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Books > Arts & Architecture > Industrial / commercial art & design > Individual designers
For decades, anyone who cared about product design looked to the Braun label when choosing their appliances, radios, and other consumer items. Dieter Rams, the guiding force behind the Braun look, breaks down his design principles and processes in this elegant new paperback edition. Enumerating each of his ten principles such as good design is innovative; good design is aesthetic; good design is useful, etc., this book presents one hundred items that embody these guidelines. Readers will find items that are familiar such as the ubiquitous coffee grinder but also those that are more unusual such as shelving systems and cigarette lighters. A fascinating essay places Dieter Rams in the context of modern design, from Bauhaus to Philip Johnson. Archival materials include photos of Rams' design team and excerpts from his publications and speeches.
Scandinavian residences are not only aesthetically simple and minimalist, they are mindfully built to minimise their impact on the environment, without sacrificing beauty. This book brings together a collection of beautifully designed Scandinavian homes with their simple, fresh, natural and warm decor. Each home is presented through stunning photography and features insights from the designers themselves, including soft decoration such as colours, materials and lighting. A valuable source of inspiration for design agencies, designers or those with a passion for minimalist design and living.
'John Bates came onto the London Fashion scene like a bolt of blue light, trailing sparks of excitement, designing the shortest skirts, the swiftest shapes, the surest colours. He had an unswerving instinct for what was new, modern, cutting edge' - Marit Allen. Throughout the 1960s and 70s, John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore. Diana Rigg wore his designs in "The Avengers", and the press went wild.Cilla Black and Dusty Springfield sang in them; Jean Shrimpton, Twiggy and Penelope Tree modelled; David Bailey, Terence Donovan and Helmut Newton photographed. At every level, from shop girl to pop star, debutante and banker's wife, his label Jean Varon offered a must-have dress for a party, short or long, empire line or mini. He gave fashion-conscious women the chance to wear dresses featured extensively in the pages of "Vogue", "Harpers Bazaar", and "Queen Magazine" and bridged the gap between High Street retailing and couture like no other. Richard Lester's text is based on detailed interviews with John Bates, covering his entire career in fashion. In addition the book features contributions from Felicity Green, Deidre McSharry, Brigid Keenan, Barbara Griggs, Sian Phillips and other key figures from the fashion industry, cultural scene and media of the time.
Hin Bredendieck (1904-1995) graduated from the Bauhaus and was a versatile designer and pioneering teacher of design. His outstanding oeuvre and his worldwide network testify to the international significance of his work and ideas. This lavishly illustrated, high-qualitymonograph introduces in detail the life and work of Hin Bredendieck. Hin Bredendieck's life and work are an example of success, emigration and the international propagation of the design ideas developed at the Bauhaus. A native of Aurich in East Friesland, he was a student at the Bauhaus in Dessau from 1927 to 1930. In 1937 he emigrated to the United States, where he was appointed as a teacher at the New Bauhaus Chicago. As the founding director of the Institute for Industrial Design at the Georgia Institute of Technology in Atlanta, he became one of the most influential mediators of Bauhaus ideas in America in the post-war years.
A celebration of the quirky, surprising, and often spectacular work of Dutch fashion designers Viktor & Rolf Conceived and designed by acclaimed graphic designer Irma Boom, this book brings to life the legendary conceptual creations of Dutch duo Viktor & Rolf. Entirely made up of 8-page gatefolds, each of which relates to a specific show, with images, sketches, and quotes showcasing that particular collection, it elevates bookmaking to an entirely new level while referencing the dramatic layers that feature in the designers' work. Exploring Viktor & Rolf's signature stunning style, this book is the ultimate homage to the spectacle of fashion.
Roy Axe devoted his life to car styling. From his earliest years, he had a passion for the way cars looked and having secured a job in the engineering department of Rootes he soon persuaded his bosses to allow him to study in the styling department. From then on, his course for a life in style was set. Axe enjoyed a stellar career. At just 29 he became design director at Rootes and Chrysler UK where he was responsible for styling many influential classics. During a period of massive expansion he worked for Chrysler in both the UK and the USA and headed up a truly international operation that shaped cars from all over the world - including the groundbreaking Chrysler Minivan. He also enjoyed a spell leading Rover's design team during one of its most embattled periods, overseeing the launch of the 800- and 200-series and the development of some exciting prototypes. A Life in Style is a unique first-hand account of corporate life in the automotive industry, and the sometimes troubled circumstances in which new cars were created. The accounts of battles between styling and engineering departments, as well as the cultural differences between car people from all four corners of the world are absolutely fascinating - as is the life story of a man who proved that nice guys can succeed in the car industry.
The Victoria and Albert Museum, London, is the world's greatest
museum of art and design, with a vast collection that been an
unparalleled resource for designers for 150 years.
From Azzedine Alaia, Cristobal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century's worth of fashion greats are celebrated in this new edition of Fashion Designers A-Z. An accessibly priced and updated volume features photographs of hundreds of garments selected from the Fashion Institute of Technology (FIT) museum's permanent collection. Elegant gowns from the turn of the century, Mondrian-style minimalist chic, and everything inbetween. Each of these works of art is chosen not only for its beauty but also for exemplifyingthe unique philosophy, skill, and aesthetics of each of the featured designers. In her introductory essay, the museum's director and chief curator, Valerie Steele, writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. The foreword is contributed by international style maven Suzy Menkes, texts by the museum's curators help shine historical light on each label and garment pictured, and beautifully drawn portraits by the artist Robert Nippoldt pay homage to the creators behind them. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program--now more compact, friendly in price, and still realized with the same commitment to impeccable production.
Wedding and event florist and founder of the Chapel Designers floral community, Holly is a creative visionary and a highly recognized and sought-after floral designer whose work has been published in countless prestigious publications and top industry blogs. Learn about Holly's floral journey, the inspiring story of Hope Flower Farm, and the values of hospitality, creativity, and community that embody her life in flowers.
A stunningly presented portfolio containing a sumptuous selection of the most spectacular full-colour splash pages from Brecht Evens' illustration, commercial and graphic novel oeuvre. Not bound, beautifully printed on a perfectly frameable format (30cm x 40cm).
Prokop’s meticulous history restores Jacques and Jacqueline Groag to their rightful places in the pantheon of Viennese Modernists. Prokop explores their individual careers in Vienna and Czechoslovakia, their early collaborations in the 1930s, their lives as Jewish émigrés, and the couple’s unique contributions in Britain for postwar exhibitions, monuments, furniture and textile design, even a dress for future-queen Elizabeth II. Full color edition, supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.
Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just 20 years of work, an absolutely innovative world view, placing man and his life at the centre of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalogue raisonne of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology. Text in English and Italian.
A collection of the lavish and iconic gowns of Christian Dior, from the 1950s and '60s, captured by the legendary photographer Mark Shaw. Iconic photographer Mark Shaw documented the ultra-exclusive Parisian fashion world, focusing on Paris's long-standing top couturier Christian Dior. Shaw's photographs-some of the first fashion photographs ever shot in color-capture the most stunning and extraordinary fashion of the era. This lavish volume embodies the glamour of that time, from rare moments of Christian Dior during fittings to editorial-style photographs of models, socialites, and actresses posing in Dior's ballgowns, day suits, and haute couture collections. Shaw's photojournalistic style changed fashion photography forever: his approach was to photograph wide, giving the subject a sense of context, creating an environment as exquisitely transformative as the subject and garment. With an eye for intimacy and opulence, this book features more than 200 color and black-and-white photographs, many never published before, having only recently been found in a secret vault by his estate. Dior Glamour: 1952-1962 captures the drama and elegance of the period's style and will be treasured by lovers of photography, fashion, style, history, and cultured living.
California Condors, Boris Karloff as Frankenstein, Japanese horror
films and Gordon Matta-Clark are among the many influences that
make up the world of Rodarte. In just five short years, Rodarte has
upended the fashion scene, bringing Kate and Laura Mulleavy, the
designers behind the company, to the forefront of contemporary
design and visual culture. Kate and Laura, who live and work
between downtown Los Angeles and Pasadena, California, have
consistently brought their love of nature, film, art and science to
bear upon their unconventional and exquisitely crafted collections.
Burning, sanding, dyeing, knitting, twisting, staining and weaving
are some of the many complex techniques that have entered into the
Rodarte textural vocabulary. Kate and Laura's past collaborations
have included artists, actors, musicians and writers such as
Miranda July, Autumn de Wilde, Ryan McGinley, Ari Marcopoulos and
Darren Aronofsky. Created in collaboration with two of the art
world's most sought-after and acclaimed photographers, Catherine
Opie and Alec Soth, this is the first publication to examine the
world of Rodarte. For the occasion, each photographer has developed
an entirely new body of work in collaboration with Kate and Laura
Mulleavy, examining the many facets of Rodarte's creative
spectrum.
uring the 1920s and 1930s, Phyllis Barron (1890-1964) and Dorothy Larcher (1882-1952) were at the forefront of a revival in hand block-printing in Britain. As designer-makers they formed a unique partnership, producing innovative textiles and seeing the entire process through from beginning to end. Using whatever materials they could muster - fabric ranging from balloon cotton to prison sheets and velvet, and everyday items such as combs and car mats for printing - and pushing the boundaries of what could be achieved with predominantly natural dyes, these two remarkable women ran a successful business that lasted from 1923 until the outbreak of World War II. Nearly one hundred years on, another special collaboration between the Craft Studies Centre in Farnham, Christopher Farr Cloth and Ivo Prints, has brought a selection of Barron and Larcher's work back into production. The warm welcome they have received across the globe is a testament to the timeless quality of great design.
Pierre Guariche (1926-1995) was a leading interior architect, furniture, and lighting designer in postwar France. He created a prolific body of work during what is known as the Thirty Glorious Years (1945-1975), a period of economic prosperity and high growth in France. He was an early adopter of industrial materials and production techniques that emerged during the 1950s, and is known for his remarkable lighting fixtures and simple, elegant furniture designs that could be manufactured on a large scale. He worked with innovative companies like Airborne, Steiner, and Pierre Disderot; he co-founded a design collective (Atelier de Recherche Plastique- ARP); and was the artistic director for the Meurop furniture company in Belgium. In advance of Charlotte Perriand in Les Arcs and Marcel Breuer in Flaine, he worked with the architect Michel Bezançon on the creation of La Plagne, the first comprehensive winter sports resort in France. Making use of unpublished archives, this book looks back on a rich itinerary of over 200 interior architecture and design projects, almost as many pieces of furniture, and a series of remarkable lighting fixtures (reissued today by Sammode) which shed light on the modernity and timeless elegance of this remarkable creator. Text in English and French.
Jewellery art is a small but easily discernible voice amid the great choir that is the art scene. It has been the impetus for innovation and a seismograph for current discourse within the applied arts for several decades. Now, for the first time, the GRASSI Museum of Applied Arts is presenting its holdings of modern jewellery, ranging from the mid-twentieth century to the present day. Analysed and assembled, it provides insights into the multifaceted oeuvres of around 180 jewellery artists from around the world. The collection is broadly representative of the international developments in jewellery art and as such it especially grants a special view of the approaches from GDR before the unification. Images by 11 photographers from Leipzig show just how varied and versatile the perception of jewellery on a person can be. Text in English and German.
This is the first comprehensive presentation of the Danish furniture designer Jakob Berg (1958-2008) and his work. As a designer, he was ahead of his time and not only continued the story of the golden age of Danish Design but, building on this legacy, fundamentally rethought the approach to seating and rest, sustainability, and the role of different wood types. Today, his furniture designs, which have enhanced home interiors around the world, are as current and relevant as ever. The reader is invited on a panoramic tour of Jakob Berg's wonderful furniture universe, from his early one-offs, presented in art and design exhibitions during the 1980s, to his indoor/outdoor furniture and his many projects around the world. The publication is authored by leading Danish design experts and lavishly illustrated throughout, with 300 photos, as well as drawings and digital sketches. In addition to portraying Jakob Berg's inspiring body of work, the book is in itself a piece of Danish Design - a unique experience that is not to be missed.
The first comprehensive monograph on Mario Bellini, one of Italy's most versatile and influential designers. A key figure in the emergence of Italy as an important centre fore design in the 1960's, Mario Bellini is renowned for his elegant, dramatic and often poetic designs for, among others, Olivetti, Cassina, B&B Italia, Vitra and Artemide. He was the subject of a one man retrospective at the Museum of Modern Art in 1987, the recipient of eight prestigious Compasso d'Oro industrial design awards, the Editor-in-Chief of the influential architecture and design magazine Domus (1986-91) and continues to produce architecture and design for clients and locations all over the world. Features: - Richly illustrated with over 500 images including sketches and photographs from Mario Bellini's archive, opened publicly for the first time. - A complete catalogue of Bellini's design work, thematically presented, from calculators, typewriters, office and banking machines, to chairs, tables, sofas, and lighting. Features a series of essays, including an interview with Mario Bellini, covering the various aspects of his career and design processes.
The first monograph on the complete works of award-winning design studio Industrial Facility Sam Hecht and Kim Colin's world-renowned, London-based studio is one of the most influential in industrial design, and their work has enjoyed a global cult following thanks to its combination of simplicity and intellectual rigor. This book presents a carefully crafted visual narrative interspersed with candid conversations among key collaborators, project notes, and a collection of essays. The book concludes with a catalogue raisonné, showcasing more than 200 projects that together reveal Industrial Facility's distinct clarity of vision.
"He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid."-Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.
The book explores the design boom in the Pacific Northwest, the fundamental principles to this creative field and over 40 remarkable makers and designers behind this extraordinary area of design. Set against striking photography, the book navigates the landscape and settings which inspires this area and talks with leading designers in the industry. The Pacific Northwest is paving a new path in the design world with a rich and varied set of designers producing outstanding pieces and trends. IDS Vancouver is the centre-point for all things design in the Pacific Northwest and we are pleased to present their first book. Including contributions from ANDlight, Base Modern, Niels Bendtsen, Bosque Design, Becki Chan, Pat Christie, Brent Comber, Electric Coffin, Dahlhaus Studio, Fieldwork, fruitsuper, The Granite, Phil Gray, Hinterland Design, John Hogan, Shawn Hunt, Jeff Martin Joinery, Knauf and Brown, Karen Konzuk, Merkled Studio, molo, Darin Montgomery, PHLOEM STUDIO, Pigeon Toe, Shawn Place, Charlotte Pommet and Elliot Kendall, Propellor, Selek, Sholto Design Studio, Studio Gorm, Cathy Terepocki and Annie Tung. About IDS Vancouver Founded in 2004 by Jason Heard, IDS Vancouver has grown in size and in ambition at equal pace with the city it is so proud to support. Taking place once a year in September the IDS Vancouver design fair has grown to include diverse programing and workshops for youth, for students and for the design trade as well as collaborative installations and experiences both off site and on. Drawing attention to the region as a heavy hitting design destination, IDS Vancouver actively engages with and participates at other international fairs all year long as a way to profile the talent of the region and to source and stay informed with design internationally.
Karl Fritsch (b. 1963), master of extravagant rings, returns with a publication that lures us deep into his world. Ruby Gold is a "no-frills" pared-back book, without pagination, without essays. Instead it comprises 81 rings from the past 20 years featuring embedded gemstones and such memorable slogans as "Fuck Off" and "Nudelsuppe" (Noodle Soup). The jewellery artist's unmatched mastery of material and expression is apparent in every single ring, and every piece possesses tremendous energy as a result of the delicate yet archaic handling of the precious metals: Karl Fritsch carves in silver, shapes in gold, sets rubies and zirconias as a child would decorate a cake - with self-confidence and with no regard for waste. In between the detailed illustrations, Fritsch brings the rings and fingers into ironic dialogues with each other: "Ring: I am art. / Finger: Oh come on..." And: "Ring: I am a ring. / Finger: You are unwearable." Text in English and German. Published to accompany an exhibition at Galerie Zink, Waldkirchen, Germany, 12 September - 20 December 2020. |
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