Italian-born American artist Harry Bertoia (1915-1978) was one of the most prolific, innovative artists of the post-war period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewellery, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavour, but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first U.S. museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice, and feature important examples of his furniture, jewellery, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalogue of the artists numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at mid-century and now.

The uniqueness of Silke Trekel (*1969) lies in the melding of artisan skills and awareness with a particular sensibility for the character and texture of the inherent quality of her materials. Whether industrial or organic, they play a crucial role in her designs. The many travels of the Halle-educated artist broadened her perspectives, validating them in a concept of jewellery fed by universal symbolic metaphors of form. The publication gives a first in-depth account of her development, of this dialogue between abstraction and ornamental tradition. In fact Trekel invites us to rethink, for her work unites motifs and guiding concepts, which galvanised 20th century art - between sculptural spatial configurations and signs held in suspension. Trekel takes an active part in this story. Text in English and German. Published to accompany exhibitions at Bayerischer Kunstgewerbeverein, Munich, from 5 March-17 April 2021, at Deutsches Goldschmiedehaus Hanau from 12 September-10 November 2021, and Galerie Viceversa, Lausanne from February 12-March 12, 2022.

EISNER AWARD WINNER | Best Academic/Scholarly Work About Comics | 2019 One of the most influential women in independent comics, Julie Doucet, receives a full-length critical overview from a noted chronicler of independent media and critical gender theorist. Grounded in a discussion of mid-1990s media and the discussion of women's rights that fostered it, this book addresses longstanding questions about Doucet's role as a feminist figure, master of the comics form, and object of masculine desire. Doucet's work is hilarious, charming, thoughtful, brilliant, and challenging, even three decades on. Anne Elizabeth Moore is an award-winning journalist, bestselling comics anthologist, and internationally lauded cultural critic. Her most recent book, Body Horror, is on the Nonfiction Shortlist for the 2017 Chicago Review of Books Nonfiction Award, was named a Best Book of 2017 by the Chicago Public Library, and was nominated for the 2018 Lammys. She teaches at the School of the Art Institute of Chicago and the College for Creative Studies. She was born in Winner, SD, and resides in Detroit with her cat. Praise for Body Horror: "[Body Horror is] scary as fuck and liberating. . . . Moore connects the dots that you did not even think were on the same page." -Viva la Feminista

Good Morning Mr. Lagerfeld showcases in an oversized format measuring 17 x 12 inches and with an exquisite French fold jacket ten years of Chanel s most influential fashion shows shot by English photographer and artist Simon Procter. Over the past decade fashion shows have evolved into monumental productions, requiring a level of sophistication and creativity on a par with the clothes they present. This has been most evident in Paris at the now legendary runways of Karl Lagerfeld for Chanel. To capture the energy of the events Procter recreates the epic sets from a luscious forest scene to a rocket launch combining multiple photographs to illustrate in a single image the many perspectives of the intense but fleeting spectacle. The resulting artworks are held in collections worldwide and published in this book for the first time alongside never-before-seen candid images of Lagerfeld and the models preparing backstage. Good Morning Mr. Lagerfeld offers the reader an unparalleled look into the wide-ranging creativity of today s most iconic designer making this an invaluable resource for all lovers of fashion and especially admirers of Chanel.

Charlotte Perriand (1903-99) is undoubtedly one of the most significant figures in 20th-century interior design. She was one of the pioneers in introducing the metal tube as building material for furniture, paving the way for machine age aesthetic in interiors in the 1920s and 1930s. Together with Le Corbusier and Pierre Jeanneret she created a number of iconic classics, such as the chaise-longue LC4, the armchair LC2, or the sling chair LC1. This second part of the new three-volume monograph on Perriand covers the period 1940-55 with her extensive stays in Japan 1942-42 and 1953-55, and with her designs for the reconstruction in France after WW II. It also investigates extensively her collaboration with Jean Prouve 1952-55. Moreover, the new volume looks at her work together with with Jeanneret and again also Le Corbusier during the 1950s, and it documents Perriand's involvement and role in founding the Useful Forms movement in 1949. The book features again an abundance of images and documents, mostly in colour and many of them previously unpublished. Charlotte Perriand: Complete Works is the authoritative source on this key figure of 20th-century interior design for scholars, dealers, and collectors. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography.

Laurence was born in London and became a very successful commercial artist, producing many famous railway posters. Pick Up a Pencil covers his whole painting life, from the early drawings of detailed explosives for MI5 (they were used to help the army to disarm the bombs), through to his own fine art paintings. Jean's book is also full of stories including one where he took one of the bomb devices home to draw it, kept it under his bed, then found it was live

Sutnar's brilliant structural systems for clarifying otherwise dense industrial data placed him in the pantheon of Modernist pioneers and made him one of the visionaries of what is today called "information design." Visual Design in Action is a snapshot of Sutnar's American period (1939-1976), and includes graphics for Carr's Department Store, advertisements for the Vera Neumann Company, identity for Addo-X, and other stunningly contemporary works. He is best known for his total design concept for the Sweets Catalog Service and lesser known for introducing the parenthesis as a way to typographically distinguish the area code from the rest of a phone number. Visual Design in Action is a testament to the historical relevance of Modernism and the philosophical resonance of Sutnar's focus on the functional beauty of total clarity. This reprint of Visual Design in Action (originally published in limited quantities in 1961) is as spot-on about the power of design and "design thinking" as it ever was.

William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment. In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

A stunning and thought-provoking round-up of today's most interesting visual communication projects, Graphic Design Sourcebook surveys the work of one hundred of the world's most exciting and groundbreaking practitioners. This informative guide to contemporary graphic design is illustrated with a wide variety of projects, from websites, apps, banner ads, packaging and infographics to exhibition design, social issue posters, corporate branding campaigns and interactive media design. Each designer's entry also includes detailed biographic information and a short precis on the designer's approach, written by the designers themselves. Graphic Design Sourcebook is an essential guide for anyone interested in the power of visual communication, and is an absolute must-have publication for students and professional practitioners alike.

An in-depth study of the work of German-born industrial designer Richard Sapper, most famous for designs such as the Tizio lamp and the Brionvega radio. Richard Sapper (1932-2015) a German-born designer who was based in Milan most of his working career, is considered one of the most important designers of his generation. Within his lifetime, he received numerous international design accolades, including ten prestigious Compasso d'Oro awards. Sapper developed and designed a wide variety of products, ranging from ships and cars, to computers and electronics as well as furniture and kitchen appliances. His clients included Alessi, Artemide, B&B Italia, Brionvega, FIAT, Heuer, Kartell, Knoll, IBM, Lenovo, Lorenz Milano, Magis, Molteni, Pirelli and many others. This investigation of Sapper's work, based on over forty hours of interviews with the designer Jonathan Olivares, studies his objects, the circumstances that shaped them and the resulting ideals that emerge. The inter-generational conversation explores themes that reoccur throughout Sapper's oeuvre, and which have a particular importance for a younger generation of designers and those with a desire to understand Sapper's work from a fresh perspective. An illustrated timeline, packed with images from Sapper's personal archives, reveals the incredible variety and technical brilliance of his work. Richard Sapper died in Milan on 31 December 2015. Designed by SM Associati, the agency of Marco Velardi from Apartamento magazine, the book opens with an image essay featuring candid commissioned photography by Ramak Fazel.

Carleton Varney turns his decorating vision towards the water in his most recent tome, Decorating on the Waterfront. Here, he gathers stunning images of new design projects in this collection of inspirational stories that use motifs and colours from years by the shore. Growing up on the Massachusetts coast influenced his penchant for bright cheerful colour schemes and warm polished interiors that exude luxury living today. Varney continues to live near the ocean and decorates for clients on the waterfront from Palm Beach, Florida to the shores of Lake Huron, Michigan. This book brings into focus Varney's career-long journey to bring elements and inspirations from the world around us to life at home.

Sunday Suns is the weekly project of American designer Tad Capenter, who has taken on the simple of task of designing, illustrating, scuplting, modelling, making, stitching or creating a sun every Sunday.

From Azzedine Alaia, Cristobal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century's worth of fashion greats from the permanent collection of The Museum at FIT in New York City are celebrated in this fresh edition of Fashion Designers A-Z. 15 new names join the ranks of the industry's most admired-Phoebe Philo, Patrick Kelly, and Sonia Rykiel, to name a few-in this updated and expanded release showcasing some 500 garments in the Museum's permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-influenced minimalist chic, each piece has been selected and photographed not only for its beauty, but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers. In her introductory essay, the Museum's director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon. International style authority Suzy Menkes contributes a foreword, texts by the museum's curators shine historical light on each label and garment pictured, and 125 drawn portraits by artist Robert Nippoldt pay homage to the creators behind them.

Festivals celebrate occasions and moods and generate their own realities that manifest as living memories. Festivals transform people, allowing them to take on unfamiliar roles. Festivals also change places, give rise to new public spheres, and are capable of bringing together critical as well as joyful, angry and enthusiastic groups with resulting impacts on cities and societies. The festival is also closely linked to the display of political or social power. Those who take part suspend existing rules or create new ones. The MAK exhibition DAS FEST brings art, cultural and social history to life. The book that accompanies the exhibition brings together the expert opinions of the MAK team as well as those of renowned authors and explores essential aspects of festival design. Festivals as a source of inspiration: from happenings to religious holidays With contributions by Chiara Baldini, Brigitte Felderer, Lili Hollein, Werner Oechslin, and many more MAK exhibition, which runs from 14 December 2022 to 7 May 2023

Emille Galle was one of the leading figures of the Art Nouveau movement in France, and founder of the famous Ecole de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases. Galle ardently followed the French tradition of furniture decoration known as marqueterie. His work is characterized by its meticulous decorative veneers, stained with subtle organic dyes; its panels inlaid with stunningly intricate country scenes and flowers. This book outlines all of Galle's major works of furniture, from the unique pieces that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time. Written by Decorative Arts specialist Alastair Duncan, the book documents the history of Galle s furniture production from his favorite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Galle Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Galle s Notes to the juries of the World Expositions, this stunning publication will leave the reader captivated by this decadent expression of the new art that changed the European aesthetic forever.

The hip, functional, and versatile furniture and products of Konstantin Grcic-widely recognized as one of the most important designers working today-are transforming the landscape of contemporary design. This book accompanies the first exhibition in North America of Grcic's work, highlighting the innovative archetypes of form and concept that have marked his remarkable output since 2004. Grcic delights in creating fresh takes on familiar industrial objects, whether desks, chairs, benches, stools, a range of kitchen equipment, lamps, a set of salad servers, or Krups coffee makers. In his recent work, he has blended his characteristic simplicity and distinctiveness with the use of new technologies and materials-for example, a cantilevered stacking chair, Myto (2008), is made from a strong, fluid plastic typically used by the automotive industry. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (10/17/09 - 1/10/10)

Christian Dior was born in Granville, a seaside town on the coast of Normandy, France: while his family had hoped that he would become a diplomat, Dior preferred art. His preternatural talent resulted in him being hired by Robert Piquet in 1937, and subsequently worked alongside Pierre Balmain and Lucien Lelong. Dior was an instant sensation after the Second World War. His designs, which asserted femininity, were a strong rebuke to the utilitarian, unisex clothing of wartime and came to symbolise the 'New Look'. Dior had an extremely close relationship with his sister, Catherine - honouring her work during the war in the French Resistance with the popular perfume Miss Dior. She was his muse. The book features around 60 haute couture designs from the collections of the Musee des Arts Decoratifs along with an equivalent number of iconic pieces belonging to Dior Heritage (the house's own archives of original runway prototypes or garments ordered by clients), supplemented by fragrances and accessories. The items on display thus offer a panorama of Christian Dior's haute couture creations since 1947, always the epitome of modern elegance, with the selection taking as its unifying thread the fabric of dreams and the passing on of an aesthetic vision. Text in English and Arabic.

Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after consultant to several textile manufacturers, most notably Barlow & Jones, Tootal, Warner & Sons, Turnbull & Stockdale, and Wardle, which allowed him to establish the largest design practice in Britain by 1870. Equally, it was his success in promoting textiles at affordable prices that attracted his popular following in the press. Unlike his contemporaries, he was interested in making designs available to everyone. However, Dresser is less celebrated in comparison to other designers of the era, such as William Morris, because Dresser was obliged to abandon this campaign to improve British taste due to an unexplained illness in the early 1880s. At the same time, Morris was expanding his business just as the Arts and Crafts movement was beginning to gain momentum. Despite being the first Victorian to address the decorative needs of all the population, there is a severe lack of appreciation for Dresser's work - whose influence can be found in many textiles that we take for granted today. This book redresses that balance, giving Dresser the monograph he deserves.

The definitive overview of one of the world's most experimental and distinctive graphic-design studios. Originally established in 1992 by Michael Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorisation, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquiere and Yohji Yamamoto; musicians Bjoerk, Etienne Daho, Kanye West, Lou Doillon, Madonna and Vanessa Paradis; contemporary artists including Francois Curlet, Philippe Parreno, Pierre Huyghe and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michael Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely heard luminaries - designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-Francois Piege; theatre director Arthur Nauzyciel and curator Hans Ulrich Obrist - are interspersed, providing a thought-provoking insight into the minds of one of the world's most distinctive creative duos. A foreword by Donatien Grau and an afterword by Eric Troncy bookend contributions by Emanuele Coccia, Jo-Ann Furniss, Alison M. Gingeras, Etienne Hervy, Emily King, Philippe Rouyer and Akira Takamiya. Edited by Grace Johnston, volume two of M to M of M/M (Paris) completes the first volume of M/M's monograph published in 2012, and now republished by Thames & Hudson.

Fifty-six international designers and architects celebrate the Hogan label's most recent collections. There is an obvious connection between the different forms of creative expression: this is the core philosophy Hogan, expressed in the Future Roots project in which 56 internationally famous designers and architects are captured in Ornella Sancassani's photographs wearing the most recent collections designed by the fashion label. The black-and-white photographs interpret the fashion house's savoir-faire; the architects and designers are captured in their professional workplaces or with those objects that in a concise way best express their Weltanschauung. Future Roots is therefore a story in pictures in which the different aspects of planning in design, architecture, fashion and photography are brought to the fore, showing little distinction between sectors.

Designer and interior decorator Dorothy Draper’s colour-filled life story is one of high society, money, gossip, and throughout it all, reinvention. Carleton Varney has owned and directed Dorothy Draper & Company, Inc., for almost 60 years. He worked with Mrs. Draper at the end of her illustrious career, and wrote the only biography of her life, The Draper Touch: The High Life and High Style of Dorothy Draper, in 1988. In the book, Varney sets the scene and defines the milieu that Draper was born into in 1889 and from which she escaped to become one of America’s leaders in design — a true visionary entrepreneur. Thirty-three years later, Shannongrove Press is releasing this deluxe edition of The Draper Touch. With a new foreword by Varney, newly found photographs, recently discovered historical documents from a private collection, and archival ephemera from Draper’s family, this beautiful tome reveals Draper’s fascinating journey and the real stories behind her ground-breaking work.

For those of advanced tastes, the Modern Movement was a welcome corrective to the debased aesthetics of the commercial world. The products of light industry were as untutored in the 1920s and 30s as massed housing and both took scant interest in the idealist thinking that sought to harness architecture and design to social progress. Robert Best, one of Britain’s leading industrialists in this period, shared the goal of better mass education but was troubled by Modernism’s promoters, for reasons that they found hard to understand. If the few knew better than the many, and had an obligation to elevate them whether they liked it or not, where did this leave the democratic principles that our liberal society prided itself on? Best felt that the campaign to popularise Functionalist design took propaganda into territory that had uncomfortable political overtones. In this extraordinary memoir, written in the early 1950s but never previously published, Best explored his concern about the sense of noblesse oblige that lay behind such bodies as the Council of Industrial Design, set up in 1944 ostensibly to raise the saleability and quality of British manufacturing but also, in his view, to brainwash the public into denying what it liked in favour of more cultivated but untested alternatives.