This wonderfully practical book literally shows you how to make costumes for plays, pageants and musicals at the lowest possible expense! Over 150 detailed illustrations work with the easy-to-follow text to walk you through every step of the process. Just about every basic period is covered: Biblical to Medieval, Renaissance, Angels, The Fabulous Fifties, 1800s to World War I, The Roaring Twenties and more. Many helpful hints on making or buying realistic period theatrical costumes on a shoestring budget from cast-offs, donations, scraps and other easily-obtained materials. Also included are "special effects" costumes, helpful hints for getting into and out of costumes, and a glossary of costuming terms. A book that will pay for itself with its first use. Contents: Resources: Where Do I Start?, Period Costumes, Who Was That Masked Man?, Undemeath it All, Helpful Hints and Useful Information, The Play's the Thing, Epilogue: Behind the Scenes, Glossary.

Discusses forecasting expenditure in detail. Provides analysis of reduction and increase in the forecasting expenditure. Highlights advanced concepts including procurement inventory, production planning, and priority planning in detail. Examines an approach in relation to the inclusion of an explicit cost of forecasting. Covers total cost formulation, modified total cost, relevant index, threshold value, and cost of forecasting in a comprehensive manner with the help of examples.

Graphic design is broadly interpreted in this annotated topical bibliography, covering both scholarly and applied literature focusing on graphics printed commercially for mass consumption in the United States from colonial times to the present. Materials extend from historical studies of design to textbooks and manuals of professional practice to theoretical works relating to design drawn from disciplines such as psychology and communication theory. The 1100 entries include reference sources, books, periodical articles, catalogs, films, and electronic data. Among the topics covered are general reference, design theory and history, education and career guides, professional practice, production and layout, typography, calligraphy, color reproduction, caricature, and photo illustrations as well as applications in advertising, publication design, corporate identity programs, information graphics, package design, posters and signs. Literature on computer technology as used in desktop publishing and computer graphics is also included. Appendixes provide annotated listings of almost 200 relevant annuals and serials as well as a directory of associations and organizations in the field. Access to titles, authors, and a finer breakdown of subjects is facilitated by thorough indexing. This work should be a valuable resource for professional designers, scholars and students of design, and librarians interested in collection development.

The Fashioned Body provides a wide-ranging and original overview of fashion and dress from an historical and sociological perspective. Where once fashion was seen as marginal, it has now entered into core economic discourse focused around ideas about 'cultural' and 'creative' work as a major driver of developed economies.   This third edition of The Fashioned Body, the most comprehensive revision to date, revisits the classic works on fashion, dress and the body, and introduces contemporary issues and debates in the area. With new sections and revisions to all chapters, the major updates pick up on recent debates on fashion from the perspective of decolonising the curriculum, diversity, queer studies, sustainability, the environment, and digital fashion. A newly expanded bibliography of contemporary studies of fashion and dress is also included. The book continues to show how an understanding of fashion and dress requires analysing the meanings and practices of the dressed body in culture. Moreover, its central premise – that fashion is a 'situated practice' articulated through everyday dressed bodies – has become established orthodoxy within fashion studies since publication of the first edition in 2000.   Remaining a seminal text in the field, this book will be essential reading for anyone interested in the social role of fashion and dress in modern culture.

Contributions by Jordan Bolay, Ian Brodie, Jocelyn Sakal Froese, Dominick Grace, Eric Hoffman, Paddy Johnston, Ivan Kocmarek, Jessica Langston, Judith Leggatt, Daniel Marrone, Mark J. McLaughlin, Joan Ormrod, Laura A. Pearson, Annick Pellegrin, Mihaela Precup, Jason Sacks, and Ruth-Ellen St. Onge. This overview of the history of Canadian comics explores acclaimed as well as unfamiliar artists. Contributors look at the myriad ways that English-language, Francophone, indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. In contrast to the United States' melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon's Cape Breton-specific Old Trout Funnies, Michel Rabagliati's Montreal-based Paul comics, and Kurt Martell and Christopher Merkley's Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally "alternative" cartoonists, namely Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream/alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider/outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists. This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.

Frank Frazetta has reigned as the undisputed lord of fantasy art for 50 years, his fame only growing in the 12 years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he's long overdue for this ultimate monograph. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do - he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, "I'm very physical minded. In Brooklyn, I knew Conan, I knew guys just like him," and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta's art is addictive as potato chips. This monograph is the biggest and most complete ever produced on the artist, done in collaboration with the Frazetta family and with top collectors.

This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women. It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinee, as well as the work of female bande dessinee creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo. Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinee, its form as well as its history, has shaped dominant representations of women. This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men. This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only. As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinee) will ensure that the text is also of interest to a Franco-Belgian audience. With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinee (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.

Increased industrial capacity, manufacturing output, and manufacturing technology all contribute significantly to a country's GDP. Manufacturing is the foundation of industrial production, so improving its methods and infrastructure is crucial for progress. Recent years have seen the introduction of a wide range of energy- and resource-efficient, environmentally friendly, and occupationally safe manufacturing techniques, and this book focuses on these latest techniques, as well as continuous advancement, in order to meet current challenges. The book is divided into three sections: (1) subtractive manufacturing, (2) additive manufacturing, and (3) the use of artificial intelligence in manufacturing. It discusses micromaching, metal-based additive manufacturing, polymer-based additive manufacturing, hybrid additive manufacturing, and finally artificial intelligence in manufacturing. Futuristic Manufacturing: Perpetual Advancement and Research Challenges connects modern manufacturing methods and emerging trends in the industry. It adds a thorough examination of modern manufacturing techniques and modifications that may be implemented in the future, and is an excellent resource of information for undergraduate and graduate students in manufacturing.

In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design-from consumer goods and digital technologies to built environments-currently serves capitalist ends, Escobar argues for the development of an "autonomous design" that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design's principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.

'If you go to Tokyo, I think it becomes very obvious that there's this almost seamless mixture of popular culture and Japanese traditional culture.' – Kazuo Ishiguro From the youthful maximalism of Harajuku to the luxurious sophistication of Ginza, Tokyo is the city of a thousand styles. With diverse and unique subcultures like the kitsch Sweet Lolitas, the dark and dramatic goths and punks, the retro rockbillys and the elegant and traditional Wa Lolitas, Tokyo is home to an explosion of fashion like no other. This instalment of the beautiful Little Books of City Style series will look at the style evolution of this incredible capital, providing an exquisitely illustrated guide to dressing like a true Tokyoite.

How can we design better experiences? Experience Design brings together leading international scholars to provide a cross-section of critical thinking and professional practice within this emerging field. Contributors writing from theoretical, empirical and applied design perspectives address the meaning of 'experience'; draw on case studies to explore ways in which specific 'experiences' can be designed; examine which methodologies and practices are employed in this process; and consider how experience design interrelates with other academic and professional disciplines. Chapters are grouped into thematic sections addressing positions, objectives and environments, and interactions and performances, with individual case studies addressing a wide range of experiences, including urban spaces, the hospital patient, museum visitors, mobile phone users, and music festival and restaurant goers.

Designing Peace asks, how might we collectively put our creative forces together to envision a future we want to live in and take action to create it now? This book is an intersectional snapshot of the actions-culturally diverse and wide-ranging in scale-that are currently in play around the world. Offering perspectives on peace through essays, interviews, critical maps, project profiles, data visualizations, and art, this book conveys the momentum that design can gain in effecting a peace-filled future. From activists, scholars, and architects to policymakers, graphic, game, and landcape designers, Desiging Peace flips the conversation: peace is not simply a passive state signifying the absence of war, it is a dynamic concept that requires effort, expertise, and multi-dimensional solutions to address its complexity. Designers engage with individuals, communities, and organizations to create a more sustainable peace-from creative confrontations that challenge existing structures, to designs that demand embracing justice and truth in a search for reconciliation. This publication aims to expand the discourse on what is possible if society were to design for peace.

The Fashion Business Manual is everything you need to start building your fashion brand. It takes you step by step through building a brand from startup to retailing, using illustrations to break down complex business information into an easy-to-read visual format - making it a dynamic resource for fashion students, entrepreneurs and people in the fashion industry.

Woo hoo! Here, at long last, is a guide to the ever-expanding world of collectibles inspired by America's longest-running animated sitcom, "The Simpsons." Since their first appearance in 1987, the Simpsons have lent their familiar faces to literally hundreds of items, from dolls and action figures to clocks and cookie jars. With over 500 full-color pictures of Simpsonabilia that range from the everyday to the obscure, Robert W. Getz invites you to join him as he braves this forbidding, spiky-topped Everest. Prefaced with an essay that traces the history of the show and the reasons for its long-lived popularity, The Unauthorized Guide To The Simpsons Collectibles has something to offer every Simpsons collector, from the beginner to the die-hard fan, including a guide to current prices.

Is there a peculiarly English 'look' and if so how does one define it? From the 'traditional' dress of the Victorian rural working class through to the contemporary collections of Vivienne Westwood and a younger generation of London-based designers, notions of Englishness, either real or imagined, have always been at play in considerations of English fashion and clothing. This provocative book explores how far these fraught ideals can be applied to the dress of the past and present. English expressions of taste and creativity have had a profound influence on style over the last three centuries, and the pursuit and subversion of an English 'look' have shaped conceptions of fashionability from the pastoralism of the eighteenth-century through to the eras of Twiggy, Punk and beyond. But are these simply stereotypical characterizations that relate to an imagined 'Englishness', or is there some concrete basis for them? If the former, what has led to their development? If the latter, what definitions can be employed to unravel such complicated conceptions of national identity? What role has social decorum played in developing an 'English' style, and is this preoccupation with etiquette in fact unique to England ? With chapters authored by leading scholars in the fields of costume history, social history and cultural studies, this is the first book to examine the ways in which fashion and dress might be considered in the context of national identities as they apply in England. Presenting an overview of how particular designers and consumer groups have striven to present or contest versions of Englishness through clothing from the 18th through to the 21st centuries, it will fascinate anyone interested in dress history, national and ethnic identity or English cultural history.

School is now in session! Learn the art of drawing manga with YouTube sensation and manga expert Mei Yu.

In Manga Drawing School, Mei guides you through every artwork step by step, from drawing simple faces and hairstyles to striking poses and action-packed fantasy scenes. You'll discover over 50 lessons that will help you master the skills you need to create manga characters and scenes that are packed with personality.

Starting with the basics – from drawing the right lines and layering colour to storyboarding and using speech bubbles – you'll build your skills chapter by chapter with lessons on expressions, hands and feet, outfits, and even fantasy characters. Try your hand at different manga styles including chibi, shonen, and chibi art, and take your art to the next level with Mei's tips and masterclasses.

With Mei's help and encouragement, you'll create characters that are packed with personality, whatever your age or skill level. So what are you waiting for? Let's get started!

Every week, the comic book artist Riad Sattouf has a chat with his friend's daughter, Esther. She tells him about her life, about school, her friends, her hopes, dreams and fears, and then he works it up into a comic strip. This book consists of 52 of those strips, telling between them the story of a year in the life of this sharp, spirited and hilarious child. The result is a moving, insightful and utterly addictive glimpse into the real lives of children growing up in today's world.

This is the first worldwide guide to contemporary Spanish-speaking authors and illustrators for young readers. It features personal and professional information on more than 200 contemporary Spanish-speaking authors and illustrators from Argentina, Bolivia, Chile, Costa Rica, Cuba, Mexico, Peru, Spain, the United States, Uruguay and Venezuela, as well as a complete listing of their books written in Spanish for children and young adults. Schon, author of numerous bibliographies of children's and young adult literature in Spanish, compiled the information from responses given by the authors themselves to a questionnaire she developed. Quotes from the authors about their work add a personal touch.

Following an introduction describing the scope, organization and selection criteria for the work, the biographical entries are organized alphabetically. Each entry contains place and date of birth; name of parents, spouse, and children; colleges attended and degrees earned; complete home and office addresses and telephone numbers; name of employer, position, and dates for each career post; memberships in professional and civic organizations; literary and professional awards received and dates; bibliography of books written/illustrated; revealing personal comments on special interests, aspirations, and thoughts as expressed by each author/illustrator; critical sources in which the writer's/illustrator's work has been discussed. An appendix at the end of the volume arranges the subjects by country of birth and/or residency. The market for the book is school (elementary through high school) libraries, children's departments of public libraries, bilingual departments of education, bilingual teachers, academic libraries.

This book proposes a novel approach to the design of accessible and inclusive sailing yachts, inspired by the principles of "Design for All." The goal is to allow anyone, including users with disabilities and individuals belonging to the weaker segments, to sail without barriers. Starting from an analysis of existing pleasure boats, the author identifies a series of factors limiting the accessibility or usability of external and internal spaces. In turn, he discusses the most suitable solutions to each. By proposing an extensive set of design solutions applicable to the confined spaces on yachts, and which comply with the relevant anthropometric and dimensional rules, the book offers a timely snapshot of the potential benefits and applicability of an inclusive approach to yacht design, setting a new reference standard for inclusive and accessible nautical design.