For the first time a comprehensive account of the outstanding work of Ryder & Yates has been chronicled in this new book by Tyneside architect Rutter Carroll. Formed by Gordon Ryder and Peter Yates and heavily influenced by Le Corbusier and Berthold Lubetkin, the practice dominated the development of modern architecture in the North East of England from the early 1950s, where their uncompromising modernism put them in stark contrast to their contemporaries. Structured by building type, the book attempts to reveal the principles of design particular to the practice of Ryder & Yates. It tells how, from its formation in Newcastle in 1953, it quickly established a reputation for innovative and highly individual buildings situated almost exclusively on Tyneside. Lavishly illustrated by images from the Ryder & Yates private archive, this book is an essential read for architects, students, architectural historians and modernist enthusiasts interested in learning more about one of the 20th century's most intriguing British practices. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

Innovation in design, construction, planning and sustainability have established bptw's reputation within the residential, regeneration, special needs, education, health care and mixed-use sectors. Based in Greenwich, London, for the last 14 years, the projects undertaken by the practice are models of socially and environmentally conscious design. Renowned for its work with a range of clients, including private developers, housing associations, local authorities and community groups, bptw's "Celebrating Differences" presents the work of the practice in all its diversity.

Gender Gap, curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with "The Architect's Table", a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juacaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Vigano and Laura Andreini, curator of the exhibition and catalogue.

The global success story of the Basel architects Jacques Herzog and Pierre de Meuron has local roots. This book traces these origins while identifying the essential ideas, professional ethics, and development of their architectural practice, established in 1978. The biographies of both architects and the activities of their practice are intimately bound up with the town of Basel. With this embeddedness in Basel as a point of departure, the authors elucidate central themes of their architectural oeuvre: from habitat to monument. With reference to exemplary buildings, they analyze the motifs, constructive principles, and spatial design of the architectonic works of Herzog & de Meuron. In addition, Jacques Herzog and Pierre de Meuron lead us on tours through Basel and its surroundings: statements by the architects, along with photographs taken especially for this volume by George Dupin, present the locales and buildings that have played key roles for the work of these architects. The book is rounded out by an intensive exchange of ideas between the architects and Jean-Francois Chevrier.

In architecture, as in many fields, the best method of learning is to learn from the experts. Here, the author, using modern drawing software, has redrawn the plans, elevations, sections, and axonometric drawings from 138 architectural works by the renowned Louis I. Kahn, one of the most important architects of the 20th century in the United States. In so doing, the author arrives at a new and objective perspective to understanding Kahn and his work, creating an invaluable resource for future study. By working through and observing the sketches in a chronological order, Kahn's spatial characteristics and variations can be seen in a holistic way. This book provides an innovative and intimate new look at Kahn and his architectural work.

This catalogue documents the exhibition titled One Way: Peter Marino, opening December 4, 2014, at the Bass Museum of Art in Miami Beach. Through a selection of paintings, sculptures, photographs, films, and architectural works, One Way: Peter Marino celebrates internationally acclaimed architect Peter Marino's connoisseurship of art and his influence on it, exploring the unique interplay of disciplines that inform his oeuvre. The exhibition, curated by Jerome Sans, takes the viewer on a journey of influences, from Marino's personal collection of contemporary art to his architecture and design to his relationships with some of the most acclaimed international contemporary artists. Peter Marino, FAIA, is the principal of Peter Marino Architect PLLC, the New York-based architecture firm he founded in 1978. Widely known for his residential and retail work for the most iconic names in the fashion and art worlds, Marino's award-winning architecture, which also includes large-scale commercial, cultural, and hospitality projects, maintains a constant dialogue between the interior and exterior and has redefined modern luxury worldwide.

Investigations presents a selection of the firm s projects, identifying a specific architectural element, material, or design process to reveal the unique character of the built results. Projects include the Los Angeles Museum of the Holocaust of sculpted concrete that enables the building to be located predominantly underneath a park; the folded surfaces of the Skyline Residence perched atop the Hollywood Hills; and Apertures, a mid-rise of hospitality and commercial uses in Mexico City for which a seismically-sound breeze-block system was developed. Each project is illustrated with photographs, drawings, and diagrams, and insightful essays speak to the firm s development over the years, including its experiments in design and construction.

The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognise the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2021, which includes Single Family Residential Projects, Multi-family Residential Complexes, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Conservation Projects, Integrated Projects, Socially Responsible Architecture, and Sustainable Buildings. Through brief jury comments, project descriptions and rich images, this book provides a wonderful opportunity for readers all over the world to give a quick glance at what happened in Asian architecture in 2021.

Almost, Not: The Architecture of Atelier Nishikata is the story of a remarkable architecture practice in Tokyo. Partners Reiko Nishio and Hirohito Ono have built just four residential works, until now remaining little-known outside of Japan. But the extraordinary, almost-ordinary quality of their work warrants the spotlight. It has much to teach students of architecture and experienced architects alike. This book is a hybrid between an architectural monograph and a magic instruction book. Author Leslie Van Duzer, a former magician's assistant and author of four monographs on 20th-century architecture, draws parallels between the effects and methods of architects and magicians. The introductory essay, "Almost, Not," presents an overview of Atelier Nishikata's approach, describing the effects engendered by their architecture and the methods behind the them. The essay is followed by four detailed project descriptions that elaborate on the strategies behind the work. These texts are richly illustrated with process work, diagrams, detailed drawings, and photographs, including before and after views of the renovated spaces, and views post-inhabitation. The volume closes with a lengthy interview with the architects to help flesh out the methods behind their madness.

While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.

Arup Associates, a major presence on the British architectural scene for more than half a century, emerged from the famous engineering consultancy founded by Ove Arup in 1946 and reflected Arup's own vision of "total design", formed in the 1930s in his groundbreaking collaborations with Berthold Lubetkin. With architects, engineers and other professionals working in groups, it offered a uniquely interdisciplinary approach to the design of buildings. From early groundbreaking factories to a series of university commissions, innovative offices, and cultural projects, including the Snape Maltings concert hall, the practice moved on to become a major player on the London development scene with its projects at Finsbury Avenue and Broadgate. This book, the first monograph on Arup Associates for more than 30 years, discusses the work of the firm from the years of the Arup Building Group in the 1950s to the 1990s and assesses the contribution of its leading designers, including Sir Philip Dowson, Derek Sugden and Peter Foggo. The text is based on interviews with many former and current members of the practice. The book is fully illustrated with images from the Arup archive and stunning new photography offering a new perspective on an exceptional body of work.

This new book explores the work of Mahendra Raj, arguably India's most significant structural engineer. Born in 1924, Raj studied in Lahore and gained his first working practice at the Punjab Public Works Department. He completed his education by working with engineering firms in the US and degrees he took from University of Minnesota and Columbia University, New York in 1955-59. He established his independent practice in New Delhi in 1960. Many of Raj's structures are recognised as monuments narrating the history of energetic nation building in post-independence India. Some of them are unique, such as the Hall of Nations and Industries (New Delhi, 1972) with its large-span concrete space frame, the Hindon River Mill (Ghaziabad, 1973) with a series of bowstring concrete arches. Especially during the 1980s, Raj designed further innovative, ground-breaking structures, most notably the NCDC Office (New Delhi, 1980) and the State Trading Corporation building (New Delhi, 1988). The Structure features twenty-eight of Mahendra Raj's buildings from all periods of his career in detail and richly illustrated with photographs and colour reproductions of archival plans as well as selected sections and plans. Essays by expert authors, interviews with Mahindra Raj, and an illustrated complete list of works round out this first comprehensive monograph on a pioneer of structural engineering.

As a formative exemplar of early architectural modernism, Bruno Taut's seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut's Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut's diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut's motives and inspirations for its design. The result is that Taut's motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.

Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-present), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge – history, politics and media – in the making of postmodern architectural discourse. It explores how Portoghesi’s personal “postmodern project� is based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi’s most significant architectural projects – including Casa Baldi (1959), The Mosque in Rome (1975–95) and his Strada Novissima exhibition (1980) – and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.

Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.

This is the first monograph on one of the most distinguished architectural practices in Britain. Sir Richard MacCormac is recognised internationally as one of the most thoughtful and original architects of today. His practice, MacCormac Jamieson Prichard, has been responsible for some of the most celebrated UK projects of recent years, ranging from new buildings for Worcester College Oxford to the Cable & Wireless headquarters in Warwickshire and from the Ruskin library in Lancaster to the new BBC headquarters in central London. These projects are presented thematically in the book and documented with drawings and photos. Essays by critics Peter Davey, Robert Harbison and Richard Sennett and commentaries by Richard MacCormac set the work in its wider intellectual context. This book is the fourth in "Right Angle's" series on leading British architects of today, initiated by Dixon Jones. This was described by the Architect's Journal as "a beautifully crafted example of how to present architecture in print; its presentation is exemplary."

If Heren 5 (translated as "5 gentlemen") were a boy band instead of an architecture firm, they'd cover Burt Bacharach's "A House Is Not a Home." This vital Dutch architecture firm has taken great pains to tailor their residential projects--whether luxury apartments or elder-care centers--to the inhabitants' ideas about how feel "at home." Heren 5 is not interested so much in having its own "image" or "signature" as in designing buildings that suit the needs of the future residents and of the particular site. In this book, seven striking portraits of Heren 5 building occupants, in both interviews and in the beautiful photographs of Kees Hummel, illustrate that philosophy. In addition to providing detailed project documentation, the book gives the results of a survey of 620 occupants of Heren 5 buildings. This degree of attention to client constituent concerns about community and privacy, among other issues, is what sets the firm apart from others and signals a new paradigm, an approach that will appeal not only to architects but to those who commission and live in those structures as well.

Iñaki �balos and Juan Herreros established the renowned architec­tural firm �balos & Herreros in Madrid in 1984. At the time, fol­lowing the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, �balos and Herreros's melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the �balos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, col­lages, and drawings. The archive presents a compelling opportunity to reconstruct �balos and Herreros's planning and design process. Each of the book's three contributors--two of whom worked with �balos and Herreros--approaches the archive with specific questions, and their essays explore topics including the architects' fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innova­tive visions for landscape architecture. While many have written about the work of �balos and Herreros, previous books have been based mainly on their built projects and on­going research. �balos & Herreros Selected by Office Kersten Geers David Van Severen, Juan José Castellón and SO-IL is the first book to draw on the firm's archive to offer a new take on this important architectural practice.

On the occasion of their 30th anniversary, Vienna-based Pichler & Traupmann Architekten review their body of work to date. This lavishly illustrated monograph documents in great detail their most important designs, built and unrealised, arranged by topic. Internationally renowned architectural publicists and scientists contribute essays that explore the firm's vision and approach. A complete index of their 250 or so projects and studies rounds out the book. At the core of Pichler & Traupmann Architekten's ambitious design philosophy is the potential of a given site in the field of tension between polarities. The focus of their work is on commercial, residential, and educational structure. Their key designs include the headquarters of the Austrian motorists' association OEAMTC in Vienna (2013-16), the extension of the Kulturzentrum Eisenstadt (2006-12), the Future Art Lab of Vienna's University of Music and Performing Arts (2014-20), the RAIQA (Raiffeisen-Quartier) in Innsbruck (ongoing since 2019), and the Pinkafeld Campus of Burgenland University of Applied Sciences (ongoing since 2019). Text in English and German.

The name of Robert Adam is today equated, as it was by his contemporaries, with taste, style and elegance. Since his death, the term 'Adamesque' has been used to describe not only ceilings, doorways and fireplaces but objects as various as the City Hall in Charleston and a chamber-pot. A university drop-out, Adam still made his own scholarly contribution to the understanding of classical architecture and was a talented painter as well. As visionary in the decoration of interiors as he was ingenious in the design of exteriors, Adam was more often responsible for the renovation, alteration or completion of existing buildings than for the creation of entirely new ones. Best known perhaps for his work on great private palaces such as Syon and Kenwood, Osterley and Kedleston, Saltram and Culzean, Adam was also responsible for churches and tombs, monuments and market-halls and for such public commissions as the Admiralty Screen in Whitehall and Britain's first purpose-built public archive, The Register House in Edinburgh.

Singapore's Orchard Road sits alongside New York's Fifth Avenue and Paris' Champs Elysees in the pantheon of prestigious retail districts. For more than 40 years, DP Architects has contributed to the development of Orchard Road's architectural typography, the regionalism of which is flavoured with a uniqueness born of inventiveness and an accommodation of contextual forces. Evolution of a Retail Streetscape is much more than simply a lush visual and textual narrative showcasing DP Architects' extensive contribution to the character, growth and personality of the famous Singapore shopping and entertainment precinct. It also explores the concept of retail architectural typology generally, provides a brief contextual history of Singapore from British colonisation onwards, outlines the development and evolution of Orchard Road in particular, and explores some of the world's other famous shopping streets.

Throughout history, the relationship between landscape and architecture has formed the basis of culture and the development of human settlements. The unfolding of a site, its transformation through the construction of buildings or of entire cities, translates into this basic idea: that history extends geography. In recent decades, generic architecture has increasingly homogenized the appearance of different territories, resulting in a profoundly different understanding of nature and landscape. Within his work, french architect and urban planner Jean-Pierre Pranlas-Descours continuously articulates the relationship between landscape and architecture. This book traces his line of thought by reflecting on 16 projects and their specific conditions.

"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.

This groundbreaking new perspective on Le Corbusier is based on exhaustive archival research and the study of neglected or completely unknown documents. It is innovative in showing the role of materials and construction techniques in the architecture of Le Corbusier and the book also delves into the project management and the construction of several buildings in the period 1940 1965. Each worksite, from the Unit d Habitation (Housing Unit) in Marseille to the city of Chandigarh, and also including the Tokyo museum, the Carpenter Center in Cambridge and the Unit d'Habitation in Berlin, is analyzed in detail.