From artist to curator, couturier to fashion blogger, 'creative' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities. Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

A tortured genius and one of most influential designers of the twentieth century,Yves Saint Laurent was responsible for revolutionising the way women dressedand viewed themselves. During a wildly creative career stretching from 1958 to2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes.He became an overnight sensation in 1958, aged 21, when he showed his 'Trapeze'collection, his first for the House of Christian Dior, following the master's death.Four years later, Saint Laurent opened his own couture house and within a fewseasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'.Viewed as a master colourist and admired for his choice of sultry fabrics,his great gift was creating lasting styles - described by Vogue as 'stockpiles ofessentials in times of famine' - that flattered all shapes and sizes. As well asdesigning wardrobe classics like the 'Le Smoking' tuxedo for women, the Safarijacket, the trench and the pea coat, and introducing trousers into haute couture,he also dressed international style icons such as Catherine Deneuve, MarellaAgnelli and Lauren Bacall. With his nose for the zeitgeist, Saint Laurent recognisedthe global power of street fashion and launched Rive Gauche, his ready-to-wearboutique line in 1966. Christened 'The Saint' by Vogue, every element of his fashionempire, which included exhilarating couture collections, exquisite accessories andsought-after perfumes, was captured by Vogue's writers and leading photographerslike Richard Avedon, David Bailey and Norman Parkinson.

Founded in 2004 and based in Shanghai and London, neri & hu design and research office works internationally providing architecture, interior, master planning, graphic, and product design services. They work on projects in many countries with a multi-cultural staff. This diversity emphasises the firm's vision to respond to a global worldview incorporating overlapping design disciplines. This first ever book on neri & hu design and research office documents a selection of their work in architecture and product design. With a lavishly illustrated beautiful design concept, it is structured in three sections: Buildings features seven renovation projects in Shanghai, complete refurbishments as well as interior redesigns. Products presents four designs for household goods and furniture. Projects documents ongoing and unrealized architectural work in Florida, London, Shanghai, and Kuala Lumpur. An introduction and a topical essay on renovation as well as an overview of neri & hu design and research office's projects to date round out the book. Lyndon Neri studied architecture at University of California, Berkeley, and Harvard Graduate School of Design. Before founding his own firm with Rossana Hu he has been working for more than ten years with Princeton-based Michael Graves & Associates and various architectural firms in New York. Rossana Hu studied architecture and music at University of California, Berkeley, and Princeton University. She worked with Michael Graves & Associates and Ralph Lerner Architect in Princeton; Skidmore, Owings & Merrill in New York; and The Architects Collaborative (TAC) in San Francisco before founding neri & hu design and research office.

For over fifty years Maurice Griffiths cruised in a variety of small
yachts amongst the rivers and creeks of the Thames Estuary and round
the coasts of Suffolk, Essex and Kent. In this classic book he tells of
the boats he owned in that time, and shows how the experience gained
with these small craft helped to turn him into a dedicated yacht designer.

There is more than an echo here of the magic the author found amongst
his beloved swatchways, so although this book contains much lore and
advice for the yacht designer, discerning owner and builder, it is also
a book of delightful reminiscences.

Cath Kidston - queen of vintage-inspired homeware and joyously decorated spaces - grants unprecedented insight into her creative process and personal style in this lifestyle-meets-memoir-meets-interior-design book. The name 'Cath Kidston' is associated worldwide with pattern, colour, dreamlike nostalgia, and comforting, cheerful spaces. In her new book, the founder of the eponymous brand invites us on a tour of her Gloucestershire home, sharing stories, decorating tips and inspirational ideas along the way. The book is divided into four chapters, each of them focusing on the 21 featured spaces in the book, including: Entrance Hall, Sitting Room, Study, Dining Room, Office, Kitchen, Dressing Room, Attic, Greenhouse and Summer House. There are also the whimsically themed rooms such as the Castle Bedroom and Fish Bathroom. Delve into Cath's design process as she reveals the memories and motivations behind her style choices. With Cath's expertise and advice you'll discover how simple tricks make stimulating spaces; from using vintage-inspired prints to transform a quiet corner into an art gallery, to how the right rug can tie a room together and create a cosy, congenial atmosphere. Discussing colour, decor, pattern and passion in her own words, Cath will help make your house a beautiful, practical home. Filled with inspirational images, expert advice from an industry icon, and stories that reveal a remarkable life in design, this book will give you the confidence to click your heels and agree that there's no place like home.

Norman Bel Geddes has long been considered the 'founder' of American industrial design. During his long career he worked on everything from theatre design, world fairs and cars to houses and product and packaging design. Nicolas P. Maffei's magisterial biography draws on original material from the archive at the Harry Ransom Center, University of Texas at Austin, and places Bel Geddes' work within the fast-changing cultural and intellectual contexts of his time. Maffei shows how Bel Geddes' futuristic but pragmatic style - his notion of 'practical vision' - was central to his work, and highly influential on the professional practice of American industrial design in general.

The greatest designer of French lighting, Robert Mathieu, is still little known to the general public today due to the rarity of his pieces on the market, highly sought after by specialised collectors. Unlike a traditional designer, Robert Mathieu not only designed his lights, but he made them, like an artist, in his studio on rue de Charenton in Paris. Here there is no publisher, but a dropper production close to that of a work of art, sometimes less than eight copies. What is remarkable about Robert Mathieu is on the one hand his unique creativity in France, because he has designed more than 200 models, but also the very high quality of execution of his pieces which are still in perfect condition today. This unpublished monographic work is born after ten years of preparation. Between the beautiful art book and the catalogue raisonne, it presents all the known models of this lighting artist, illustrated by studio photographs and period documentation or non-professional photographic testimonials, because a large number of the creations by Robert Mathieu have never been seen before. Text in English and French.

A generously illustrated volume that documents the career of Jason Rohrer, one of the most heralded art game designers working today. A maker of visually elegant and conceptually intricate games, Jason Rohrer is among the most widely heralded art game designers in the short but vibrant history of the field. His games range from the elegantly simple to others of almost Byzantine complexity. Passage (2007)-acquired by the Museum of Modern Art in New York-uses game rules and procedurals to create a contemporary memento mori that captures an entire lifetime in five minutes. In Chain World (2011), each subsequent player of the game's single copy modifies the rules of the universe. A Game for Someone (2013) is a board game sealed in a box and buried in the Mojave Desert, with a list of one million potential sites distributed to Rohrer's fan base. (Rohrer estimated that it would take two millennia of constant searching to find the game.) With Chain World and A Game for Someone, Rohrer became the first designer to win the prestigious Game Challenge Design award twice. This book, and the exhibition it accompanies, offers a comprehensive account of the artist's oeuvre. The book documents all seventeen of Rohrer's finished games, as well as sketches, ephemera, and related material, with color images throughout. It includes entries on individual games (with code in footnotes), artist interviews, artist writings, commentary by high scorers, and interpretive texts. Two introductory essays view Rohrer's work in the contexts of game studies and art history. Exhibition The Davis Museum at Wellesley College February-June 2016

The newest volume in the Art Institute of Chicago's successful A+D series, Fashioning the Object invites readers to visit three of the most visionary design studios at work today: Bless, Boudicca, and Sandra Backlund. Fiercely independent and far-reaching in their influences, these young designers from Berlin, London, Paris, and Stockholm are producing fashion objects that straddle the line between traditional craft and cutting-edge technique, both in their use of materials and in the promotion of their brands. Zoe Ryan establishes the context for understanding the exciting departures these design houses represent, as the young creators draw inspiration from an array of other disciplines, including architecture, performance, film, and fine art. From Bless's numbered editions, to Boudicca's graffiti-can perfume, to Backlund's ready-to-wear pieces of knitted copper, these designers adapt storied objects to new uses and break old conventions, promulgating their ideas in playful, groundbreaking ways. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago04/14/12-09/13/12

The cooperation of Trix and Robert Haussmann with the Roethlisberger carpenters, which started in 1979, yielded numerous successful experiments in artistic and handcrafted furniture. Not comparable to furniture from the retail store, these exclusive designs were sold as a limited edition of 15 pieces each. For the first time, a publication presents the full scope of furniture that was developed in Trix and Robert Haussmann's "Allgemeine Entwurfsanstalt" for the Roethlisberger Kollektion. The design objects were highly sophisticated in the planning of each detail as well as their realization and required a high level of innovation, new techniques and technical expertise. The close collaboration and good relation between manufacturer and designers were what constituted the special appeal of the finished products.

Libertine is an invitation into Johnson Hartig's world, as the designer shares images of his eccentric and whimsical fashion designs, inspirational references, and his captivatingly eclectic interiors. Johnson Hartig is the founder and designer for the innovative fashion brand Libertine, which is renowned for breathing electric life back into vintage couture pieces by cutting them up and adding ornate crystal embellishments, rich silk-screened graphics, and embroideries to create gorgeous one-of-a-kind garments. With an uncanny ability to combine unexpected colors, patterns, and textures, Hartig has created a style that is youthful and edgy yet undeniably glamorous and sophisticated. A hopeless traditionalist yet a rule breaker, Hartig's personal style was initially what inspired the brand, and this eclectic philosophy permeates all parts of his life. Early champions include Anna Wintour, Karl Lagerfeld, and Damien Hirst. This captivating volume takes the reader on a much-awaited tour of Hartig's charmingly quirky home and personal style, which often garnish as much attention as his fashion brand. Hartig's passionate and playful personality shines through in his designs for Libertine as they do in the creative and uniquely decorated interiors of his home. His energetic spirit and joie de vivre lifestyle is contagious, and this volume will be an indispensable visual arcade to be cherished by lovers of fashion, style, and interior design alike.

We have been walking upright for almost six million years and soon learned how to offload our body's weight on the arch of the foot. Salvatore Ferragamo dedicated all his life to the study of the foot's anatomy, also researching into architecture and engineering, as we can understand by looking at his patents. Walking, dancing barefoot or en pointe, advancing along a wire in the manner of a tight-rope walker, climbing mountains, stepping and marching on orders, wandering about to find oneself, roaming around: these are just some of the themes dealt with in Equilibrium, the new project by the Museo Salvatore Ferragamo, curated by Stefania Ricci and Sergio Risaliti. This volume is based on the comparison among magnificent, important and meaningful artworks of various origin. The project has been developed through several media: painting, sculpture, photography, video, cinema and printed editions. The geometric balancing of Wassily Kandinsky is displayed alongside the thread-like structures of Fausto Melotti; Albrecht Durer's Fortuna with Giulio Paolini's funambulist; and portraits of Nijinsky alongside those of Isadora Duncan, Martha Graham and Trisha Brown.