Architecture office 'Bovenbouw' presents its work in all of its variety and maps the rich world of references with which it designs. It provides a look inside the variety of projects and the rich world of references of the eponymous architecture office from Antwerp. The book and the exhibition act as complements to one another; autonomous, but all the richer when read together. Intuitive yet thought out, and with a measured dose of humour, it maps an extensive frame of reference.

MoreySmith is one of Britain's foremost interior design practices. The first book to showcase its work, Renew looks back on two decades of ground-breaking, award-winning projects. Since founding the business in 1993, Linda Morey Smith has built a reputation for achieving the unachievable, transforming the dark, derelict and uninspiring into light-flooded, sophisticated and uplifting spaces. From London's Capital Radio, MoreySmith's first commission, to current clients such as Moet Hennessy, Renew follows the practice's visions as they take shape, always staying true to the original vision.
Among MoreySmith's trademarks is the ability to work with difficult period buildings, opening them up and injecting them with warmth while remaining sensitive to the original structure and allowing it to shine through. With a Foreword by Professor Jeremy Myerson, Director of the Helen Hamlyn Centre for Design at the Royal College of Art,
and an essay by Henrietta Thompson, Editor-at-Large for Wallpaper*, Renew explores the process through which this is achieved, also exploring the practice's frequent collaborations with artists and the working methods that have ensured a dedicated loyalty when it comes to both clients and workforce over the years.
Whether designing a home or a corporate headquarters, people are central to every MoreySmith project, and this ability to infuse a building with a sense of humanity is behind truly successful interior architecture. Renew reveals the vision, attention to detail, technical expertise and commitment necessary to make it a reality.

This latest publication from Buckley Gray Yeoman looks at the variety of the practice's work from a range of perspectives, drawing on its varied interests in contemporary design. London-based practice Buckley Gray Yeoman was formed in 1997. The practice's diverse range of work includes housing, industrial buildings, office new build and refurbishments, master planning and work in the education sector, all with a focus on sustainability, quality and innovation. Buckley Gray Yeoman offers more than a conventional architectural service. Aiming first to understand the core values of its clients, through aspects including business model and branding, the practice offers a problem-solving approach to architecture that results in creative solutions beyond the obvious.

The importance of the leading British architect A. W. N. Pugin (1812-52) in the history of the Gothic Revival, the development of ecclesiology, the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. His letters are vigorous, direct, often witty, and invaluable for architectural and religio-historical research. The second of five volumes.

Spanning 25 projects in as many years, Walls and Boxes charts the remarkable commitment to Modernist design principles that characterise the practice of Guard Tillman Pollock Architects. Mark Guard, Steven Pollock and Keith Tillman present a body of residential work that combines contemporary technology with the ethos of the heroic period of Modern architecture. The practice builds contemporary homes that are full of space and light without compromising their function or form. This book chronicles the results, a transformable architecture of exceptional practicality and great beauty, with many bespoke details developed by the firm over the years. . Through a rich combination of photography, before-and-after plans, and axonometrics, Walls and Boxes illustrates 25 projects built between 1990 and 2015. Each demonstrates the application of the practice's rigorous design attitude to different building types, ranging from modest apartments to new-build houses. At a time when specialisation is being met with a general scepticism, Walls and Boxes presents a studio whose devotion to a particular aesthetic and sense of space shows an insight and building expertise that borders on the philosophical. The office's wealth of experience fuses British, North American and European training to bring about elegant residential projects on an international scale that are as functional as they are stylish. As much a nuanced exploration of Guard Tillman Pollock's practice as it is a powerful manifesto on the timeless principles of form, space and light, Walls and Boxes can be utilised as a guidebook into producing transformative residential spaces that resist the constraints and limitations so often imposed by twenty-first-century urban life. Walls and Boxes is about design for modern times, a book for anyone interested in both the creative process of architecture and in looking for new ways of improving the spaces we inhabit.

Provides an extraordinary insight into the development of one of the most well-known architects and theorists Alexander's A Pattern Language is one of the best-selling books in the history of architecture The essays combine theory and descriptions of practice

The volume Nicolas Party | L'Heure Mauve collects a vast visual epic in which Party plays a variety of roles, sometimes impersonating the artist, others the scenographer, the conservator, or the sculptor. His work, and the title of the show, are inspired by L'Heure Mauve, a piece created in 1921 by the Canadian painter Ozlas Leduc that highlights the different interpretations given to the relationship between man and nature throughout the history of art. The result is a constantly changing natural environment: it can be a place full of danger and catastrophe, a territory to be conquered, an expanse disseminated with ancient ruins, or even silences where there are no traces of human presence. Nature finally becomes the theatre for the Anthropocene, its connection with humanity by now inextricable, and the passing of time and the finiteness of existence make way for a feeling of melancholy. Our artist interrogates the world's image, and he does so by dialoguing very concretely with the spaces and the works belonging to the collection of the Montreal Museum of Fine Arts. The present volume reflects this personal evolution by employing a unique graphic framework and a packaging that is as precious as its contents. Text in English and French.

What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

This lavishly presented monograph delves into the dynamic work of master architect Taesun Hong, founder, CEO and design director of the firm YKH Associates. Taesun Hong's works straddle the realms of the philosophy of art, mathematics, science, nature, and music. As a skilled pianist, Taesun Hong provides the reader with an in-depth analysis of the way music and architecture intertwine, through the themes of instrument, scale, repetition, void, surprise, rhythm, dynamics, circulation and connection, and scale and proportion. This volume explores more than 30 outstanding projects, which provide the reader with an incisive commentary on the inspiration behind each work, with reference to these musical/architectural notations. Set out with rich, full-colour photographs and detailed plans, this book is a wonderful addition to the comprehensive Master Architect Series by Images Publishing.

Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture. One of very few writers to be awarded the RIBA's highest honour, the Royal Gold Medal, in 2014, and author of countless books and essays, his influence over the past 60 years cannot be underestimated. In this memoir he tells for the first time of how his life's experiences shaped his working life. He addresses the dualities between which he had to navigate: Jewish/Polish, Polish/British and later, Practice/Scholarship. He spent most of his working life between the US and UK and worked both as a designer and a writer; as such his ground-breaking ideas and work have had a major impact on the thinking of architects and designers since the 1960s and continue to do so to this day.

Calvert Vaux (1824--1895) designed Central Park and other parks in American cities with Frederick Law Olmsted. Trained in England as an architect, Vaux also planned buildings that mirrored the advance of urbanization in America. Museums, exhibition halls, model tenements, and dwellings, as well as many structures in Central Park, were among his designs. This book is an in-depth study of Vaux's life and work.

As a formative exemplar of early architectural modernism, Bruno Taut's seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut's Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut's diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut's motives and inspirations for its design. The result is that Taut's motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.

This previously unpublished work is essential reading for anyone who has followed Marco Frascari's scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one's own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.

* A Times and New Statesman Book of the Year * * BBC Radio 4 Book of the Week * * Illustrated with over 130 colour photographs and drawings * 'A masterpiece.' Edmund de Waal 'Commanding, intelligent, gripping.' The Times From 1910 to 1930 Gropius was at the very centre of European modern art and design, as the founder of the German art school, the Bauhaus. Yet Gropius's beliefs and affiliations left him little choice but to leave Germany when Hitler came to power. In this riveting book, Fiona MacCarthy draws on new research to re-evaluate Gropius's work and life. From his shattering experiences in the First World War to his turbulent marriage to the notorious Alma Mahler and the tragic early death of their daughter, MacCarthy leads us through his disorientating years in London, to his final peaceful and productive life in America. This is biography at its finest and most vivid.

After three years of education, architecture students have to start out on their first year of practical training as the initial step in a career in the professional world - all too often without enough clear advice to make sure that their first step is in the right direction. Towards a New Architect helps you to make the right moves. It explores how to research the opportunities available, prepare your CV, make sure that it gets you noticed for the right reasons and deliver a successful interview as part of a clear plan for building your career as an architect. For many architecture students the ultimate goal in their career is to set up in practice for themselves. This book sets out the steps to get there successfully and to make the process enjoyable and fulfilling.

When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco's written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco's work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.

Louis I. Kahn is widely known as an architect of powerful buildings. But although much has been said about his buildings, almost nothing has been written about Kahn as an unconventional teacher and philosopher whose influence on his students was far-reaching. Teaching was vitally important for Kahn, and through his Master's Class at the University of Pennsylvania, he exerted a significant effect on the future course of architectural practice and education. This book is a critical, in-depth study of Kahn's philosophy of education and his unique pedagogy. It is the first extensive and comprehensive investigation of the Kahn Master's Class as seen through the eyes of his graduate students at Penn.

A major overview of Skylab’s built works, from show-stopping residences to high-profile cultural projects, presented via a covetable book design that takes its inspiration from an album or LP. Skylab: The Nature of Buildings is the first monograph of the Portland, Oregon-based architecture and design studio. Founded by Jeff Kovel in 1999, Skylab has emerged as a leading creative force in the Pacific Northwest and North America. At the vanguard of innovative and sustainable design, the practice is known for a range of spectacular residences designed for leading creatives, as well as distinctive music venues, resorts, and other high-profile projects, including the N M Bodecker Foundation, Nike’s Serena Williams Building, and the Columbia Building. Presenting more than two decades of work, the story of Skylab is told by several influential contributors through reflective essays, interviews, conversations and anecdotes, as well as extensive project photography and illustrations that detail the firm’s design process. A uniquely crafted object, the book’s design is based on the concept of a double vinyl album, with four 'sides' (A, B, C, D), ten projects 'tracks', inside front- and back-cover gatefolds, and nine project 'interlude' foldout posters in the book. 'Our work balances on three themes: narrative, strategy, and regeneration', Kovel writes in the book’s Preface. 'Narrative is the "what" — a design process based on telling compelling stories. Strategy is the "how" — innovating best practices through construction and market intelligence. Regeneration is the "why" — our north star and the legacy of our work, defined by designing with nature as a partner, seeking to rebalance the relationship with land, time and people. This was the bedrock meaning behind our practice when we started in 1999, and it continues to this day.'

The evolving environmental justice paradigm is conceptualized differently based on political, economic and historical factors. In developed countries, emphasis is placed on the role of individuals in environmental decision-making and the protection of their access to the prerequisite environmental information and capacity to challenge environmental decisions is the main focus. However, in developing countries, access to land and natural resources are considered integral elements of environmental justice paradigm. This book focuses on the conceptualization, recognition and protection of environmental justice in developing countries. It explores the situation by engaging an analytical discourse of relevant legal provisions in four case study countries including Nigeria, South Africa, India and Papua New Guinea. The comparative analysis of environmental justice in these countries present a framework within which to appreciate the conceptualization of the environmental justice paradigm

The creative genius behind Founder's Building at Royal Holloway, University of London, arguably the most glorious building in England of the end of the nineteenth century, is widely respected and its architectural style is regarded as archetypally 'Victorian'. Yet its architect, William Henry Crossland, is little known, despite a substantial catalogue of buildings, most of which remain standing today. Bringing Crossland out of the shadows, this biography explores this mysterious and elusive figure in depth for the first time. Recently digitised documents and long-hidden archival material have thrown a powerful light on Crossland, which, together with the author's first-hand knowledge of his buildings, offer the reader an unprecedented appreciation and understanding of the man, his life and work, as well as his personal and artistic influences. W.H. Crossland fills a gap in nineteenth-century architectural knowledge, but it is also the touching story of an ambitious and talented man, who is long overdue to be recognised as one of the 'greats' among nineteenth-century architects. This book is intended for architects, architectural historians and anyone who is interested in the built environment, nineteenth-century history and intriguing personal stories.

Addison Mizner was one of the 20th Century's most influential American architects, a member of the remarkable group of visionaries who transformed Palm Beach. His buildings demonstrate a masterful ability at blending a building with its environment, making optimal use of the natural beauty that surrounded his building sites. This book contains over 180 photographs of Mizner's designs by Frank E. Geisler, capturing the fantasy and beauty of the buildings Mizner designed as they were originally conceived. Some of the buildings have been heavily altered or destroyed since the photos were taken--but the interiors and exteriors of more than 30 residences, from Mizner's own to Harold Vanderbilt's, can be seen here in their original splendor. Other Mizner landmarks, including the Everglades Club, the shops along Worth Avenue, and The Cloister at Boca Raton are covered in equal depth.

Written by experienced scholars and renowned academics from Japan, Australia, Europe, S. Korea and the US. Provides a critical, intellectual, and up-to-date account of the Metabolism projects and ideas in the context of current evolution of architectural and urbanism discourse in a global context. Timed to coincide with the 60th anniversary of the publication of the Metabolist manifesto.

This book delves into the life and work of architect William Richard Lethaby (1857-1931) and his relationship with the occult and alchemy, in particular. Using detailed analysis of Lethaby's drawings and architecture, the research uncovers Lethaby's familiarity with occult concepts and ideology during the spiritual revolution of the nineteenth century. Throughout this time, countless individuals, particularly members of the avant-garde, rejected more traditional religious pathways and sought answers through experimental and mystical alternatives. William Lethaby, Symbolism and the Occult reveals how the architect was profoundly influenced by the Zeitgeist, which was saturated with references to spiritualism, mysticism and the occult, and explores the impact of occultism on his contemporaries and the wider Arts and Crafts Movement. This book is written for upper-level students, researchers and academics interested in architectural history, William Lethaby and nineteenth century culture and society.

A spirited memoir by artist Aviva Rahmani, offering a relatable narrative to discuss trigger point theory and the importance of eco-art activism. Divining Chaos is an intimate personal memoir of unparalleled transparency into the moments in Rahmani's life that shaped her as an artist and activist. Detailing the history that led her to two seminal projects-Ghost Nets, restoring a coastal town dump to flourishing wetlands, and The Blued Trees Symphony, which applied her premises to challenge natural gas pipelines with a novel legal theory about land use-Rahmani shares the decisions that shaped her life's work and thinking. Her discussions about trigger point theory argue for how to predict, confront, and determine outcomes to the ecological challenges we face today.