In this book, Tsiambaos redefines the ground-breaking theory of Greek architect and town planner Constantinos A. Doxiadis (The Form of Space in Ancient Greece) and moves his thesis away from antiquity and ancient architecture, instead arguing that it can only be understood as a theory founded in modernity. In light of this, the author explores Doxiadis' theory in relation to the work of the controversial Greek architect Dimitris Pikionis. This parallel investigation of the philosophical content of Doxiadis' theory and the design principles of Pikionis' work establishes a new frame of reference and creates a valuable and original interpretation of their work. Using innovative cross-disciplinary tools and methods which expand the historical boundaries of interwar modernism, the book restructures the ground of an alternative modernity that looks towards the future through a mirror that reflects the ancient past. From Doxiadis' Theory to Pikionis' Work: Reflections of Antiquity in Modern Architecture is fascinating reading for all scholars and students with an interest in modernism and antiquity, the history and theory of architecture, the history of ideas and aesthetics or town planning theory and design.

Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture. One of very few writers to be awarded the RIBA's highest honour, the Royal Gold Medal, in 2014, and author of countless books and essays, his influence over the past 60 years cannot be underestimated. In this memoir he tells for the first time of how his life's experiences shaped his working life. He addresses the dualities between which he had to navigate: Jewish/Polish, Polish/British and later, Practice/Scholarship. He spent most of his working life between the US and UK and worked both as a designer and a writer; as such his ground-breaking ideas and work have had a major impact on the thinking of architects and designers since the 1960s and continue to do so to this day.

Regardless of style, age or size, a home should be a place of refuge, a private space in which we can feel truly comfortable, whether spending time on our own or entertaining friends. Above all, it should be a place of our own making, filled with the books, furniture and other cherished objects that say so much about who we are. Nowhere is this philosophy more apparent than in the work of Chester Jones, one of the UK's most celebrated interior designers and decorators. Lavishly illustrated throughout, "The Interiors of Chester Jones" provides a unique and fascinating insight into both Jones himself - a former architect and managing director of Colefax and Fowler - and the thinking behind the many rich and nuanced interiors he has created since establishing his own firm in 1989. The book covers every aspect of his work, from his distinctive use of art and artefacts to his sympathetic treatment of a building's architectural history, and includes a series of in-depth case studies on past projects. At the heart of this beautiful book is Jones's own belief that to be happy in one's own surroundings, to live contentedly in a space of our own design, is to feel genuinely at home.

This groundbreaking new perspective on Le Corbusier is based on exhaustive archival research and the study of neglected or completely unknown documents. It is innovative in showing the role of materials and construction techniques in the architecture of Le Corbusier and the book also delves into the project management and the construction of several buildings in the period 1940 1965. Each worksite, from the Unit d Habitation (Housing Unit) in Marseille to the city of Chandigarh, and also including the Tokyo museum, the Carpenter Center in Cambridge and the Unit d'Habitation in Berlin, is analyzed in detail.

The World of Andre Le Notre Thierry Mariage. Translated by Graham Larkin "A stimulating effort to contextualize Le Notre's career and to relate the 'French formal garden' to the cultural and political environment of Louis XIV's reign."--"French History" "This ambitious book is intellectually significant, well researched, and cogently presented. . . . Excellent."--"Geographical Reviews" "A substantial contribution to the study of seventeenth-century French garden practice."--"Landscape Architecture" The gardens of Versailles--along with the name of their chief creator, Andre Le Notre (1613-1700)--have become synonymous with the French style of "formal" garden. This style in its turn would succumb to another "national" mode, the English school of naturalistic and picturesque landscapes. But as Thierry Mariage makes clear, the garden style that Le Notre brought to perfection need not be seen in opposition to the later "English" one. Rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds. Published originally in Belgium as "L'univers de Le Nostre," Mariage's examination of Le Notre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Notre's garden art in a complex social and cultural world, where the practices of land management, surveying techniques and hydrology, military practice, and both scientific and literary perspectives on land use and experience brought into being a unique form of landscape architecture. His analysis opens up the fashion in which design techniques and garden philosophy are shaped by material culture. Thierry Mariage is Architect for National and Historical Monuments, in charge of Versailles Museum, Park, and Gardens. Graham Larkin is Curator of European and American Art at the National Gallery of Canada. Penn Studies in Landscape Architecture 1998 168 pages 7 x 10 38 illus. ISBN 978-0-8122-2136-7 Paper $26.50s 17.50 World Rights Architecture Short copy: Mariage's examination of Andre Le Notre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Notre garden art in a complex social and cultural world.

Lara Schrijver examines the work of Oswald Mathias Ungers and Rem Koolhaas as intellectual legacy of the 1970s for architecture today. Particularly in the United States, this period focused on the autonomy of architecture as a correction to the social orientation of the 1960s. Yet, these two architects pioneered a more situated autonomy, initiating an intellectual discourse on architecture that was inherently design-based. Their work provides room for interpreting social conditions and disciplinary formal developments, thus constructing a `plausible' relationship between the two that allows the life within to flourish and adapt. In doing so, they provide a foundation for recalibrating architecture today.

"Building in Lebanon is my way of taking a position with regard to the war." This statement by the French-Lebanese architect Youssef Tohme is key to getting into and grasping Intensive Beirut. This illustrated essay blends reflections on the urban development of the Lebanese capital with the experience gained on the projects of this architect-contractor, engaged in the effort to reopen the debate on architecture in his country. In a place where every situation is never more than a temporary state, the analysis of space is fundamental. The first part of the book examines Youssef Tohme's ideas, illustrated with 25 photos by Ziad Antar, a Lebanese visual artist-photographer. Equipped with a Holga and a Rollefleix, Antar has captured the architect's key projects - St. Joseph University in Beirut (designed with the office of 109 architects), the Villa T and the Villa M in Kornet Chehouane, and the Villa SC in Akoura. The second part, authored by Karine Dana, facilitated exchanges of ideas between Youssef Tohme and important figures of the Lebanese cultural scene such as the architect Tony Chakar, the artist Ziad Abilama and the singer Ahmed de Maschrou. Text in English and French.

History Reinterpreted, the second published work from celebrated architect and Fellow of the American Institute of Architects Patrick Ahearn, explores the renovation and reimagination of the 1871 Myles Standish Hotel in Duxbury, Mass., as a grand single-family residence. Highlighting how new life and modernity can be breathed into an historic structure while still respecting the past, the volume includes the architect's own hand-drawn elevations, before and after floor plans, and countless full-colour photos from yesteryear and today to delight architecture and history enthusiasts alike.

David Connor is a British interior and architectural designer, who in the early 1980s was one of a few pioneers who changed perceptions of what design could be. A graduate of the Royal College of Art, Connor began his career as an interior designer before branching out into architecture. His clients and collaborators include Vivienne Westwood, Anish Kapoor, Malcolm McLaren, Adam Ant, Janet Street Porter, Marco Pirroni and Leyton House, amongst others. This book examines Connor's most significant projects, assessing his idiosyncratic working methods and identifying his influences and professional liaisons with partners, collaborators and clients. With beautiful illustrations and photographs, it considers the impact of his interior-design education on his architectural projects and the link between his drawing techniques and the particularity of his finished work.

This new book explores the work of Mahendra Raj, arguably India's most significant structural engineer. Born in 1924, Raj studied in Lahore and gained his first working practice at the Punjab Public Works Department. He completed his education by working with engineering firms in the US and degrees he took from University of Minnesota and Columbia University, New York in 1955-59. He established his independent practice in New Delhi in 1960. Many of Raj's structures are recognised as monuments narrating the history of energetic nation building in post-independence India. Some of them are unique, such as the Hall of Nations and Industries (New Delhi, 1972) with its large-span concrete space frame, the Hindon River Mill (Ghaziabad, 1973) with a series of bowstring concrete arches. Especially during the 1980s, Raj designed further innovative, ground-breaking structures, most notably the NCDC Office (New Delhi, 1980) and the State Trading Corporation building (New Delhi, 1988). The Structure features twenty-eight of Mahendra Raj's buildings from all periods of his career in detail and richly illustrated with photographs and colour reproductions of archival plans as well as selected sections and plans. Essays by expert authors, interviews with Mahindra Raj, and an illustrated complete list of works round out this first comprehensive monograph on a pioneer of structural engineering.

A spectacular, visually rich monograph on one of the most visionary architecture firms of the twenty-first century led by 2016 Pritzker Prize-winner Alejandro Aravena

Elemental, based in Santiago, Chile, epitomizes a new generation of pioneering, socially engaged architects. The firm specializes in innovative, powerful, and humane public-interest projects, working on both large and small scales across Chile, the United States, Mexico, Switzerland, and China.

Featuring stunning images by renowned architectural photographers together with sketches and drawings from Aravena's personal notebooks, this book beautifully, often irreverently, displays Elemental's unique working methods and philosophy. Each project - from iconic structures like the Anacleto Angelini UC Innovation Centre to seaside residences and pioneering reconstruction plans - is accompanied by Aravena's engaging texts, bringing to life his understanding of civil society and the built environment.

From the publisher of Snarkitecture, Grafton Architects and Concrete.

A renaissance man of Indian modernism, Aditya Prakash (1923-1988) trained as an architect in London and also studied at the Glasgow School of Art. His buildings adhered to the strictest principles of modernism as adapted to the Indian climatic and living conditions. His work in all forms is characterised by rigorous authenticity and directness. He began his career as an architect in the Chandigarh Capital Project and later went to work for the Punjab Agricultural University before he became the principal of the Chandigarh College of Architecture. Besides practising architecture, Prakash was a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. As an academic, his first love was sustainable urbanism. He published two books and several papers on the subject. This book traces the width of Prakash's career and obsessions, and includes critical essays, interviews and a chronology of works, along with lavish illustrations of a portfolio of select works.

The work of Alejandra Cisneros marks a significant departure from the tropical 'Bali-style' villa design popularised in the past two decades and is a refreshing antidote to the anodyne villas invading Bali's centuries-old rice terraces. In Seen | Unseen, Alej shares her insights on reimagining traditional homes for 21st-century lifestyles in today's fragile environments. She reveals the thinking behind her designs, and her heart-centred process of co-creation a "conspiracy of client, joglo, land, Balinese craftsmanship, and culture." She also acknowledges the influence of Tri Hita Karana, the Balinese concept of cosmological balance that governs their relationship with people, the environment and the Creator. This beautifully illustrated book focuses on her whimsical, exciting homes - fanciful yet practical, designed for potters and poets, artists and entrepreneurs alike hailing from North and South America, Europe and Asia. Crafted almost entirely from antique teakwood, traditional materials, and showcasing joyful design ideas, each home merges seamlessly with the landscape. Alej curates unique, mould-breaking homes that create a new way of living that is at one with nature in the tropics. Her canvas is the Bali landscape; her paints are Java's traditional teakwood joglos and Indonesia's myriad natural materials; her brushes are the Balinese craftspeople that bring her vision to reality.

Based around an interview with Tadao Ando, this book explores the influence of the Buddhist concept of nothingness on Andoa (TM)s Christian architecture, and sheds new light on the cultural significance of the buildings of one of the worlda (TM)s leading contemporary architects.

Specifically, this book situates Andoa (TM)s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870-1945), the father of the Kyoto Philosophical School.

Linking Andoa (TM)s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Andoa (TM)s architecture to the influence of Nishida on post-war Japanese art and culture.

This book follows Henry Klumb's life in architecture from Cologne, Germany to Puerto Rico. Arriving on the island, Klumb was a one-time German immigrant, a moderately successful designer, and previously a senior draftsman with Frank Lloyd Wright. Over the next forty years Klumb would emerge as Puerto Rico's most prolific, locally well-known, and celebrated modern architect. In addition to becoming a leading figure in Latin American modern architecture, Klumb also became one of Frank Lloyd Wright's most accomplished proteges, and an architect with a highly attuned social and environmental consciousness. Cruz explores his life, works, and legacy through the lens of a sense of place, defined as the beliefs that people adopt, actions undertaken, and feelings developed towards specific locations and spaces. He argues that the architect's sense of place was a defining quality of his life and work, most evident in the houses he designed and built in Puerto Rico. Puerto Rico's Henry Klumb offers a historical narrative, culminating in a series of architectural analyses focusing on four key design strategies employed in Klumb's work: vernacular architecture, the grid and the landscape, dense urban spaces, and open air rooms. This book is aimed at researchers, academics, and postgraduate students interested in Latin American architecture, modernism, and architectural history.

It is difficult to imagine the history of modern architecture in Britain being written without reference to the work of Eldred Evans and David Shalev. From 1967, when they won the international competition for Newport High School, Evans and Shalev maintained a distinctive presence as designers. Together they created a body of work that is uniformly innovative, elegant and sensitive to place, and realised with care, skill and intelligence. This new monograph documents their remarkable oeuvre as it developed over six decades. Introduced by Joseph Rykwert, the book includes critical commentaries by David Dunster, Patrick Hodgkinson and others. Contents: Introduction by Joseph Rykwert; Principle works: Newport High School, Children's Reception Home Alexander Road, Truro Crown Courts, Tate St. Ives, The Quincentenary Library, Jesus College, Bede's World Museum; Complete Project Index; Credits.

John Madin was the indisputable master of post-war architecture in Birmingham. The work of Madin and his associates had a profound influence on the reshaping of the city after the war, producing some of the most iconic buildings of that period, such as the Birmingham City Library, the Chamber of Commerce and the Post and Mail Building. Trained in the modernist style but too much of a craftsman to abandon decoration entirely, his work is characterised by attention to detail, a preference for natural materials and a desire for decoration and art in his buildings. Many have characterised Madin as a commercial architect, but as the author argues, there was another side to his work. His conservationist approach to the development plan for the Calthorpe Estate, his workman-like master-planning of Dawley, Telford and Corby new towns, his public service commissions, and his design and layout of housing schemes that are still lived-in and popular today, testify to his commitment to human values. Lavishly illustrated with images from Madin's personal archive and stunning new photography, this book is an essential read for architects, students, architectural historians and modernist enthusiasts interested in learning more about a key figure in British post-war architecture. This book has been commissioned as part of a series of books on Twentieth Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

*A must-have for any design enthusiasts, especially those interested in Carleton Varney and Dorothy Draper*Insider views of the world's most famous resorts, the Greenbrier in White Sulphur Springs, West Virginia and the Grand Hotel on Mackinac Island, Michigan*Perfect compendium to HSN's television show, Live Vividly*As practical as it is beautiful, this book contains decorating advice from one of Architectural Digest's "Deans of Design" "Everything's grand" says decorator extraordinaire, Carleton Varney. After over forty years in the interior design business, Varney opens his archive and brings together his favorite large-scale luxury decorating projects, including an Irish country manor, a sixteenth-century castle, a colonial mansion, a Southern plantation, along with two of his best-loved resorts - the Greenbrier in West Virginia and the "Queen of the Great Lakes", Michigan's Grand Hotel. On these pages, he also showcases his most recent private residential project - a 6000 square foot Mediterranean-style home, near the Rio Grande. In Decorating in the Grand Manor, Varney focuses our attention on all the elements of elegant design, from crystal chandeliers to magnificent architectural details and dispenses his time-honored advice on how to achieve the look at home.

Since the 1980s, Vitra has enlisted some of the world's leading architects to design buildings for its campus, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Alvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has resulted in a unique architectural ensemble that attracts 350,000 visitors each year, about which Philip Johnson wrote: "Since the Weissenhofsiedlung in Stuttgart in 1927, there has not been a gathering in a single place of a group of buildings designed by the most distinguished architects in the Western world." While the renowned Vitra Design Museum presents alternating exhibitions, the Schaudepot gives visitors an insight into parts of the museum's extensive collection. In addition, during their time on the Campus, visitors can take part in a guided tour of the architecture or a workshop, enjoy the view from the Vitra Slide Tower and afterwards slide down the 37-meter-long slide, experience furniture classics and new products from the Vitra Home Collection in the VitraHaus as well as savour the offers of the shops and cafes. Originally published in 2014, this revised flexibound edition of The Vitra Campus offers an overview of Vitra architecture, its daily use, the development of the Campus and biographies of the contributing architects. An ideal souvenir and campus guide, The Vitra Campus is also a fascinating read about some of the most significant architects and buildings of our time.

Arup Associates, a major presence on the British architectural scene for more than half a century, emerged from the famous engineering consultancy founded by Ove Arup in 1946 and reflected Arup's own vision of "total design", formed in the 1930s in his groundbreaking collaborations with Berthold Lubetkin. With architects, engineers and other professionals working in groups, it offered a uniquely interdisciplinary approach to the design of buildings. From early groundbreaking factories to a series of university commissions, innovative offices, and cultural projects, including the Snape Maltings concert hall, the practice moved on to become a major player on the London development scene with its projects at Finsbury Avenue and Broadgate. This book, the first monograph on Arup Associates for more than 30 years, discusses the work of the firm from the years of the Arup Building Group in the 1950s to the 1990s and assesses the contribution of its leading designers, including Sir Philip Dowson, Derek Sugden and Peter Foggo. The text is based on interviews with many former and current members of the practice. The book is fully illustrated with images from the Arup archive and stunning new photography offering a new perspective on an exceptional body of work.

Digital Monuments radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas's CCTV headquarters in Beijing, Frank Gehry's Guggenheim Museum in Bilbao and Zaha Hadid's Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internet-yet comes to haunt the actualised buildings. Like holograms, these "digital monuments," which violently push physics and engineering to their limits, flicker eerily between the real and the unreal-invoking fantasies of omnipotence, immortality and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology. In 18 micro-essays, Digital Monuments exposes the stereotypes of iconic architecture while depicting the savagery of the industry, from the Greek and Spanish crises triggered by financialised iconic development to mass labour-deaths on construction sites in the UAE.