A beautiful insight into the creative processes of one of the most exciting European design duos to have emerged in the last ten years. Reproducing Scholten and Baijings explores this dynamic design duo's relationships with manufacturers such as Herman Miller, Maharam and Mini. Covering all aspects of their practice from textiles to ceramics, this new monograph is illustrated with photographs, models and sketches pulled directly from the firm's archives. A complete list of their projects produced to date makes this an incomparable resource for professionals and enthusiasts alike.

Founded in the mid-1990s and now a leading force in global fashion, *A Bathing Ape(R)--or simply Bape--redefined the height of urban cool for a new generation of Tokyo hipsters. The creation of a young, enigmatic designer simply known as Nigo, Bape has rapidly become one of the most exclusive and sought-after youth brands in Europe and America. With a core product line of limited-edition hip-hop apparel distinguished from its mass-produced competitors by superior manufacture and detailing, the franchise has since expanded to include everything from edgy updates of the classic Chanel suit to an entire catalog of patent-leather sneakers, a full line of women's accessories, collectible vinyl toys, fragrances and its own tres-cool indie record label. Spawning collaborations with Pepsi, adidas, M.A.C. Cosmetics and SONY, *A Bathing Ape(R) is at once a worldwide fashion phenomenon and a leading barometer of the inexorable rise of Japanese pop culture in America.*A Bathing Ape(R) has famously cultivated a die-hard following among hip-hop royalty, and is the clothier to multiple Grammy-winning artists such as Kanye West, Jay-Z, the Beastie Boys, Nas, MosDef, Usher and Pharrell Williams; and J-POP stars Puffy AmiYumi. Employing an unparalleled mix of swagger and elegance, populism and cultish exclusivity, Bape's commitment to the new, and a dizzying capacity for reinvention has ensured its unique place in contemporary fashion.

When Alexander McQueen committed suicide in February 2010, aged just 40, a shocked world mourned the loss of its most visionary fashion designer. McQueen had risen from humble beginnings as the youngest child of an East London taxi driver to scale the heights of fame, fortune and glamour. He designed clothes for the world's most beautiful women including Kate Moss and Naomi Campbell. In business he created a multi-million pound luxury brand that became a favourite with both celebrities and royalty, most famously the Duchess of Cambridge who wore a McQueen dress on her wedding day. But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, so McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, in his private life, his failure to find lasting love with a string of boyfriends only added to his despair. And then there were the dark secrets that haunted his sleep... A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen: Blood Beneath the Skin is soon to be adapted for film, directed by Andrew Haigh (45 Years). This book tells the sensational story of McQueen's rise from his hard East London upbringing to the hedonistic world of fashion. Those closest to the designer - his family, friends and lovers - have spoken for the first time about the man they knew, a fragmented and insecure individual, a lost boy who battled to gain entry into a world that ultimately destroyed him.

Graduating from Antwerp's Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction--a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliqued details--to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela's garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. With his vivid imagination, wit and flair, Philippe Starck has transformed everyday objects into icons of modern design, heralding in the democratic design movement that has influenced what we buy and how we live. Among instantly recognizable classics such as the long-legged Juicy Salif lemon squeezer and the much imitated Sissi Lamp, Starck has created some of the world's most ground-breaking furniture, interiors, hotels and architecture, all of which are celebrated in this curated selection of images, accompanied by a critical essay of his life and work.

A new title in ACC Art Books' celebrated Design series, presenting and reviving the work of illustrator Wyndham Payne (1884-1974). Wyndham Payne's career as an illustrator began in the early 1920s, gathering momentum with a series of book illustrations for renowned Charing Cross publisher Cyril Beaumont. Working in the tradition of Claud Lovat Fraser - and others - Payne nurtured a reputation for freedom of line, illustrating books, calendars, greetings cards and advertisements, often with toys - soldiers, model theatres, trains - as a subject. Aside from creating illustrations for the Beaumont Press, Payne was also commissioned by Oxford University Press and Hodder & Stoughton, among others. For The Bodley Head, he designed covers for Agatha Christie titles, whilst his celebrated jacket for The Wind in the Willows was produced for Methuen. Wyndham Payne presents a detailed survey of the artist's work: lino cuts, woodcuts, drawings in pen, watercolours, silhouette painting on glass, and later, when his health became too poor for commercial work, models - including automata - for his children and grandchildren. The book also includes a fulsome biography of the artist, covering his life and work.

Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Epoque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits and sent them out to get tanned in the sun. She introduced the little black dress; trousers for women; costume jewelry; the exquisitely comfortable suit that became her trademark. Early in the Roaring Twenties, Chanel made the first ever couture perfume - No. 5 - presenting it in the famous little square-cut flagon that, inspired by Picasso and Cubism, became the arch symbol of the Art Deco style. No. 5 remains the most popular scent ever created. This volume, published to accompany a landmark exhibition in Paris, traces the birth and evolution of Chanel's timeless style. Specially commissioned photographs by Julien T. Hamon showcase the clothing, while essays by fashion historians illuminate a period, an event or a theme. Rare archival documents, including portraits of Gabrielle Chanel herself, round out the book.

Women designers have made an immense contribution to our shared material culture and built environment. However, while several pioneers have achieved global recognition-Ray Eames, Florence Knoll Bassett, and Charlotte Perriand to name a few-there are others not so well known but equally influential to the history of design.

This book introduces the principal players in the areas of fashion, textiles, graphic and product design, and architecture from the last 100 years, and uncovers a history with women firmly at the center.

Featuring profiles on more than 100 women designers, each accompanied by an informative and authoritative text, and illustrated by iconic works, this book is an inspirational focus for all design students and practitioners.

As featured in Bookforum, ELLE Decor, and Interior Design Magazine The first and only monograph on the life and work of the iconic Danish-American mid-century furniture designer Jens Risom - an unsung hero of Mid-Century Modern design Jens Risom, a key figure in mid-century modern design, was one of the first designers to introduce Scandinavian design to the United States and his highly collectible original work is currently selling for large sums at auction. In 1942, Risom's designs formed the majority of the inaugural collection of original furniture for the iconic Hans Knoll Furniture Company and many of his key pieces are still in production today, by leading manufacturers including Knoll, Design Within Reach, De Padova, Camira, and Ralph Pucci. This, the first authoritative biography of Risom, spans his education in Denmark, early collaborations with Georg Jensen and Hans Knoll, the creation of his own company - Jen Risom Design - his celebrated prefab house on Block Island, RI, as well as his legacy and presence in the 21st century. With unique access to a plethora of never-before-seen sketches, photographs and ephemera, this book proves, as the immortal slogan in his iconic ad campaign shot by Richard Avedon tells us, 'The answer is Risom'.

The name Valentino has been synonymous with high fashion for almost fifty years. Based in Rome, Valentino is only one of two couture houses recognized by the French government outside of Paris. His exquisite designs are coveted and worn by young Hollywood and high society the world over. On the occasion of his last couture collection, presented in Paris in the spring of 2008, this landmark book celebrates forty-five years of Valentino's remarkable career. Published in association with a prestigious exhibition at the Musee des Arts Decoratifs's famed costume department in Paris, this volume focuses on Valentino's haute couture creations, highlighting the most important and iconic creations of his half-century in fashion through recurring themes in Valentino's work--variations on the ideas of volume, line, and texture as well as motifs such as geometry, pleats, and flowers--through new photography, sketches, fabric samples, and commentary on the dresses by Valentino himself. In addition, unprecedented photography by Francois Halard of Valentino's last fittings and backstage of his runway show reveals Valentino's private world for the first time. "Valentino On Valentino," a chapter of first-person accounts of the designs of these iconic dresses, along with Valentino's commentary on his fashion, will make this publication unique in the study of Valentino as a cultural and artistic icon.

Sought-after, sophisticated and versatile, the Hermes carre is wearable art that never goes out of fashion. Unveiling the history and artistry of the brand's silk accessory from the first designs in the early twentieth century to today, this fashion story includes a detailed behind-the-scenes look at the artisanship involved at the company's ateliers in France, as well as reviews on different scarf designs, colour palettes, dates of issue and rarity (the 'Grail' scarves). The book includes the collaborators who have helped in the creation of over 2,000 designs, including limited editions, anniversary and tribute scarves, with highlights from renown artists and illustrators such as Hugo Grygkar, Philippe Ledoux, Kermit Oliver and Annie Faivre (who hides a monkey in her designs). Here you will discover the fashion of scarf styles throughout the decades, how to wear and tie a scarf, and the scarf in film and popular culture, along with those who made the Hermes carre a hallmark of their own - such as Queen Elizabeth II, Grace Kelly and Jackie Kennedy Onassis.

The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding of good design in this book, its rules and criteria. He uses numerous examples

to convey applications in practice - from product design via signaletics and graphic design to Corporate Design. By doing this he is making an important manual available to young designers that in its clarity both in terms of subject matter and

visually is entirely committed to Vignelli's modern design.

The owner of the largest collection of Elsa Schiaparelli garments in the world writes about his lifelong love affair with the work-and the entire persona-of the iconic designer. At age fourteen, designer and artist BillyBoy* had a transformative experience, brought on by the discovery of an Elsa Schiaparelli hat in a Parisian flea market. So began a love affair with Schiaparelli clothes that has lasted more than forty years. For BillyBoy*, Schiap's designs are talismans: they not only show how the chic designer revolutionized fashion, but also speak to him powerfully about how she lived her life. An artist working in Switzerland with a glamorous and fascinating past, BillyBoy* adopted Schiap as a guardian angel of sorts and has spent a lifetime searching for her through her clothes. Inspired by Shocking Life, Schiap's own memoir, this book will resonate with anyone who loves historic haute couture. Built around some of the most iconic pieces ever created by the designer, it is a book about endless discoveries and the meaning that can be transmitted across decades by a simple piece of clothing. Peopled by dazzling characters from Schiap's inner circle and the worlds of art and fashion in 1970s and 1980s New York, London, and Paris, this is a scintillating yet profound homage to a woman who saw life as art, and who inspired a young boy to do the same.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. Charles and Ray Eames were the golden couple of postwar American design. True multimedia pioneers, they worked in furniture design, architecture, print, photography and filmmaking. They imbued the modern twentieth-century aesthetic with originality, colour and freshness, and their ability to mould plastics and plywood with an elegance not previously seen resulted in some of the most influential furniture design of the modern age – witnessed not just in the continuing popularity of their original designs but also in the mass prodcution of countless imitations.

Christopher Dresser (1834-1904) is one of the most influential British designers of all time and he is widely regarded as Britain's first independent industrial designer. His works still look remarkably modern more than a century later. Like his contemporary William Morris, Dresser advocated for an 'honesty of materials', but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Dresser's fascination with the arts of Japan and his advocacy of Owen Jones's principle that ornament should be geometrical in form resulted in a range of designs that look surprisingly minimal for their time. Affordable, well-designed, functional and commercially successful, the objects that Dresser designed - wallpapers, textiles, carpets, ceramics, furniture and, most famously, metalwork - were industrially produced by manufacturers across the UK, the US and continental Europe. This compact, beautifully produced book on the work of Christopher Dresser begins with a brief introduction to his life and work before presenting 75 of his most important pieces, each accompanied by a narrative-style caption. It will appeal to anyone interested in modern design. With 117 illustrations in colour

The first book to survey the work of this iconic designer, known for her serene "new American classic" look. One of today's most influential designers, Victoria Hagan exploded onto the scene in 1988 when New York magazine devoted the cover of its design issue to one of her rooms. Since then she has become renowned for her intelligent integration of architectural and interior design, her refined use of materials, her sophisticated color palette, and her strong silhouettes. Always looking to the view, Hagan effortlessly makes a close connection of interior spaces to the surrounding landscape. The houses profiled-ranging from elegant urban residences to casual weekend retreats-reveal Hagan's unerring attention to what Proust called "the unexpected detail," which makes her interiors beautiful as well as timeless. Throughout, Hagan discourses on the spirit of cherished objects-a print of birds in flight, a vintage star-shaped mirror, or a chair with an unusual silhouette-that add soul and modernity. With stunning photography and personal insights into Hagan's design philosophy, Victoria Hagan: Interior Portraits is an artful and inspiring collection of this design superstar's oeuvre.

The name Chanel brings immediately to mind the signature scent of No. 5 and the understated but sophisticated glamour of a simple black dress and pearls. But to consider Gabrielle "Coco" Chanel (1883-1971) as simply a fashion designer fails to capture her social and cultural significance. As Linda Simon reveals in this biography, Chanel was an iconoclastic entrepreneur who rebelled against and manipulated gender expectations of her time. With her menswear-inspired designs, her loose jersey sweaters belted jauntily at the waist, and her svelte, unadorned gowns, Chanel changed women's silhouettes, and she became known as a champion of women's freedom. Chanel not only changed the shape of women's clothing, but the narrative of women's lives in the early twentieth century. From her very first hat shop until her death, Chanel sold more than fashion--she sold a myth that became as attractive for many women as her coveted outfits. Simon here teases apart that myth to explore its contradictions--Chanel was a self-proclaimed recluse who emerged as one of the most spectacular personalities of her time; she was a brilliant businesswoman who signed away ninety percent of her company; and she was a genius who claimed she was nothing more than an artisan. In this insightful book, Simon examines the world both reflected and shaped by Chanel, setting her life and work within the context of women's history in France and America from the Roaring Twenties to the profound social changes of the 1960s. Drawing upon rich archival sources, Simon's lively book is a clear-eyed look at a woman whose influence and legend transcend the world of fashion.

From the legendary Tank Girl to live-action animations with Gorillaz, a Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture. With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid-1990s as co-creator of the zeitgeist-defining Tank Girl comic. With then-roommate Damon Albarn, he went on to create the groundbreaking cartoon band Gorillaz. The award-winning virtual pop group of animated characters is a truly global phenomenon. Gorillaz have topped charts around the world, toured the globe from San Diego to Syria, and picked up hundreds of millions of streams and record sales along the way. Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng'en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named Designer of the Year by the Design Museum in London, and in 2009, Hewlett and Albarn won a BAFTA for their animated Monkey sequence for the Beijing Olympic Games. In 2015 The Suggestionists, an exhibition of prints at the Saatchi Gallery in London, demonstrated an exciting new direction in Hewlett's practice. This special edition celebrating TASCHEN's 40th anniversary updates Hewlett's first major monograph with around 30 brand new pieces. The book illustrates his thrilling creative journey with more than 400 artworks from the Tank Girl era through Gorillaz and up to the present day. Through stories, characters, strips, and sketches, we trace Hewlett's exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels, or to be pigeonholed into a particular practice. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Michael Gericke is one of the most influential graphic designers in the world today. This much anticipated monograph covers four decades of work by the acclaimed graphic designer and Pentagram partner. Lavishly illustrated throughout at close to 500 pages, the book is driven by a celebration of places, telling stories, and making images and symbols - predominantly through Gericke's work with projects for buildings, civic moments, exhibitions and visual identities, including for posters, magazines, New York's AIA chapter (America's largest) and the Center for Architecture that, through graphics and images, continues to portray the spirit of architecture and design in New York City today. Prefaced by the prize-winning architect Moshe Safdie, with commentary by Pulitzer Prize-winning architectural critic and educator Paul Goldberger, this encyclopaedic compilation is a must for all collectors and aficionados of contemporary design, branding, and visual identity.

From artist to curator, couturier to fashion blogger, 'creative' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities. Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

Two essays and a set of original diagrams consider the parameters of the something beyond in James Carpenter s projects. Architectural historian Mark Linder offers a long view of Carpenter s work, placing his early career as an installation artist and experimental filmmaker in the context of contemporary art practices. Linder draws out the continuities between this early work and Carpenter s current practice as a glass designer, demonstrating a consistent focus on literalism materiality, spatial perception, and inhabitation as opposed to phenomenological effect, expression, and representation. Architectural critic Sarah Whiting examines the sensibilities and constituencies that emerge from Carpenter s practice. Rather than succumbing to the technique of Brechtian estrangement (which has become a default strategy for avant-garde practices in all domains), Carpenter gently eases his viewers into new constituencies. Perceptions and publics are altered, although these alterations are never dictated. Carpenter s new worlds are not avant-garde but are more like dreams that embed themselves in the back of one s mind, opening new possibilities without choreographing what those might be. Finally, Lucia Allais s diagrams offer a visual means of reading Carpenter s combination of technique and effect his means of making light material and making material present. Photographs and extended captions from Carpenter complete this book s documentation of key projects.

The official printed archive of Palace Skateboards' online product descriptions Description not available.

Drew Struzan has created some of the most iconic movie poster images of the last 30 years, from "Raiders of the Lost Ark" to "Star Wars: Episode III". This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for "Harry Potter and the Chamber of Secrets" and "Hellboy II", this is a treat for movie buffs and artists alike.

Edward McKnight Kauffer (1890-1954) was the most celebrated graphic designer working in Britain in the twentieth century. Born in Montana, he left America before the first world war to travel throughout Europe absorbing the influences of the Cubists and the German poster artist Ludwig Hohlwein. At the onset of war he settled in London. Seeing himself as a painter, he allied himself with the London Group and the Vorticists. He worked at Roger Fry's Omega Workshops with Vanessa Bell and Duncan Grant, and in 1915 was commissioned by Frank Pick, then the publicity manager at London Underground. This was the beginning of a client-designer relationship that lasted throughout the 1920s and '30s, only ending when Kauffer returned to New York in 1940. His posters, brilliantly coloured and strikingly modern, struck London like a Cubist thunderbolt. Soon other clients, Jack Beddington at Shell, Sir Colin Anderson at the Orient Shipping line, the Daily Herald (the instantly recognisable Birds in Flight pos