Makers of 20th-Century Modern Architecture is an indispensable reference book for the scholar, student, architect or layman interested in the architects who initiated, developed, or advanced modern architecture. The book is amply illustrated and features the most prominent and influential people in 20th-century modernist architecture including Wright, Eisenman, Mies van der Rohe and Kahn. It describes the milieu in which they practiced their art and directs readers to information on the life and creative activities of these founding architects and their disciples. The profiles of individual architects include critical analysis of their major buildings and projects. Each profile is completed by a comprehensive bibliography.

A thoroughly updated and redesigned edition of McCarter's esteemed monograph on the globally-revered modern master - includes Roosevelt Island, Four Freedoms Park, which was completed after Kahn's death The significance of the work of Louis I Kahn, one of the greatest influences on post-WWII world architecture, has skyrocketed in the twenty-first century. Robert McCarter's bestselling and critically-acclaimed monograph explains how Kahn redefined Modern architecture and why his work remains a fundamental source for architects and designers today. Now thoughtfully updated, this comprehensive and extensively illustrated overview features both built and unbuilt projects, including Yale University Art Gallery, Kimbell Art Museum, and the Salk Institute, along with his work in India and Bangladesh, as well as a project realized forty years after Kahn's death - New York City's Four Freedoms Park.

Shanghai-based Atelier Deshaus, founded in 2001 as one of the first private architectural firms in China, is one of the country's most important and innovative design studios. The architects made their name worldwide in 2014 with the much-acclaimed West Bund site for Shanghai's Long Museum, which has since been followed by a series of further museum and other art-related projects. Such cultural and community buildings of various scale are the main focus of Atelier Deshaus, who refuse the usual commercial construction tasks in China. Their formally strong buildings are developed from reading the site with special attention being paid to the preservation of Shanghai's industrial heritage after decades of a tabula rasa policy in the city's urban development. At the core of this first monograph are Atelier Deshaus's 20 most important designs from two decades. They are documented in rich detail through plans and images as well as concise explanatory texts by the architects. In an extensive conversation with Hubertus Adam, the firm's principals Liu Yichun and Chen Yifeng offer insights into their way of thinking, their understanding of Chinese tradition, their relation to art, and the challenges of working as a non-governmental office in China. Additional essays place Atelier Deshaus in the context of contemporary international architecture and discuss their key projects with regard to constructive qualities and atmosphere.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

Architectures of Transversality investigates the relationship between modernity, space, power, and culture in Iran. Focusing on Paul Klee's Persian-inspired miniature series and Louis Kahn's unbuilt blueprint for a democratic public space in Tehran, it traces the architectonics of the present as a way of moving beyond universalist and nationalist accounts of modernism. Transversality is a form of spatial production and practice that addresses the three important questions of the self, objects, and power. Using Deleuzian and Heideggerian theory, the book introduces the practices of Klee and Kahn as transversal spatial responses to the dialectical tension between existential and political territories and, in doing so, situates the history of the silent, unrepresented and the unbuilt - constructed from the works of Klee and Kahn - as a possible solution to the crisis of modernity and identity-based politics in Iran.

This lavishly presented monograph delves into the dynamic work of master architect Taesun Hong, founder, CEO and design director of the firm YKH Associates. Taesun Hong's works straddle the realms of the philosophy of art, mathematics, science, nature, and music. As a skilled pianist, Taesun Hong provides the reader with an in-depth analysis of the way music and architecture intertwine, through the themes of instrument, scale, repetition, void, surprise, rhythm, dynamics, circulation and connection, and scale and proportion. This volume explores more than 30 outstanding projects, which provide the reader with an incisive commentary on the inspiration behind each work, with reference to these musical/architectural notations. Set out with rich, full-colour photographs and detailed plans, this book is a wonderful addition to the comprehensive Master Architect Series by Images Publishing.

The volume Nicolas Party | L'Heure Mauve collects a vast visual epic in which Party plays a variety of roles, sometimes impersonating the artist, others the scenographer, the conservator, or the sculptor. His work, and the title of the show, are inspired by L'Heure Mauve, a piece created in 1921 by the Canadian painter Ozlas Leduc that highlights the different interpretations given to the relationship between man and nature throughout the history of art. The result is a constantly changing natural environment: it can be a place full of danger and catastrophe, a territory to be conquered, an expanse disseminated with ancient ruins, or even silences where there are no traces of human presence. Nature finally becomes the theatre for the Anthropocene, its connection with humanity by now inextricable, and the passing of time and the finiteness of existence make way for a feeling of melancholy. Our artist interrogates the world's image, and he does so by dialoguing very concretely with the spaces and the works belonging to the collection of the Montreal Museum of Fine Arts. The present volume reflects this personal evolution by employing a unique graphic framework and a packaging that is as precious as its contents. Text in English and French.

Hollaway is an architectural and interior design practice that embraces the past, the present, and the future; one that places people and feeling at the core of its philosophy of architecture. It is only appropriate, then, that this book reflects on where the practice has evolved from, where it finds itself today, and what the challenges of tomorrow demand of it, told in the words of those who make it what it was, is and will become. The RIBA award-winning practice has built its reputation working on a wide array of projects, including a cutting-edge skate park, the world's first heritage theme park, a bespoke artist's studio in an open field, and a high-end seafood restaurant. They were also one of the first to install a tubular steel slide in an office redesign, and the chosen architects for the replanning of an entire town. The breadth of these projects may be wide, but each one brings the perfect balance of playfulness and sincerity, with a firm focus on placemaking, sustainability and the experience of the individuals who will use the space. From Now On documents Hollaway's inspirational buildings, brought alive by glowing client testimonies. A must for modern architecture lovers or anyone who is interested in seeing creative ideas made possible.

Le Corbusier (1887-1965), born Charles-Edouard Jeanneret-Gris in La Chaux-de-Fonds (Switzerland), is considered by many to be the most influential architect of the twentieth century. Educated in his hometown in the Arts and Crafts tradition under his mentor Charles L'Eplattenier, his early training included important travels and periods of work in the offices of the Perret Brothers (Paris) and Peter Behrens (Berlin). He settled permanently in Paris in 1917, after which he encountered the modernist painter Amedee Ozenfant who would have a significant influence on his work; together they established Purism and the L'Esprit Nouveau journal. During this period he also took the name Le Corbusier derived from the name of a relative. The 1920s saw Le Corbusier emerge as one of the leading modern architects internationally with his designs for a series of villas and projects for the modern city. His 'white' architecture of this period was inspired by modern machines, including early aircraft, automobiles, and ocean liners, along with an abiding interest in architectural history. Many of his ideas were captured in two important publications: Vers une architecture (1923) and Urbanisme (1925). In the early 1930s he sought larger commissions internationally and his architecture evolved away from the Purist work of the 1920s with the adoption of vernacular elements. As the political climate in Europe changed in the late 1930s Le Corbusier's career struggled leading him to take desperate measures. For example, during World War II, he attempted unsuccessfully to secure commissions from the Vichy regime controlling southern France. During this period he also began work on his Modulor measurement system. At the end of the work he reestablished his office in Paris and embarked on a creative and productive period that would last until his death by drowning in 1965. Of particular importance was the Unite d'Habitation project in Marseilles, begun in 1946, which allowed him to develop his ideas for collective housing; this project also signaled the emergence of his 'brutalist' period. His formal experiments also broadened with works such as the pilgrimage church of Notre Dame-du-Haut at Ronchamp and the monastery of La Tourette. In 1950 he was invited to India, where he was engaged to take over the master plan of the new capital city of the Punjab at Chandigarh. This allowed him to test his urban theories and to develop designs for the Capitol complex. A series of late work demonstrated Le Corbusier's continuing experiments in architecture. Often unfairly maligned for the failings of modern urbanism, Le Corbusier's legacy continues to evolve. This four-volume collection of writings on the career and legacy of Le Corbusier traces the various periods of his life from his early training to his final projects. The writings, by Le Corbusier and leading scholars, also explore important themes and specific buildings. The final volume includes articles, some critical of his ideas, which examine his legacy and impact.

This unique appraisal of the famous Swiss architect's major works have now been expanded to include two more buildings. The Villa Shodhan and the Pavilion Suisse round out the coverage of Le Corbusier's significant works. The author critically examines Le Corbusier's achievements helping student and professional alike to appreciate the elements of successful design. The narrative and fine illustration cover the key buildings from each of the four developmental stages of his work, making it an excellent guide for practicing architects and students.

London is a living architectural exhibition. This tried and trusted portable guide will help you to find your way around one of the worlds most exciting cities, offering architectural experiences and insights into London's finest contemporary architecture. features more than 400 buildings including key venues from the 2012 Olympic Park provides a superb full colour photographic record of the capital aids navigation of the city's greatest architectural sights with a clear map-based format considers each district in turn, identifying the buildings most worthwhile visiting, and providing essential information and insights into each includes a large scale, portable, lightweight map, for use when walking the tours Jam packed with the author's intimate architectural experience and knowledge of London's buildings, the accompanying commentary is both lively and entertaining, providing all the information that any architectural explorer will need to appreciate and experience London's contemporary architecture.

Glenn Murcutt is an internationally acclaimed Australian architect who for five years taught a series of master studios for graduate architecture students at the University of Washington. This book combines examples of the students' studio work with edited transcripts of Murcutt's public lectures and sessions with students, professionals, and Finnish architect Juhanni Pallasamaa. Essays set the studios into the context of an inquiry about the local practice of a global architecture. The studio work shows an application, in the Northwest environment, of Murcutt's fundamental principles. These projects often make evident architecture that has a precise engagement with local conditions and the natural environment. Structures and material details take their measure from an industrial craft of making. The collected studio work shows a full progression from site sketches through detail development, in drawings and models. Jim Nicholls is a senior lecturer in the Department of Architecture, College of Built Environments, University of Washington.

Building on his pioneering work on the management of technology and innovation in his first book, Managing the Flow of Technology, Thomas J. Allen of MIT has joined with award-winning German architect Gunter Henn of HENN Architekten to produce a book that explores the combined use of two management tools to make the innovation process most effective: organizational structure and physical space. They present research demonstrating how organizational structure and physical space each affect communication among people in this case, engineers, scientists, and others in technical organizations and they illustrate how organizations can transform both to increase the transfer of technical knowledge and maximize thecommunication for inspiration that is central to the innovation process. Allen and Henn illustrate their points with discussions of well-known buildings around the world, including Audi's corporate headquarters, Steelcase's corporate design center, and the Corning Glass Becker building, as well as several of Gunter Henn's own projects, including the Skoda automotive factory in the Czech Republic and the Faculty for Mechanical Engineering at the Technical University of Munich. Allen and Henn then demonstrate the principles developed in their work by discussing in detail one example in which organizational structure and physical space were combined successfully to promote innovation with impressive results: HENN Architekten's Project House for the BMW Group Research and Innovation Centre in Munich, cited by Business Week (April 24, 2006) in naming BMW one of the worlds most innovative companies.Professor Thomas Allen is the originator of the Allen curve. In the late 1970s, Tom Allen undertook a project to determine how the distance between engineers offices coincided with the level of regular technical communication between them. The results of that research, now known as the Allen Curve, revealed a distinct correlation between dist

The first volume of the series chronicling the work of architects gmp * Von Gerkan, Marg and Partner was published in 1978, while 2008 saw the publication of the eleventh and most recent volume in the series. More than a decade later, the series is at last picking up where it left off: volume twelve of the monograph documents the projects built between 2007 and 2011, including numerous sports facilities around the world, from the three stadiums erected for the soccer world championships in 2010 in Cape Town, Port Elizabeth, and Durban, South Africa; to the buildings for the World University Games in 2011 in Shenzhen, China; to the Olympic stadium in Kiev. Those, however, are just a few of the sixty-five projects found in this richly illustrated volume: transportation facilities such as the Hamburg Airport and the West Train Station in Tianjin, China, as well as iconic cultural buildings such as the Chinese National Museum, the Hanoi Museum, the China Maritime Museum in Lingang, and the grand theatres in Chongqing and Qingdao are also detailed. Languages: German and English

Ordered chronologically, and global in scope, this book provides an account of modern architecture through the prism of 20 of the most influential houses built over the past century. By telling the stories of these houses, it offers a fascinating biography of some of the greatest modern architects. John Pardey examines the ground-breaking ideas, sensitivity to detailing and materials in houses designed by the likes of Gerrit Rietveld, Le Corbusier, Adolf Loos, Mies van der Rohe, Frank Lloyd Wright, Giuseppe Terragni, Alvar Aalto, Charles and Ray Eames and Oscar Niemeyer, and seeks to discover what lessons they can still offer for architects practising today. 20/20 tells the story of the client, the architect, the house and the events around the construction of each dwelling during the turbulent 20th century. It offers readers a fascinating biography of great architects in which revelations are found in their most intimate projects.

Australian architect Robin Boyd (1919-1971) advocated tirelessly for the voice of Australian architects so that there could be an architecture that might speak to Australian conditions and sensibilities.His legacy continues in the work of contemporary Australian architects yet also prompts a way forward for architecture particularly in relationship to the landscapes they inhabit through a quality of continuous space found in his work where the buildings are spatially reliant and sympathetic to the places they occupy. A selection of 22 projects are documented comprehensively in this book for the first time. This slice through Boyd's body of work reveals a gifted, complex and contemporary thinker.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text. Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

This previously unpublished work is essential reading for anyone who has followed Marco Frascari's scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one's own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.

As the official architects of Napoleon, Charles Percier (1764-1838) and Pierre-Francois-Leonard Fontaine (1762-1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine's desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.

Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

The design process of Will Alsop acts as a conduit for the dreams and aspirations of others. Moving from public consultation to the privacy of his painting studio - here ideas are born in the liquidity of paint, the serendipity of collage and the flourish of line, resulting in the avant-garde and vibrant designs that Alsop is particularly well known for. Whether the world approves of these designs or not, does not devalue the creative and artistic process which produces so rich, varied, challenging and inspirational outcomes. Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to private studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design. Whether a working architect or a student embarking on the first steps towards creating your own design process, this book offers an insight and example into how engaging with the public, before painting the way into architecture, can offer the most stimulating solutions.

Wright's Writings traces the discursive work of Frank Lloyd Wright through a set of essays by Kenneth Frampton. Originally written as a series of introductions to the five-volume collection of Wright's writing published in 1992, the essays are gathered here as a critical survey of the architect's written and spoken work-a body of text that testifies to Wright's staggering prolificacy, pleasure in argument, diversity of interests, and desire to engage with timely political debates. Alongside these five essays, Wright's Writings provides a visual record of Wright's literary output, demonstrating the range of media he employed in the act of making architecture. Read together, it presents a history of the architect through the essays, books, letters, lectures, and speeches he wrote as well as the material and social cultures he navigated.

This timely book seeks to dispel two widely held misconceptions: first, that architects are no longer central to the making of buildings and, second, that design is a linear process which begins with a fully formed architectural vision. Architect Farshid Moussavi argues that the temporality of architecture provides day-to-day practice with the potential to generate change. She proposes that we abandon determinism and embrace chance events and the subjective factors that influence practice in order to ground buildings in the micropolitics of everyday life. Using four buildings designed by FMA, Moussavi's London-based practice, Architecture & Micropolitics shows how the rhizomatic nature of their design process is combined with diligent research and an openness to elements of chance to fuel creativity and bend rules that would generate a merely functional building. A substantial essay by Farshid Moussavi and an afterword by the philosopher Jacques Ranciere are followed by detailed analyses of the Museum of Contemporary Art in Cleveland; Lot 19, the first new residential block to be built in the La Defense district of Paris in thirty years; the Folie Divine apartment building in Montpellier; and the Ismaili Center Houston, the first new building in the US which is dedicated to use by the Ismaili community. The book also features contributions by Inaki Abalos, Hans Ulrich Obrist, and Irenee Scalbert. Architecture & Micropolitics is recommended for any professional and academic library. It is a surprising book which will be of value to anyone who is interested in the relationship between architecture and society.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.