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Books > Arts & Architecture > Industrial / commercial art & design > Individual designers
"Start Your Engines" compiles works from Scott Robertson's, vast archives of ground vehicle drawings and renderings, and features the following chapters: Cars, Bicycles, Snowcraft Mechanimals and selected work from the conceptual design of vehicles for the video games "Field Commander" and "Spy Hunter 2". The Cars chapter comprises about half of this book and features original designs both futuristic and retrospective.
The hidden soul of a group of creative individuals which, since the beginning, has always expressed itself in images. As I told you before, Ideas not Airships is a 500-page table book celebrating the 30th anniversary of the Hangar Design Group, one of the first independent and multidisciplinary creative design groups in Italy. The book is a narrative in pictures representing an attempt to discover an underlying theme in the intricate creative process of a group that is unique from the point of view both of its degree of expertise and its creative practices. Through works and experiences the book illustrates the life of the studio, tracing a decidedly unconventional figurative path made up of suggestions, inspirations, memories, faces and places - not only those of the Hangar Design Group itself but of anyone who undertakes to give form to an idea. The book illustrates the network's modus operandi. It begins from the birth of the first embryonic concepts and follows through to the finished product. As I told you before, Ideas not Airships is the enthusiastic narration of a gripping story, and is dedicated to all those who believe that with creativity we can (even) change the world.
For more than four decades, jewellery artist and educator Laurie Hall has been making stories the subject of her work. Her playful, often whimsical jewellery made with found objects is about the places she lives, the landscapes that fill her imagination, her family history, and her ideas of what it is to be an American. As a jeweller, Hall never plays it safe, preferring to fly by the seat of her pants and push her skills and technical knowledge. Her work is part of numerous private and public collections including The Museum of Art and Design in NYC, The Tacoma Art Museum, The Museum of Fine Arts, Houston. She is a product of the jewellery histories that make the Pacific Northwest unique within the larger story of American contemporary jewellery. Featuring 58 images of Hall's jewellery spanning the period from 1974 to 2019, this book explores why she is an important maker whose practice deserves to be more widely known.
EISNER AWARD WINNER | Best Academic/Scholarly Work About Comics | 2019 One of the most influential women in independent comics, Julie Doucet, receives a full-length critical overview from a noted chronicler of independent media and critical gender theorist. Grounded in a discussion of mid-1990s media and the discussion of women's rights that fostered it, this book addresses longstanding questions about Doucet's role as a feminist figure, master of the comics form, and object of masculine desire. Doucet's work is hilarious, charming, thoughtful, brilliant, and challenging, even three decades on. Anne Elizabeth Moore is an award-winning journalist, bestselling comics anthologist, and internationally lauded cultural critic. Her most recent book, Body Horror, is on the Nonfiction Shortlist for the 2017 Chicago Review of Books Nonfiction Award, was named a Best Book of 2017 by the Chicago Public Library, and was nominated for the 2018 Lammys. She teaches at the School of the Art Institute of Chicago and the College for Creative Studies. She was born in Winner, SD, and resides in Detroit with her cat. Praise for Body Horror: "[Body Horror is] scary as fuck and liberating. . . . Moore connects the dots that you did not even think were on the same page." -Viva la Feminista
Can you imagine a world where people drive beautiful and unusual cars, created by designers prodigiously endowed with talent and imagination? Names like Preston Tucker, Carl Borgward and John DeLorean are hardly known today. Nevertheless, today's cars would be a lot different without their contributions to automotive engineering. Although the car is a technological and rational affair, it's the dreamers and eccentrics like these who have made the biggest contribution to the development of the industry; those who have had the ability to think beyond their time and conventions. Money doesn't drive progress in the car business - it is a passion for speed, and an obsession with mechanisms. Yet for many a dreamer, this passion has ended in fiasco. Misunderstood and pushed aside by their contemporaries, they have been forced to watch their dreams trampled underfoot. This book takes a look at the history of the car from a different angle, avoiding the mainstream moguls and telling a story about a man and his dream, and the like-minded people that came before and after him. Lavishly illustrated and intensively researched, it documents the making of some of the strangest and greatest cars of the past century. The main section is devoted to the unsung heroes of motoring, and the rest of the book shines a light on the many ingenious inventions we now take for granted. Let's show some respect to the dreamers. Our world wouldn't be so exciting without them.
Few have left a deeper impression on the world of typography than Jan Tschichold (1902-74), one of the most outstanding and influential designers of the 20th century. Not only was he was a master in his field, but he wrote a number of highly influential books and became instrumental in promoting the modernist design strategy called the New Typography. This substantial volume covers Tschichold's life and career, placing the designer's vision firmly in the rich cultural and historical context of his era. Tschichold embraced avant-garde ideas from movements such as the Bauhaus and De Stijl and made them accessible to working designers and printers, stressing clarity in communication, with form and function going hand in hand. The contributing writers discuss the designer's major influences and the highlights of his varied career, including his seminal poster designs, his groundbreaking work with Penguin Books, and his creation of the classic typeface Sabon. Lavish illustrations - archive photographs, many published here for the first time, as well as copious examples of Tschichold's work - accompany the text, confirming that Tschichold's heritage lives on in the digital age, and proving that he is amongst the greatest typographic designers ever.
Pays homage to 'the Chelsea Set', a bohemian, progressive clique that would change the course of sixties contemporary design, with a focus on Mary Quant and Terence Conran. Narrates the history of an era through a meld of biography, fashion photography and vintage ads. Informative, attractive, stylish - the perfect gift for someone with an eye for fashion. Transporting you back to London at the height of the Swinging Sixties, this book provides vital context for two of the biggest and boldest names in 'Pop' fashion: Mary Quant, alleged mother of the miniskirt, and Terence Conran, the entrepreneur behind the new wave of 'lifestyle' stores. Friends, associates and allies in design, Quant and Conran stood at the head of an informal but influential bohemian group who steered the rudder of style during the Pop era. 'The Chelsea Set' resist definition; there was no comprehensive members list. Conran/Quant: Swinging London - A Lifestyle Revolution explores the contributions of designers and artists from Laura and Bernard Ashley to Eduardo Paolozzi, Nigen Henderson and Alexander Plunket Greene, all of whom were essential generators of Sixties Style.
Commanding the hothouse environment of Harajuku, the street fashion and culture district of Tokyo, Hiroshi Fujiwara is recognized the world over as a pioneer in streetwear, music, and art and is the ultimate arbiter of cool. Known internationally as one of the founding fathers of the 1990s Tokyo scene, Fujiwara exerts a disproportionate influence over contemporary design culture. With recent and highly successful collaborations with Louis Vuitton and Moncler, and with his mainstay work at Nike and Medicom, Fujiwara refines an aesthetic immersed in punk, hip-hop, and skate culture and translates it into pure luxury. A musician and producer originally from western Japan, Fujiwara is one of the most prolific of sneaker designers, and his kicks remain some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with major Western brands, he has long associations with Japanese disruptors like Jun Takahashi of Undercover and is head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents his current preoccupations, with chapters on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects, giving readers a unique glimpse into one of the most influential tastemakers of our time.
'A wonderful insight into a life that history hasn't remembered as well as it should have.' - Vogue One of the most extraordinary fashion designers of the twentieth century, Elsa Schiaparelli was an integral figure in the artistic movement of the times. Her collaborations with artists such as Man Ray, Salvador Dali, Jean Cocteau, and Alberto Giacometti elevated the field of women's clothing design into the realm of art. Her story is one of pluck, determination, and talent with scandal as spice. As the daughter of minor Italian nobility whose disastrous first marriage to a Theosophist caused near penury, she transformed herself into a designer of great imagination and, along with Coco Chanel, her greatest rival, she was one of the few female figures in the field at that time.
Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Since 2007, Switzerland’s Federal Office of Culture has honoured the work of renowned designers who exemplify the quality and relevance of Swiss design practice both nationally and internationally. Simply put, the yearly awarded Swiss Grand Prix of Design reflects the best that Switzerland has to offer in this field. The roll call of winners illustrates the country’s multifaceted spectrum of design production. In their many and varied ways, they have infused the cultural landscape with fresh ideas and continue to inspire new generations of designers, influencing current design as well as Swiss design history. The 2021 laureates of the Swiss Grand Prix of Design are the graphic designer Julia Born, photographer and art director Peter Knapp, and researcher and lecturer Sarah Owens. This book introduces them through texts, a conversation, a short biography and images from their archives. Text in English, French, German and Italian
Christian Dior was born in Granville, a seaside town on the coast of Normandy, France: while his family had hoped that he would become a diplomat, Dior preferred art. His preternatural talent resulted in him being hired by Robert Piquet in 1937, and subsequently worked alongside Pierre Balmain and Lucien Lelong. Dior was an instant sensation after the Second World War. His designs, which asserted femininity, were a strong rebuke to the utilitarian, unisex clothing of wartime and came to symbolise the 'New Look'. Dior had an extremely close relationship with his sister, Catherine - honouring her work during the war in the French Resistance with the popular perfume Miss Dior. She was his muse. The book features around 60 haute couture designs from the collections of the Musee des Arts Decoratifs along with an equivalent number of iconic pieces belonging to Dior Heritage (the house's own archives of original runway prototypes or garments ordered by clients), supplemented by fragrances and accessories. The items on display thus offer a panorama of Christian Dior's haute couture creations since 1947, always the epitome of modern elegance, with the selection taking as its unifying thread the fabric of dreams and the passing on of an aesthetic vision. Text in English and Arabic.
Jewellery art is a small but easily discernible voice amid the great choir that is the art scene. It has been the impetus for innovation and a seismograph for current discourse within the applied arts for several decades. Now, for the first time, the GRASSI Museum of Applied Arts is presenting its holdings of modern jewellery, ranging from the mid-twentieth century to the present day. Analysed and assembled, it provides insights into the multifaceted oeuvres of around 180 jewellery artists from around the world. The collection is broadly representative of the international developments in jewellery art and as such it especially grants a special view of the approaches from GDR before the unification. Images by 11 photographers from Leipzig show just how varied and versatile the perception of jewellery on a person can be. Text in English and German.
"Lift Off" presents personal and professional works by Scott Robertson, Program Director of the Entertainment Design major at Art Center College of Design. This book features the following chapters: Airships, Spacecraft, Aircraft, Lefty Sketches, Hovercraft, Original 'Card Collection' and selected work from the conceptual design of vehicles for the video games "Field Commander" and "Spy Hunter 2".
A celebration of the quirky, surprising, and often spectacular work of Dutch fashion designers Viktor & Rolf Conceived and designed by acclaimed graphic designer Irma Boom, this book brings to life the legendary conceptual creations of Dutch duo Viktor & Rolf. Entirely made up of 8-page gatefolds, each of which relates to a specific show, with images, sketches, and quotes showcasing that particular collection, it elevates bookmaking to an entirely new level while referencing the dramatic layers that feature in the designers' work. Exploring Viktor & Rolf's signature stunning style, this book is the ultimate homage to the spectacle of fashion.
The name Valentino has been synonymous with high fashion for almost fifty years. Based in Rome, Valentino is only one of two couture houses recognized by the French government outside of Paris. His exquisite designs are coveted and worn by young Hollywood and high society the world over. On the occasion of his last couture collection, presented in Paris in the spring of 2008, this landmark book celebrates forty-five years of Valentino's remarkable career. Published in association with a prestigious exhibition at the Musee des Arts Decoratifs's famed costume department in Paris, this volume focuses on Valentino's haute couture creations, highlighting the most important and iconic creations of his half-century in fashion through recurring themes in Valentino's work--variations on the ideas of volume, line, and texture as well as motifs such as geometry, pleats, and flowers--through new photography, sketches, fabric samples, and commentary on the dresses by Valentino himself. In addition, unprecedented photography by Francois Halard of Valentino's last fittings and backstage of his runway show reveals Valentino's private world for the first time. "Valentino On Valentino," a chapter of first-person accounts of the designs of these iconic dresses, along with Valentino's commentary on his fashion, will make this publication unique in the study of Valentino as a cultural and artistic icon.
The book presents a portrait of Tirelli with the history of his apprenticeship and his passion not only for the painstaking reproduction of ancient garments and accessories but also for building up a priceless collection of tens of thousands of original items of clothing. A long chapter presents testimonials from faithful customers including the most illustrious Italian and foreign costume designers, winners of countless Oscars, some of whom have been with Tirelli from the outset. The rich array of illustrations - comprising sketches, photographs of finished costumes and scenes from plays and films - spans five decades of inventions and successes, and the work ends with a catalogue raisonne of the company's creations for theater, opera, cinema, and television.
Jamy Yang, an award-winning designer with major partnerships to his credit, began his career in the industrial design department of the German manufacturer Siemans. Returning to China permanently in 2004, he founded his own company, Yang Design, which is now considered the most influential product strategy and design consultancy in China. This book explores Yang's creative ideology in 15 thematic chapters, beginning with 'minimalism' and ending with 'kindness'. It expands on his theories about the purpose of design, the dislocations that exist today in Chinese culture and aesthetics, as well as the differences between Chinese and Western design. Contents: Minimalism; Archaeology; The Disconnect; DNA; Craftmanship; Virtuality; Easy to use; Visuality; Touched; The Anomalies; Semantics; Modulation; Sustainability; Fragmentation; Kindness.
Italian-born American artist Harry Bertoia (1915-1978) was one of the most prolific, innovative artists of the post-war period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewellery, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavour, but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first U.S. museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice, and feature important examples of his furniture, jewellery, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalogue of the artists numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at mid-century and now.
Karl Fritsch (b. 1963), master of extravagant rings, returns with a publication that lures us deep into his world. Ruby Gold is a "no-frills" pared-back book, without pagination, without essays. Instead it comprises 81 rings from the past 20 years featuring embedded gemstones and such memorable slogans as "Fuck Off" and "Nudelsuppe" (Noodle Soup). The jewellery artist's unmatched mastery of material and expression is apparent in every single ring, and every piece possesses tremendous energy as a result of the delicate yet archaic handling of the precious metals: Karl Fritsch carves in silver, shapes in gold, sets rubies and zirconias as a child would decorate a cake - with self-confidence and with no regard for waste. In between the detailed illustrations, Fritsch brings the rings and fingers into ironic dialogues with each other: "Ring: I am art. / Finger: Oh come on..." And: "Ring: I am a ring. / Finger: You are unwearable." Text in English and German. Published to accompany an exhibition at Galerie Zink, Waldkirchen, Germany, 12 September - 20 December 2020.
"What more glorious claim to fame could there be than Milliner to the Queen? ", asks Stephane Bern in his preface to this exclusive book marking the 30th anniversary of MAISON FABIENNE DELVIGNE. The book traces the exceptional career of Fabienne Delvigne, the Belgian entrepreneur, hat designer and craftswoman who creates highend luxury products. Across Europe, Fabienne Delvigne's designs sublimate the beauty of women. Her unique talent was recognised in 2001, when she gained the trust of the Belgian royal family, who awarded her the coveted title of Warrant Holder of the Court of Belgium. In this book, Fabienne casts a refined and joyful gaze on the world of fashion, and introduces us into her world, a world made up encounters, hard work, inspiring walks, and the joy of practising her craft every day. An original and exhilarating volume that not only looks back on the milliner's career, but also reveals a woman of character who defends an artistic heritage while being of her time. Since 2008, alongside her Haute Couture collections, she has designed, for each season, a Studio Collection composed of stylish, pret-a-porter hats. The body of the text? The words that helped her fashion her creative universe. The spirit moving that body? Passion, her passions. Anecdotes, recollections, previously unseen projects, a behind-the-scenes view of the creator's artistry, a look back on her collaborations with such leading companies as Guerlain and BMW, and, of course, hats to go mad for! This book has been released to mark the 30th anniversary of Maison Fabienne Delvigne, with forewords provided by Stephane Bern and Diane von Furstenberg. Readers will discover the passion that drives this Belgian entrepreneur, a perfectionist to the very tips of her scissors. A Warrant Holder of several European Courts, Fabienne also designs hats for all the elegantes who enter her Brussels boudoir workshop. Leafing through the book, readers will not fail to appreciate her unique and fascinating journey.
An exquisite ode to color, this book presents the history of Dior cosmetics placed within contexts of fashion and art. Divided into twelve chapters (White, Silver, Nude, Pink, Red, Purple, Blue, Green, Yellow, Gold, Gray, and Black) Dior: The Art of Color show- cases not only the sometimes glamorous, sometimes natural cosmetics, but also the aesthetics of color, which was the source of inspiration for so much of Dior's creations. The evolution of color through the ages is presented with iconic works from renowned artists and fifty years of Dior makeup and advertising campaigns- including creations from some of the greats in the field, such as Serge Lutens, Tyen, and the current head of Dior Makeup, Peter Philips-captured by master photographers such as Irving Penn, Guy Bourdin, and Richard Burbridge. With a highly engaging text and never-before-seen imagery, this is a book that no student of fashion or art should be without. |
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