In 1975 Abram Games, one of Britain's greatest graphic designers, was commissioned to make a fund-raising poster for the Royal Shakespeare Company. His brilliant solution was to become iconic: the face of Shakespeare built up from the titles of all the plays as they appear in the First Folio. The poster has been seen all over the world; but Abram Games intended much more. After his death, his daughter Naomi discovered a mock up he had made of a flick book. As the reader flicked the pages, Games planned to make Shakespeare's face gradually emerge. Now at last Games' original project is coming to life. All 37 plays are included, in the order they are printed in the First Folio of 1623, ending with Pericles, Prince of Tyre, added to the collection in the Third Folio of 1664. At the end, the playwright makes a graceful exit, marked by the poems and the lost or doubtful plays. The book is completed with some favourite quotations, and the date of each work. Naomi Games has written a brief introduction about the history of Games' image. Pallas Athene is excited to be producing this little monument in the history of design.

The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and

The book contains writings by Seamus Heaney, Frances Ruane, Carlos Garcia-Monzon, Eva Bourke, Frankie Gavin, Rosemarie Noone, James McKenna, Desmond Egan, Patrick Murphy & Frank McGuinness. It is lavishly illustrated & surveys the entire career of this distinguished artist.

uring the 1920s and 1930s, Phyllis Barron (1890-1964) and Dorothy Larcher (1882-1952) were at the forefront of a revival in hand block-printing in Britain. As designer-makers they formed a unique partnership, producing innovative textiles and seeing the entire process through from beginning to end. Using whatever materials they could muster - fabric ranging from balloon cotton to prison sheets and velvet, and everyday items such as combs and car mats for printing - and pushing the boundaries of what could be achieved with predominantly natural dyes, these two remarkable women ran a successful business that lasted from 1923 until the outbreak of World War II. Nearly one hundred years on, another special collaboration between the Craft Studies Centre in Farnham, Christopher Farr Cloth and Ivo Prints, has brought a selection of Barron and Larcher's work back into production. The warm welcome they have received across the globe is a testament to the timeless quality of great design.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. Charles and Ray Eames were the golden couple of postwar American design. True multimedia pioneers, they worked in furniture design, architecture, print, photography and filmmaking. They imbued the modern twentieth-century aesthetic with originality, colour and freshness, and their ability to mould plastics and plywood with an elegance not previously seen resulted in some of the most influential furniture design of the modern age – witnessed not just in the continuing popularity of their original designs but also in the mass prodcution of countless imitations.

An exquisite ode to color, this book presents the history of Dior cosmetics placed within contexts of fashion and art. Divided into twelve chapters (White, Silver, Nude, Pink, Red, Purple, Blue, Green, Yellow, Gold, Gray, and Black) Dior: The Art of Color show- cases not only the sometimes glamorous, sometimes natural cosmetics, but also the aesthetics of color, which was the source of inspiration for so much of Dior's creations. The evolution of color through the ages is presented with iconic works from renowned artists and fifty years of Dior makeup and advertising campaigns- including creations from some of the greats in the field, such as Serge Lutens, Tyen, and the current head of Dior Makeup, Peter Philips-captured by master photographers such as Irving Penn, Guy Bourdin, and Richard Burbridge. With a highly engaging text and never-before-seen imagery, this is a book that no student of fashion or art should be without.

Graduating from Antwerp's Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction--a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliqued details--to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela's garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.

Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d'Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi's activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell'Elba by Bruno Longoni Atelier d'Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi. Text in English and Italian.

One of the most important designers and architects of the 20th century, Eileen Gray (1878-1976) wielded enormous influence - though often unacknowledged, especially in her lifetime - in a field largely dominated by men. Today, her original furniture sells for dizzying sums and her iconic designs, including the luxurious Bibendum chair and the refined yet functional E.1027 table, are renowned throughout the world. Resolutely independent and frequently underappreciated, Gray evolved from a creator of opulent lacquer furniture into a pioneer of the modernist principle of form following function. Remaining separate from major schools or movements such as Bauhaus and De Stijl, she developed her own distinctive take on the forms and materials favoured by fellow International Style designers such as Le Corbusier, Charlotte Perriand and Mies van der Rohe. This definitive new edition of the biography by Peter Adam, the only surviving person to have been close to Gray during her reclusive later years, is a uniquely intimate survey of her life and work. Comprehensively updated and illustrated with material drawn from Gray's personal archives - correspondence, journals, photographs and architectural sketchbooks - it tells the full story of her life from aristocratic beginnings in Ireland, through the extravagance of Art Deco-era Paris, relationships with lovers, male and female, and her productive years in southern France. It reveals fresh details about her elegant, largely overlooked paintings; tense exchanges with Le Corbusier; and the fate of E.1027, the home that she designed and furnished herself, and which set a new standard for radically modernist living.

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton's craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton's creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers-such as Takashi Murakami, Richard Prince, and Stephen Sprouse-as well as designing a line of highly successful and desired clothing for the company. By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.

Italian-born American artist Harry Bertoia (1915-1978) was one of the most prolific, innovative artists of the post-war period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewellery, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavour, but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first U.S. museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice, and feature important examples of his furniture, jewellery, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalogue of the artists numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at mid-century and now.

If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you'll take an even greater interest in this completely updated edition of Industrial Design A-Z. Tracing the evolution of industrial design from the Industrial Revolution to the present day, the book bursts with synergies of form and function that transform our daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the individual designers, the global businesses, and above all the genius products that become integrated into even the smallest details of our lives. Alongside star designers like Marc Newson and Philippe Starck and major global brands like Braun and Apple, lesser-known and newcomer entries such as Brompton Bicycles and Enercon wind turbines attest to product design's restless pace, as well as to today's most pressing challenges and priorities to which it must turn its creative invention. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

"Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. Recent collections include: Marc Jacobs, L'Wren Scott, Giles Deacon, Gareth Pugh, Loewe, Christian Dior Haute Couture, Pret-a-porter, Ski & Baby collections, John Galliano, Comme des Garcons. His recent commissions include: Dita von Teese/Crazy Horse, Bryan Adams, Immodesty Blaize, Take That, Sex and the City 2, Perrier Jouet, Printemps, Ascot, Disneyland, Kylie Minogue, Kate Moss/Met Ball. "With her moulded felt cloche shadowing an eye and pinned with a tremblant diamond cow-parsley sprig, Nadja Auermann, slinking down the stairs of a crumbling Hotel Particulier in Paris for the John Galliano show, defined the fashion moment. Once again, Stephen Jones, millinery magician, had summoned up the spirit of the day. Jones is a deft conjurer, who can draw whimsy from a hat. Steeped in couture lore and craft, he nevertheless propels his art into the future with his ceaseless invention and thistledown touch. His genius is to enhance the mystery, allure, wit of the wearer - although a Jones hat might be a dramatic statement in itself, it will never overpower." - Hamish Bowles, Style Editor, Vogue USA

Celebrated world-wide for his modern romantic jewels that push the boundaries of contemporary design, Shaun Leane has been responsible for creating a new genre of jewellery; precious, poetic, with a sense of eternity, yet relevant to today's world. Illustrated with a breath-taking combination of high fashion shots and detailed close-ups of the pieces themselves. Captured by photographers Nick Knight, Robert Fairer and Chris Moore, along with a dedicated photo essay of unseen backstage images recorded by Leane's close friend Ann Ray. Shaun Leane is introduced by the jeweller himself, then divided into three distinct parts: His heritage and training, by Joanna Hardy; reflections on Leane's famous collaboration with Alexander McQueen, by Claire Wilcox; and his modern classic commercial jewellery style, by Vivienne Becker. Altogether, this book provides a vital overview of an artist that will be of interest to anyone who follows the contemporary jewellery and fashion scene.

Celebrated world-wide for his modern romantic jewels that push the boundaries of contemporary design, Shaun Leane has been responsible for creating a new genre of jewellery; precious, poetic, with a sense of eternity, yet relevant to today's world. Illustrated with a breath-taking combination of high fashion shots and detailed close-ups of the pieces themselves. Captured by photographers Nick Knight, Robert Fairer and Chris Moore, along with a dedicated photo essay of unseen backstage images recorded by Leane's close friend Ann Ray. Shaun Leane is introduced by the jeweller himself, then divided into three distinct parts: His heritage and training, by Joanna Hardy; reflections on Leane's famous collaboration with Alexander McQueen, by Claire Wilcox; and his modern classic commercial jewellery style, by Vivienne Becker. Altogether, this book provides a vital overview of an artist that will be of interest to anyone who follows the contemporary jewellery and fashion scene. This special edition is limited to just 250 copies. Enclosed in a slipcase, the book is accompanied by a print by photographer Rob Busling, signed by Shaun Leane.

This volume presents for the first time in English a curated selection of writings by the design thinker Gui Bonsiepe from the 1960s to the present day. Addressing as it does questions of non-Western design and a design practice that is both radical and democratic, Bonsiepe's work has assumed new importance for current debates inspired by global political and environmental crises. Structured into three sections, the anthology first addresses Bonsiepe's work on design theory and practice, particularly in relation to the history and contemporary relevance of the Ulm design school, where Bonsiepe was a professor in the 1960s. A second section then represents Bonsiepe's writings after his move to South America in the 1960s and '70s, where he worked as a design consultant for the Allende government in Chile before the military takeover. In writings from the period, Bonsiepe explores the concept of design 'at the periphery' and the relationship of national design traditions and practices in Latin American countries to those of 'the core' - Western European and American design. The final section comprises selections of Bonsiepe's writings on design in relation to literacy and language, visuality and cognition. This indispensable volume includes new interviews with Bonsiepe as well as his original, previously unpublished texts.

Takahashi Jun's fashion is not born out of an excessively intellectualized agenda. While not quite populist, his generative influences are instead romantic-even gothic. A fixture of the Paris collections for more than ten years-plus seventeen uninterrupted seasons in Tokyo prior to that-Takahashi's life's work confirms a maturation from self-conscious artifice and rebel pastiche to a steely, withering elegance all his own. Hailing from Gunma Prefecture like his friend NIGO of *A Bathing Ape, Takahashi's long association with the undisputed king of Ura-Harajuku in the early 1990s is now the stuff of local fashion lore. But Takahashi would blaze an entirely different path to legend and notoriety. The violent rending and hasty reassembly that characterized his early work, its calculated imperfections and sutured seams, have given way to collections that he himself now calls sexy and feminine. UNDERCOVER is insightfully curated with fashion filled chapters devoted to Takahashi's sketches, graphic work, collaborations, and most innovative designs to date. Lavishly illustrated with more than 200 photographs and in-depth essays by fashion writers, curators, and colleagues, this book gives readers first time access into Takahashi's UNDERCOVER, one of the most desired and multidimensional clothing lines in contemporary fashion.

Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just 20 years of work, an absolutely innovative world view, placing man and his life at the centre of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalogue raisonne of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology. Text in English and Italian.

Edward McKnight Kauffer (1890-1954) was the most celebrated graphic designer working in Britain in the twentieth century. Born in Montana, he left America before the first world war to travel throughout Europe absorbing the influences of the Cubists and the German poster artist Ludwig Hohlwein. At the onset of war he settled in London. Seeing himself as a painter, he allied himself with the London Group and the Vorticists. He worked at Roger Fry's Omega Workshops with Vanessa Bell and Duncan Grant, and in 1915 was commissioned by Frank Pick, then the publicity manager at London Underground. This was the beginning of a client-designer relationship that lasted throughout the 1920s and '30s, only ending when Kauffer returned to New York in 1940. His posters, brilliantly coloured and strikingly modern, struck London like a Cubist thunderbolt. Soon other clients, Jack Beddington at Shell, Sir Colin Anderson at the Orient Shipping line, the Daily Herald (the instantly recognisable Birds in Flight pos

The hidden soul of a group of creative individuals which, since the beginning, has always expressed itself in images. As I told you before, Ideas not Airships is a 500-page table book celebrating the 30th anniversary of the Hangar Design Group, one of the first independent and multidisciplinary creative design groups in Italy. The book is a narrative in pictures representing an attempt to discover an underlying theme in the intricate creative process of a group that is unique from the point of view both of its degree of expertise and its creative practices. Through works and experiences the book illustrates the life of the studio, tracing a decidedly unconventional figurative path made up of suggestions, inspirations, memories, faces and places - not only those of the Hangar Design Group itself but of anyone who undertakes to give form to an idea. The book illustrates the network's modus operandi. It begins from the birth of the first embryonic concepts and follows through to the finished product. As I told you before, Ideas not Airships is the enthusiastic narration of a gripping story, and is dedicated to all those who believe that with creativity we can (even) change the world.

A stunningly presented portfolio containing a sumptuous selection of the most spectacular full-colour splash pages from Brecht Evens' illustration, commercial and graphic novel oeuvre. Not bound, beautifully printed on a perfectly frameable format (30cm x 40cm).