* The book demonstrates how a vernacular British performance form
emerged as a hybrid of forms from Afro-American and minstrel, as
well as French mime and Italian commedia dell'arte roots. * Theatre
history is an essential part of theatre and drama courses across
the UK and would be recommended reading. * There is no comparable
book which makes critical analysis of British pierrot troupes and
concert parties in existence - the only ones that do exist on the
specific topic are written as reminiscence and anecdote.
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