Classic, refined, and alluring are just some of the ways to describe Sarah Blank Design Studio's timeless kitchen designs. Sarah Blank's vast expertise in the classicist language spanning many decades and her creative vision for contemporary elegance form the basis of her understanding that a beautiful and functional kitchen is not only an integral part of the architecture of the house, but the very heart of the home. She incorporates a set of rules and principles in her work that are imperative to beautiful and functional design, mastering some of the finest kitchens ever developed for a new generation of happy homeowners. This beautifully photographed volume presents a stunning selection of award-winning projects, each showcasing exquisite beauty, attention to detail, and technical prowess.

Architectural solutions & designs to optimize the spaces in your home without spending a fortune. Architect Laura Jane Clark, from the BBC and Netflix smash-hit series Your Home Made Perfect, has spent over 15 years designing, remodelling, and building homes with budgets that range from modest to enormous. THE HANDBOOK OF HOME DESIGN distils Laura's wealth of experience and enthusiasm giving you an accessible yet detailed guide to design, empowering you with the tools and knowledge to shape your home how you want. Throughout your home design journey, whether large or small, Laura takes you each step of the way from understanding your home, reading a plan and writing a brief, right through to sketching your own design and having the confidence to get what you want on the building site. Packed full of tips and tricks, inspiration and technical know-how, THE HANDBOOK OF HOME DESIGN is like having Laura by your side, showing you how to design practical yet beautiful spaces, get more storage into your life and create the home of your dreams. Laura Jane Clark wants to democratize the whole concept of residential architectural design and empower you to redesign your spaces by giving you the language and ability to confidently communicate your vision, get the most out of your design and ultimately love your finished home. Whether you are a long-term homeowner, first-time buyer or simply visualising your dream space, no matter what your budget is, this unique insight into Laura's process allows you to achieve both the design you want and the home you need. www.lamparchitects.co.uk Instagram: @laurajaneclark_

With remarkable panache and discernment, Iris Apfel combines styles, colors, textures, and patterns without regard to period, provenance, or aesthetic conventions. She is a unique style icon. Over ninety sumptuous color plates, photographed by Eric Boman, show off a selection of Apfel's extraordinary outfits on wittily posed mannequins, some sporting her trademark outsized spectacles. The originality of her style is typically revealed in her mixing of Dior haute couture with flea-market finds, Dolce & Gabbana lizard trousers with nineteenth-century ecclesiastical vestments, pink Lanvin worn with ropes of Navajo turquoise. Apfel's eclectic pieces might come from a Parisian couture house, an American thrift shop, or a North African souk, or they may have been made to her own design in a tiny studio. Detailed captions describe every aspect of the outfits, including names and dates of designers, plus full information on fabrics and accessories. A selection of audacious accessories also comes under the spotlight: a giant necklace made of bear claws, a turn-of-the-century Indian horse ornament worn as a necklace, a parrot's-head brooch in colored glass and rhinestones. The book includes an introduction by Harold Koda, director of the Costume Institute at the Metropolitan Museum of Art, and an essay by Apfel herself, describing her lifelong love affair with style and illustrated with vintage photographs from her personal collection.

Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

'Miss Caroline Charles, aged 22 - youngest of the English designers whose fashions have captured New York - returns there to show her Spring collection. She is dark, beautiful and frail, with a small voice. But she is deceptive; she is made of iron; her energy is matched only by her persistence. Nothing will stop her. She is at the top now, and might stay there for 50 years.' John Gale, Observer Oct 25th 1964 Caroline Charles is one of London's most respected womenswear designers. She has developed her business over the past five decades and the label is sold and marketed throughout the world. Caroline Charles began in the world of fashion art school followed by a couture apprenticeship and a stint as a photographer's assistant; she then worked for Mary Quant and was inspired by couturiers as well as being a leading designer in the '60s youthquake and swinging London. Her first collections were kooky and fresh and included a white cotton dress made from a bedspread! Caroline Charles was one of the original designers to join what was later to become British Fashion Week. Caroline opened a shop in Beverly Hills in the '70s and in the '90s had many successes with shops and shows in Japan. Her clothes were quickly snapped up by celebrities, which over the years have ranged from Lulu, Marianne Faithful and Cilla Black as well as special suits being made for Mick Jagger and Ringo Star. Princess Diana became a regular client as did Emma Thompson who wore a Caroline Charles design to receive an Oscar. Caroline Charles has been invited over the years to be a design consultant to major brands such as Burberry and Marks and Spencer as well as having design collaborations with major accessories and textile companies. In the '90s Caroline Charles designed the official scarf to mark the 40th anniversary of the accession of the Queen. As she celebrated her own 40th anniversary, Caroline Charles was awarded an OBE for services to the British Fashion Industry. Celebrations followed at the Victoria & Albert Museum with another award from the British Fashion Council.

A history of women designers and consumers from 1900 to the present day. The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making. Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. The 'Dante of architecture', Antoni Gaudí crafted extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets of Barcelona. His work merged the influences of Orientalism, natural forms, new materials and religious faith into a unique aesthetic. From the furnishings of the Güell Palace to his masterpiece, the still-incomplete Sagrada Família, his imaginative creations are celebrated in this curated selection of images, accompanied by an essay of his life and work.

The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. This book brings together two expansive collections of silver objects, the 'Lion' collection and the 'Hamme' collection. The 'Lion' collection provides a broad overview of beautiful silver objects made by a great variety of British contemporary silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector's family history. The Hamme collection is a spectacular array of 'hero' pieces and commissions that demonstrate some of the best of each silversmith's work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. Interviews with numerous modern silversmiths - Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert - offer insight into the silversmiths' process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, , Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

Mark Brazier-Jones is a unique force in the world of design, whose wonderfully eccentric works literally defined the term 'Creative Salvage' in the mid-1980s. Today, his work is increasingly recognised as forging a new and more artistically compelling way forward. As a veritable 'designer-laureate of metal', his metalwork possesses a poetic sensibility and an engaging quirkiness that is suffused with symbolic meaning rarely found in contemporary design. A sumptuously illustrated tome, Mark Brazier-Jones assesses his approach to design and making, and is an important catalogue raisonne of his work. By playfully subverting our notions of art, craft and design Brazier-Jones' surprisingly ecletic work offers an alternative definition of modern design - one that is about quality of craftsmanship and individuality of expression that is intended to last generations.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Lesley Anne Ivory: Blossom. Lesley Anne Ivory is one of the most prolific and prestigious painters of cats in the world today. Her meticulous attention to detail is legendary; she spends many hours researching for her pictures, including countless hours in the British Museum or the Victoria and Albert Museum, researching patterns and fabrics.

The Films of Charles and Ray Eames traces the history of the Eameses' work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives exemplified in their furniture designs. Shifting away from promoting the consumer-culture, they turned their attention to the presentation of complex sets of scientific, artistic, and philosophical ideas. During a critical period from the late 1950s to the early 1960s there was a moment of introspective self-reflection in the West stemming from the events of the Cold War. This moment of uncertainty was crucial, for it provided the incentive to question the values and concerns of society as a whole. In turn, designers began to question their own sense of purpose, temporarily expanding the purview of design to a broader field of inquiry. In the case of the Eameses, they identified an overriding problem related to consumerism and excess in America and sought to resolve the issue by creating a network of communication between universities, governments, institutions, and corporations. The solution of promoting greater education experiences as an alternative to consumerism in America required that different sectors of society functioned in unison to address political, social, economic, and educational concerns. The Films of Charles and Ray Eames reconsiders how design intersects with humanity, culture, and the sciences.

Drew Struzan has created some of the most iconic movie poster images of the last 30 years, from "Raiders of the Lost Ark" to "Star Wars: Episode III". This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for "Harry Potter and the Chamber of Secrets" and "Hellboy II", this is a treat for movie buffs and artists alike.

John Donald, a British jeweller, designer and goldsmith, is regarded as one of the most innovative of the twentieth century. In over half a century he has been recognised as a pioneering and radical designer and craftsman with his work capturing the late twentieth century ideals of glamour and modernity. Part of a select group that revolutionised jewellery design in the 1960s and '70s, John went on to establish a successful business in London and Geneva as well as an international reputation. He is respected by art critics and his work attracted the patronage of HRH The late Princess Margaret, Countess ofSnowdon and Her late Majesty Queen Elizabeth the Queen Mother.His work is seen in the collections of the V&A Museum, the Schmuckmuseum in Pforzheim, The Royal Museum in Edinburgh and The Worshipful Company of Goldsmiths. His pieces are owned by various Royal Families as well as headsof industry and those fascinated by design.

Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of 'The Beggar's Opera' at the Lyric Theatre, Hammersmith.

Designers come in all shapes and sizes and apply their talents to an enormous range of things, from books to refrigerators to clothes to stage scenery. Can such a motley crew be grouped together under one head; and do their diverse passions have common roots? Becoming a Designer traces the early development of talent in a range of designers to explore the possibility that a unique combination of personality characteristics along with a visualising sensitivity makes design success predictable from an early age.

Munnu: Vision & Passion traces the creativity and vivacity of the late Munnu Kasliwal. Kasliwal’s magical designs put The Gem Palace, his family’s jewellery house, and India on the fashion map of the jewellery world. The book follows the design journey of Munnu Kasliwal of The Gem Palace Jaipur, a jewellery house synonymous with luxury, sophisticated style, striking statement pieces, and exquisite craftsmanship. Munnu: Vision & Passion chronicles the metamorphosis of The Gem Palace from a local jewellery firm to an international jewellery house, an evolution synchronous with Munnu’s life. From the creation of the ‘T-shirt’ necklace to dreaming up settings that fused gemstone and metal in unique ways, Munnu produced a new genre of jewels that bridged the historical past with an uber-stylish present. While Munnu loved and admired traditional Indian opulence and grandeur, he brought a unique vision and passion, a rare sensibility and elegance to all his designs, establishing his unique style. To Munnu, a piece of jewellery was a beautiful creation, to be liberated from the confines of the conventional. Published as a tribute to Munnu, this book documents his design journey for more than two decades.

The Films of Charles and Ray Eames traces the history of the Eameses work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives exemplified in their furniture designs. Shifting away from promoting the consumer-culture, they turned their attention to the presentation of complex sets of scientific, artistic, and philosophical ideas.

During a critical period from the late 1950s to the early 1960s there was a moment of introspective self-reflection in the West stemming from the events of the Cold War. This moment of uncertainty was crucial, for it provided the incentive to question the values and concerns of society as a whole. In turn, designers began to question their own sense of purpose, temporarily expanding the purview of design to a broader field of inquiry. In the case of the Eameses, they identified an overriding problem related to consumerism and excess in America and sought to resolve the issue by creating a network of communication between universities, governments, institutions, and corporations. The solution of promoting greater education experiences as an alternative to consumerism in America required that different sectors of society functioned in unison to address political, social, economic, and educational concerns. "The Films of Charles and Ray Eames" reconsiders how design intersects with humanity, culture, and the sciences.

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A passionate advocate of craftsmanship over mass-production, William Morris (1834– 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers.

This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris’s flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight

'The go-to for all things Vuitton' Tatler Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world's leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse. Louis Vuitton Catwalk is a complete and unrivalled overview of the world's top fashion house. The book opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998-2014, and Nicolas Ghesquiere, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.

A complete monograph on the work of the influential British-born, Milan-based furniture and product designer James Irvine (1958-2013). James Irvine is an intimate look into the work and life of a design legend. Previously unpublished drawings, sketches, models and images from Irvine's archives and personal anecdotes and texts from the designers who worked directly with him, including Jasper Morrison, Marc Newson, Konstantin Grcic and Naoto Fukasawa, reveal Irvine's passions, interests and idiosyncracies like never before.

A striking, sumptuous portfolio of catwalk and behind-the-scene images of John Galliano's highly creative collections for his eponymous label John Galliano's (b. 1960) ascent in the world of fashion design was swift and filled with acclaim for his bold, quick-witted sensibility and his theatrical flair. He became head designer for Givenchy in 1995, and then for Christian Dior in 1996, and directed his own fashion label between 1996 and 2011. He was named Designer of the Year at the British Fashion Awards four times. Currently creative director of the Paris-based fashion house Maison Margiela, Galliano has fascinated the fashion world with his often outrageous and whimsical creations, including some of the most memorable collections of the 20th century: from the iconic Suzie Sphinx collection to luxurious and edgy reinventions of Chinese, Peruvian, Yemeni, or Mongolian costumes. Unfolding chronologically with short texts by fashion expert Claire Wilcox introducing each collection, John Galliano: Unseen captures the designer's mesmerizing creations for his eponymous label (including rich and idiosyncratic details) and the intense backstage work of Galliano's trusted collaborators. Robert Fairer's long stint as backstage photographer for Vogue gives him a unique perspective, and his exquisite photographs of Galliano's collections, many of which are published here for the first time, offer insights into the extravagance and playfulness of one of the world's most flamboyant, innovative, and controversial fashion designers at the zenith of his career.

The name Valentino has been synonymous with high fashion for almost fifty years. Based in Rome, Valentino is only one of two couture houses recognized by the French government outside of Paris. His exquisite designs are coveted and worn by young Hollywood and high society the world over. On the occasion of his last couture collection, presented in Paris in the spring of 2008, this landmark book celebrates forty-five years of Valentino's remarkable career. Published in association with a prestigious exhibition at the Musee des Arts Decoratifs's famed costume department in Paris, this volume focuses on Valentino's haute couture creations, highlighting the most important and iconic creations of his half-century in fashion through recurring themes in Valentino's work--variations on the ideas of volume, line, and texture as well as motifs such as geometry, pleats, and flowers--through new photography, sketches, fabric samples, and commentary on the dresses by Valentino himself. In addition, unprecedented photography by Francois Halard of Valentino's last fittings and backstage of his runway show reveals Valentino's private world for the first time. "Valentino On Valentino," a chapter of first-person accounts of the designs of these iconic dresses, along with Valentino's commentary on his fashion, will make this publication unique in the study of Valentino as a cultural and artistic icon.