In 2011, Zurich-based architect Fawad Kazi, together with the KSSG-OKS planning consortium, won the competition for the rebuilding and extension of St Gallen's cantonal hospital (KSSG) and the new regional children's hospital for eastern Switzerland (OKS). By 2028, this huge undertaking will have transformed the whole area they are built in. This building monograph, laid out in five elegant volumes, documents in much detail the ambitious project, which is a significant trailblazer in the area of hospital design and urban development. This second volume is devoted to KSSG's Haus 10, situated at the northern end of the site. Connected to the hospital's main building by means of an ingenious passage, it serves to treat walk-in patients. Its flexible structure allows adaptions to suit also future needs of KSSG. The interior design is based on materials and features intended also for the other new buildings still to come. Text in English and German.

Louis I. Kahn was one of the most influential architects, thinkers and teachers of his time. This book examines the important relationship between his work and the city of Rome, whose ancient ruins inspired in him a new design methodology. Structured into two main parts, the first includes personal essays and contributions from the architect's children, writers and other designers on the experience and impact of his work. The second part takes a detailed look at Kahn's residency in Rome, its effects on his thinking, and how his influence spread throughout Italy. It analyses themes directly linked to his architecture, through interviews with teachers and designers such as Franco Purini, Paolo Portoghesi, Giorgio Ciucci, Lucio Valerio Barbera and the architects of the Rome Group of Architects and City Planners (GRAU). Rome and the Legacy of Louis I. Kahn expands the current discourse on this celebrated twentieth-century architect, ideal for students and researchers interested in Kahn's work, architectural history, theory and criticism.

Historic reconstructions have been a consistent part of the historic preservation and heritage conservation movements in the United States and Canada. Indeed, reconstruction has been the primary tool at the most influential historic sites, for example: the Governor's Palace and the Capitol at Colonial Williamsburg, USA, and in Canada, the Fortress of Louisbourg. Dozens of other reconstructions have appeared during the past century in North America, undertaken by individuals, communities, states, and provinces, and by national agencies responsible for cultural heritage. Despite this prevalence, historic reconstructions have received little scholarly attention and the question of what motivated the proponents of these projects remains largely unexamined. This book explores that question through detailed studies of ten historic reconstructions located throughout Canada and the United States, ranging from 1908 to 2011. Drawing upon diverse archival sources and site investigations, the proponents of each site are given voice to address their need to remake these landmarks, be it to sustain, to challenge, or even subvert a historical narrative, or - with reference to contemporary heritage studies - to reclaim these spaces. Reconstructing Historic Landmarks provides a fascinating insight into these shifting concepts of history in North America and will be of considerable interest both to students and scholars of historic preservation and indeed to heritage professionals involved in reconstructions themselves.

This fully illustrated monograph is dedicated to architect Pierre-Louis Faloci, 2018 Laureate of the Grand Prix national de l'architecture and author of the concept of "global village". The book highlights the career path of Faloci and explores the concept of "ecology of the gaze", which for him, together with that of "eco building", plays a key role in today's architecture. Text in English and French.

Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as "the most important new building in America since the Cold War"; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Investigations presents a selection of the firm s projects, identifying a specific architectural element, material, or design process to reveal the unique character of the built results. Projects include the Los Angeles Museum of the Holocaust of sculpted concrete that enables the building to be located predominantly underneath a park; the folded surfaces of the Skyline Residence perched atop the Hollywood Hills; and Apertures, a mid-rise of hospitality and commercial uses in Mexico City for which a seismically-sound breeze-block system was developed. Each project is illustrated with photographs, drawings, and diagrams, and insightful essays speak to the firm s development over the years, including its experiments in design and construction.

We are all improvising. We are all making decisions. And we are all watching each other improvise. Together, we are improvising. Decisions become shared ones. We will have built this city together. Convivial Ground invites the reader to discover the work of the transdisciplinary European design-build network Constructlab piece by piece. Taking Ivan Illich's understanding of conviviality as departure point, the essays, conversations, stories, and images in the book reflect on the specificities of collaborative practices as situated experiments, as well as on their possible roles in the creation of convivial societies. Exploring contemporary conditions of togetherness, learning, and working, the book is not a "how-to" guide, but an invitation to cooperatively write new convivial narratives.

Australian architect Robin Boyd (1919-1971) advocated tirelessly for the voice of Australian architects so that there could be an architecture that might speak to Australian conditions and sensibilities.His legacy continues in the work of contemporary Australian architects yet also prompts a way forward for architecture particularly in relationship to the landscapes they inhabit through a quality of continuous space found in his work where the buildings are spatially reliant and sympathetic to the places they occupy. A selection of 22 projects are documented comprehensively in this book for the first time. This slice through Boyd's body of work reveals a gifted, complex and contemporary thinker.

This book investigates the architectural, product design, and urban typology of the capsule which, beginning in the 1960s, broadened the concept of the basic building blocks of architecture to include a minimal living unit, called the "capsule." Here it is presented with regard to the continuity of the development of the Modern Movement, its revisionist criticism, pioneering examples, as well as contemporary examples and uses. The typology of the capsule allows us to consider this theme in terms of the architecture of resistance, with the potential to search for an "other" architecture that is embedded in our contemporaneity (manifested in small dwellings, composite structures, and container units; shelters and mobile homes in nature and the urban environment; technology transfer in high-tech designs; devices, additions, and extensions etc.). The concept of the capsule as a building element of architecture, as well as a spatial element, can therefore be regarded as having a generative potential for an architecture of personal space for the individual, forcing us to reflect on our existing living and dwelling conditions.

A celebration of the wonderful creative intersection between the architecture of Peter Marino and the aesthetic of fashion-house Chanel - a behind-the-scenes look at the buildings designed by Marino for Chanel in Chicago, Hong Kong, Istanbul, Los Angeles, Nanjing, New York, Miami, Osaka, Seoul, Singapore, and Tokyo This stunning celebration of the 25-year collaboration between two remarkable legends - the fashion house Chanel and Peter Marino - through a stunning collection of buildings that Marino designed to elevate Chanel's luxury retail spaces to the realm of fine art. With more than 300 stunning images, including architectural plans and original sketches by Marino together with an introduction by New York Times and Architectural Digest contributor Pilar Viladas, an interview by creator of Pin-Up magazine Felix Burrichter, and project descriptions by local writers, each perfectly placed to discuss Marino's work in its geographical context, this book features all 16 Chanel buildings worldwide for which Marino designed both the buildings and interiors - from the USA to Asia. Through his dedication to his craft and expert devotion to Coco Chanel's vision and resolutely modern spirit, Marino has ushered Chanel into a new age, all while perfecting the always elusive art of the timeless in architecture and design.

"We need a new spatial contract. In the context of widening political divides and growing economic inequalities, we call on architects to imagine spaces in which we can generously live together." - Hashim Sarkis The 17th International Architecture Exhibition, in Venice from 22 May to 21 November 2021, is titled How will we live together? As curator Hashim Sarkis explains, "the theme of the Biennale Architettura 2021 is its title": organised into five different scales, the exhibition presents the participants who will compete for the Golden Lion and also includes a series of research stations developed by researchers from universities around the world. Volume I of the catalogue is dedicated to the International Exhibition, curated by Hashim Sarkis, and begins with an essay setting out the themes of the show and presenting its protagonists. Architects and studios therefore illustrate their projects with images and texts. Volume II of the catalogue presents the National Participations, a Special Project in collaboration with Victoria and Albert Museum and the Collateral Events of the 17th International Architecture Exhibition; lavishly illustrated, it includes texts that explore the various projects on display. The graphic design of the Biennale Architettura 2021 coordinated image and the layout of the volumes are by Omnivore, Inc.

**Finalist for the Thought and Criticism category of the FAD Awards 2019** This book traces the ideal of total environmental control through the intellectual and geographic journey of Knud Loenberg- Holm, a forgotten Danish architect who promoted a unique systemic, cybernetic, and ecological vision of architecture in the 1930s. A pioneering figure of the new objectivity and international constructivism in Germany in 1922 and a celebrated peer of radical figures in De Stijl, the Bauhaus, and Russian constructivism, when he emigrated to Detroit in 1923 he introduced the vanguard theory of productivism through his photography, essays, designs, and pedagogy. By following Loenberg- Holm's ongoing matrix of relations until the postwar era with the European vanguards in CIAM and former members of the Structural Study Associates (SSA), especially Fuller, Frederick Kiesler, and C. Theodore Larson, this study shows how their definition of building as a form of environmental control anticipated the contemporary disciplines of industrial ecology, industrial metabolism, and energy accounting.

This new book explores the work of Mahendra Raj, arguably India's most significant structural engineer. Born in 1924, Raj studied in Lahore and gained his first working practice at the Punjab Public Works Department. He completed his education by working with engineering firms in the US and degrees he took from University of Minnesota and Columbia University, New York in 1955-59. He established his independent practice in New Delhi in 1960. Many of Raj's structures are recognised as monuments narrating the history of energetic nation building in post-independence India. Some of them are unique, such as the Hall of Nations and Industries (New Delhi, 1972) with its large-span concrete space frame, the Hindon River Mill (Ghaziabad, 1973) with a series of bowstring concrete arches. Especially during the 1980s, Raj designed further innovative, ground-breaking structures, most notably the NCDC Office (New Delhi, 1980) and the State Trading Corporation building (New Delhi, 1988). The Structure features twenty-eight of Mahendra Raj's buildings from all periods of his career in detail and richly illustrated with photographs and colour reproductions of archival plans as well as selected sections and plans. Essays by expert authors, interviews with Mahindra Raj, and an illustrated complete list of works round out this first comprehensive monograph on a pioneer of structural engineering.

Peter Cook has been a pivotal figure within the architecture world for over half a century. He first came to international renown in the 1960s as a founder of the radical, experimental group Archigram, winners of the 2002 RIBA Royal Gold Medal. He is also former Director of the Institute of Contemporary Arts (ICA), London, and Emeritus Professor and former Chair of the Bartlett School of Architecture (University College London). Suffused with Peter's infectious energy, enthusiasm and charm, this intriguing memoir explores major themes in architecture through the lens of his life and work. Taking the reader on a journey through his colourful and wide-ranging career, it touches on his early years and architectural education, his relationships with key figures within the architecture community and his work teaching and lecturing internationally. It also provides an inside account of his leadership of the Bartlett, for which he is frequently credited as a central figure in rescuing the reputation of a once-ailing, now world-famous, school of architecture. Featuring full-colour images of his most famous drawings, including Archigram's 'Plug-in City', and built works, such as the Kunsthaus Graz in Austria and the Vienna Economics and Business University's Department of Law and Central Administration Buildings, this book is a window into the life of one of architecture's most celebrated rebels.

This previously unpublished work is essential reading for anyone who has followed Marco Frascari's scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one's own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.

This new book is the 10th title in the successful series of monographs on the works of the world famous architect Renzo Piano, and covers the creative thinking and of Piano as he developed his ideas for the Centro Botin, a new art gallery and cultural centre in the city of Santander in Spain. The Centre was inaugurated in June 2017 and is composed of two buildings of different sizes, supported on columns and connected by a walkway. All are partly suspended over the sea. It is built on the site of an old ferry port terminal, and Piano`s brief covered the most important aspects of the creation of an art gallery, the use of the light in a south facing seaport, both inside and outside the building, and the necessity to create a visual link between the city and the sea.. The project is supported by the Foundation Marcelino Botin, chaired until his death in 2014 by Emilio Botin, the Chairman of Santander Bank. Within this beautifully illustrated book, Renzo Piano narrates the story of the creation and construction of this extraordinary building through sketches, drawings and photographs from his own archives, most of which are published here for the first time, thus completing an extraordinary vision of this amazing building, that will appeal to fellow architects and visitors to Santander

On the occasion of their 30th anniversary, Vienna-based Pichler & Traupmann Architekten review their body of work to date. This lavishly illustrated monograph documents in great detail their most important designs, built and unrealised, arranged by topic. Internationally renowned architectural publicists and scientists contribute essays that explore the firm's vision and approach. A complete index of their 250 or so projects and studies rounds out the book. At the core of Pichler & Traupmann Architekten's ambitious design philosophy is the potential of a given site in the field of tension between polarities. The focus of their work is on commercial, residential, and educational structure. Their key designs include the headquarters of the Austrian motorists' association OEAMTC in Vienna (2013-16), the extension of the Kulturzentrum Eisenstadt (2006-12), the Future Art Lab of Vienna's University of Music and Performing Arts (2014-20), the RAIQA (Raiffeisen-Quartier) in Innsbruck (ongoing since 2019), and the Pinkafeld Campus of Burgenland University of Applied Sciences (ongoing since 2019). Text in English and German.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The book documents twelve of the firm's projects - from a single-family home to a museum, including urban interventions in Beirut, Paris, Bordeaux, Marseille, and Bucharest. The book also includes an essay that takes a comprehensive look at the working methods of this firm, focusing in particular on the dimension of time and the changes that occur as the buildings are used. Fonde en 2008, le cabinet Franco-Libanais Youssef Tohme Architectes et Associes part du "milieu" pour developper un langage architectural specifique a chaque projet. En utilisant des materiaux qui interagissent avec l'environnement bati, Youssef Tohme concoit des batiments qui evoluent dans le temps, avec leurs habitants. Ce livre documente douze des projets de l'agence - d'une maison unifamiliale a un musee, y compris des interventions urbaines a Beyrouth, Paris, Bordeaux, Marseille et Bucarest. L'ouvrage comprend egalement un essai (en francais et en anglais) qui porte un regard sensible et analytique sur les processus de conception. Il s'attarde notamment sur la dimension geo-temporelle des lieux, sur l'importance de sentir le "present" pour imaginer l'espace, et sur les changements qui s'operent au fur et a mesure de l'utilisation des batiments.

The importance of A. W. N. Pugin (1812-52) in architecture and design in England and beyond is incontestable. The leading architect of the Gothic Revival, Pugin is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence furnishes more insight into the man and more information about his work than any other source. This volume, the last of five, contains letters from 1851 and the first months of 1852; after that, Pugin's health failed and he died in September. In the great event of the period, the international exhibition held in the Crystal Palace in Hyde Park, the display of objects made to Pugin's design, which he planned and oversaw, was an outstanding success, bringing substantial commercial benefit to his colleagues and spreading Pugin's influence even more widely than before. The value of his judgment was recognized in his appointment to two committees in connection with the Great Exhibition. Frantic though the preparations for what came to be known as the Medieval Court were, Pugin made time to write for publication. He issued letters and pamphlets in explanation, defence, and support of the Catholic Church and its re-established hierarchy, and turned again to the conundrum that had long teased him, the relation between the faith and the form, not only architectural, in which it found expression. He completed the book on chancel screens conceived some years before. At home in The Grange at Ramsgate, he continued to design stained glass windows, for other architects as well as his own clients, and supervised the production of cartoons; he poured out designs in his usual fields of metalwork, ceramics, furniture, carving, and wallpaper, and branched out, not always happily, into new areas such as embroidery and the decoration of piano cases. The demand for drawings for Westminster, where the House of Commons was due to open early in 1852, was as incessant as ever. His last child, Edmund Peter, was born in 1851 only a few months before his first grandchild, Mildred. Both were baptized in the church of St Augustine which he was still building next to his house and where he himself was soon to be laid in the vault he provided for the purpose. The volume also includes some letters which have come to light too late for inclusion in their proper chronological places and some texts of doubtful authenticity.