An award-winning architecture firm practicing in the heart of New York City, Oliver Cope Architect has been building exceptional homes since 1988. One of the premier residential firms in the country, they have earned a reputation for creating one-of-a-kind residences of the highest quality, crafted to meet the specific needs and desires of their clients. The firm's unique combination of technical and artistic expertise results in projects that appear timeless, effortless and appropriate to their sites and surroundings. From Park Avenue apartments to historic brownstones, to houses large and small, they draw on their collective knowledge and experience to help clients realize homes. Here, in their first book, they share a selection of those homes with the world. Including drawn plans for all of the projects, original sketches illuminating the process, and richly illustrated with commissioned photography throughout. This book is not only about a collection of homes, but the team behind them, and the way that they build.

The evolving environmental justice paradigm is conceptualized differently based on political, economic and historical factors. In developed countries, emphasis is placed on the role of individuals in environmental decision-making and the protection of their access to the prerequisite environmental information and capacity to challenge environmental decisions is the main focus. However, in developing countries, access to land and natural resources are considered integral elements of environmental justice paradigm. This book focuses on the conceptualization, recognition and protection of environmental justice in developing countries. It explores the situation by engaging an analytical discourse of relevant legal provisions in four case study countries including Nigeria, South Africa, India and Papua New Guinea. The comparative analysis of environmental justice in these countries present a framework within which to appreciate the conceptualization of the environmental justice paradigm

During the years 1919 into 1925 Frank Lloyd Wright worked on four houses and a kindergarten located in metropolitan Los Angeles using concrete blocks as the main building material. The construction system has been described by Wright and others as 'uniquely molded', 'woven like a textile fabric' and perceived as ground breaking, truly modern, unprecedented. Many have attempted to uphold these claims while some thought the house-designs borrowed from old exotic buildings. For the first time this book brings together Wright's declarations, the support of upholders and inferences in order to determine their accuracy and correctness, or the possibility of feigned or fictional stories. It examines technical developments of concrete blocks by Wright and others before his experiences in Los Angeles began in 1919. It also studies the manner of Wright's design process by an examination of relevant pictorial and textual documents. A unique, in-depth and critical analysis of the houses is set within historical, biographical and theoretical contexts. Consequently, the book explains the impact upon Wright of California contemporaries, architects Irving Gill and Rudolph Schindler, and their instrumentally profound role upon the course of modernism 1907-1923. In doing so, it allows a full appreciation of Wright's, Gill's and Schindler's buildings beyond their experiential qualities.

First director of the Academie royale d'architecture, Francois Blondel established a lasting model for architectural education that helped transform a still largely medieval profession into the one we recognize today. Most well known for his 1676 urban plan of Paris, Blondel is also celebrated as a mathematician, scientist, and scholar. Few figures are more representative of the close affinity between architecture and the "new science" of the seventeenth century. The first full-length study in English to appear on this polymath, this book adds to the scholarship on early modern architectural history and particularly on French classicism under Louis XIV and his minister Jean-Baptiste Colbert. It studies early modern science and technology, Baroque court culture, and the development of the discipline of architecture.

"A model city, the hope of democracy" John Nolan on his suggested plans for Madison, Wisconsin

This book connects John Nolen's political and social visions with his design proposals by analyzing his extensive writings, personal correspondence and some of his most significant works. While John Nolen is best known as a city planner, he trained as a landscape architect and used the titles 'landscape architect' and 'city planner' interchangeably throughout his career. A prolific practitioner, he was engaged in nearly 400 projects throughout the United States between 1905 and 1936, including town planning, industrial housing, state and city parks, new towns and regional planning.

Focusing particularly on several projects central to Nolen s career including Madison (WI), Mariemont (OH), Venice (FL) and Penderlea (NC), Beck investigates the ideologies that underpinned Nolen s work. This is a rare look at a key figure in the development of 20th century American cities.

"A model city, the hope of democracy" John Nolen on his suggested plans for Madison, Wisconsin

This book connects John Nolen's political and social visions with his design proposals by analyzing his extensive writings, personal correspondence and some of his most significant works. While John Nolen is best known as a city planner, he trained as a landscape architect and used the titles 'landscape architect' and 'city planner' interchangeably throughout his career. A prolific practitioner, he was engaged in nearly 400 projects throughout the United States between 1905 and 1936, including town planning, industrial housing, state and city parks, new towns and regional planning.

Focusing particularly on several projects central to Nolen s career including Madison (WI), Mariemont (OH), Venice (FL) and Penderlea (NC), Beck investigates the ideologies that underpinned Nolen s work. This is a rare look at a key figure in the development of 20th century American cities.

Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.

The award-winning architectural practice Hawkins\Brown, founded in 1988, is well-known for its thoughtful, innovative and sustainable new buildings and refurbishments of all types. The practice prides itself on bringing a fresh and collaborative approach, creating places that are well-made, well-used and well-loved. This new book examines 14 of its projects in detail, interspersed with essays on various themes by members of the practice. The book begins with an examination by the eminent architecture journalist Hugh Pearman of the founding, history and approach of Hawkins\Brown, based on personal interviews with the practice's two founding principals, Roger Hawkins and Russell Brown. A full discussion of the projects follows, each comprehensively illustrated with photographs, plans and renderings. The Bartlett School of Architecture in London had been outgrown by the School; it has been stripped back and reconfigured to create a building that staff and students alike are delighted to use. The Corby Cube is a well-equipped, multi-purpose civic and cultural centre that is beloved of this East Midlands town's inhabitants. Here East, the repurposing of the Olympic press and broadcast centres in east London into space for creative and digital industries, is an excellent example of collaboration between client, architect and stakeholders. At Hilden Grange Preparatory School in Kent, Hawkins\Brown slotted exemplary new teaching spaces into natural woodland in a sustainable and sympathetic way. The University of East Anglia's Bob Champion Building is part of the Norwich Medical School's vision to become a world leader in clinical research and teaching, and was completed in less than a year. Park Hill housing estate in Sheffield has been updated with a charismatic new facade treatment and revitalized flats, taking it from eyesore to icon. Another housing estate, Peabody Burridge Gardens in southwest London, has been rebuilt completely, and is now more pleasant and better integrated. Tottenham Court Road station in central London - part of the enormous Crossrail project - has been sympathetically but radically redesigned to provide for the extra people who will use it, and includes artworks by Daniel Buren, Richard Wright and Douglas Gordon. At Hackney Town Hall in east London, the refurbishment of an important art deco building required all numerous skills, from reuse and repair to conversion and conservation. A combined refurbishment and new building on Great Suffolk Street just south of the river in central London, meanwhile, has created an expanded commercial building that sits comfortably in its semi-industrial setting. For the City of London Freemen's School in Surrey, Hawkins\Brown created a new swimming pool that is simultaneously functional, beautiful and sympathetic to its rural location. With the University of Oxford Beecroft Building - where environment is also deeply important - the practice produced a new Physics research facility that both satisfies the city's stringent historical and conservation controls and is a genuinely groundbreaking scientific building. East Village Plot No. 6 is a `build-to-rent' development in Stratford, east London, where architecture has been used to create community. Finally, the Thames Tideway Tunnel is a crucial yet little-known infrastructure project that will extend and modernize London's sewerage system to cope with future demand. The visible architecture here involves various surface points along the river, including at Chelsea Embankment and at Blackfriars. The essays demonstrate Hawkins\Brown's pride in the input of its staff. Seth Rutt explains the architect's desire for creative autonomy and wish to follow the process of creating a new building all the way from designing it to supervising the construction. Darryl Chen explains the importance of taking time away from day-to-day work to focus on broader themes, and introduces the practice's own think tank. Nicola Rutt discusses the importance of refurbishment in the output of the practice, emphasizing its importance to the urban fabric and to the people who inhabit our towns and cities. Morag Morrison writes about the integration of art with architecture, and Katie Tonkinson examines mixed-use architecture in the context of the architect's approach rather than the client's brief. Harbinder Birdi explains the importance of urban planning and considering the human context for all projects, and, finally, Oliver Milton and Jack Stewart celebrate the opportunities afforded by new technology.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. Frank Gehry transformed contemporary architecture with his innovative use, and range, of materials and forms, from mass-produced items to titanium and 3D computer modelling. Remarkable, surprising, and revealing a sense of flow and movement, his buildings curve, bend and collapse in unexpected ways. From his most famous masterpiece, the Guggenheim Museum Bilbao, to his Dancing House in Prague and the twisting Luma Arles Tower, his experimental shapes inspire awe and wonder.

This book delves into the life and work of architect William Richard Lethaby (1857-1931) and his relationship with the occult and alchemy, in particular. Using detailed analysis of Lethaby's drawings and architecture, the research uncovers Lethaby's familiarity with occult concepts and ideology during the spiritual revolution of the nineteenth century. Throughout this time, countless individuals, particularly members of the avant-garde, rejected more traditional religious pathways and sought answers through experimental and mystical alternatives. William Lethaby, Symbolism and the Occult reveals how the architect was profoundly influenced by the Zeitgeist, which was saturated with references to spiritualism, mysticism and the occult, and explores the impact of occultism on his contemporaries and the wider Arts and Crafts Movement. This book is written for upper-level students, researchers and academics interested in architectural history, William Lethaby and nineteenth century culture and society.

Written by experienced scholars and renowned academics from Japan, Australia, Europe, S. Korea and the US. Provides a critical, intellectual, and up-to-date account of the Metabolism projects and ideas in the context of current evolution of architectural and urbanism discourse in a global context. Timed to coincide with the 60th anniversary of the publication of the Metabolist manifesto.

The richly illustrated and accessible monograph on the Dutch designer and world-renowned architect - now in paperback Gerrit Rietveld's simple yet dynamic style greatly influenced international furniture design and contributed significantly to the history of architecture. Following Rietveld from his humble beginnings as a cabinetmaker to his final years as a world-renowned architect, this book presents both his lesser-known work and his most celebrated. It explores his significance in the wider context of avant-garde movements, and his influence within De Stijl and Functionalism. This highly detailed yet accessible monograph is designed by the acclaimed Dutch designer Wim Crouwel.

This book presents an expansive overview of the development of architectural and environmental research, with authoritative essays spanning Dean Hawkes' impressive 50-year academic career. The book considers the relationship between the technologies of the environment and wider historical and theoretical factors, with chapters on topics ranging from the origins of modern 'building science' in Renaissance England to technology and imagination in architecture. It includes numerous architectural examples from renowned architects such as Christopher Wren, Peter Zumthor, Alvar Aalto, Robert Venturi and Carlo Scarpa. Aimed at students, scholars, and researchers in architecture and beyond, this illustrated volume collates important and wide-ranging essays tracing the definition, scope and methodologies of architectural and environmental studies, with a foreword by Susannah Hagan.

As the designer of tourist attraction ""Hearst Castle"" on the California coast, Julia Morgan was widely known as an outstanding architect. Though women architects were unusual, she was not alone. Many other women practiced architecture in the late 19th and early 20th century in California, though their work was often overshadowed by the work of male architects. This book presents the lives, careers, and work of fifty of these largely unknown pioneers. It chronicles the triumphs and challenges these path-breaking women faced in their pursuit of entering and claiming space in the male-dominated field of architecture. Included are photographs of buildings, portraits of the architects, and some blueprints. Each biography includes vital data, a description of the career, a list of known buildings and work, and a bibliography. Four appendices address female students at the University of California, Berkeley, women certified by California to practice architecture, members of women's architectural societies, and female members of the American Institute of Architects.

This book introduces and defines the burgeoning concepts of transculturalism and essentialism and how they relate to one another, as articulated with reference to the work of Jorn Utzon. It introduces critical contemporary perspectives of the design thinking and career of this renowned Danish architect, internationally recognised for his competition-winning, iconic design for the Sydney Opera House - an outstanding exemplar of transcultural essentialism in architecture. Transcultural essentialism is analysed through the lens of critical regionalism and architectural phenomenology, with emphasis on the sense of place and tectonics in Utzon's architectural works. It provides a new understanding of the Danish architect as an early proponent of a still emergent and increasingly relevant direction in architecture. Going beyond biographical studies, it presents a more comprehensive understanding of the broad range of transcultural influences that formed his thinking. The volume includes numerous previously unpublished photographs, drawings, and interviews with Utzon's family members, former students, and colleagues, offering a significant contribution to the existing body of knowledge for any architecture scholar interested in Utzon's work and design principles. The book also comprises a Foreword by eminent architecture theorist Juhani Pallasmaa in which he provides insights into the wider architectural and cultural context of Utzon's worldview.

The design process of Will Alsop acts as a conduit for the dreams and aspirations of others. Moving from public consultation to the privacy of his painting studio here ideas are born in the liquidity of paint, the serendipity of collage and the flourish of line, resulting in the avant-garde and vibrant designs that Alsop is particularly well known for.

Whether the world approves of these designs or not, does not devalue the creative and artistic process which produces so rich, varied, challenging and inspirational outcomes. Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to private studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.

Whether a working architect or a student embarking on the first steps towards creating your own design process, this book offers an insight and example into how engaging with the public, before painting the way into architecture, can offer the most stimulating solutions.

Zhu Pei's Jingdezhen Imperial Kiln Museum recalls a time of glory of the once "Millenium Porcelain Capital" city, Jingdezhen, and extends these memories to the present. Inspired by the perception of Jingdezhen's specific regional culture (porcelain) and the survival wisdom of the locals, the museum is a symbol of the past and future. The contemporary architecture magnificently resonates the ages: the building form is reminiscent of ancient traditional brick kilns, and its landscape - with mirror pools, bamboo groves, kiln ruins, and courtyards - recreates an impression of Jingdezhen's vibrant porcelain past. As an "Architecture of Nature," that evokes both contemporaneity and ancient vibes, the museum subverts typical perceptions of modern-day museums. Coloured photos, drawings, essays, and interviews provide detailed insights on the conception of the museum - from design concept to environmental strategies, to construction techniques and construction materials - as well as the architect's personal perspectives on the overall concept and intention of the museum. The pages also feature commentaries on the museum by well-known architects, including Steven Holl, Kenneth Frampton, Mohsen Mostafavi, Rem Koolhaas, and Arata Isozaki.

Robert L. Thompson, FAIA, is the founder and lead design principal of the Portland-based firm TVA Architects, a firm that has built a foundation of collaboration, innovation, and conservation through beautiful design. He is responsible for the design of many of the most prominent buildings throughout Oregon and the Pacific Northwest. TVA Architects creatively transforms their clients' needs and aspirations into elegantly understated works of meaningful architecture, meticulously detailed and impeccably crafted. The projects documented in this book coincide with the fortieth anniversary of this celebrated architect and his body of work as a designer and innovator. He founded TVA Architects in 1984 and built an internationally recognised practice, starting in the Pacific Northwest. In 1993, at the age of thirty-nine, Thompson was the youngest architect in America to be inducted into the American Institute of Architects' College of Fellows for his contribution to the profession. Thompson and TVA Architects have been honored with scores of local, national, and international awards for excellence in design. His projects have ranged from major corporate campuses, high-rise office towers and condominium towers, sports and recreational facilities, retail and cultural projects as well as multi- and single-family residences. This lavishly illustrated monograph, filled with full-colour photography and detailed plans, forms a compilation of select work that celebrates Thompson's influence across architecture over several decades.

Demonstrates how generations of Western designers have recognized in Japanese art and architecture essentially what they wanted to see, in order to advance their own theoretical agendas Fully illustrated throughout with photographs and drawings and a colour plate Includes discussion of the work of Bruno Taut, Walter Gropius, Gunter Nitschke and Heinrich Engel, Mies van der Rohe, Antonin Raymond, Frank Lloyd Wright to name but a few

Demonstrates how generations of Western designers have recognized in Japanese art and architecture essentially what they wanted to see, in order to advance their own theoretical agendas Fully illustrated throughout with photographs and drawings and a colour plate Includes discussion of the work of Bruno Taut, Walter Gropius, Gunter Nitschke and Heinrich Engel, Mies van der Rohe, Antonin Raymond, Frank Lloyd Wright to name but a few

This book considers the architect Le Corbusier's encounters with Australia and New Zealand as a two-way exchange, showing the impact of his ideas and projects on architects of the region whilst also revealing counterinfluences on Le Corbusier in his post-war career that were activated by his contacts. Compiled from detailed archival research undertaken at the Fondation Le Corbusier, Paris, and nationally based archives, Le Corbusier in the Antipodes brings together a set of episodes placing them in context with the history of modern art, architecture and urbanism in 20th century Australia and New Zealand. Key exchanges between Le Corbusier and others never before described are presented and analyzed, including Le Corbusier's contact with Australian architect Harry Seidler at Chandigarh, Le Corbusier's drawing of the plan of Adelaide in 1950 and his creative collaboration with Jorn Utzon on art for the Sydney Opera House. This book also includes analysis of previously unseen Le Corbusier artworks, which formed part of the Utzon family collection. In reading these personal and contingent moments of encounter, the book puts forward new ways of understanding the dissemination and mediation of Le Corbusier's ideas and their effects in post-war Australia and New Zealand. These antipodean contacts are set against the broader story of Le Corbusier's career, questioning received interpretations of his design methods and current assumptions about the influence of his work in national contexts beyond Europe.

First director of the AcadA(c)mie royale da (TM)architecture, FranAois Blondel established a lasting model for architectural education that helped transform a still largely medieval profession into the one we recognize today.

Most well known for his 1676 urban plan of Paris, Blondel is also celebrated as a mathematician, scientist, and scholar. Few figures are more representative of the close affinity between architecture and the "new science" of the seventeenth century.

The first full-length study in English to appear on this polymath, this book adds to the scholarship on early modern architectural history and particularly on French classicism under Louis XIV and his minister Jean-Baptiste Colbert. It studies early modern science and technology, Baroque court culture, and the development of the discipline of architecture.

* A Times and New Statesman Book of the Year * * BBC Radio 4 Book of the Week * * Illustrated with over 130 colour photographs and drawings * 'A masterpiece.' Edmund de Waal 'Commanding, intelligent, gripping.' The Times From 1910 to 1930 Gropius was at the very centre of European modern art and design, as the founder of the German art school, the Bauhaus. Yet Gropius's beliefs and affiliations left him little choice but to leave Germany when Hitler came to power. In this riveting book, Fiona MacCarthy draws on new research to re-evaluate Gropius's work and life. From his shattering experiences in the First World War to his turbulent marriage to the notorious Alma Mahler and the tragic early death of their daughter, MacCarthy leads us through his disorientating years in London, to his final peaceful and productive life in America. This is biography at its finest and most vivid.