Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone. However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum. Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser's work - whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

Designer and interior decorator Dorothy Draper’s colour-filled life story is one of high society, money, gossip, and throughout it all, reinvention. Carleton Varney has owned and directed Dorothy Draper & Company, Inc., for almost 60 years. He worked with Mrs. Draper at the end of her illustrious career, and wrote the only biography of her life, The Draper Touch: The High Life and High Style of Dorothy Draper, in 1988. In the book, Varney sets the scene and defines the milieu that Draper was born into in 1889 and from which she escaped to become one of America’s leaders in design — a true visionary entrepreneur. Thirty-three years later, Shannongrove Press is releasing this deluxe edition of The Draper Touch. With a new foreword by Varney, newly found photographs, recently discovered historical documents from a private collection, and archival ephemera from Draper’s family, this beautiful tome reveals Draper’s fascinating journey and the real stories behind her ground-breaking work.

Fifty-six international designers and architects celebrate the Hogan label's most recent collections. There is an obvious connection between the different forms of creative expression: this is the core philosophy Hogan, expressed in the Future Roots project in which 56 internationally famous designers and architects are captured in Ornella Sancassani's photographs wearing the most recent collections designed by the fashion label. The black-and-white photographs interpret the fashion house's savoir-faire; the architects and designers are captured in their professional workplaces or with those objects that in a concise way best express their Weltanschauung. Future Roots is therefore a story in pictures in which the different aspects of planning in design, architecture, fashion and photography are brought to the fore, showing little distinction between sectors.

"Meeting Matteo, over 10 years ago in Hoxton Square has led me to develop a genuine respect and curiosity about his work and approach. I was excited and apprehensive when I decided to write his story. Such a responsibility. This book is not simply about Matteo's transformation from Marketing to the world of Interior Design over the past decade, but more about what inspires and drives someone and how they get through it. "From nothing, Matteo has created a design studio with a reputation for elegance, quality and quirkiness. I feel lucky to have been allowed such unlimited access, which has brought me closer to Matteo. I hope what I have discovered keeps you turning the pages, as I know that there is a lot more to come. Have a look for yourself." Matteo Bianchi is an award-winning Interior and Product Designer with an entrepreneurial flair. Born in Venice, Italy, Bianchi's inherent passion for design led him to train at the Chelsea College of Art & Design in London, after a career in marketing and advertising. Matteo Bianchi is the Founder and Director of Matteo Bianchi Studio, launched in 2007 and he also teaches Interior Design related courses at The Interior Design School, London and Chelsea College of Art in the United Kingdom and The United Arab Emirates. Matteo Bianchi's Studio combines unexpected, unique and refined Interior and Product Design.

Charlotte Perriand (1903-99) is undoubtedly one of the most significant figures in 20th-century interior design. She was one of the pioneers in introducing the metal tube as building material for furniture, paving the way for machine age aesthetic in interiors in the 1920s and 1930s. Together with Le Corbusier and Pierre Jeanneret she created a number of iconic classics, such as the chaise-longue LC4, the armchair LC2, or the sling chair LC1. This second part of the new three-volume monograph on Perriand covers the period 1940-55 with her extensive stays in Japan 1942-42 and 1953-55, and with her designs for the reconstruction in France after WW II. It also investigates extensively her collaboration with Jean Prouve 1952-55. Moreover, the new volume looks at her work together with with Jeanneret and again also Le Corbusier during the 1950s, and it documents Perriand's involvement and role in founding the Useful Forms movement in 1949. The book features again an abundance of images and documents, mostly in colour and many of them previously unpublished. Charlotte Perriand: Complete Works is the authoritative source on this key figure of 20th-century interior design for scholars, dealers, and collectors. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography.

Designers often tend to deny the influence of changing tastes on their work. William Morris’s “joy in labour,” or the Bauhaus principle of “truth to materials,” are well- known principles of this kind; Charles Eames once advised, “innovate as a last resort – more horrors are done in the name of innovation than any other.” But of course, Charles and Ray Eames are celebrated as among the greatest design innovators of all time, and Arts and Crafts and Bauhaus knockoffs can be found in any home furnishings store.

In practice, modern design has been constantly subsumed within the imperative toward the new, on the assumption that the market will quickly burn through even the best ideas. The question is how to achieve objects of inherent value against this backdrop – to accept the fact that design operates (for all practical purposes) oriented to an insatiable market, yet one that can, on occasion, produce ideas of transcendent grace. Here is where Fredrikson Stallard come in. Look at any of their work, and you will immediately notice a certain quality of speed. At their best, Fredrikson Stallard’s objects are brilliant in just the same way that a great pop song is. There’s depth of feeling and thinking, but also a killer hook.

Fredrikson Stallard make no claims on the modernist high ground, in which objects are conceived as optimal, efficient solutions, end points of rigorous analysis. They are intuitive makers, and happy to accept the conditions of constant flux – that they are only as relevant as their last idea. They see that the values of their discipline are contingent, not timeless.

Now in its eleventh year, the Design Museum's Beazley Designs of the Year award and exhibition showcase the most innovative, relevant and thought-provoking projects in contemporary design. From the first iPhone to Zaha Hadid's final building, the nominations for the award have spanned the fields of architecture, digital, fashion, graphics, product and transport. Introduced by Deyan Sudjic and guest curator Aric Chen of M+ in Hong Kong, this illustrated book brings together all the nominated designs for 2018, along with the reasons for their selection by an international group of design experts, practitioners and critics, including Iwan Baan and Hans Ulrich Obrist. It is a snapshot of the most exciting things happening in design today. At the beginning of the second decade of its life, the essence of the concept remains the same. A wide and international group of expert nominators have been invited to put forward up to three projects each that for them reflect significant new directions in six fields, from architecture to transport. The results are put together by a guest curator to form an exhibition at the Design Museum. A jury selects winners in each category, as well as one overall design of the year. The Design Museum has published an accompanying catalogue for the award and exhibition over the past ten years, which was marked by the publication of the ten-year anniversary book Designs of our Time: 10 Years of Designs of the Year.

By 1980, everyone from rock stars to royalty, from Boy George to Diana, Princess of Wales, identified Stephen Jones as the milliner who would help them make arresting headlines. Jones s creative collaborations over the years have included partnerships with designers such as Vivienne Westwood, Rei Kawakubo, John Galliano, and Thom Browne. Stephen Jones: Souvenirs, written by Susannah Frankel, one of fashion s most informed voices, describes Jones s rise from London s street fashion scene to international runways, showcasing the magic, allure, and wit of his iconic creations. It also draws upon behind-the-scenes images, preparatory illustrations, and personal photographs and ephemera to tell the story of one of the most influential milliners of our time. Beautifully designed and engaging, this delightful volume traces the myriad ways that from runways to racecourses, from pop promos to royal garden parties millinery by Stephen Jones adds the exclamation point to every fashion statement. Stephen Jones is considered one of the most impor- tant milliners of the late twentieth and early twenty- first centuries. Susannah Frankel is editor in chief of AnOther Magazine. From 1999 to 2012 she was fashion editor of the Independent, and from 2013 to 2016 she was fashion director of Grazia. Grace Coddington is the creative director of American Vogue.

This lavish book focuses upon the key creations and important milestones in the history of the celebrated Italian designer and his eponymous fashion house. With personal texts written by Giorgio Armani, the book contains biographical details interwoven with the story of the company. Giorgio Armani has been universally credited with creating a timeless version of modern dress by removing excess ornament and translating traditional sportswear looks into business and evening wear. His impact is felt not only in women's fashion and redcarpet glamour, but it is also inseparable from the evolution of men's style in recent decades. More than any other contemporary designer, Armani best represents the global success of Italian style. This gorgeously illustrated volume includes photography by leading fashion photographers, such as Craig McDean, Aldo Fallai, and Peter Lindbergh, and features numerous fashion icons.

Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men.

The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public.

This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.

A gorgeously illustrated book showcasing the exquisite high-end lingerie from the world-renowned Italian brand La Perla. La Perla is celebrated for its sophisticated, sexy, and beautifully designed and crafted lingerie. The company was founded by Ada Masotti, an artisan skilled in the tradition of handcrafted Italian corsetry, in 1954 when she opened a small lingerie boutique in Bologna. She combined her impeccable craftsmanship and understanding of women's bodies to fulfill their growing desire to possess undergarments that were not only functional but also beautiful and alluring. The continuous dedication to artisanship, to fine quality, and to women's needs and desires has transformed the small Italian boutique into an internationally beloved brand. La Perla's lingerie is a mix of beauty and seduction, and it is the unparalleled choice for women all over the world when they want to feel sensual and desired. This is the only book ever published on the glamorous and delicate lingerie produced by La Perla throughout its history. The book first pays homage to the Italian craftsmanship, including the use of fine Italian fabrics, that helped to establish La Perla as the maker of sophisticated couture lingerie, and that continues with today's collections to set the company apart from other brands. Then it showcases the exceptional intimate garments the company has created throughout the years with gorgeous archival images as well as sexy, sumptuous photographs of the latest collections.

The definitive memoir of a timeless fashion icon, Tommy Hilfiger’s American Dreamer chronicles the designer’s formative years, his meteoric rise in the fashion industry, his embrace of music and pop and youth culture, and the setbacks, triumphs, and sheer determination that drove him to build a multibillion dollar global lifestyle brand.

Roy Axe devoted his life to car styling. From his earliest years, he had a passion for the way cars looked and having secured a job in the engineering department of Rootes he soon persuaded his bosses to allow him to study in the styling department. From then on, his course for a life in style was set. Axe enjoyed a stellar career. At just 29 he became design director at Rootes and Chrysler UK where he was responsible for styling many influential classics. During a period of massive expansion he worked for Chrysler in both the UK and the USA and headed up a truly international operation that shaped cars from all over the world - including the groundbreaking Chrysler Minivan. He also enjoyed a spell leading Rover's design team during one of its most embattled periods, overseeing the launch of the 800- and 200-series and the development of some exciting prototypes. A Life in Style is a unique first-hand account of corporate life in the automotive industry, and the sometimes troubled circumstances in which new cars were created. The accounts of battles between styling and engineering departments, as well as the cultural differences between car people from all four corners of the world are absolutely fascinating - as is the life story of a man who proved that nice guys can succeed in the car industry.

Visionary furniture design from Vienna In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day - not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design. A new history of Viennese furniture design, with 27 detailed biographies Numerous previously unpublished photographs and sketches Including works by Friedl Dicker-Brandeis, Martin Eisler, Josef Frank, Friedrich Kiesler, Richard Neutra, Bruno Pollak, Margarete Schutte-Lihotzky, Franz Singer, Ernst Schwadron, among others

Kim Buck is partial to using well-known jewellery motifs such as hearts, daisies, signet rings, and crosses as a point of departure, but the materials can be anything from precious metals to found objects and ready-mades. With surprising combinations, wordplay, and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused. Even Denmark's national jewellery piece, the daisy brooch, is up for scrutiny. To a conceptual artist, raising questions and prompting reflection is of utmost importance. The questions raised by Kim Buck through his jewellery and objects touch upon values, ethics, and social status and reach far beyond the jewellery field itself, disrupting our cultural habits and understanding of the self. Text in English, Danish and Chinese.

Malene Birger is the epitome of creativity, timelessness, and eclectic style. Whether as a fashion designer and founder of her brands - the latest being By Malene Birger - or as an interior designer, until now only expressed in her own homes and offices - Birger's love for uncompromising design and traditional craftsmanship is in evidence everywhere. In her newest book, Move and Work, this self-proclaimed nomad, who searches around the world for inspiration, grants an exciting insight into her three homes that amaze with their limitless wealth of design ideas. She additionally provides an exclusive preview of her new showroom in Copenhagen for her design and interiors firm Birger1962. This creative studio is dedicated to design, interiors, and art and provides others with a source of inspiration on how to redecorate and rearrange their own homes and spaces. Thanks to numerous personal and professional moves, Malene Birger is the best example of how to create new environments using one's existing furniture while moving forward and adding new expressions. Her houses are a perfect mix of old and new, craftsmanship, modernity, art, and influences from other cultures. Malene Birger lived in Mallorca for 6 years and moved to London in 2013, where she is now personally and professionally based. Text in English, German, French and Spanish.

Over the past decade, Leif Podhajsky's kaleidoscopic artwork has carved out a unique space for the resurgence of psychedelia, reinvented for contemporary culture through the exploration of the relationship between the organic and the digital. Podhajsky's first monograph collates and curates his vivid artwork from the past decade. The book contains chapters on psychedelia, synaesthesia, digital and organic worlds and the influence of human perception upon nature - all beautifully illustrated with Podhajsky's artwork - alongside detailed presentations of his iconic album covers: Tame Impala's Innerspeaker and Lonerism, Bonobo's The North Borders and Foals' Holy Fire, to name a few. Each profile contains exclusive insight into the creative processes, collaborations, and insider anecdotes behind each cover. A complete illustrated chronology of Podhajsky's works to date is included at the end of the book. With 250 illustrations in colour

Michael Sodeau has come to the attention of the design world through his sensual mixing of natural materials and modern sculptural forms. He has developed a capsule collection of furniture featuring tables., rugs. Lamps and ceramics, including his Satellite Side Table which uses a TV shaped top and a satellite shaped base to create a mixture of nostalgic reference and Minimalist form. Once Upon a Line highlights Sodeau's interest in joining the visually striking with a tactility and softness that puts a welcome twist on the starkness of much contemporary design.

Burroughs brings an especially wide range of explanatory models-from social history, cultural anthropology, iconology and semiotics-to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome. Applying the latest practices from critical theory and discourse to the built environment of early Renaissance Rome, Charles Burroughs sees the city as a field of visual communication and rhetoric. He explores the symbolic dimension of the cultural landscape and the operation of architectural and other visual signs in the urban environment. The result is a profound reconceiving of the implications for the study of Renaissance Rome of the notion of the city as "text." Central to Burrough's project is the articulation of a model of cultural mediation and production that is distinct from the standard notion of patronage as a unilateral transaction. On one level From Signs to Design focuses on the production of social meaning in and through environmental process during the pontificate of Nicholas V, celebrated for his intimate links to the new culture of humanism and as an archetypal patron of the arts and literature. On another, it is an elucidation of the origins and the ideological impact of architectural and urbanistic motifs and conceptions of spatial order that were central to the Western tradition of monumental city planning. Burroughs brings an especially wide range of explanatory models-from social history, cultural anthropology, iconology and semiotics-to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome. He focuses in particular on the material basis and context of these shifts, which he studies through the examination of contrasting neighborhoods, social milieus, and institutions, as well as of individuals prominently involved with important building projects or with the general maintenance and improvement of urban facilities and infrastructure. Burroughs provides a concrete and differentiated picture of the intersection of papal/ecclesiastical and local interest and initiatives, placing this within the context of marked political changes. And he devotes extensive discussions to the artistic expression of papal agendas and concerns in Nicholas's private chapel and in Alberti's Tempio Malatestiano. Contents Urban Pattern and Symbolic Landscapes * Interior Architectures: Discordance and Resolution in the Frescoes of Nicholas's Private Chapel * Far and Near Perspectives: Urban Ordering and Neighborhood Change in Nicholan Rome * Middlemen: Lines of Contact, Mutual Advantage, and Command * The Other Rome: Sacrality and Ideology in the Holy Quarter * Mirror and Frame: The Surrounding Region and the Long Road * Epilogue: The River, the Book, and the Basilica