This book examines the life and career of acclaimed designer for the theatre, Kristian Fredrikson (19402005). Fredrikson worked across genres including in theatre, dance, opera, and film and television. Born in Wellington, New Zealand, Fredrikson began his design career working with asmall, amateur operetta company in Wellington. He then went on to establish a major, five decade-long career in Australia, returning to New Zealand on occasions to design for opera and ballet. During the 1970s Fredrikson worked extensively with Melbourne Theatre Company where he met the then-emerging Australian choreographer Graeme Murphy. This was to be a turning point in his life and in 1979 he made his first work for Murphys Sydney Dance Company, a mysterious and exotic Sheherazade. Those years were also when he began an association with the Australian Opera, which included a production of Lucrezia Borgia in which Dame Joan Sutherland sang the lead.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. With his vivid imagination, wit and flair, Philippe Starck has transformed everyday objects into icons of modern design, heralding in the democratic design movement that has influenced what we buy and how we live. Among instantly recognizable classics such as the long-legged Juicy Salif lemon squeezer and the much imitated Sissi Lamp, Starck has created some of the world's most ground-breaking furniture, interiors, hotels and architecture, all of which are celebrated in this curated selection of images, accompanied by a critical essay of his life and work.

The incredible life story of one of the 20th century's most important designers, who knew everyone from Hemingway to Picasso. Ettore Sottsass and the Poetry of Things chronicles the life and times of one of the most important, prolific, and, above all, interesting designers and architects of the 20th century. Sottsass (1917-2007), originally trained as an architect and worked as a design consultant for Olivetti, where he developed the iconic Valentine typewriter, before going on to found the Memphis Group in the 1980s, ushering in an era of influential designs in furniture, ceramics and lighting that continue to inspire design minds today with their flamboyance and use of color. Author Deyan Sudjic (Director of London's Design Museum) does not limit his narrative to an examination of Sottsass' iconic designs. Though a native son of Italy, Sottsass cast a shadow of influence on the entire world, traveling extensively over the course of his life and interacting with some of the 20th century's most iconic figures, including Picasso, Hemingway and Allen Ginsberg. Sudjic's writing, complemented by unpublished personal photographs from Sottsass' archive, offers a unique view of Sottsass from the perspective of the world that surrounded him, recounting anecdotes of encounters between the designer and his famous contemporaries. The result is a unique and comprehensive portrait not only Sottsass but of the last 100 years of design in Italy and around the world. Features anecdotes of his encounters with the biggest creatives of the time, and details of his influences and inspirations, documenting the contemporary design scene both in Italy and abroad.

Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in com mon: a teeny, little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life. Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work-posters, record covers, logos-and presents the process behind his design with projects like Field Notes and the "Things We Love" State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin's humour and pointed observations on the contemporary design scene, Draplin Design Co. is the complete package for the new generation of designers.

Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of colour? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." To a graphic designer, most the content of this book can safely be regarded as 'bad' design. But there is some magic in each and every piece that has made Andy either pick it up off the street, trail through online links, or enter some dodgy looking shop on the other side of the world just to snap it up. Here you'll find everything from sweet wrappers to flash cards, from soap powder boxes to speedway flyers, from wrestling programmes to bus tickets. More tat than you can shake a stick at. Taken together, it represents a lifetime of gleeful hunting and gathering. * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite

Change is inevitable. This is the only constant in our lives. Yet, change is also something that we fear. We seek comfort in the familiar, in routines and in conventions. We are afraid of things that we don't know or we don't understand. We fear change because we don't know how change will affect us. Change, however, is necessary for progress. Sometimes, change happens naturally due to circumstances beyond our control, and sometimes we initiate change because we can or because we must. In 2020, we experienced the biggest change of our lifetimes. For a brief moment in history, the world came to a halt. Then, everything changed. Many things that we used to take for granted no longer applied. We experienced major disruptions to our daily lives. As if in some kind of perfect storm, so many things happened all at once - global pandemic, social inequalities, climate change, racial injustices, riots and unrests, gender struggles and rapid advances of new technologies. This book started to take shape in the midst of it all, and in a way, it is a time capsule of how we experienced the birth of what became known as the 'new normal'. Designers are the kind of people who thrive in times of change. In fact, it is their job to create change. The nature of their job is such that they have to take an existing situation and change it into a better, or a more preferred situation. Some do this by relying on their imagination and personal experiences, and some use evidence-based research to inform their work. Regardless of this, many share the belief that they can somehow make the world a better place - on a micro or a macro level. During this period of massive change, Gjoko Muratovski invited ten highly influential design figures - including iconic design leaders such as Carole Bilson, Karim Rashid, Bruce Mau, Steven Heller and Don Norman - to reflect on the state of things today. In return, each one of them shares a highly personal account on why change is good. The book also features a foreword written by the president of the World Design Organisation (WDO), Srini Srinisavan, and a conclusion by one of the greatest design philosophers of our time, Ken Friedman. By looking to the past and reflecting on the present, these designers project very personal images of the future that they would like to see. The conversations are very broad, and they cover highly diverse topics. From the effects of the pandemic, to issues of race and gender, notions of beauty, technology and industry, to global and local economies, politics, power, privilege and the importance of community. A 'must-read' for anyone interested in how designers and design can change the world. Gjoko Muratovski is a university executive, award-winning designer and innovation consultant working with leading organisations, Fortune 500 companies and governments from around the world, and a fellow of the Design Research Society.

A dynamic, highly visual, and in-depth study of Omer Arbel, the internationally celebrated and collected multi-disciplinary designer and master of sculptural lighting The work of Omer Arbel Office moves fluidly between the fields of design, architecture, sculpture, and invention. This monograph brings together twenty-two compelling projects - from lighting works for Bocci to furniture and standalone homes - to reveal practice founder Arbel's radical design ethos, which is rooted in material experimentation and collaboration. Organized by four thematic chapters and richly illustrated with beautiful product photography interwoven with preparatory drawings and ephemera, this book provides unique insight into Arbel's highly diverse practice. With essays by guest contributors including American curator Glenn Adamson and senior design curator at the V&A, Brendan Cormier, and excerpted historical texts from seminal writers, artists, and thinkers - from Sigmund Freud to Robert Smithson - which provide compelling cultural context for this stimulating contemporary studio.

The debut monograph on the globally-lauded artist, filled with his joyful, witty paintings, illustrations, collaborations, and more - includes never-before-seen artwork and personal sketchbooks, giving insight into his artistic practice Jean Jullien's work is instantly recognizable and wide in its scope. Known for his astutely observed and witty depictions of everyday life, his illustrations place expressive characters in relatable environments and act as a visual commentary on life. Organized in three sections - Personal, Collaboration, and Public - this fulsome book explores Jullien's approach to art and covers his expansive career, from his earliest creative partnerships to his progression into painting, while also offering a first-hand look at his process with sketches and never-before-seen works. Unique and comprehensive in its scope, this is a must-have book for every fan of Jullien's work.

This volume brings together a cross-disciplinary group of anthropologists, researchers of craft, and designer-makers to enumerate and explore the diversity and complexity of problem-solving tactics and strategies employed by craftspeople, together with the key social, cultural, and environmental factors that give rise to particular ways of problem solving. Presenting rich, textured ethnographic studies of craftspeople at work around the world, Craftwork as Problem Solving examines the intelligent practices involved in solving a variety of problems and the ways in which these are perceived and evaluated both by makers and creators themselves, and by the societies in which they work. With attention to local factors such as training regimes and formal education, access to tools, socialisation and cultural understanding, budgetary constraints and market demands, changing technologies and materials, and political and economic regimes, this book sheds fresh light on the multifarious forms of intelligence involved in design and making, inventing and manufacturing, and cultivating and producing. As such, it will appeal to scholars of anthropology, sociology, and cultural geography, as well as to craftspeople with interests in creativity, skilful practice, perception and ethnography.

Drew Struzan has created some of the most iconic movie poster images of the last 30 years, from "Raiders of the Lost Ark" to "Star Wars: Episode III". This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for "Harry Potter and the Chamber of Secrets" and "Hellboy II", this is a treat for movie buffs and artists alike.

In 1947, Christian Dior stunned the fashion world with his first collection; his 'New Look' featured designs that transformed the way women dressed. Dior continued to send shockwaves with his later shows, significantly altering the fashion landscape during the ten years of his career as a couturier. This book recounts Dior's search for the perfect line and how his unique vision of women's ideal silhouette developed. More than any designer before him, Dior embraced the dual aspects of creativity and commerce, becoming the first couturier to license his products in 1949. He became one of the most famous designers of the twentieth century, and his name still fronts one of the most successful haute couture fashion houses. As portrayed in the pages of Vogue by photographers such as Horst and Irving Penn and artists like Christian Berard, the book offers a unique insight into Dior's contribution to design, his dramatic impact on the landscape of 40s and 50s fashion and his personal legacy. Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.

Contemporary African Design offers a refreshing challenge to rigid perceptions of what African design looks like. Focusing primarily on interior decoration, the book presents fifty designers, artisans, and cooperatives based on the continent or part of the diaspora who are creating sophisticated and innovative products and interiors. An introductory section surveys the history, vitality, and diversity in African design, followed by profiles of contemporary designers grouped by craft, from textiles, ceramics, and basketry to furniture, lighting, and beyond. Some of these designers reinterpret traditional methods and styles in beautiful and highly individual ways, such as the award-winning South African organization Zenzulu, which replicates techniques of Zulu master bead makers. Sustainability and recycling are another important focus for many: Cheick Diallo, the founder of the African Designers Association, creates stunning furniture made from discarded materials. Others, like Nigerian textile designer Banke Kuku, fuse African and Western styles in colorful, visually dynamic ways. Complete with references for sourcing African products, as well as a glossary and bibliography, Contemporary African Design reveals the rich possibilities being explored by a new generation of African creators.

Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

The Art of Heikala: Works and Thoughts is the first major publication by popular Finnish illustrator Heikala. Heikala's artwork combines traditional watercolor painting and inks with a fresh, enchanting approach - fans love her charming characters and scenes that are largely influenced by Finnish and Japanese cultures. This combined with her in-depth sharing of her processes and knowledge, has given Heikala a social media following of over 400,000 on Instagram alone; she also has growing audiences on Tumblr, Facebook and Twitter. This visually appealing and coffee-table worthy, hardback art book not only includes Heikala's sketches, works in progress and beautifully presented paintings that her fans will be familiar with, it also includes never-before-seen images from along Heikala's creative journey; all new in-depth tutorials, thought processes and advice on watercolor painting; detailed how-to product design guides; and how she has built a successful career as an artist. A valuable book for fans, budding artists and experienced illustrators alike.

A beautiful insight into the creative processes of one of the most exciting European design duos to have emerged in the last ten years. Reproducing Scholten and Baijings explores this dynamic design duo's relationships with manufacturers such as Herman Miller, Maharam and Mini. Covering all aspects of their practice from textiles to ceramics, this new monograph is illustrated with photographs, models and sketches pulled directly from the firm's archives. A complete list of their projects produced to date makes this an incomparable resource for professionals and enthusiasts alike.

Malika Favre is one of the world's most celebrated illustrators, known for her stunningly simple work, often utilising a handful of perfectly refined vector shapes to convey her subject matter. Whether working as a commercial illustrator in advertising, editorial or publishing, or as an artist creating personal pieces, Malika's artwork is imbued with both an iconic sense of style and underlying meaning. Her images often tweak the intellect, sometimes through the minimal forms she creates and the way they flow into one another; while in others she conjures up optical illusions with repeating lines and patterns. This revised and expanded edition of her revealing monograph tells the story of an authentic artist, one who's stunning output showcases a unique talent attuned to spotting and appreciating the beauty in the simplest things.

A new title in ACC Art Books' celebrated Design series, presenting and reviving the work of illustrator Wyndham Payne (1884-1974). Wyndham Payne's career as an illustrator began in the early 1920s, gathering momentum with a series of book illustrations for renowned Charing Cross publisher Cyril Beaumont. Working in the tradition of Claud Lovat Fraser - and others - Payne nurtured a reputation for freedom of line, illustrating books, calendars, greetings cards and advertisements, often with toys - soldiers, model theatres, trains - as a subject. Aside from creating illustrations for the Beaumont Press, Payne was also commissioned by Oxford University Press and Hodder & Stoughton, among others. For The Bodley Head, he designed covers for Agatha Christie titles, whilst his celebrated jacket for The Wind in the Willows was produced for Methuen. Wyndham Payne presents a detailed survey of the artist's work: lino cuts, woodcuts, drawings in pen, watercolours, silhouette painting on glass, and later, when his health became too poor for commercial work, models - including automata - for his children and grandchildren. The book also includes a fulsome biography of the artist, covering his life and work.

As featured in Bookforum, ELLE Decor, and Interior Design Magazine The first and only monograph on the life and work of the iconic Danish-American mid-century furniture designer Jens Risom - an unsung hero of Mid-Century Modern design Jens Risom, a key figure in mid-century modern design, was one of the first designers to introduce Scandinavian design to the United States and his highly collectible original work is currently selling for large sums at auction. In 1942, Risom's designs formed the majority of the inaugural collection of original furniture for the iconic Hans Knoll Furniture Company and many of his key pieces are still in production today, by leading manufacturers including Knoll, Design Within Reach, De Padova, Camira, and Ralph Pucci. This, the first authoritative biography of Risom, spans his education in Denmark, early collaborations with Georg Jensen and Hans Knoll, the creation of his own company - Jen Risom Design - his celebrated prefab house on Block Island, RI, as well as his legacy and presence in the 21st century. With unique access to a plethora of never-before-seen sketches, photographs and ephemera, this book proves, as the immortal slogan in his iconic ad campaign shot by Richard Avedon tells us, 'The answer is Risom'.

Sought-after, sophisticated and versatile, the Hermes carre is wearable art that never goes out of fashion. Unveiling the history and artistry of the brand's silk accessory from the first designs in the early twentieth century to today, this fashion story includes a detailed behind-the-scenes look at the artisanship involved at the company's ateliers in France, as well as reviews on different scarf designs, colour palettes, dates of issue and rarity (the 'Grail' scarves). The book includes the collaborators who have helped in the creation of over 2,000 designs, including limited editions, anniversary and tribute scarves, with highlights from renown artists and illustrators such as Hugo Grygkar, Philippe Ledoux, Kermit Oliver and Annie Faivre (who hides a monkey in her designs). Here you will discover the fashion of scarf styles throughout the decades, how to wear and tie a scarf, and the scarf in film and popular culture, along with those who made the Hermes carre a hallmark of their own - such as Queen Elizabeth II, Grace Kelly and Jackie Kennedy Onassis.

Justine Picardie spent years puzzling over the truth about Coco Chanel, peeling away the accretions of romance and lies. Since its publication in 2010, hers has become the definitive Chanel biography. With a new foreword and previously unseen images, this new edition delves even deeper into the life and legacy of this eternally alluring woman. Coco Chanel was an extraordinary inventor - she conjured up the little black dress, bobbed hair, trousers for women, contemporary chic, best-selling perfumes, and the most successful fashion brand of all time - but she also invented herself, fashioning the myth of her own life with the same dexterity as her couture. While Chanel was supreme innovator and vendor of all things elegant and beautiful, what lies beneath her own glossy myth is far darker. Throwing new light on her passionate and turbulent relationships, this beautifully constructed portrait gives a fresh and penetrating look at how Coco Chanel made herself into her own most powerful creation. Justine Picardie brings the mysterious Gabrielle Chanel out of hiding, to celebrate her great achievements. She examines Chanel's enduring afterlife, as well as her remarkable life, uncovering the consequences of what she covered up, unpicking the seams between truth and legend, yet keeping intact the real fabric of her past.

From the legendary Tank Girl to live-action animations with Gorillaz, a Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture. With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid-1990s as co-creator of the zeitgeist-defining Tank Girl comic. With then-roommate Damon Albarn, he went on to create the groundbreaking cartoon band Gorillaz. The award-winning virtual pop group of animated characters is a truly global phenomenon. Gorillaz have topped charts around the world, toured the globe from San Diego to Syria, and picked up hundreds of millions of streams and record sales along the way. Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng'en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named Designer of the Year by the Design Museum in London, and in 2009, Hewlett and Albarn won a BAFTA for their animated Monkey sequence for the Beijing Olympic Games. In 2015 The Suggestionists, an exhibition of prints at the Saatchi Gallery in London, demonstrated an exciting new direction in Hewlett's practice. This special edition celebrating TASCHEN's 40th anniversary updates Hewlett's first major monograph with around 30 brand new pieces. The book illustrates his thrilling creative journey with more than 400 artworks from the Tank Girl era through Gorillaz and up to the present day. Through stories, characters, strips, and sketches, we trace Hewlett's exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels, or to be pigeonholed into a particular practice. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Christopher Dresser (1834-1904) is one of the most influential British designers of all time and he is widely regarded as Britain's first independent industrial designer. His works still look remarkably modern more than a century later. Like his contemporary William Morris, Dresser advocated for an 'honesty of materials', but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Dresser's fascination with the arts of Japan and his advocacy of Owen Jones's principle that ornament should be geometrical in form resulted in a range of designs that look surprisingly minimal for their time. Affordable, well-designed, functional and commercially successful, the objects that Dresser designed - wallpapers, textiles, carpets, ceramics, furniture and, most famously, metalwork - were industrially produced by manufacturers across the UK, the US and continental Europe. This compact, beautifully produced book on the work of Christopher Dresser begins with a brief introduction to his life and work before presenting 75 of his most important pieces, each accompanied by a narrative-style caption. It will appeal to anyone interested in modern design. With 117 illustrations in colour

Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Epoque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits and sent them out to get tanned in the sun. She introduced the little black dress; trousers for women; costume jewelry; the exquisitely comfortable suit that became her trademark. Early in the Roaring Twenties, Chanel made the first ever couture perfume - No. 5 - presenting it in the famous little square-cut flagon that, inspired by Picasso and Cubism, became the arch symbol of the Art Deco style. No. 5 remains the most popular scent ever created. This volume, published to accompany a landmark exhibition in Paris, traces the birth and evolution of Chanel's timeless style. Specially commissioned photographs by Julien T. Hamon showcase the clothing, while essays by fashion historians illuminate a period, an event or a theme. Rare archival documents, including portraits of Gabrielle Chanel herself, round out the book.