This book investigates the architectural, product design, and urban typology of the capsule which, beginning in the 1960s, broadened the concept of the basic building blocks of architecture to include a minimal living unit, called the "capsule." Here it is presented with regard to the continuity of the development of the Modern Movement, its revisionist criticism, pioneering examples, as well as contemporary examples and uses. The typology of the capsule allows us to consider this theme in terms of the architecture of resistance, with the potential to search for an "other" architecture that is embedded in our contemporaneity (manifested in small dwellings, composite structures, and container units; shelters and mobile homes in nature and the urban environment; technology transfer in high-tech designs; devices, additions, and extensions etc.). The concept of the capsule as a building element of architecture, as well as a spatial element, can therefore be regarded as having a generative potential for an architecture of personal space for the individual, forcing us to reflect on our existing living and dwelling conditions.

In this book, Tsiambaos redefines the ground-breaking theory of Greek architect and town planner Constantinos A. Doxiadis (The Form of Space in Ancient Greece) and moves his thesis away from antiquity and ancient architecture, instead arguing that it can only be understood as a theory founded in modernity. In light of this, the author explores Doxiadis' theory in relation to the work of the controversial Greek architect Dimitris Pikionis. This parallel investigation of the philosophical content of Doxiadis' theory and the design principles of Pikionis' work establishes a new frame of reference and creates a valuable and original interpretation of their work. Using innovative cross-disciplinary tools and methods which expand the historical boundaries of interwar modernism, the book restructures the ground of an alternative modernity that looks towards the future through a mirror that reflects the ancient past. From Doxiadis' Theory to Pikionis' Work: Reflections of Antiquity in Modern Architecture is fascinating reading for all scholars and students with an interest in modernism and antiquity, the history and theory of architecture, the history of ideas and aesthetics or town planning theory and design.

Hand Hewn is a fascinating and inspiring tribute to traditional timber framing by one of today's foremost expert architects and practitioners of the craft. In this highly visual book, internationally renowned builder Jack A. Sobon weaves his personal history of learning about the craft with its 2,000-year-long history. Sobon begins with the story of how he fell in love with what was then a little-known building technique and how he eventually became the "Sherlock Holmes" of timber framing. Through evocative text, stunning photography, and hand drawings, Sobon highlights the intimacy of timber framing: its connection to place and to the trees and forest, as well as the honesty and artfulness of the craft, the satisfaction of working with hand tools, and the thoughtful - even spiritual - nature of design. Ultimately, the book reveals how contemporary timber framing offers links to the past, to the natural world, and to the homes and structures that shape our lives.

Gender Gap, curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with "The Architect's Table", a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juacaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Vigano and Laura Andreini, curator of the exhibition and catalogue.

Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture. One of very few writers to be awarded the RIBA's highest honour, the Royal Gold Medal, in 2014, and author of countless books and essays, his influence over the past 60 years cannot be underestimated. In this memoir he tells for the first time of how his life's experiences shaped his working life. He addresses the dualities between which he had to navigate: Jewish/Polish, Polish/British and later, Practice/Scholarship. He spent most of his working life between the US and UK and worked both as a designer and a writer; as such his ground-breaking ideas and work have had a major impact on the thinking of architects and designers since the 1960s and continue to do so to this day.

This monograph on the work of the Russian architect Galina Balashova presents a unique collection of designs for Soviet cosmonautics. These include plans and engineering drawings for Soyuz capsules and the space stations Salyut and Mir. Balashova acted as a consultant to the Buran programme, the Soviet counterpart to the American Space Shuttle.

A smartly designed and beautifully illustrated look at the life and work of an elusive and influential designer and architect Eileen Gray (1878-1976) was a versatile designer and architect who navigated numerous literary and artistic circles over the course of her life. This handsome volume chronicles Gray's career as a designer, architect, painter, and photographer. The book's essays, featuring copious new research, offer in-depth analysis of more than 50 individual designs and architectural projects, accompanied by both period and new photographs. Born in Ireland and educated in London, Gray proceeded to Paris where she opened a textile studio, studied the Japanese craft of lacquer that would become a primary technique in her design work, and owned and directed the influential gallery and store known as "Jean Desert." Gray struggled for acceptance as a largely self-taught woman in male-dominated professions. Although she is now best known for her furniture, lighting, and carpets, she dedicated herself to many architectural and interior projects that were both personal and socially driven, including the Villa E 1027, the iconic modern house designed with Jean Badovici, as well as economical and demountable projects, such as the Camping Tent. Published in association with the Bard Graduate Center Exhibition Schedule: Bard Graduate Center Gallery, New York (February 28-July 12, 2020)

"Building in Lebanon is my way of taking a position with regard to the war." This statement by the French-Lebanese architect Youssef Tohme is key to getting into and grasping Intensive Beirut. This illustrated essay blends reflections on the urban development of the Lebanese capital with the experience gained on the projects of this architect-contractor, engaged in the effort to reopen the debate on architecture in his country. In a place where every situation is never more than a temporary state, the analysis of space is fundamental. The first part of the book examines Youssef Tohme's ideas, illustrated with 25 photos by Ziad Antar, a Lebanese visual artist-photographer. Equipped with a Holga and a Rollefleix, Antar has captured the architect's key projects - St. Joseph University in Beirut (designed with the office of 109 architects), the Villa T and the Villa M in Kornet Chehouane, and the Villa SC in Akoura. The second part, authored by Karine Dana, facilitated exchanges of ideas between Youssef Tohme and important figures of the Lebanese cultural scene such as the architect Tony Chakar, the artist Ziad Abilama and the singer Ahmed de Maschrou. Text in English and French.

David Connor is a British interior and architectural designer, who in the early 1980s was one of a few pioneers who changed perceptions of what design could be. A graduate of the Royal College of Art, Connor began his career as an interior designer before branching out into architecture. His clients and collaborators include Vivienne Westwood, Anish Kapoor, Malcolm McLaren, Adam Ant, Janet Street Porter, Marco Pirroni and Leyton House, amongst others. This book examines Connor's most significant projects, assessing his idiosyncratic working methods and identifying his influences and professional liaisons with partners, collaborators and clients. With beautiful illustrations and photographs, it considers the impact of his interior-design education on his architectural projects and the link between his drawing techniques and the particularity of his finished work.

This new book explores the work of Mahendra Raj, arguably India's most significant structural engineer. Born in 1924, Raj studied in Lahore and gained his first working practice at the Punjab Public Works Department. He completed his education by working with engineering firms in the US and degrees he took from University of Minnesota and Columbia University, New York in 1955-59. He established his independent practice in New Delhi in 1960. Many of Raj's structures are recognised as monuments narrating the history of energetic nation building in post-independence India. Some of them are unique, such as the Hall of Nations and Industries (New Delhi, 1972) with its large-span concrete space frame, the Hindon River Mill (Ghaziabad, 1973) with a series of bowstring concrete arches. Especially during the 1980s, Raj designed further innovative, ground-breaking structures, most notably the NCDC Office (New Delhi, 1980) and the State Trading Corporation building (New Delhi, 1988). The Structure features twenty-eight of Mahendra Raj's buildings from all periods of his career in detail and richly illustrated with photographs and colour reproductions of archival plans as well as selected sections and plans. Essays by expert authors, interviews with Mahindra Raj, and an illustrated complete list of works round out this first comprehensive monograph on a pioneer of structural engineering.

Environmental Activism by Design, a monograph by architects and educators Coleman Coker and Sarah Gamble, challenges designers to actively engage the environmental crisis through their work, while articulating an optimistic, tangible means to pursue community good and environmental justice through design activism and engagement. The authors assert that in addition to greener buildings, cheaper housing, and technological fixes, we must rethink pedagogy and praxis so that every single architecture graduate can define equity and transform the profession. Environmental Activism by Design centres on the award-winning Gulf Coast DesignLab at the University of Texas, which works directly with clients and stakeholders to produce spaces for the public to learn and researchers to undertake their environmental work. Environmental Activism by Design asks readers to challenge themselves, as agents of social equity, environmental justice, and climate action, to pursue operative practices and transformation rather than mere keywords and consensus.

Michele De Lucchi and AMDL Circle Connettome details the connections activated in the design work of Michele De Lucchi's studio, named AMDL CIRCLE since 2019. Through a suggestive photographic sequence, the book traces the most significant creations of the studio, combined in order to make visible what the designer calls the "synapses of architecture", meaning the associations of emotions, memories and thoughts that stimulate new creativity. Covering over 20 years of activity, the images reveal a way of thinking about architecture and design in the light of a multidisciplinary, visionary, future-oriented - in a word, humanistic - approach. At the end of the book, which includes a text by De Lucchi, is a chronologically arranged selection of projects carried out in the new millennium, in the fields of architecture, interiors, installations, product design, graphics and research. Text in English and Italian.

This book follows Henry Klumb's life in architecture from Cologne, Germany to Puerto Rico. Arriving on the island, Klumb was a one-time German immigrant, a moderately successful designer, and previously a senior draftsman with Frank Lloyd Wright. Over the next forty years Klumb would emerge as Puerto Rico's most prolific, locally well-known, and celebrated modern architect. In addition to becoming a leading figure in Latin American modern architecture, Klumb also became one of Frank Lloyd Wright's most accomplished proteges, and an architect with a highly attuned social and environmental consciousness. Cruz explores his life, works, and legacy through the lens of a sense of place, defined as the beliefs that people adopt, actions undertaken, and feelings developed towards specific locations and spaces. He argues that the architect's sense of place was a defining quality of his life and work, most evident in the houses he designed and built in Puerto Rico. Puerto Rico's Henry Klumb offers a historical narrative, culminating in a series of architectural analyses focusing on four key design strategies employed in Klumb's work: vernacular architecture, the grid and the landscape, dense urban spaces, and open air rooms. This book is aimed at researchers, academics, and postgraduate students interested in Latin American architecture, modernism, and architectural history.

Basel-based architects Daniel Buchner and Andreas Bründler established their studio in 1997 and soon gained wide recognition for their designs. Today, Buchner Bründler Architects ranks among the leading Swiss firm of the younger generation. This book, their second major monograph, features around 15 completed projects from 2010 to 2020 in rich detail. The selection comprises new buildings as well as significant reconstructions, with a focus on housing designs of various size and type in Switzerland and Germany. This is supplemented by a heavily illustrated survey of another 50 buildings and unrealised projects. Buchner Bründler – Buildings II does not merely bring together images, sketches, model photographs, and plans of individual buildings. Much rather, it places them in a larger context with concise texts that explore as well historic, social, and economical aspects of the specific location. Moreover, the renowned Swiss book designer Ludovic Balland and his collaborator Annina Schepping have experimented with a range of photographic methods and techniques. Their artistic interpretations of Buchner Bründler’s buildings complete a stunningly beautiful volume.

We are all improvising. We are all making decisions. And we are all watching each other improvise. Together, we are improvising. Decisions become shared ones. We will have built this city together. Convivial Ground invites the reader to discover the work of the transdisciplinary European design-build network Constructlab piece by piece. Taking Ivan Illich's understanding of conviviality as departure point, the essays, conversations, stories, and images in the book reflect on the specificities of collaborative practices as situated experiments, as well as on their possible roles in the creation of convivial societies. Exploring contemporary conditions of togetherness, learning, and working, the book is not a "how-to" guide, but an invitation to cooperatively write new convivial narratives.

Almost, Not: The Architecture of Atelier Nishikata is the story of a remarkable architecture practice in Tokyo. Partners Reiko Nishio and Hirohito Ono have built just four residential works, until now remaining little-known outside of Japan. But the extraordinary, almost-ordinary quality of their work warrants the spotlight. It has much to teach students of architecture and experienced architects alike. This book is a hybrid between an architectural monograph and a magic instruction book. Author Leslie Van Duzer, a former magician's assistant and author of four monographs on 20th-century architecture, draws parallels between the effects and methods of architects and magicians. The introductory essay, "Almost, Not," presents an overview of Atelier Nishikata's approach, describing the effects engendered by their architecture and the methods behind the them. The essay is followed by four detailed project descriptions that elaborate on the strategies behind the work. These texts are richly illustrated with process work, diagrams, detailed drawings, and photographs, including before and after views of the renovated spaces, and views post-inhabitation. The volume closes with a lengthy interview with the architects to help flesh out the methods behind their madness.

The remarkable career of the architect Andrea Palladio (1508-1580) is largely due to an extraordinary moment of prosperity in the Veneto mainland, both in the city and in the countryside: a boom due in large measure to a little-studied revolution in manufacturing. This book brings to light for the first time the architecture of these early industries, especially the production of textiles (wool, silk), mining and metalworking, paper manufacture, ceramics, sawmilling and leather-tanning. The huge surge in patent applications to the Venetian Senate in the period highlights the parallel technological improvements in both efficiency and quality. Former proto-industrial buildings across the Veneto, studied at first-hand, reveal the efficiency of hydraulic power and smooth-running mechanical processes. Water-power, a clean, renewable energy source, and structures made of natural, traditional materials, have much to teach today’s civilisation.

Based around an interview with Tadao Ando, this book explores the influence of the Buddhist concept of nothingness on Andoa (TM)s Christian architecture, and sheds new light on the cultural significance of the buildings of one of the worlda (TM)s leading contemporary architects.

Specifically, this book situates Andoa (TM)s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870-1945), the father of the Kyoto Philosophical School.

Linking Andoa (TM)s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Andoa (TM)s architecture to the influence of Nishida on post-war Japanese art and culture.