Justine Picardie spent years puzzling over the truth about Coco Chanel, peeling away the accretions of romance and lies. Since its publication in 2010, hers has become the definitive Chanel biography. With a new foreword and previously unseen images, this new edition delves even deeper into the life and legacy of this eternally alluring woman. Coco Chanel was an extraordinary inventor - she conjured up the little black dress, bobbed hair, trousers for women, contemporary chic, best-selling perfumes, and the most successful fashion brand of all time - but she also invented herself, fashioning the myth of her own life with the same dexterity as her couture. While Chanel was supreme innovator and vendor of all things elegant and beautiful, what lies beneath her own glossy myth is far darker. Throwing new light on her passionate and turbulent relationships, this beautifully constructed portrait gives a fresh and penetrating look at how Coco Chanel made herself into her own most powerful creation. Justine Picardie brings the mysterious Gabrielle Chanel out of hiding, to celebrate her great achievements. She examines Chanel's enduring afterlife, as well as her remarkable life, uncovering the consequences of what she covered up, unpicking the seams between truth and legend, yet keeping intact the real fabric of her past.

Few have left a deeper impression on the world of typography than Jan Tschichold (1902-74), one of the most outstanding and influential designers of the 20th century. Not only was he was a master in his field, but he wrote a number of highly influential books and became instrumental in promoting the modernist design strategy called the New Typography. This substantial volume covers Tschichold's life and career, placing the designer's vision firmly in the rich cultural and historical context of his era. Tschichold embraced avant-garde ideas from movements such as the Bauhaus and De Stijl and made them accessible to working designers and printers, stressing clarity in communication, with form and function going hand in hand. The contributing writers discuss the designer's major influences and the highlights of his varied career, including his seminal poster designs, his groundbreaking work with Penguin Books, and his creation of the classic typeface Sabon. Lavish illustrations - archive photographs, many published here for the first time, as well as copious examples of Tschichold's work - accompany the text, confirming that Tschichold's heritage lives on in the digital age, and proving that he is amongst the greatest typographic designers ever.

A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko's radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko's graphic work in the form of book jackets, posters and advertising. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631, GPO ISBN: 9781851495962, Peter Blake ISBN: 9781851496181, FHK Henrion ISBN: 9781851496327, David Gentleman ISBN: 9781851495955, David Mellor ISBN: 9781851496037, E.McKnight Kauffer ISBN: 9781851495207, Edward Bawden and Eric Ravilious ISBN: 9781851495009, El Lissitzky ISBN: 9781851496198, Festival of Britain 1951 ISBN: 9781851495337, Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719, Jan Le Witt and George Him ISBN: 9781851495665, Paul Nash and John Nash ISBN: 9781851495191, and Abram Games ISBN: 9781851496778.

Eliot Noyes (1910-77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. He was personally responsible for the design of some notable twentieth-century classics, such as IBM's Selectric typewriter and Mobil Oil's service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes family residence in Connecticut. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.

Belgian fashion, an important presence on the world couture stage since the 1980s, is the subject of many books, studies, and exhibitions. The focus of attention, however, is often on the Antwerp Fashion Academy and the famous Antwerp Six. This book goes a step further by investigating the influence of Brussels designers and the famous Brussels fashion school, La Cambre, on what is collectively referred to as Belgian fashion, and identifies the people and ideas that set the Brussels fashion world apart.

William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment. In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

Brand by Hand documents the work, career, and artistic inspiration of graphic designer extraordinaire Jon Contino. Jon is a born-and-bred New Yorker. He talks like one, he acts like one, and most importantly, he designs like one. He is the founder and creative director of Jon Contino Studio, and over the past two decades, he has built a massive collection of award-winning graphic-design work for high-profile clients such as Nike, 20th Century Fox, and Sports Illustrated. Throughout all of this, he has gone to design hell and back, facing obstacles like fear, self-doubt, and bad luck. Brand by Hand documents the work and career of Jon Contino, exploring his lifelong devotion to the guts and grime of New York and cementing his biggest artistic inspirations, from hardcore music to America's favorite pastime. A graphic-design retrospective showcasing his minimalist illustrations and unmistakable hand-lettering, Brand by Hand shares how Contino has taken a passion for pen and ink and turned it into an expanding empire of clients, merchandise, and artwork.

Transform your home with the power of a white and neutral palette. 'A capsule of calm, this ode to pale interiors by The White Company's founder Chrissie Rucker is testament to the power of neutrals.' - House & Garden 'The thing about white is that it goes with everything, it is a canvas for life, whoever you are and whatever your tastes. You just can't beat it.' - Chrissie Rucker Whether you live in a tiny city apartment, a rambling country cottage or an elegant town house, For the Love of White offers the definitive guide to creating a home with white and neutral tones. Published to mark the 25th anniversary of iconic brand, The White Company, the book explores 12 inspirational homes in varied decorating styles but unified by a passion for a white. For each location The White Company founder, Chrissie Rucker, highlights clever styling details that the reader can try out in their own home - with calming, versatile and beautiful results. Illustrated with specially commissioned photography by leading interiors photographer, Chris Everard and organized into three sections - Country, Town and Coast - the book provides both the advice and the inspiration needed to transform your home.

In Gods and Kings Dana Thomas, author of Deluxe, tells the story of how John Galliano and Alexander McQueen changed the face of fashion In the first decade of the 21st century the fashion world was dominated by two different but equally successful and turbulent figures. Within twelve months, Alexander McQueen had committed suicide, and John Galliano had professionally imploded. Who was to blame? And how was fashion changed by their rise and fall? Spanning the 80s, 90s and noughties, Gods and Kings tells the story of these two charismatic figures and times of great change in the world of fashion, from London's raucous art and club scene to the old-world glamour of Parisian couture, and reveals the machinations of this notoriously secretive industry.

The first monograph on the complete works of award-winning design studio Industrial Facility

Sam Hecht and Kim Colin's world-renowned, London-based studio is one of the most influential in industrial design, and their work has enjoyed a global cult following thanks to its combination of simplicity and intellectual rigor. This book presents a carefully crafted visual narrative interspersed with candid conversations among key collaborators, project notes, and a collection of essays. The book concludes with a catalogue raisonné, showcasing more than 200 projects that together reveal Industrial Facility's distinct clarity of vision.

"He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid."-Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.

An unprecedented publication showcasing Gucci as never before, including thought-provoking essays, commentaries, and authoritative anecdotes along with previously unpublished contemporary and archival photographs. Published in conjunction with the opening of the new Gucci Museum in Florence, Gucci is the ultimate celebration of the world-renowned fashion house. Told through a loose grouping of words, concepts, shapes, and moods, the book tells its story through new conceptual forms and the free links between images, symbols, and objects. Edited by Gucci Creative Director Frida Giannini, with essays and inserts by contributors including Katie Grand, Peter Arnell, Rula Jebreal, Christopher Breward and Stefano Micelli, Gucci: The Making Of is a dynamic record of a much-coveted brand that will be a must this season for anyone with a love of fashion and an interest in contemporary culture. This comprehensive volume showcases the genius of the fashion house through an exclusive lens with inside looks into the inspirations behind the design. This gorgeous book designed by Arnell offers an in-depth look into Gucci's origins, identity, influence, and innovation, including fabrication methods and appropriation of signature materials, past and present, and its influence among high society and Hollywood. The book is a heartfelt and personalized tribute to the heritage and influence of this iconic, multifaceted brand. In recognition of its ongoing partnership with UNICEF and the release of this luxury edition, Gucci will make a donation of US $250,000 to support UNICEF's Schools for Africa initiative.

Jean-Paul Goude is a modern legend in the world of commercial art. From his New York days with Esquire magazine to his latest work for Galeries Lafayette, he has consistently provoked and delighted those who have encountered his work. He was Grace Jones's Pygmalion, creating unforgettable images of her, from androgyne to cyber-superwoman to supreme diva. This volume, published to accompany a major retrospective at the Musee des Arts Decoratifs in Paris, is a celebration of his creative zest and perfectionism, and his unique affinity for making fresh and engaging work. Around 600 images are on show, including many working documents published here for the first time, from inspired doodles to final images that sparkle with creative vigour. Selected and arranged by Goude himself, they present a gallery of artworks that have redefined advertising and brand photography as we know them. Sexy, irreverent and full of humour, this book will inform and instruct all those concerned with the art of image-making, whether professionals or simply those prepared to be entertained by chic, witty images that work.

Jewellery art is a small but easily discernible voice amid the great choir that is the art scene. It has been the impetus for innovation and a seismograph for current discourse within the applied arts for several decades. Now, for the first time, the GRASSI Museum of Applied Arts is presenting its holdings of modern jewellery, ranging from the mid-twentieth century to the present day. Analysed and assembled, it provides insights into the multifaceted oeuvres of around 180 jewellery artists from around the world. The collection is broadly representative of the international developments in jewellery art and as such it especially grants a special view of the approaches from GDR before the unification. Images by 11 photographers from Leipzig show just how varied and versatile the perception of jewellery on a person can be. Text in English and German.

Pierre Guariche (1926-1995) was a leading interior architect, furniture, and lighting designer in postwar France. He created a prolific body of work during what is known as the Thirty Glorious Years (1945-1975), a period of economic prosperity and high growth in France. He was an early adopter of industrial materials and production techniques that emerged during the 1950s, and is known for his remarkable lighting fixtures and simple, elegant furniture designs that could be manufactured on a large scale. He worked with innovative companies like Airborne, Steiner, and Pierre Disderot; he co-founded a design collective (Atelier de Recherche Plastique- ARP); and was the artistic director for the Meurop furniture company in Belgium. In advance of Charlotte Perriand in Les Arcs and Marcel Breuer in Flaine, he worked with the architect Michel Bezançon on the creation of La Plagne, the first comprehensive winter sports resort in France. Making use of unpublished archives, this book looks back on a rich itinerary of over 200 interior architecture and design projects, almost as many pieces of furniture, and a series of remarkable lighting fixtures (reissued today by Sammode) which shed light on the modernity and timeless elegance of this remarkable creator. Text in English and French.

For those of advanced tastes, the Modern Movement was a welcome corrective to the debased aesthetics of the commercial world. The products of light industry were as untutored in the 1920s and 30s as massed housing and both took scant interest in the idealist thinking that sought to harness architecture and design to social progress. Robert Best, one of Britain’s leading industrialists in this period, shared the goal of better mass education but was troubled by Modernism’s promoters, for reasons that they found hard to understand. If the few knew better than the many, and had an obligation to elevate them whether they liked it or not, where did this leave the democratic principles that our liberal society prided itself on? Best felt that the campaign to popularise Functionalist design took propaganda into territory that had uncomfortable political overtones. In this extraordinary memoir, written in the early 1950s but never previously published, Best explored his concern about the sense of noblesse oblige that lay behind such bodies as the Council of Industrial Design, set up in 1944 ostensibly to raise the saleability and quality of British manufacturing but also, in his view, to brainwash the public into denying what it liked in favour of more cultivated but untested alternatives.

Beginning in the Renaissance, ateliers were established as places for European artists to work and teach their crafts. Centuries later most of these spaces have disappeared, but a select few continue to produce some of the world's most celebrated and sought-after objects in the areas of crystal, ceramics, wrought iron, fabric, bookbinding, mosaic, wood paneling, and more. John Whelan and Oskar Proctor traveled throughout Europe to document these important spaces, both to celebrate them and to preserve their disappearing ideals. Ranging from the well- known to the obscure, this volume takes readers inside dozens of ateliers from Austria, England, France, Germany, Italy, Spain, and Switzerland. Sumptuous double-page spreads feature alluring photography, and fascinating background texts tell their stories. By shining a light on their collective value as well as their individual expertise, this book offers both a historic evaluation of how ateliers have been shaped by modern forces-and also a clarion call for their preservation.

Winners of the annual international Graphis Design Awards Immerse in a powerful visual journey through the eyes of over 500 award-winning graphic designers from around the globe. In one of the most coveted industry award competitions, Graphis Design 2023 celebrates design excellence through the captivating and influential work of the past year from solo designers and global firms. Juried by acclaimed international designers, these works can be seen across animation, branding, books, entertainment, packaging, posters, product design and other disciplines. This inspiring collection of work revolves around all categories of graphic design, demonstrating once again the importance of design in culture, commerce, and lifestyle. Read about the creative process from Platinum and Gold Winners regarding their assignments and the approaches they took to reach their award-winning solutions. This book is essential for designers, art/creative directors, illustrators, design firms, advertising agencies, professors, students, and all creators alike who share a passion for design. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented. Honorees include Platinum winners Mike Hughes (Mike Hughes Creative Direction + Design) from Canada, Vishal Vora (Sol Benito) from India, Hoon-Dong Chung (Dankook University) from South Korea, Ivan Bell (Stranger&Stranger) from the U.K. and U.S., and ARSONAL, Jim Ma (Bailey Lauerman), Carmit Makler Haller (Carmit Design Studio), Clinton Carlson (Clinton Carlson Design), INNOCEAN USA, Trevitt McCandliss and Nancy Campbell (McCandliss & Campbell/Wainscot Media), PepsiCo Design & Innovation, and Antonio Alcala (Studio A) from the U.S.

Designers have shaped our modern age, whether it's the chair we're sitting in, the computer we're reading on, or the house we're living in. Design is everywhere, and this volume profiles fifty of the most influential figures over the past one hundred years. From the first bentwood chairs by Thonet to the holistically designed worlds of Bauhaus and Le Corbusier, and from the signature styles of designers such as Charles and Ray Eames, Eileen Gray, and Philippe Starck to internationally- known brands like Swatch, Muji, and Apple, the designers presented here are profiled in double-page spreads packed with fascinating background information, photographs, and illustrations. As inspiring as it is informative, this far-reaching book celebrates the impact that design has on our daily life.

A celebration of the quirky, surprising, and often spectacular work of Dutch fashion designers Viktor & Rolf Conceived and designed by acclaimed graphic designer Irma Boom, this book brings to life the legendary conceptual creations of Dutch duo Viktor & Rolf. Entirely made up of 8-page gatefolds, each of which relates to a specific show, with images, sketches, and quotes showcasing that particular collection, it elevates bookmaking to an entirely new level while referencing the dramatic layers that feature in the designers' work. Exploring Viktor & Rolf's signature stunning style, this book is the ultimate homage to the spectacle of fashion.

'SONG', a legendary fashion, art, and interiors concept store in Vienna was founded in the 1990s by Myung-il Song. As an early outpost of edgy design and emerging artists, it quickly became the city's most popular platform for avant-garde fashion. This book presents a retrospective of the 'SONG' fashion archives, with clothing by Dirk Van Saene, Martin Margiela, Walter Van Beirendonck, Dries Van Noten, Bernhard Willhelm, Stephen Jones, Kei Ninomiya, Paul Harnden Shoemakers, and Balenciaga. These unique and timeless pieces in Myung-il Song's personal collection have been re-photographed and are published here together for the first time

When you step into the headquarters of Fritz Hansen in Allerod, northwest of Copenhagen, you breathe in the spirit of a company that has made design history. The showroom, a mecca for students of design and architecture, displays pieces that have become icons, including the Series 7 chair, the Swan lounge chair, and the Lissoni sofa. A recurring theme in the history of the Danish furniture maker is its collaborations with big-name visionary designers like Arne Jacobsen, Poul Kjaerholm, and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to Fritz Hansen's core values of creativity, the finest craftsmanship, and the utmost attention to even the smallest details, the company has succeeded in placing its products in the collective consciousness of humanity as well as in the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford's venerable St. Catherine's College, New York's Museum of Modern Art, and private homes all over the world. With over 150 breathtaking photos, this thoughtfully designed coffee table book recounts the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building, and fire the imagination of those who live there. Whether you're leaving the world of Fritz Hansen in Allerod or closing this book, it will be with a wealth of new creative ideas and the knowledge that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto of "Crafting Timeless Design".

Christian Dior was born in Granville, a seaside town on the coast of Normandy, France: while his family had hoped that he would become a diplomat, Dior preferred art. His preternatural talent resulted in him being hired by Robert Piquet in 1937, and subsequently worked alongside Pierre Balmain and Lucien Lelong. Dior was an instant sensation after the Second World War. His designs, which asserted femininity, were a strong rebuke to the utilitarian, unisex clothing of wartime and came to symbolise the 'New Look'. Dior had an extremely close relationship with his sister, Catherine - honouring her work during the war in the French Resistance with the popular perfume Miss Dior. She was his muse. The book features around 60 haute couture designs from the collections of the Musee des Arts Decoratifs along with an equivalent number of iconic pieces belonging to Dior Heritage (the house's own archives of original runway prototypes or garments ordered by clients), supplemented by fragrances and accessories. The items on display thus offer a panorama of Christian Dior's haute couture creations since 1947, always the epitome of modern elegance, with the selection taking as its unifying thread the fabric of dreams and the passing on of an aesthetic vision. Text in English and Arabic.

The most comprehensive monograph available on the internationally renowned Belgian floral artist and designer Daniel Ost. Daniel Ost's work in floral design gores far beyond table arrangements to bridge the gap between floral design and art. Using elements from the natural world - flowers, branches, and plants of all varieties, Ost crates large-scale, site-specific constructions that at times enter the realms of sculpture and set design. Ost has created exquisite installations for royal residences, embassies, temples, international art exhibitions, and the fashion industry. Daniel Ost presents 80 of his most important projects while accompanying essays explore their significance and the inspiration behind them. Lavish photography illustrates each project in this visually inspiring sourcebook for all creative and design professionals. Texts by Dutch author Cees Nooteboom and Japanese architect Kengo Kuma reflect on the impact of Ost's career.