The creative process of those who make picture books come alive is explored in this collection of 30 interviews with children's book illustrators.

The interviewees (Allan and Janet Ahlberg, Molly Bang, Nicola Bayley, Gavin Bishop, Quentin Blake, Anthony Browne, Ashley Bryan, John Burningham, Babette Cole, Peter Collington, Roy Gerrard, M.B. Goffstein, Diane Goode, Shirley Hughes, Pat Hutchins, Ann Jonas, Errol Lloyd, Deborah Niland, Graham Oakley, Jan Ormerod, Helen Oxenbury, Ken Robbins, Tony Ross, Amy Schwartz, Peter Sis, Ralph Steadman, Ed Young, and Paul Zelinsky) discuss their craft, methods, and philosophies.

Frances Burke was Australia's most influential and celebrated textile designer of the 20th century. From the late 1930s to 1970, her designs achieved a prominence unparalleled in Australia before or since. Displaying imagery and colours from native flora, marine objects, Indigenous artefacts and designs of pure abstraction, Burke's innovative fabrics remain fresh and appealing, distinctive and evocative of Australia. In New Design, her fabric showroom and interior design consultancy, Burke presented modern furniture by emerging local designers of the postwar period. Drawing on regular visits to the US, UK, Europe, Japan and Taiwan she became an authoritative advocate for modern design. Burke also collaborated with leading architects and interior designers, including Robin Boyd, her fabrics making arresting contributions to influential modern buildings. In this long-awaited, richly illustrated work, Nanette Carter and Robyn Oswald-Jacobs have located and unpacked the different components of a body of work never presented as art or intended simply for display, but which contributed so much to the felt experience of Australian life in the middle decades of the twentieth century.

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton's craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton's creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers-such as Takashi Murakami, Richard Prince, and Stephen Sprouse-as well as designing a line of highly successful and desired clothing for the company. By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.

A serious scholarly look at the work of R. Buckminster Fuller is long overdue. While Fuller himself wrote and published many volumes, and several biographies were written about him, there is little research that contributes to a critical understanding of his work and its historical significance. The 1,300-plus linear feet of material contained in the Fuller Archive at Stanford, including papers, photographs, audio and video recordings, and models, has been recently organized and described by the Department of Special Collections, and is ready to be explored by a new generation of scholars.
Fuller's work has often suffered from lopsided treatment. Some laud him as a planetary prophet whose design science work foretold sustainable architecture and nanotechnology; others dismiss him as a "delirious technician" with a talent for linguistic obfuscation. Between adulation and disdain must lie a balanced picture of Fuller's life and his work.
This volume paints that picture by taking a broader historical view, discussing Fuller and his work in the context of larger social and cultural patterns. Fuller is a common thread in a critical cultural history that will show him to be both a participant in and a product of his times. By placing Fuller and his work in a historical framework, we will arrive at a much richer understanding of both this self-made polymath and his times. This fresh, contextual look at Fuller's work from leading scholars in different fields is an important step toward filling the void of serious scholarship on Fuller.

A serious scholarly look at the work of R. Buckminster Fuller is long overdue. While Fuller himself wrote and published many volumes, and several biographies were written about him, there is little research that contributes to a critical understanding of his work and its historical significance. The 1,300-plus linear feet of material contained in the Fuller Archive at Stanford, including papers, photographs, audio and video recordings, and models, has been recently organized and described by the Department of Special Collections, and is ready to be explored by a new generation of scholars.
Fuller's work has often suffered from lopsided treatment. Some laud him as a planetary prophet whose design science work foretold sustainable architecture and nanotechnology; others dismiss him as a "delirious technician" with a talent for linguistic obfuscation. Between adulation and disdain must lie a balanced picture of Fuller's life and his work.
This volume paints that picture by taking a broader historical view, discussing Fuller and his work in the context of larger social and cultural patterns. Fuller is a common thread in a critical cultural history that will show him to be both a participant in and a product of his times. By placing Fuller and his work in a historical framework, we will arrive at a much richer understanding of both this self-made polymath and his times. This fresh, contextual look at Fuller's work from leading scholars in different fields is an important step toward filling the void of serious scholarship on Fuller.

The first monograph on the complete works of award-winning design studio Industrial Facility

Sam Hecht and Kim Colin's world-renowned, London-based studio is one of the most influential in industrial design, and their work has enjoyed a global cult following thanks to its combination of simplicity and intellectual rigor. This book presents a carefully crafted visual narrative interspersed with candid conversations among key collaborators, project notes, and a collection of essays. The book concludes with a catalogue raisonné, showcasing more than 200 projects that together reveal Industrial Facility's distinct clarity of vision.

Florence Knoll (1917-2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. A designer in her own right, she created classics like the Parallel Bar Collection, which is still in production today. Her biggest influence came through her groundbreaking interiors and the creation of the acclaimed "Knoll look." She invigorated the dry, rational modernist International Style through humanizing textiles, lighting, and accessories, inventing the visual language of the modern office that remains a standard for interior design today. Although Knoll's motto was "no compromise, ever," as a woman in a White, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.

A fascinating, beautiful and definitive account of the life of esteemed artist Helen Oxenbury.

Filled with insights that span Helen Oxenbury's life, from her early childhood through a unique career in children's books that began in 1964 and is still going strong today, here is an exquisitely designed and thoroughly entertaining celebration of one of the finest English illustrators of our time. Written by acclaimed author Leonard S. Marcus, Helen Oxenbury: A Life in Illustration is a keepsake that is sure to engage and delight everyone from scholars to art aficionados to the many children and adults who have grown up with Helen Oxenbury’s enchanting books.

Starting in 1966, Thea Porter designed clothes for the rich and famous for nearly two decades. Her creations were made from sumptuous fabrics that drew inspiration from the Middle East, combining richly patterned silks with antique fabrics. Her clothes were a must for music and film stars such as Pink Floyd, Crystal Gayle, Elizabeth Taylor, and Barbra Streisand. Porter soon became a key member of an innovative group of British designers that included Ossie Clark, Zandra Rhodes, and Jean Muir, and her place in the history of British fashion was ensured when she was named Designer of the Year in 1972. Thea Porter's scrapbook is her story in her own words, an unpublished autobiography she put together before her death in 2000. Edited by her daughter Venetia, and with an essay by fashion historian Amy de la Haye, it reveals Porter's further talents as a keenly observant and descriptive writer. This book which includes working drawings, sketches, snapshots, and manuscript notes, serves as a memoir of her early life and career, charting many memorable episodes, including the dramatic surge of American interest in her clothes, and the opening of her shop in Paris as she pursued her ambition to create dresses "beyond trend and tat, that thirty years from today will still be beautiful."

An exclusive homage to - and retrospective of - the iconic fashion designer's couture accessories.'One can never overstate the importance of accessories. They are what turns a dress into something else. I like dresses to be sober and accessories to be wild', Yves Saint Laurent, 1977.Yves Saint Laurent Accessories is the first book to date to shed light on the breathtaking accessories created by one of the most influential fashion designers of all time. From his first collection in 1962 to his acclaimed final presentation in 2002, Yves Saint Laurent created exquisite jewellery, hats, shoes, and handbags to complement and enhance each of his couture creations. Beautifully designed, in a small format evocative of a jewellery box, the book offers an unprecedented glimpse into the highly confidential archives of The Yves Saint Laurent Foundation in Paris, which is home to over 20,000 remarkable accessories. The book features specially commissioned photography of the accessories alongside a treasure trove of rare materials including preparatory sketches, intimate portraits of Saint Laurent at work, behind-the-scenes snapshots of models, catwalk photographs, and advertising campaigns. Yves Saint Laurent Accessories introduces readers to a prominent yet rarely seen side of Saint Laurent's art, leading them backstage and through the history of a house that helped to shape the course of fashion.

This is the second in Gensler s Research Catalogue series, and the first to be made available for public sale. Volume 1 received significant praise from academic, business, and design audiences both for the insights it contained and for its design. Volume 2 builds on this tradition, focused on the expression of research findings and insights in compelling, highly visual forms that are both easily accessible and graphically beautiful. Among the topics explored in Volume 2 are Gensler's ongoing series of Workplace Surveys, conducted most recently in the US, UK, and Asia; Gensler s Brand Engagement Survey series, with recent findings focused on the values and behaviors of consumers in Bangalore and Shanghai; strategies to use design to better support today's "active aging" population; the future of museum design; how we can involve communities in the hacking of our cities to prepare for the needs of a new generation of occupants; and the potential that lies at the intersection of copter and 3D printing technology.In addition to profiling Gensler's myriad research investigations, the publication also highlights the history and ethos of Gensler's research program as it celebrates its ten-year anniversary. The Catalogue offers not only thought-provoking descriptions of individual research, but an overall evidence-based approach to design with the human experience at its heart.

John McConnell's list of collaborators includes many household names - Boots, Faber & Faber, Halfords, Clarks, John Lewis. The man behind the Biba logo (for which he won the D&AD Silver in 1969), the logo of the National Grid and the covers of a Penguin student textbook series from the early '70s has exerted a quiet influence over British design since the sixties. His awards alone speak to his prowess: the Prince Philip Designers' Prize (2002) and the title of RDI (Royal Designer of Industry, 1987) among them. Part biography, part showcase for some of McConnell's most celebrated designs, this book gathers McConnell's exclusive redesign for Faber & Faber - a revolutionary new approach to book covers from the early 1980s.

"Eames: Beautiful Details celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband and wife team and as designers unrestricted by traditionally professional boundaries. Select details of their life and work, from their refined designs to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually create the Eameses' life and work by taking the viewer through a delightful journey, focusing on their ""beautiful details."" The packaging design of the Eames: Beautiful Details slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser known, designs for children, simply called, ""the toy."" It also pays homage to the patterns they used on their well loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre fab construction, using off the shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense. In exhibition design as well, ""Mathematica: A World of Numbers ... and Beyond, 1961,"" for IBM is considered groundbreaking as an interactive, educational, and experiential way to communicate the wonder and magic of math. Similarly, their seminal film, Powers of Ten, 1977, expresses the mathematical concept of multiplying to the tenth power, in a very direct, simple, and powerful way. Unlike any other book previously published on Charles and Ray Eames, this unique monograph is a visual celebration of their work and life, and was created in true collaboration with Charles s grandson, Eames Demetrios, and other members of the Eames family."

A protagonist of the Milanese cultural scene of the 1960s, Italian designer Nanda Vigo (Milan, 1936) began producing her Cronotopi in 1963, in the spirit of ZERO, the transnational group of German, Dutch, French, Belgian, Swiss and Italian artists. Participating in the avant-garde movements and groups of the early sixties, the artist developed her own thoughts on the light, transparency and immateriality that were to constitute her work as well as on the spaces inhabited by human beings. This book showcases the multifaceted activity of Nanda Vigo in the fields of art, architecture and design, analysed by curator Marco Meneguzzo. Text in English and Italian.

Magnificently illustrated with some of McQueen s most riveting designs, this book illuminates the struggles of a man who dared to defy accepted fashion norms and give the world a new sense of grandeur From conflicted gay teenager and aggressive and remote young man, through to his lonely suicide, this book charts Alexander McQueen s ascent to couturier par excellence, highlighting his spectacular shows and showing how his confrontational, streetwise manner was simply a shield that protected and masked a very shy, sensitive, and insecure man who hailed from the wrong side of the high fashion tracks. McQueen s talent is now globally acknowledged to have been unmatched in contemporary haute couture, and this book distills from the lavish sweep of his colors, designs, fabrics, and forward-driving concepts the essence of a man on a quest for beauty and his own contentment. In casting the spotlight on the stark contrast between catwalk glamour and his upbringing and personal demons, the book shows how his talent both nourished and destroyed him. It takes us from the vicious glare of the walkway where he was feted by the wealthy and famous as an innovative artist to behind the glamour. There, defiance delineated a life that was hurled into inescapable depression by the deaths, first of his great friend and supporter Isabella Blow and then by his mother."

Interior stylist Bea Mombaers is passionate about vintage and design; she's always on the lookout for special finds and unique objects. Over time she developed a distinctive signature style. This book presents Bea's work and universe as seen through the lenses of different photographers. The photos show interiors arranged by Bea, but also intriguing details, beautiful still lifes and objects with a story Bea feels inspired by. The photos are presented according to the key moments in a day: waking up, breakfast, break, lunch, coffee, apero, dinner and party. Bea is a source of inspiration and interior dreams, and a personal view on Bea Mombaers's world and her favourite projects up to now.

With the amount of progress the world has made in attitudes and achievements to-date, the time cannot be more apt than now for a celebration of women in the creative industry today. DESIGN(H)ERS is a stunning showcase of 30 female talents spanning across a variety of design mediums to highlight the diversity that women bring to their respective fields. With insightful interviews revolving around the thoughts and stories of pioneers who have already made their mark, this book serves to inspire and encourage the creatives of the future.

William Morris (1834-1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design. This richly illustrated book offers a suitably beautiful introduction to Morris's colorful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris's posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris's remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The first book to survey the work of this iconic designer, known for her serene "new American classic" look. One of today's most influential designers, Victoria Hagan exploded onto the scene in 1988 when New York magazine devoted the cover of its design issue to one of her rooms. Since then she has become renowned for her intelligent integration of architectural and interior design, her refined use of materials, her sophisticated color palette, and her strong silhouettes. Always looking to the view, Hagan effortlessly makes a close connection of interior spaces to the surrounding landscape. The houses profiled-ranging from elegant urban residences to casual weekend retreats-reveal Hagan's unerring attention to what Proust called "the unexpected detail," which makes her interiors beautiful as well as timeless. Throughout, Hagan discourses on the spirit of cherished objects-a print of birds in flight, a vintage star-shaped mirror, or a chair with an unusual silhouette-that add soul and modernity. With stunning photography and personal insights into Hagan's design philosophy, Victoria Hagan: Interior Portraits is an artful and inspiring collection of this design superstar's oeuvre.

Join internationally renowned fashion illustrator Megan Hess as she explores the timeless beauty and glamour of ten of France's best-loved designers in a stylish celebration of one of the world’s favourite fashion destinations.

From the courts of Versailles to the cobbled streets of Paris, French fashion has always been the epitome of elegance. Whether it's Dior's New Look, Yves Saint Laurent's Le Smoking jacket or Chanel's little black dress, the masters of French fashion understand that clothing is more than a craft: it’s an art form.

Megan Hess’s love for French style sparked her career in fashion illustration. In these pages, she unspools the threads of ten legendary designers – Chanel, Dior, Saint Laurent, Lanvin, Givenchy, Chloé, Balmain, Louis Vuitton, Hermès and Celine – to discover the origins of haute couture, prêt-à-porter and everything chic.

Accompanied by Megan’s exquisite illustrations of current and archival collections, Elegance: The Beauty of French Fashion tells the story of how France’s iconic fashion houses have influenced the very fabric of design.

Bentu is an award-winning, cutting-edge Chinese design company founded in 2011. It is known for innovative and engaged product and lighting design and manufacturing, with an emphasis on day-to-day functionality and attention to raw materials. The design teams have experimented extensively with the detritus of industry, including concrete, ceramic, metal and plastic pipes, and terrazzo. In this beautifully photographed book, the evolution of a product is shown, more than told. A stunning series of photos of raw materials and work sites follows the process from beginning to end, creating a visual storyline of environmental impact, innovative design, sustainability, reusability, local sourcing, and usage.

The book contains writings by Seamus Heaney, Frances Ruane, Carlos Garcia-Monzon, Eva Bourke, Frankie Gavin, Rosemarie Noone, James McKenna, Desmond Egan, Patrick Murphy & Frank McGuinness. It is lavishly illustrated & surveys the entire career of this distinguished artist.