This is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth. Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now. Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre.

All of Richard Neutra's works gathered together in one volume
"" ...] the definitive volume on the Viennese-born architect." - Los Angeles Times," Los Angeles
Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style.
Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture.
For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.

"Colin St John Wilson: Buildings and Projects" is the definitive examination of the work of one of Britain's most eminent and prolific architects, Sir Colin St John Wilson. The book, which coincides with and celebrates St John Wilson's 85th birthday, spans projects from throughout his career, from earlier work, such as the 1956 'This is Tomorrow' collaborative exhibition of architects and artists; to his own house in Cambridge (where he was the University's Head of the School of Architecture from 1975 to 1989); to perhaps his most celebrated building, the British Library in St Pancras and its extension, to the current work he is engaged with in the masterplanning of the Royal Academy. "Colin St John Wilson: Buildings and Projects" beautifully illustrates the thought processes and theories behind the work, with essays, photographs, building drawings and diagrams; as well as genealogical and chronological charts, which place his architecture within its historical context. This title is a must-have for everyone with an interest in modern architecture, and provides the perfect companion to Black Dog Publishing's re-issue of St John Wilson's "The Other Tradition of Modern Architecture: The Uncompleted Project."

Architecture as Civil Commitment analyses the many ways in which Lucio Costa shaped the discourse of Brazilian modern architecture, tracing the roots, developments, and counter-marches of a singular form of engagement that programmatically chose to act by cultural means rather than by political ones. Split into five chapters, the book addresses specific case-studies of Costa's professional activity, pointing towards his multiple roles in the Brazilian federal government and focusing on passages of his work that are much less known outside of Brazil, such as his role inside Estado Novo bureaucracy, his leadership at SPHAN, and his participation in UNESCO's headquarters project, all the way to the design of Brasilia. Digging deep into the original documents, the book crafts a powerful historical reconstruction that gives the international readership a detailed picture of one of the most fascinating architects of the 20th century, in all his contradictory geniality. It is an ideal read for those interested in Brazilian modernism, students and scholars of architectural and urban planning history, socio-cultural and political history, and visual arts.

McMorran & Whitby are arguably one of the most unsung practices of post-war British architecture. Led from the late 1950s by Donald McMorran and George Whitby, two indisputable architectural heavyweights of the post-war era, the practice willingly rejected the experimentalism and fleeting faddishness that characterised the dominant paradigm of the age and from which so many of Britain's towns and cities are still blighted. The practice can be seen as part of an evolution in British classical tradition with direct linkages through other eminent figures such as Sir Edwin Lutyens and E. Vincent Harris. Their work found notable favour with public institutions, such as the police, county and city councils, and universities. These include Devon County Hall in Exeter, various buildings at Nottingham University, West Suffolk County Council buildings in Bury St Edmunds, but, above all, numerous significant commissions for the City Corporation such as Wood Street Police Station and the extension to the Central Criminal Courts, commonly known as the New Bailey. This book is the first major publication on McMorran & Whitby's work, and therefore contains an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it highlights the importance in the arts of seeking longer perspectives than those which, all too often, our own ephemeral epoch permits. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

The first history of Frank Lloyd Wright's exhibitions of his own work--a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect's influential career. Drawing extensively from Wright's unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright's earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright's exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright's supervision.

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Perez-Gomez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

One of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis...the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer's roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.

Julia Morgan was truly a pioneer of her time among other accomplishments, she was the first woman architect to be licensed in California, in 1904. Through her remarkable life and legacy, this book celebrates the Beaux-Arts architecture of California. Focusing on Morgan s most famous project in the state, Hearst Castle, to which she devoted more than 30 years of her life, this volume also examines, for the first time, Morgan s fabulous early buildings in the style. Morgan designed more than 700 buildings across California, many of which are designated landmarks today. Deepening the reader s understanding of California architecture, this book also places into context Morgan s ambitions, her influences and inspirations, as well as her daily practice and challenges as a woman shaping an extraordinarily prolific and highly successful career in a man s world. To better understand the Beaux-Arts training Morgan underwent in Paris, the reader is taken through the challenging, highly arduous Ecole des Beaux-Arts curriculum, which Morgan completed, a lone woman among men. Also explored, in detail, is the story of how the studio and kilns of California Faience, a Berkeley ceramic artisan s shop, became the supplier of tens of thousands of tiles designed by Morgan and overseen by Hearst himself to decorate their architectural master-piece overlooking the Pacific Ocean.

The pioneering architect, planner, theorist and educator, Denise Scott Brown is the second recipient of the Soane Medal, which is awarded annually in recognition of architects who have made a major contribution to their field, through their built work, through education, history and theory. The lecture was delivered on 17 October 2018 at the Sainsbury Wing of the National Gallery, which she designed with Robert Venturi. From Soane to the Strip is a transcript of Denise Scott Brown's Soane Medal lecture - a narrated history of her early life and the experiences that shaped her later practice, illustrated by her own extraordinary and rarely-seen photography.

Adèle Naudé: A Form of Practice celebrates the architect’s 40 years of practice and teaching. In notable academic leadership positions, Naudé taught across many locations globally, and her practice followed to new locations around the world. A Form of Practice is the first comprehensive monograph presenting the work and academic contributions by Naudé - from South Africa and Chile to Japan and the United States. “…my teaching career at important institutions led to offers for increasingly important leadership positions including Architecture Chair at the University of Pennsylvania, the deanships at the University of California San Diego (UCSD) and later at MIT.�

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

This beautifully illustrated monograph details the designs and unbuilt works of renowned Korean architect firm BCHO Partners and explores the firm's focus on architecture with simple structures and a strong regard for the natural environment. Filled with a rewarding collection of unbuilt projects, this richly illustrated monograph provides critical insight from the designers into the context of each development and plan. These projects all feature one consistent interest: a concern for the relationship between the proposed building and the surrounding landscape. The carefully selected collection of projects reflects the breadth of the firm's past explorations and the diversity of ground conditions they have encountered. The book provides an occasion to revisit the vast collection of the firm's past unbuilt projects through the common lens of the given site and landscape.

Hollaway is an architectural and interior design practice that embraces the past, the present, and the future; one that places people and feeling at the core of its philosophy of architecture. It is only appropriate, then, that this book reflects on where the practice has evolved from, where it finds itself today, and what the challenges of tomorrow demand of it, told in the words of those who make it what it was, is and will become. The RIBA award-winning practice has built its reputation working on a wide array of projects, including a cutting-edge skate park, the world's first heritage theme park, a bespoke artist's studio in an open field, and a high-end seafood restaurant. They were also one of the first to install a tubular steel slide in an office redesign, and the chosen architects for the replanning of an entire town. The breadth of these projects may be wide, but each one brings the perfect balance of playfulness and sincerity, with a firm focus on placemaking, sustainability and the experience of the individuals who will use the space. From Now On documents Hollaway's inspirational buildings, brought alive by glowing client testimonies. A must for modern architecture lovers or anyone who is interested in seeing creative ideas made possible.

Probably the most popular building of the last century, Sydney Opera House is the icon of modern Australia. It has repaid its Au$100 million cost many times over, both as a tourist attraction and as a cultural center; as a brand, it is priceless. The story of its creation is one of both triumph and tragedy: universally loved these days, it was attacked by press and public when under construction. It is a masterpiece of modern architecture, yet Jorn Utzon, its designer, walked out before completion. Opinions are still divided over who was at fault when he resigned after a row with the client in 1966, and the story continues to rouse powerful passions to this day. Now, nearly 40 years later, Utzon has been invited back to oversee the building's refurbishment.
Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers; Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House?

Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer. Sketches of over 100 of Tony Hunt's projects provide an excellent source of design inspiration Allows the reader to visualise the design process through from start to finish Gain an insight into the lifetime's work of this influential structural engineer

Discover the unique aesthetic of Tadao Ando, the only architect ever to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. This collection spans the breadth of Ando's entire career, including such stunning new projects as the Shanghai Poly Grand Theater and the Roberto Garza Sada Center in Monterrey, Mexico. Each project is profiled through photographs and architectural drawings that explore Ando's unprecedented use of concrete, wood, water, light, space, and natural forms. Featuring designs from award-winning private homes, churches, museums, and apartment complexes to cultural spaces throughout Japan, South Korea, France, Italy, Germany, Mexico, and the USA, this compact edition brings you up close and personal with a Modernist master. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

This book is a unique comparative study of two of the greatest figures in modern architecture - Le Corbusier and Alvar Aalto. By assessing the historical, personal and intellectual influences of their attitudes to nature and the creative direction of their work, this study offers a new understanding about the diversity at the heart of modernism. Through an analysis of the architects' own writing about their ideas and philosophies, a better understanding is gained of their ideas for urban living and by looking at their most widely known work, the authors analyse the architects' intentions to build nature into the heart of their architecture. The authors argue that there are many similarities between the attitudes towards nature held by Le Corbusier and Aalto, and that these similarities had an important place in the generation of their architecture.

Sir John Soane's Influence on Architecture from 1791: A Continuing Legacy is the first in-depth study of this eighteenth-century British architect's impact on the work of others, extending globally and still indeed the case over 200 years later. Author Oliver Bradbury presents a compelling argument that the influence of Soane (1753-1837) has persevered through the centuries, rather than waning around the time of his death. Through examinations of internationally-renowned architects from Benjamin Henry Latrobe to Philip Johnson, as well as a number of not so well known Soanean disciples, Bradbury posits that Soane is perhaps second only to Palladio in terms of the longevity of his influence on architecture through the course of more than two centuries, from the early 1790s to today, concluding with the recent return to pure revivalism. Previous investigations have been limited to focusing on Soane's late-Georgian and then post-modern influence; this is the first in-depth study of his impact over the course of two centuries. Through this survey, Bradbury demonstrates that Soane's influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane's is a continuing, not negated, legacy in architecture.