Highlighting 50 years of curiosity, Boundless is about pushing the limits of "What's possible?" It highlights the history of EYP, an interdisciplinary design firm, and its unique culture through a rich body of work. Shared in three parts - roots, complexities, and possibilities - each section tells a story through projects highlighting client dreams, technical challenges, and social and environmental impacts. "Roots" honours the strong foundations of EYP's 50-year history, including its early grounding in sustainability, preservation, and work with mission-centred clients. It covers a wide mix of transformative projects across higher education, healthcare, and government sectors. "Complexities" reflects the many opportunities and challenges - design, technical, or otherwise - driving the firm's work over the past two decades. Learn about clients and projects that challenged limits of design, including a green-powered US Embassy; a Planetree hospital; a flexible student maker space, and a state-of-the-art workplace for a national lab. Discover how important existing buildings can be reinvented, like those designed by architectural icons Eero Saarinen and Louis Kahn. "Possibilities" covers work the firm is engaged with today - either on the boards or under construction - including community centres, national historic treasures, places of diplomacy, hospitals for mental health, centres for student innovation, and buildings inspiring the future of science and technology. It uncovers what's possible when novel designs intersect with cultural insights to create authentic experiences, enhancing people's lives and communities.

A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites. Through brand-new photography, plans and drawings by Gaudi himself, historical photos, as well as an appendix detailing all his works-from buildings to furniture, decor to unfinished projects-this book presents Gaudi's universe like never before. Like a personal tour through Barcelona, we discover how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.

'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene' - Jorge Luis Borges Bedmar & Shi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.

Adrian Smith + Gordon Gill Architecture's, 2006-2021 monograph showcases the spectacular work of the firm from the first 15 years of its practice through drawings, renderings, model photography, photography of built work, competition entries, exhibition materials, master plans, interiors, and special research projects and publications. The projects featured in the monograph cover a wide variety of AS+GG's high-performance, energy-efficient, aesthetically striking architecture on an international scale in a wide range of typologies and scales, from low- and mid-rise residential, commercial, and cultural buildings to mixed-use supertall towers. Projects explored include supertall towers, large-scale mixed-use complexes, corporate offices, exhibition facilities, cultural facilities and museums, civic and public spaces, hotels and residential complexes, institutional projects, and high-tech laboratory facilities.

This small house on the sea in a small city near Rome is one of the most amazing experiments made by the Italian architect. Strictly connected to the landscape, such as the Adalberto Libera's casa Malaparte in Capri, this building captures the landmarks of the Roman coast through small deformations in its composition. This particular research inspected by the Architect that, at the first glance, could remember an expressionist gesture, is instead a very interesting work on how to evolve the modern Italian architecture in a "contemporary" way avoiding that nostalgic behaviour taken by many members of Modern Italian Rationalist Architecture Movement (MIAR). As usual this book looks inside, outside and around this building as a "lecture" held by the writer.

The work of [STRANG] is beautifully explored in this robust monograph which highlights the firm's site-specific and climate-driven designs. The ability to create stunning architectural designs while maintaining an acute awareness of the surrounding environment has come to define their work. Under the creative direction of Max Strang FAIA, the Miami-based firm continues to advance many of the timeless concepts set forth by the famed Sarasota School of Architecture. Strang's early exposure to that mid-century modernist movement resulted in a deep respect for structures that are intimately connected to their surroundings as they celebrate the Florida climate. This first monograph of Strang's work contains a collection of conceptual drawings, text and professional photography that underscores the ongoing relevance and importance of regional modernist design. It is the architectural responses to site and climate that infuse the specific designs with character and identity, resulting in a uniquely Floridian version of modernism.

Zaha Hadid (1950-2016) was one of the most innovative and celebrated architects of our time. Prepared in collaboration with the architect's office, this comprehensive survey of over 200 projects - from the earliest experimentations to product design, from speculative follies to large-scale built works - is a testament to the depth, range and excitement of her vision. This fourth edition has been thoroughly expanded and brought up to date with the latest completed buildings and new projects. Eleven new projects are featured, including 582-606 Collins Street (Melbourne, Australia), Messner Mountain Museum Corones (South Tyrol, Italy), King Abdullah Financial District Metro Station (Riyadh, Saudi Arabia), Dominion Office Building (Moscow, Russia) and One Thousand Museum (Miami, USA).

CALL TO ORDER, the first in a series of books to be produced by the University of Miami School of Architecture, is inspired by rappel l'ordre, the post WWI, European, art movement that rejected the extreme tenants of the avant garde and its praise of machinery, violence and war, in favor of a renewed interest in tradition. CALL TO ORDER, suggests a re-grouping and a re-grounding upon the foundations of the discipline and examines an international group of architects who are ostensibly rehearsing the ethos of the Neo-rationalist movement when architects and thinkers converged in their resistance to what they saw as an erosion of the discipline by behaviorism and the social sciences. CALL TO ORDER frames and examines similar resistant practices in the contemporary architectural scene and in the context of a long historical trajectory to tease out and articulate a cultural project that is relevant to the ongoing architectural debate.

SHANGHAI TEN FOLIO is the culmination of AAVS SH10 SHOW | EVENT | FOLIO, a series of events which celebrate the tenth consecutive year of the AA Shanghai Summer School. SHANGHAI TEN has been curated, edited and hosted in 3 parts, including an exhibition (AAVS SH10 | SHOW), and a symposium event held in Shanghai in July 2016 (AAVS SH10 | EVENT), and this book, AAVS SH10 | FOLIO. SHANGHAI TEN is an opportunity not only to look back, collate, reflect critically, and to disseminate the work of the students, tutors, and visitors in the 10 years of the AAVS Shanghai Summer. SHANGHAI TEN is the product of a multi-contributor collaboration, comprised as the composite aggregation from a large design community. Contributions to this book have been selected from the work of 745 students from 44 countries who have joined AAVS Shanghai from 2007-2016; 36 tutors who have taught in the programme; and over 80 visitors to the programme, who have given lectures and presentations, attended AAVS symposia, and toured AAVS students to their built projects, factories and galleries in and around Shanghai. In addition, SHANGHAI TEN | FOLIO also includes essay contributions from a range of expertise in urbanism; transcribed conversations from AAVS symposia in 2015 and 2016. SHANGHAI TEN aims to chart pressing intellectual problematics of this context, their formulations as paradigms related to the conception and design of urbanism, and their associated experimental design approaches and methodologies. This compilation accumulatively and collectively demonstrates the ontological trajectory AAVS Shanghai has targeted, with the objective to harness, mobilise and respond to the complex challenges of Chinese urbanization in the twenty-first century.

Norway-based Canadian architect Todd Saunders' unique approach, set in some of the most remote locations on earth, splices modern sculptural forms with a deeply rooted respect for nature, most famously in his Fogo Island Hotel and artists' studios in Newfoundland. Rather than imposing themselves upon the countryside and coast, Saunders' residential buildings seek a sensitive accommodation with the topography and the flora, fauna and treescapes of the landscapes they inhabit. This is the first book to focus on Saunders' houses and features eleven of his most recent and iconic projects across Scandinavia and Canada, many of which are in are stunning landscapes. Featuring a wealth of inspiring exterior and Nordic-style interior shots, each house is illustrated with photography specially commissioned for the book and are accompanied by texts written by Dominic Bradbury in close collaboration with the architect. Sections on process and ways of working, as well as Saunders' inspirations and design philosophy are interwoven in separate sections, which include drawings, plans and photography. With 280 illustrations, 147 in colour

Vladimir Belogolovsky's Harry Seidler: The Exhibition leaves no stone unturned in documenting his ongoing, four years in the making to date, world tour exhibition, Harry Seidler: Painting Toward Architecture. It examines the blurry boundaries between art and architecture and how these disciplines inspire one another by bringing to focus the work of Vienna-born Australian modernist Harry Seidler and his creative collaborations with a dozen of world-renowned architects and artists. Curator of 20 Seidler exhibitions and author of Harry Seidler: Lifework (Rizzoli, 2014), Belogolovsky provides detailed insights into the project from beginning to end: pitching initial exhibition idea to the client, developing its concept, arranging the tour, preparing the content, designing individual exhibitions, managing installations, presenting the lecture, initiating new collaborations and projects. The book's focus on a single touring exhibition is unprecedented; it explores what typical exhibition catalogues miss entirely - spatial engagement with the content by the public. In its attempt to present various aspects of a single exhibition the book raises fundamental curatorial issues beyond the project in question.

Not all masterpieces scream for attention. Some wait with patience, with composure, for their genius to be felt. Joseph Biondo's Equanimity House is just such a work of art; the exceptional, hiding in plain sight. Born of a tectonic language, the structure is built to coalesce with its surroundings, becoming one with the rolling topography of its site. A mature, elegant, considered work of great beauty, Biondo has achieved the apogee of his exploration of ordinary materials in extraordinary ways. As he says, 'To heighten one's awareness of a humble material can be poetic'. A sensorial tone poem, this is a house that is felt, rather than viewed, driving the senses that intuit gravity, temperature, interaction, texture, and aesthetics.

The buildings of the past were constructed with readily available and local materials, such as stone, wood, or handmade bricks. Architects in the modern era, however, can choose from an ever increasing number of new materials, each one allowing for different advances in design. And yet the traditional materials have never been entirely supplanted; they still form an important part of the architectural range and are still used by architects the world over. The humble brick, for example, has remained a constant throughout the history of architecture, as has timber with its flexibility and warm tones. But today such elements can be used in conjunction with newer materials to highlight their natural beauty in many different ways: creating a stunning metal facade, wrapping a building with a cool, sleek stone finish, designing a wall with an eye-catching interesting texture, or adding depth or warmth to an internal design. Traditional metals are also finding new use, being employed to coat a structure in a light metal skin that reflects the sunlight, or embedded onto a building to add interest and texture. This book journeys through a curated selection of stunning examples from across the world, showcasing how each material is creatively used over a diverse range of building types and styles, and illustrating the myriad possibilities and forms available to the modern architect who chooses to rework these age-old materials into a brand-new decorative yet functional form.

As the number and distinctiveness of design directions in contemporary architecture expands, an outcome has emerged of a contradictory nature. While many of these directions hold great intrigue, a troubling aspect arises in that in their realisation an 'incompleteness' is often exhibited, one expressing a less developed architectural richness expressed an under utilised nature of the architectural language itself. Internal addresses this issue with a focus on topics underlying the creation of architectural languages. Concentrating on strategies and concepts that inform the creation of cohering architectural languages versus 'external' issues affecting design, such as those necessary to accommodate site or program, Internal focuses on design considerations with the authority grounded in 'internal' language-based architectural issues. Identifying underlying themes and strategies necessary to create coherent and informed architectural languages constitutes the effort underlying this book.

A brilliantly conceived biography of Joseph Paxton, horticulturist to the Duke & Duchess of Devonshire at Chatsworth, architect of the Crystal Palace at the Great Exhibition of 1851 and one of the greatest unsung heroes of the Victorian Age In the nineteenth century, which witnessed a revolution in horticulture and urban planning and architecture, Joseph Paxton, a man with no formal education, strode like a colossus. Head gardener at Chatsworth by the age of twenty-three, and encouraged by the sixth Duke of Devonshire whose patronage soon flourished into the defining friendship of his life, Paxton set about transforming this Derbyshire estate into the greatest garden in England. Visitors there were astonished by the enormous glasshouses and ambitious waterworks he built, the collection of orchids, the largest in all England, the dwarf bananas and the gargantuan lily, the trees and plants brought back from all over the world. Queen Victoria came to marvel and, increasingly, with the development of the railway in which Paxton was also involved, daytrippers from all over the country. It was the Crystal Palace, home of the Great Exhibition in 1851, that secured Paxton's fame. His design, initially doodled on a piece of blotting paper, was the architectural triumph of its time. Two thousand men worked for eight months to complete it. It was six times the size of St Paul's Cathedral, enclosed a space of 18 acres, and entertained six million visitors. By the time of his death fourteen years later, 'the busiest man in England' according to Dickens, was friends with Brunel and Stevenson and in constant demand to design public parks and gardens. His last, seemingly most eccentric project was for a Great Boulevard under glass, a crystal arcade that would connect all the main railway termini in London. Drawing on exclusive access to Paxton's personal letters, Kate Colquhouns's remarkable biography is a compelling story of a man who typifies the Victorian ideal of self-improvement and a touching portrait of one of that era's great heroes.

DP Architects: 50 Years Since 1967 celebrates the half-century legacy of one of Asia's most prolific architecture and design practices, DP Architects. Established in 1967 with the mission to use architecture and design in order to improve the lives of those who encounter its projects, DP Architects' own growth runs parallel with Singapore's following its independence from Malaysia in 1965. Since then DP Architects has gone on to shape the cityscape of Singapore and beyond, with built work in 77 countries and an integrated, full-service design approach spanning engineering, healthcare, infrastructure, lighting, consulting and sustainable design..

This is the first biography of John Francis Bentley (1839-1902), best known as architect of Westminster Cathedral, since his daughter Winefride de l'Hopital's Westminster Cathedral and its Architect (1919). Bentley was born in Doncaster, Yorkshire, and went to London to work in the office of Henry Clutton, a distinguished High Victorian architect who became a Roman Catholic in 1856. Bentley also converted, and, after setting up his own practice in 1860, came to be widely recognised as the best Catholic architect of his time. He built comparatively few complete churches, but did extensive work in adding to and furnishing other architects' churches. He had remarkable skill in the design of woodwork, metalwork, stained glass, and organ cases, all of which are covered in the book. His finest parish church is Holy Rood, Watford, but the climax of his career was the commission in 1894 to design Westminster Cathedral, which was almost complete when he died in 1902.

Often called the father of landscape architecture, Frederick Law Olmsted was responsible for the design of Central Park and Prospect Park in New York City; Mount Royal Park in Montreal; the Belle Isle Park in Detroit; the Grand Necklace of Parks in Milwaukee; the Cherokee Park and entire parks system in Louisville, KY; and the Biltmore Estate in Asheville, North Carolina, to name a few of his most famous projects. His landscape works are enjoyed in 25 states and 3 Canadian provinces. Most of these parks were created during and immediately after the Civil War. This title presents the opportunity to witness the evolution of Olmsted s design and social philosophies during a time of upheaval in American history.

Sixteen selections, dating from the 1850s to the 1890s, reveal Frederick Law Olmsted s youthful interests as well as his mature thinking on cities, small residential sites, the history and theory of urban parks, and landscape architecture in general. His writings directly addressed important issues of his day, but they remain as cogent as ever in today s environmental crisis."

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight. Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.

Today, Italian architect and designer Carlo Mollino (1905-73) is known chiefly for his furniture designs. He is famous also for his erotic polaroid photography of the 1960s, which has been subject of many exhibitions and has lost nothing of its great appeal to the fashion world today. Much less attention has so far been given to Mollino's architecture, and a comprehensive critical study of his work in this field has been lacking. Yet his built work, although relatively small, constitutes a seminal contribution to modernism that is uniquely marked by a strong relationship with Surrealism. Based on years of research and drawing on rich archival material as well as on Mollino's own writings, this new book is the overdue tribute to an extraordinary personality in 20th-century architecture. It features an exemplary selection of his key designs, both built and unrealised, lavishly illustrated with images and reproductions of previously unpublished plans, drawings, and documents. Rounded out with scholarly essays by expert authors, this is a long-awaited addition to the library of architecture lovers, professionals, and scholars.

This monograph details thirty-four major architectural works from Valode and Pistre, including commercial, retail, industrial, and cultural projects. Founded in 1980 by its current directors Denis Valode and Jean Pistre, Valode and Pistre Architects is a highly sought-after architecture and design firm based in Paris. Their predominantly large-scale projects are distinguished by their high degree of diversity from the Contemporary Art Museum of Bordeaux to the L Oreal factory and more recently the T1 Tower La Defense in Paris. Their innovative designs for the Beaugrenelle Center on the Front of the Seine won the Global Award for Excellence in 2015 for its approach to urban development. The book features works such as the Renault Technocentre near Paris, Las Mercedes business park in Madrid, and a group of hotel towers in Beijing. The book also looks at future projects that were recently awarded to Valode and Pistre a new Shenzhen Convention and Exhibition Center and three stations of the Grand Paris Express transit line.

Over the course of twenty years, acclaimed studio Miro Rivera Architects has produced an innovative, refined, and imaginative body of work-both modern and respectful of time-honored building traditions-that embodies the particularities of place and blurs the line between art and architecture. The firm's diverse practice weaves together a commitment to craftsmanship with a honed sense of materiality and space to create structures at once elegant, controlled, and pleasant to inhabit. In all, Miro Rivera Architects has won more than one hundred design awards and represented American architecture at exhibitions worldwide. The first from the firm, this volume provides critical insight into the studio's creative process through texts, 95 drawings, and 231 photographs, exploring two decades of work that has helped bring Texas architecture onto the international stage. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jimenez-prominent thinkers in urban design and architecture-and new images by renowned photographers Iwan Baan and Sebastian Schutyser, this book examines Miro Rivera's approach to Austin as a "landscape city" and situates the firm's work in a global context related to concepts of nature, urbanism, sustainability, and history.

The architectural structuring principle of the cellular compartment floor plan is as simple as it is economical, yet it allows for spatial and combinatorial freedom that can be interpreted in ever-new, ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums or schools, with the floor plans providing highly dynamic and surprising traffic patterns and views. The cellular compartment floor plan is the generating principle in many buildings, projects, and competition entries by Basel-based office Luca Selva Architects, who have been continually developing this typology in their many years of practice, modifying it and adapting it for new applications in different projects. It is therefore at the centre of this new book on the work of the prolific office. The numerous plans and photographs are supplemented by a theoretical essay by Christoph Wieser and a conversation between Luca Selva and Patrick Gmur. The book for the first time sheds light on this surprisingly sparsely researched topic, and thus its wider significance for the discourse reaches beyond the exemplary designs by Luca Selva Architects. Text in English and German.