From young love to heartbreak, the fourth book in Christopher Hart's bestselling Master Guide to Drawing Anime series focuses on the hugely popular Romance genre. The newest addition to Christopher Hart's bestselling Master Guide to Drawing Anime series takes on one of the most popular styles in Japanese cartoons: Romance. It provides an overview of romance subgenres and teaches every aspect of drawing anime romance, from common male and female character types to the dramatic--and funny--situations they find themselves in. Hart covers the complete arc of romantic anime stories--bliss, arguing, breaking up, and getting back together--and explains how to draw the anime head and body, match poses to the characters' personalities, craft emotional expressions, design standout features, draw couples that click, and create a romantic setting. Fans will welcome this deep dive into the genre, and newcomers will be drawn in by the dynamic artwork that is a hallmark of Christopher Hart's anime and manga titles.

Hollywood has exerted a profound influence on British style and design. From its earliest days, Hollywood glamour in the form of make-up, hairstyles, and fashion was mimicked by women throughout Britain. But the influence of Hollywood was more than skin-deep. Nearly every form of British material culture in the twentieth century has been influenced to some extent by American style, disseminated through the medium of film to a broad and receptive market.With the erection of the Chrysler Building in New York in the late 20s, representing the city and modern American urban life, the Manhattan skyline became an enduring icon in popular culture on both sides of the Atlantic. Not only Hollywood film, but jazz and American companies all combined to bring the new Moderne style to bear on Britain. The architecture of shops, cinemas, and factories all reflect this influence, as did various forms of transportation and the interiors of homes. Even as late as the consumer boom in the 80s, revivals celebrating the Moderne style were popular in Britain as well as abroad. This influence was naturally not without its critics. The very popularity of American design challenged the aesthetics and elitism of British high arts and remains controversial. Anyone interested in design, material culture, film or architecture will find this book to be a lucid and absorbing exploration of a popular aesthetic.

The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things - whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance. Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre's own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under 'ideas for the future'. All reflect an approach which could be described as designing with people as opposed to designing for people.

Glamorous fashions, personalities, and places captured by iconic photographer Slim Aarons Slim Aarons, at least according to the man himself, did not photograph fashion: "I didn't do fashion. I did the people in their clothes that became the fashion." But despite what he claimed, Aarons's work is indelibly tied to fashion. Aarons's incredibly influential photographs of high society and socialites being unambiguously themselves are still a source of inspiration for modern day style icons. Slim Aarons: Style showcases the photographs that both recorded and influenced the luminaries of the fashion world. This volume features early black-and-white fashion photography, as well as portraits of the fashionable elite-like Jacqueline de Ribes, C.Z. Guest, Nan Kempner, and Marisa Berenson-and those that designed the clothes, such as Oscar de la Renta, Emilio Pucci, Mary McFadden, and Lilly Pulitzer. Featuring some never-before-seen images and detailed captions written by fashion historians, Slim Aarons: Style is a collection of the photographer's most stylish work.

Think you know ink? Think again!

Whether your tattoo is to honour a loved one, to remember an event, to state your beliefs or simply to look good, there's always more to getting a tattoo than meets the eye. For example, do you know that having a tat links you to a deep and multicultural tradition stretching back thousands of years? Yes, even that one you got as a drunken dare . . .

From Siberia to Polynesia, tattoos have always been part of human history. Vilified and revered, shunned and celebrated, the history of the tattoo is as colourful and detailed as a master's design. The Little Guide to Tattoos is packed with fascinating history, fun facts, quirky quotes and deep dives onto some of the most iconic symbols.

Whether you're a full-on aficionado or cautiously ink-curious, The Little Guide to Tattoos is the only guide you need to all things tattoo.

Enter the world of Junji Ito's art--an abyss of horror and sublime beauty. A first-ever collection of Junji Ito's artworks, featuring over 130 images from his bestselling manga titles along with rare works. This sublime collection includes all of Ito's unforgettable illustrations in both black-and-white and color, from Tomie's dreadful beauty to the inhuman spirals of Uzumaki. Includes an interview focused on Ito's art technique as well as commentary from the artist on each work.

Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani's efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape-coding, exploring higher-dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani's pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.

This edited volume maps dialogues between science and technology studies research on the arts and the emerging field of artistic research. The main themes in the book are an advanced understanding of discursivity and reasoning in arts-based research, the methodological relevance of material practices and things, and innovative ways of connecting, staging, and publishing research in art and academia. This book touches on topics including studies of artistic practices; reflexive practitioners at the boundaries between the arts, science, and technology; non-propositional forms of reasoning; unconventional (arts-based) research methods and enhanced modes of presentation and publication.

Bebop back a little, to post-war America, crinoline, and big flowers with one of the most widely published authors on vintage fashions. Predicting doubling values, she's advising that collectors get a jump-start now, snatching up those snug-bodiced, full-skirted dresses, sheath gowns, clear plastic evening shoes, peddle pushers, Capri pants, fun flowered and feathered hats, Grace Kelly-style formals, flattering bathing suits, and even paper dresses. To help with the hunt, there's an up-to-date value guide for couture designers, along with a forecast of what fashions from the 1970s forward might be considered collectible in the future. This gorgeous volume is packed with more than 500 color photos of authentic day and evening clothes and accessories never before found in fashion books on the era. Read the story behind the fashions, including advice from period magazines that detail "The New Look," the politics behind clothes, and an unparalleled look into the ready-to-wear industry that swept the world of fashion in the 1950s-60s. Sound information is provided for collecting and caring for more than 500 of the most popular, ready-to-wear designers.

This sumptuously illustrated book reveals the decorative seams, refined stitching, voluptuous drapery, strict corseting and slashing and stamping that make up some of the garments in the V&A's superlative 19th-century fashion collection. With an authoritative text, exquisite colour photography of garment details and line drawings showing the complete construction of each piece, it gives the reader a unique opportunity to examine historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and clothing.

? For three decades, Vivienne Westwood has been Britain?s most consistently original, outrageous, eccentric and controversial designer. In that time she has evolved from an iconoclastic outsider to an internationally revered figure, with two British Designer of the Year awards, an OBE, her own successful fashion label and an unrivalled reputation for leading where other designers follow.
? Her lifestyle could scarcely be in greater contrast to the opulence which surrounds other leading designers: until recently she lived in a modest council flat in South London, and she still travels around the capital by bicycle, dressed in her own flamboyant creations, with a plastic bag protecting her hair from the elements. How did an awkward girl from a conventional and provincial background become one of world fashion?s most influential and respected designers? How has she managed to remain true to her own idiosyncratic vision, refusing to conform to the fashion industry?s, and society?s, expectations?
? Speaking to Westwood herself, her friends, lovers, colleagues, rivals, admirers and detractors, Jane Mulvagh has created a portrait as rich, distinctive and constantly surprising as her subject?s character and work.

This original animal alphabet series with its sophisticated imagery was created to appeal to adults but children delight in it as well. The book explores unusual imagery juxtapositions pairing alphabet letters with animals and unexpected objects beginning with that same letter. The series started when artist Leslie Haines discovered a human-faced walrus in an old engraving book. She was so drawn to that image that she felt inspired to create a visual story with the walrus as the central figure. The cicada-carrying cat was next, and from there, the rest of the alphabet was not far behind. Letterpress type, vintage engravings, original drawings, found objects, photography, and old book pages all mix together in collages that reveal original, inventive, and humorous scenarios. Animal Abecedary is truly a one-of-a-kind alphabet book that will bring hours of enjoyment and discovery to all ages.

Artist and designer Luke Edward Hall, based in London, has taken the design world by storm with his playful, nostalgic, charming, and sophisticated interiors, fabrics, ceramics, furniture, stationery, prints, drawings, and paintings. With a strong belief that his artwork, decor, and interior design convey "happiness and optimism," whimsical and romantic themes and a bright coluor palette are purposeful hallmarks of the wunderkind's aesthetic. Before the age of 30, Luke has already collaborated with some of the world's most prestigious creative brands and garnered acclaim from The New York Times, Vogue, and many of the most influential arts, design, and fashion publications. teNeues is proud to debut the exciting, beautiful, and exuberant first monograph of the brilliant Luke Edward Hall. After graduating from the esteemed Central Saint Martins, Luke Edward Hall began his career in interior design before establishing his own studio in 2015, and has since worked across a broad range of art and design commissions and interior design projects. He has expanded his portfolio to design collections of housewares, table linens, ceramics, stationery, embroidered slippers, clothing, and jewellery, and more. Burberry, Liberty London, Svenskt Tenn, Rowing Blazers, Christie's, and the Royal Academy of London are among his notable clientele. Luke has exhibited his artwork in London and Stockholm and contributed art pieces and his writings to such lauded culture magazines as Cabana, House & Garden, and Pleasure Garden. He is currently a regular columnist for the House & Home section of the Financial Times. www.lukeedwardhall.com

Although it can be difficult to think of fashion in anything other than a contemporary context, as a concept it is hardly new. Costume historians trace the birth of fashion back to the thirteenth century and writings on fashion date back as early as the sixteenth century when Michel de Montaigne pondered its origins, thereby setting in motion a chain of inquiry that has continued to intrigue writers for centuries. This key text reprints classic fashion writings, all of which have had a profound if perhaps untrumpeted impact on our understanding and approach to modern day dress - from the psychology of clothes through to collective fashion trends. Why do we wear clothes? What do they say about our self-awareness and body image? How can we 'fashion' new identities through what we wear? Seminal fashion statements by Montaigne, William Hazlitt, Herbert Spencer, Thorstein B. Veblen, Adam Smith, Herbert Blumer, and Georg Simmel answer these questions and many more. Full of vital fashion treasures that have often been ignored, this book fills a major gap in the history of the discipline and will serve as an essential teaching text for years to come.

Provides a comprehensive review on new swarm intelligence Offers practical implementation of PSO with MATLAB code Presents statistical analysis techniques so that researchers can analyze their own experiment design Discusses swarm intelligence algorithms in social sector and oil and gas industries Covers recent findings and the implementation techniques to Machine Learning