master Architect Series features photography and drawings of more than a dozen of Gurney's most recent projects. Gurney is dedicated to the design of modern, meticulously detailed, thoughtfully ordered residential and commercial projects sensitive to site, program and budget. Materials are employed with honesty, integrity and ecological awareness. Whether working in complex historical districts or on a vacant site, the design process involves an understanding of site-specific issues of location, landscape, history, availability of materials and construction methods.

Cosmopolitan Habitat promotes a research agenda for urban resilience, understanding cities as global avant-garde dealing with the planetary challenges of climate change, migration, and social fragmentation. Within the framework of the Green Deal, Europe is advancing ideas and innovations aimed at manifesting change and long-term strategies for our cities in order to achieve the aims of resilience and sustainability. At the same time, we are facing the impact of the Covid-19 pandemic on our cities and on our ways of imagining and constructing urban futures. How can cities become new, concrete places to invent, explore, experiment, and live in open communities that are able to face global challenges while also enhancing liveability, inclusivity, and urban economies? Cosmopolitan Habitat presents conceptual models, urban strategies, and spatial practices for the Open City, combining urbanism, architecture, humanities, culture, economy, and politics.

Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful introduction with selected images and his own sketches framing a way of seeing Point William for the reader. Michael Webb's provocative interview with Brigitte Shim and Howard Sutcliffe describes their evolving vision for Point William and their two-decade journey towards its realisation. Acclaimed photographers Ed Burtynsky, James Dow and Scott Norsworthy contribute through their powerful images capturing the spirit of Point William through the seasons and over time.

The architectural structuring principle of the cellular compartment floor plan is as simple as it is economical, yet it allows for spatial and combinatorial freedom that can be interpreted in ever-new, ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums or schools, with the floor plans providing highly dynamic and surprising traffic patterns and views. The cellular compartment floor plan is the generating principle in many buildings, projects, and competition entries by Basel-based office Luca Selva Architects, who have been continually developing this typology in their many years of practice, modifying it and adapting it for new applications in different projects. It is therefore at the centre of this new book on the work of the prolific office. The numerous plans and photographs are supplemented by a theoretical essay by Christoph Wieser and a conversation between Luca Selva and Patrick Gmur. The book for the first time sheds light on this surprisingly sparsely researched topic, and thus its wider significance for the discourse reaches beyond the exemplary designs by Luca Selva Architects. Text in English and German.

Highlighting 50 years of curiosity, Boundless is about pushing the limits of "What's possible?" It highlights the history of EYP, an interdisciplinary design firm, and its unique culture through a rich body of work. Shared in three parts - roots, complexities, and possibilities - each section tells a story through projects highlighting client dreams, technical challenges, and social and environmental impacts. "Roots" honours the strong foundations of EYP's 50-year history, including its early grounding in sustainability, preservation, and work with mission-centred clients. It covers a wide mix of transformative projects across higher education, healthcare, and government sectors. "Complexities" reflects the many opportunities and challenges - design, technical, or otherwise - driving the firm's work over the past two decades. Learn about clients and projects that challenged limits of design, including a green-powered US Embassy; a Planetree hospital; a flexible student maker space, and a state-of-the-art workplace for a national lab. Discover how important existing buildings can be reinvented, like those designed by architectural icons Eero Saarinen and Louis Kahn. "Possibilities" covers work the firm is engaged with today - either on the boards or under construction - including community centres, national historic treasures, places of diplomacy, hospitals for mental health, centres for student innovation, and buildings inspiring the future of science and technology. It uncovers what's possible when novel designs intersect with cultural insights to create authentic experiences, enhancing people's lives and communities.

The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

In these rapidly changing times, we are increasingly embracing change and innovation; we deviate, modify, shift and pivot to challenge long-accepted norms. Transformation is everywhere, at all times. Transformation is also the central topic in the architectural profession and the built environment. It can be evidenced in concepts and ideas, in awareness, appearance, form, character, nature or culture. This year, the Zumtobel Group commissioned the international architecture practice UNStudio to create their annual report for 2021/2022, adding to the Austrian lighting company's unique oeuvre of yearly published art books. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year's publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past thirty years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.

Pietro Nobile (1776-1854), originally from Ticino in Switzerland, Director of the School of Architecture at the Academy of Fine Arts in Vienna, architect working for the imperial court and protege of the Austrian Chancellor of State Clemens Lothar Metternich, attempted to combine science, mechanics, and aesthetics in architecture. An architect trained both as an engineer and academically, he reformed teaching at the School of Architecture at the Academy in Vienna by reacting to the design methods introduced at the Polytechnic in Paris, and by making academic drawing compulsory for engineers. The publication presents the results of Italian-Austrian-Czech cooperation on research into the architect's death estate in Trieste and Bellinzona, Switzerland, and other materials scattered throughout Europe.

Covers the brief but groundbreaking career of the self-proclaimed 'anarchitect' Gordon Matta-Clark (1943-1978), one of the most influential American artists of the 1970s. The immense ambition and scale of Gordon Matta-Clark's projects, and their fearless reimagining of the urban landscape, challenged city-dwellers to reconsider the very notion of built structure and the fragility of seemingly unassailable edifices. Matta-Clark's first interventions took place in abandoned, derelict structures, upon which he performed his famous 'building cuts' and 'intersects'. First published in 2008 (for a show at SMS Contemporanea in Siena), and organised thematically and chronologically, this substantial volume looks at these and other bodies of work, such as the Food restaurant, the performances, the 'estates' and the artist's pursuit of alternative economical housing. The catalogue also includes a filmography and critical essays, plus an interview done by Judith Russi Kirshner in 1978. Text in English and Italian.

As a formative exemplar of early architectural modernism, Bruno Taut's seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut's Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut's diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut's motives and inspirations for its design. The result is that Taut's motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.

Acclaimed as the "father of skyscrapers," the quintessentially American icon Frank Lloyd Wright (1867-1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright's work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as "the best all-time work of American architecture." Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright's aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)