The tubular steel design of furniture designer Marcel Breuer (1902–1981) is considered an outstanding design style of the 20th-century. Yet widely unknown is the development of the first tubular steel prototype to its early series production. Breuer’s fellow compatriot Kálmán Lengyel (1900–1945), to whom this comprehensive publication is dedicated, played a significant role in this. In 1927, they founded the company Standard Möbel together, in order to organise the series production and distribution of tubular steel furniture. The development of the company and the work of Breuer, Lengyel, and the later director Anton Lorenz are depicted here in-depth with previously unpublished archive material. As a prominent furniture designer and architect, Lengyel also founded his own furniture brand, Ka-Le-Möbel, and worked as an interior designer in Paris, as well as constructed buildings in Berlin, Szeged, and Budapest. This publication expands our knowledge about the early models and highlights the life and work of the protagonists of the tubular steel revolution! Text in German.

For some forty years, Susi and Ueli Berger's work has been guided by the credo that 'only a new idea justifies a new piece of furniture'. Contrasts between product design and object art, and suitability for everyday use characterise their designs. A playful provocativeness and the combination of rationality and sensuality are additional hallmarks of the Bergers. In 2010, they were awarded Switzerland's most prestigious national design prize, the Grand Prix Design for their joint lifetime achievements at the interface of art, architecture, and design. Susi Berger-Wyss, born 1938 in Lucerne, trained as a graphic designer and worked with an advertising agency in Berne before she met and married Ueli Berger in 1962. Apart from their close collaboration in furniture and interior design, Susi continued to work as a freelance graphic designer and also collaborated with architects, developing colour and material concepts for interiors. Ueli Berger, born 1937 in Berne, trained as a painter and decorator and also attended classes at the city's school of art and design. 1959-61, he completed his artistic education during extended stays in Paris and Copenhagen and worked with renowned Swiss interior designer Hans Eichenberger. Until his passing in 2008, Ueli worked as an artist - creating a much recognised oeuvre in painting, drawing, and sculpture - and designer, and also held a number of teaching appointments at universities and art schools in Switzerland. Featuring a wealth of previously unpublished original drawings, plans, photographs, and promotion materials, as well as a catalogue raisonné of Susi and Ueli Berger's collaborative work and an illustrated biography, this groundbreaking book offers the first-ever survey of their life and oeuvre. It is published in conjunction with a retrospective exhibition at Zurich's Museum für Gestaltung in summer 2018. Text in English and German.

Founded in 2004 and based in Shanghai and London, neri & hu design and research office works internationally providing architecture, interior, master planning, graphic, and product design services. They work on projects in many countries with a multi-cultural staff. This diversity emphasises the firm's vision to respond to a global worldview incorporating overlapping design disciplines. This first ever book on neri & hu design and research office documents a selection of their work in architecture and product design. With a lavishly illustrated beautiful design concept, it is structured in three sections: Buildings features seven renovation projects in Shanghai, complete refurbishments as well as interior redesigns. Products presents four designs for household goods and furniture. Projects documents ongoing and unrealized architectural work in Florida, London, Shanghai, and Kuala Lumpur. An introduction and a topical essay on renovation as well as an overview of neri & hu design and research office's projects to date round out the book. Lyndon Neri studied architecture at University of California, Berkeley, and Harvard Graduate School of Design. Before founding his own firm with Rossana Hu he has been working for more than ten years with Princeton-based Michael Graves & Associates and various architectural firms in New York. Rossana Hu studied architecture and music at University of California, Berkeley, and Princeton University. She worked with Michael Graves & Associates and Ralph Lerner Architect in Princeton; Skidmore, Owings & Merrill in New York; and The Architects Collaborative (TAC) in San Francisco before founding neri & hu design and research office.

Norman Bel Geddes has long been considered the 'founder' of American industrial design. During his long career he worked on everything from theatre design, world fairs and cars to houses and product and packaging design. Nicolas P. Maffei's magisterial biography draws on original material from the archive at the Harry Ransom Center, University of Texas at Austin, and places Bel Geddes' work within the fast-changing cultural and intellectual contexts of his time. Maffei shows how Bel Geddes' futuristic but pragmatic style - his notion of 'practical vision' - was central to his work, and highly influential on the professional practice of American industrial design in general.

Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone. However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum. Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser's work - whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

Admired by contemporaries as an artistic "jack - of - all - trades", Koloman Moser (1868 - 1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects - for the Wiener Werkstatte among others - that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings. A group of progressive artists, including Koloman M oser, founded "The Association of Visual Artists of Austria, Secession" under the leadership of Gustav Klimt in 1897. Moser in particular is considered the outstanding graphic artist of the Secession, thanks to his design of posters, exhibition concepts, a nd of the journal Ver Sacrum. He was the ideal master for the formation of the Gesamtkunstwerk "Vienna circa 1900", hardly surpassed in imagination and productivity. He applied his incredible virtuosity and inexhaustible fantasy to a variety of materials. In 1903 Moser founded, together with Josef Hoffmann and the industrialist Fritz Waerndorfer, the "Wiener Werkstatte" [Viennese Workshops]. The close cooperation between the designing artists and the master craftsmen allowed a completely new level of qualit y of to be attained in artisan craftwork. After 1907 Koloman Moser concentrated on painting once more. This publication presents exceptional examples of his art, drawn primarily from the Leopold Collection and situating them in a biographical and art histo rical context.

"When I am working with colours, I feel like a painter. When I am working with metal, I feel like a constructor. And when I am working with toys, I feel like a child." (Felieke van der Leest). The work of Dutch jewellery and object artist Felieke van der Leest (born in 1968) expresses the very special affection that she has for animals. With unbridled fantasy she creates pieces that ostentatiously, colourfully and playfully revolve around her little friends. She combines techniques used in textile work, such as crochet, with valuable metals and plastic toy animals. Within the international art jewellery scene she has developed her own special language with which she narrates intelligent and witty stories with her animal protagonists; her pieces inevitably conjure a smile upon the faces of those who view them. Characteristic for Van der Leest is the joy in her work, which is ever present yet sometimes carried off into childhood. Serious themes in her work are also expressed, including environmental protection and human approaches to animals. The current publication comprises jewellery and objects by the renowned artist from 1996 to the present.

A generously illustrated volume that documents the career of Jason Rohrer, one of the most heralded art game designers working today. A maker of visually elegant and conceptually intricate games, Jason Rohrer is among the most widely heralded art game designers in the short but vibrant history of the field. His games range from the elegantly simple to others of almost Byzantine complexity. Passage (2007)-acquired by the Museum of Modern Art in New York-uses game rules and procedurals to create a contemporary memento mori that captures an entire lifetime in five minutes. In Chain World (2011), each subsequent player of the game's single copy modifies the rules of the universe. A Game for Someone (2013) is a board game sealed in a box and buried in the Mojave Desert, with a list of one million potential sites distributed to Rohrer's fan base. (Rohrer estimated that it would take two millennia of constant searching to find the game.) With Chain World and A Game for Someone, Rohrer became the first designer to win the prestigious Game Challenge Design award twice. This book, and the exhibition it accompanies, offers a comprehensive account of the artist's oeuvre. The book documents all seventeen of Rohrer's finished games, as well as sketches, ephemera, and related material, with color images throughout. It includes entries on individual games (with code in footnotes), artist interviews, artist writings, commentary by high scorers, and interpretive texts. Two introductory essays view Rohrer's work in the contexts of game studies and art history. Exhibition The Davis Museum at Wellesley College February-June 2016

A tortured genius and one of most influential designers of the twentieth century,Yves Saint Laurent was responsible for revolutionising the way women dressedand viewed themselves. During a wildly creative career stretching from 1958 to2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes.He became an overnight sensation in 1958, aged 21, when he showed his 'Trapeze'collection, his first for the House of Christian Dior, following the master's death.Four years later, Saint Laurent opened his own couture house and within a fewseasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'.Viewed as a master colourist and admired for his choice of sultry fabrics,his great gift was creating lasting styles - described by Vogue as 'stockpiles ofessentials in times of famine' - that flattered all shapes and sizes. As well asdesigning wardrobe classics like the 'Le Smoking' tuxedo for women, the Safarijacket, the trench and the pea coat, and introducing trousers into haute couture,he also dressed international style icons such as Catherine Deneuve, MarellaAgnelli and Lauren Bacall. With his nose for the zeitgeist, Saint Laurent recognisedthe global power of street fashion and launched Rive Gauche, his ready-to-wearboutique line in 1966. Christened 'The Saint' by Vogue, every element of his fashionempire, which included exhilarating couture collections, exquisite accessories andsought-after perfumes, was captured by Vogue's writers and leading photographerslike Richard Avedon, David Bailey and Norman Parkinson.

"How""""to""""Design""""a""""House" tells you everything you need to know and looks at the principles and processes of designing a house, giving an insight into the design and building process. In a working case study John Pawson, one of the world's best-known architects, traces the design and development of his own house and reveals what it takes to create a successful blueprint.

"How"" ""to"" ""Design"" ""a"" ""Light" tells you everything you need to know and looks at the principles and processes of designing a light.
In a working case study Arnold Chan, one of the world's best-known lighting designers, traces the design and development of one of his installation at the London restaurant Hakkasan, and reveals exactly what is involved in creating a successful design.

The world of fashion is both highly artistic and highly challenging, with top designers balancing delicately between the cutting edge of creativity and the necessity of running a viable business. In this enthralling collection of interviews, David Meagher talks to top designers the world over, the people whose vision shapes the contemporary and future fashion. The designers--among them Marc Jacobs, Karen Walker, Martin Grant, Christopher Bailey of Burberry, and John Goot--talk about where they've come from, where they're headed, and their philosophy of design. Gorgeously illustrated throughout with full-color photographs from the catwalks of London, Paris, Milan, and New York, this is a fascinating insight into the minds shaping fashion today.

Japanese floral artist Hiroto Inoue, whose delightful charm and witty nature earned him the nicknamed 'Funny' in the floral design universe, excels in creating intricate geometric designs and compositions that often seem to defy gravity. His floral creations pair an incredible sensitivity with impeccable technique and testify of his boundless love of nature as well as his inner gentleness. Hiroto Inoue constructs solid and firm backdrops for his flowers with the thinnest and humblest of materials: slender blades of grasses, orchid roots, slivers of bamboo, strips of wood veneer and especially paper. These fascinating, carefully constructed backgrounds are adorned with few or just one single flower. It results in innovative designs that perfectly balance manmade and natural materials, structure and spontaneity. Text in English and Japanese

This publication explores and analyzes a very special kind of design - the phenomenon, as normal as it is wonderful, in which people with no formal training in design take things that have already been designed and reuse them, convert them to new uses, in short, "misuse" them in the very best sense of the word. Non-intentional design (NID) goes on every day, in every area of life, in every region of the world. Redesign through reuse makes things multifunctional and cleverly combines them to generate new functions. It is often reversible, resource-friendly, improvisational, innovative, and economical. It can become a source of inspiration for design, provided professional designers look up and take notice of what actually happens to all the things they design when they are used.

Gary Kwok is the founder of Gary K Limited. Within the competitive floral arena of Hong Kong her brand is synonymous with excellence, superior craftsmanship, attention to detail and exquisite tailor-made design. With her exceptional success in floral art Gary Kwok has made a quick ascent towards leadership and has become the most applauded company in event decoration and weddings of prestige and elegance in Hong Kong. Whatever the client's wishes or the occasion Gary Kwok and her team deliver bespoke floral creations from the ordinary to the extraordinary. Sublime beauty expressed in the language of flowers. Gary's floral design demonstrates a new use of form, colour and texture, which compliment and integrate both the flowers and the vase, creating a clean and modern look. A style that also caught the attention of Mr Giorgio Armani who invited Gary Kwok to form a partnership, which resulted in the Armani Fiori HK brand in 2002. This book is an anthology of Gary Kwok's most impressive accomplishments in floral design.

Jewellery and object artist Anton Cepka (1936) is one of the most important jewellery artists of the twentieth century and a protagonist of the so-called studio jewellery movement, which arose after the Second World War. Today he is considered the doyen of Slovakian and Czech jewellery designers. Whitened silver, optical glass, stones and modern acrylic glass are Anton Cepka's preferred materials. His jewellery and his objects as he himself says 'bear all the signs of today. At the same time they express the reflection of today's over-engineered world.' Movement and light unexpectedly come into play in these pieces; thus kinetic art enters jewellery art for the first time in a conceptual way. Aerotechnical, fragile futuristic forms, the colour of the whitened silver and titles such as Radar, Antenna, Airplane, Satellite and Planet reflect the current, technological advancement and reference of our times. The execution of the objects bears witness to a great craftsmanship that is essential to Cepka's objects. Text in English and German.

Wilhelm Deffke (1887-1950), established the first modern advertising agency in Germany in 1915. Together with his business partner he published an influential book on trademarks and makers' marks, in which they promoted the logo as a basis for all the company's advertising materials. Before his death in 1950, Deffke created more than 10,000 logos that were untypically functional and abstract for their time. Considered one of the pioneers of modern corporate design, he is known as the "Father of the Modern Logo" among design professionals internationally; yet only a fraction of his designs have ever been shown in public. This richly illustrated and comprehensive monograph is the first book to be published about his work as commercial artist, architect, poster and book designer. Fourteen essays present the wide-ranging aspects of Deffke's work in context with 20th-century European design history. More than 500 images, many of them previously unpublished, illustrate his achievements in poster and commercial art. This collection is a long overdue commentary and re-discovery, of an exceptional artistic personality.

Dirk Wynants (1964) is the founder and owner of Extremis, the innovative Belgian design label. He is also the company's head designer and devised the powerful branding concept 'Tools for Togetherness'. Extremis gained an international reputation as a trendsetter in outdoor furniture in just a few years, and this success story is closely linked to the inspired personality and ideals of its entrepreneur-designer. He considers contemporary design more than simply a matter of trendy and attractive objects; it is all about innovative solutions that can make the world a better place. Since 2007 Dirk Wynants Design Works or (dw)2 has been an independent entity and is open to design assignments from outside Extremis. Since Extremis was launched in 1994, Dirk Wynants has won countless international awards (e.g. the Henry Van de Velde Award, the iF and Red Dot Awards, Good Design, IDEA, DME and so on). The design critic Chris Meplon has been keeping a close eye on the Belgian and international design scene for years. Her purpose in this book is to discover the secrets behind the unique success story of the pioneering Extremis company.

Elisabeth Defner is one of Austria's most prominent jewellery designers. Since her jewellery design studies at the Vienna Academy of Applied Arts at the beginning of the 1960s she has been working as an independent artist in Vienna, until 1976 cooperating with the jewellery artist Helfried Kodre in a workshop community. In 1967 she won the Bavarian State Award in Munich, in 1970 the Diamond-Award. Today her works are displayed in museums in Vienna, Graz, Pforzheim, Cologne, Prague and Edinburgh. For Elisabeth Defner- who since 1990 bears the second name of Jesus- jewellery isn't merely an aesthetic matter, but also a form of complementary healthcare for body, soul and spirit. The energy radiated from the metals and stones is in holistic harmony with the forms of the jewellery and can bring about an inner transformation of the wearer. Brooches, earrings, rings or pendants are combined with moulded gingko leaves, so that the beauty of the jewellery can merge idealistically with the magical effect of the plant. Defner's magnetic jewellery of recent years also presents itself in the context of the incorporation of the hidden power of nature, with magnetic boxes and objects like magic wands and chess pieces.

The newest volume in the Art Institute of Chicago's successful A+D series, Fashioning the Object invites readers to visit three of the most visionary design studios at work today: Bless, Boudicca, and Sandra Backlund. Fiercely independent and far-reaching in their influences, these young designers from Berlin, London, Paris, and Stockholm are producing fashion objects that straddle the line between traditional craft and cutting-edge technique, both in their use of materials and in the promotion of their brands. Zoe Ryan establishes the context for understanding the exciting departures these design houses represent, as the young creators draw inspiration from an array of other disciplines, including architecture, performance, film, and fine art. From Bless's numbered editions, to Boudicca's graffiti-can perfume, to Backlund's ready-to-wear pieces of knitted copper, these designers adapt storied objects to new uses and break old conventions, promulgating their ideas in playful, groundbreaking ways. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago04/14/12-09/13/12

The name Chanel brings immediately to mind the signature scent of No. 5 and the understated but sophisticated glamour of a simple black dress and pearls. But to consider Gabrielle "Coco" Chanel (1883-1971) as simply a fashion designer fails to capture her social and cultural significance. As Linda Simon reveals in this biography, Chanel was an iconoclastic entrepreneur who rebelled against and manipulated gender expectations of her time. With her menswear-inspired designs, her loose jersey sweaters belted jauntily at the waist, and her svelte, unadorned gowns, Chanel changed women's silhouettes, and she became known as a champion of women's freedom. Chanel not only changed the shape of women's clothing, but the narrative of women's lives in the early twentieth century. From her very first hat shop until her death, Chanel sold more than fashion--she sold a myth that became as attractive for many women as her coveted outfits. Simon here teases apart that myth to explore its contradictions--Chanel was a self-proclaimed recluse who emerged as one of the most spectacular personalities of her time; she was a brilliant businesswoman who signed away ninety percent of her company; and she was a genius who claimed she was nothing more than an artisan. In this insightful book, Simon examines the world both reflected and shaped by Chanel, setting her life and work within the context of women's history in France and America from the Roaring Twenties to the profound social changes of the 1960s. Drawing upon rich archival sources, Simon's lively book is a clear-eyed look at a woman whose influence and legend transcend the world of fashion.

This book presents the designs for bookplates and badges by the English Arts and Crafts designer and architect, C.F.A. Voysey, (1857-1941). Perhaps the most recognised and influential designer of his age, Voysey designed over one hundred bookplates, badges and greetings cards. The focus of the book is the collection of these designs from Voysey's own personal archive. Only a very few of these designs have been published to date, and never as a completed collection. Beautiful to look at and full of interesting symbolism, each design encapsulates the spirit and underlying principles which informed every aspect of Voysey's architecture and decorative design. They also form the centrepiece of a beautifully illustrated tale about the life and work of Voysey, touching on his personality, interests, relationship with family and clients, and his central role as designer of the Arts and Crafts Movement.

For over fifty years Maurice Griffiths cruised in a variety of small
yachts amongst the rivers and creeks of the Thames Estuary and round
the coasts of Suffolk, Essex and Kent. In this classic book he tells of
the boats he owned in that time, and shows how the experience gained
with these small craft helped to turn him into a dedicated yacht designer.

There is more than an echo here of the magic the author found amongst
his beloved swatchways, so although this book contains much lore and
advice for the yacht designer, discerning owner and builder, it is also
a book of delightful reminiscences.

We have been walking upright for almost six million years and soon learned how to offload our body's weight on the arch of the foot. Salvatore Ferragamo dedicated all his life to the study of the foot's anatomy, also researching into architecture and engineering, as we can understand by looking at his patents. Walking, dancing barefoot or en pointe, advancing along a wire in the manner of a tight-rope walker, climbing mountains, stepping and marching on orders, wandering about to find oneself, roaming around: these are just some of the themes dealt with in Equilibrium, the new project by the Museo Salvatore Ferragamo, curated by Stefania Ricci and Sergio Risaliti. This volume is based on the comparison among magnificent, important and meaningful artworks of various origin. The project has been developed through several media: painting, sculpture, photography, video, cinema and printed editions. The geometric balancing of Wassily Kandinsky is displayed alongside the thread-like structures of Fausto Melotti; Albrecht Durer's Fortuna with Giulio Paolini's funambulist; and portraits of Nijinsky alongside those of Isadora Duncan, Martha Graham and Trisha Brown.