There is no other designer quite like Anouska Hempel, and this volume is both a celebration of her achievement and an intimate insight into it. Here is a designer whose vision and creative flair know no bounds, whose interiors and landscapes are truly incomparable. The book is divided into thirteen chapters, each highlighting one of her many stunning achievements. There is Beluga , Hempel's own opulent yacht, masquerading as a black-sailed pirate ship; the luxurious interiors and perfectly manicured gardens of Cole Park, the quintessential English country house; the clean lines of the Grosvenor House Apartments in Mayfair; and more. With over 400 stunning colour photographs of interiors, architecture and gardens, this beautiful volume is itself a masterwork of art, a joy for lovers of distinctive design and an essential reference for design professionals.

This unique appraisal of the famous Swiss architect's major works have now been expanded to include two more buildings. The Villa Shodhan and the Pavilion Suisse round out the coverage of Le Corbusier's significant works. The author critically examines Le Corbusier's achievements helping student and professional alike to appreciate the elements of successful design. The narrative and fine illustration cover the key buildings from each of the four developmental stages of his work, making it an excellent guide for practicing architects and students.

Australian architect Robin Boyd (1919-1971) advocated tirelessly for the voice of Australian architects so that there could be an architecture that might speak to Australian conditions and sensibilities.His legacy continues in the work of contemporary Australian architects yet also prompts a way forward for architecture particularly in relationship to the landscapes they inhabit through a quality of continuous space found in his work where the buildings are spatially reliant and sympathetic to the places they occupy. A selection of 22 projects are documented comprehensively in this book for the first time. This slice through Boyd's body of work reveals a gifted, complex and contemporary thinker.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text. Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

As the official architects of Napoleon, Charles Percier (1764-1838) and Pierre-Francois-Leonard Fontaine (1762-1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine's desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.

This beautifully presented monograph features a selection of gardens created between 1982 and 2020 by visionary garden artist Michel Delvosalle. Passionate about nature and the harmony of landscapes, Michel Delvosalle completed his studies as a landscape architect in 1972 and has since enjoyed an extremely varied career as a garden artist, creator of spaces and atmospheres, painter, sculptor and landscape architect. Whilst each garden is unique in its setting and design, they all share the artist's signature hallmark: the search for harmony and the flexibility to adapt to places and people. Luxuriously bound in natural linen with exquisite full colour photography throughout, this curated selection will inspire designers and garden fans alike.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Since the release of his first monograph, Vincent Van Duysen has consolidated his reputation for buildings of exceptional spatial mastery and highly refined detailing, and built a growing international following. This beautiful companion volume presents thirty of the Belgian architect's most recent works produced over the past decade, much of which has been exquisitely captured by renowned photographers Helene Binet and Francois Halard. The buildings featured from this latest period include an array of elegant residences in Europe, New York, Paris and The Hamptons, as well as larger-scale commercial and public projects. Product and furniture designs, microcosms of the architect's rigorous attention to detail, are also featured, including yacht interiors and objets decoratifs. With a foreword by close friend and Academy Award-winning actor Julianne Moore, the broader context of Van Duysen's contribution to contemporary architecture is provided by architect Nicola di Battista and architecture critic Marc Dubois. An illustrated chronology provides a complete overview of the architect's recent projects. Van Duysen has established a reputation as one of the world's most refined and artful architects. This major new publication will further cement his uncompromising commitment to creating timeless places and spaces.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. The 'Dante of architecture', Antoni Gaudí crafted extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets of Barcelona. His work merged the influences of Orientalism, natural forms, new materials and religious faith into a unique aesthetic. From the furnishings of the Güell Palace to his masterpiece, the still-incomplete Sagrada Família, his imaginative creations are celebrated in this curated selection of images, accompanied by an essay of his life and work.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. In this collection, Philip Webb's letters have been drawn together by John Aplin. They tell a fascinating story of Webb's life and work, and the corresponding notes to each text will help the reader to understand the meaning and context of the letters. This work will be of interest to art and architecture historians alike.

Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as "the most important new building in America since the Cold War"; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Marco Frascari believed that architects should design thoughtful buildings capable of inspiring their inhabitants to have pleasurable and happy lives. A visionary Italian architect, academic and theorist, Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. As a student in Venice during the late 1960s, Frascari was taught and mentored by Carlo Scarpa. Later he moved to North America with his family, where he became a fulltime academic. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings, a small number of which were built. As a means of (re)constructing the theatre of imaginative theory within which these buildings were created, Sam Ridgway draws on a wide selection of Frascari's texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari's delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.

This book features the best and most spectacular conversions on the international architecture scene, accompanied by an insightful text and photographs. It includes over 60 projects around the world, including work by Hassell + OMA, David Chipperfield, Heatherwick Studios, Ney + Partners, Herzog & de Meuron, Zaha Hadid and many others. The author explores how these architects creatively approached the conversions of older buildings, ultimately finding a new functionality and life for them in the 21st century.

Arthur Casas has been one of the most prolic and innovative architects in Brazil since the late 1980s. His projects, the work of studios in both Sao Paulo and New York, can be seen in many of the world s capitals, including Paris, Tokyo, London, and Lisbon. Studio Arthur Casas has completed more than 500 projects in different areas, including residential and commercial architecture, public competitions, and interior and product design, in both Brazil and abroad. The firm has gained recognition over the years and received numerous national and international honours such as a World Architecture Festival Award 2015 for the Brazilian Pavilion at the Milan Expo. Born and raised in Sao Paulo, Casas is strongly influenced by the city s cosmopolitan spirit, something that inspires him to stay connected with the design community around the world. This ethos marks all of Casas s work, which is defined by a very eclectic and ever-changing creativity. Casas strongly believes that architecture and interior design are inextricably related: he visualizes and embraces the spaces he designs on the condition of including the furniture that was created or chosen for them. Being a craftsman himself, he aims to create simple designs freed from all unnecessary details, imbued with artisanal qualities. The book features works by internationally acclaimed photographers Filippo Bamberghi, Fernando Guerra, winner of the Architectural Photographer of the Year 2015, and Mauro Restie.

The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

This photographic tour of every one of the buildings designed solely by Louis Kahn represents the architect's greatest accomplishments. This book focuses on over twenty buildings that were designed solely by Louis Kahn. From his native city of Philadelphia to the heart of Bangladesh, Kahn's architecture reflected his fascination with science, mathematics, history, and nature. Striking new interior and exterior photographs by esteemed architectural photographer Cemal Emden reveal the characteristic features of Kahn's aesthetic: juxtaposed materials, repetition of line and shape and geometric precision. Also evident is the way Kahn's designs flourish in a variety of settings--religious, governmental, educational, and residential. The book gives close attention to Kahn's most iconic buildings, including Erdman Hall at Bryn Mawr College in Pennsylvania; the Indian Institute of Management in Ahmedabad; the Sher-e-Bangla Nagar in Dhaka, Bangladesh; and the Yale Center for British Art in New Haven, Connecticut, as well as a cluster of residences he designed in the Philadelphia area. Chapter openers written by architecture professor Caroline Maniaque, an introduction by academic Jale Erzen and an extensive chronology by academic Zekiye Abali, as well as a selection of Kahn's most insightful statements complete this book, which allows for a rich understanding of Kahn's architectural ingenuity.

The urban research projects of Estudio Teddy Cruz + Fonna Forman made the Tijuana-San Diego border region a global laboratory for engaging the central challenges of urbanization. The projects engage urban and political confl ict as a creative tool, and demonstrate the capacity of architecture and design to confront exclusion and homogenization in the city, and propose alternative strategies for more inclusive urban development.