Although it can be difficult to think of fashion in anything other than a contemporary context, as a concept it is hardly new. Costume historians trace the birth of fashion back to the thirteenth century and writings on fashion date back as early as the sixteenth century when Michel de Montaigne pondered its origins, thereby setting in motion a chain of inquiry that has continued to intrigue writers for centuries. This key text reprints classic fashion writings, all of which have had a profound if perhaps untrumpeted impact on our understanding and approach to modern day dress - from the psychology of clothes through to collective fashion trends. Why do we wear clothes? What do they say about our self-awareness and body image? How can we 'fashion' new identities through what we wear? Seminal fashion statements by Montaigne, William Hazlitt, Herbert Spencer, Thorstein B. Veblen, Adam Smith, Herbert Blumer, and Georg Simmel answer these questions and many more. Full of vital fashion treasures that have often been ignored, this book fills a major gap in the history of the discipline and will serve as an essential teaching text for years to come.

Provides a comprehensive review on new swarm intelligence Offers practical implementation of PSO with MATLAB code Presents statistical analysis techniques so that researchers can analyze their own experiment design Discusses swarm intelligence algorithms in social sector and oil and gas industries Covers recent findings and the implementation techniques to Machine Learning

From 1976 to 1978, the young photographer Simon Barker was a member of the "Bromley Contingent"--a group of avid Sex Pistols fans who comprised the group's inner circle at the height of the punk movement. Many of them, such as Jordan and Siouxsie Sioux, were notorious for their daredevil dress sense, and several--such as Sioux, Steven Severin, Adam Ant, Poly Styrene, Billy Idol, Viv Albertine and Ari Up--went on to form some of the most important bands of the era. This compilation of previously unseen photographs by Barker shows these founders of punk in their earliest incarnations--in bedrooms and kitchens, at public gigs and private parties--before media and commerce sunk their claws into punk's iconoclastic look and class politics. Taken with the simplest and cheapest pocket cameras, the photographs in this collection constitute Barker's "family album for the years 1976 to 1978." In the spirit of the Pistols' "God Save the Queen," the volume closes with a photographic sequence taken by Barker during the 1976 Jubilee celebrations, which shows Romanian tyrant Nicolae Ceausescu hobnobbing with the Queen of England in the royal procession.

Warriors and Heroes is a stunning display of incredible, contemporary fantasy artwork, a complement to its bestselling predecessor, Dragon Art. The first section covers 'Masters & Origins' and introduces some of the writers, characters and artists who helped to shape the fantasy world as we know it today - including James Allen St John, Roy G. Krenkel, the Hildebrandt Brothers and of course Frank Frazetta. A fascinating discussion of warriors and fantasy art follows on, running throughout the book, with a large selection of the best of the current crop of fantasy artists. Warriors & Heroes is interspersed with features on artists' works-in-progress, providing invaluable insight on technique and tools. Warriors & Heroes is a feast of visual imagination and a must for all fans of fantasy art.

Technology has created innovative new prospects for manufacturing industries with Industry 4.0 and has helped further the growth of the manufacturing sector. This book focuses on the next stage, which is Industry 5.0, and the steps in taking automation to that next level by increasing processes and operational efficiency, as well as reducing workforce size. Industry 5.0: The Future of the Industrial Economy discusses the integration of product, process, machine, software, and industrial robots in realizing Industry 5.0. It covers the dual integration of human intelligence with machine intelligence and reviews the results of making use of Industrial Internet of Things (IIoT) and Artificial Intelligence (AI). The creation of a new category of robots named Collaborative Robots (Cobots) specifically designed to speed up the manufacturing process and profitability is explored. This book also explores how to reduce waste in product design through the manufacturing process and offers more personalized and customized products for customers. Manufacturing, design, industrial, and mechanical engineers, as well as practicing professionals, will find this book of interest. Management executives, CIOs, CEOs, IT professionals, and academics will also find something of value in this book that takes Industry 4.0 to Industry 5.0 and beyond.

Learn how to letter and create fun, adorable illustrations featuring everyday objects in this step-by-step guide-with tips, tricks, and practice space to kickstart your creative journey. In this effervescent approach to art instruction, artist Jesi Rodgers opens up her tool kit, sharing techniques, inspiration, and encouragement to teach the creatively curious how to draw and paint adorable projects. Adorable Art Class explores Jesi's quirky, bright, and captivating art style. The lessons show how to create supercute illustrations of the kinds of things we see every day: Flowers Teacup Bike Cat Taco Donut Apple Along the way, we learn about color, materials, tools, and finding your creative voice. With helpful prompts and projects using a range of techniques and mediums, from pencil sketching to marker coloring, anyone can master this cute and adorable art style.

Jim Heimann's new book on Menu Design in Europe is a mouthwatering feast for the eyes, featuring hundreds of European menus from the early 19th century to the end of the millennium. At once a history of continental cuisine and a sprawling survey of graphic styles, Menu Design in Europe satisfies the craving for foodies and design enthusiasts alike. The dominance of French cuisine provided the template for the culinary delights that spread throughout (and beyond) the continent. As restaurants and dining experiences increased in the 19th century, the need for a more formal presentation of available items resulted in a range of printed menus that could be both extravagant and simple. The 1891 menu from Paris's Le Grand Vefour, with its intricate die-cut design, evokes a bustling Belle Epoque bistro, while the 1932 menu from London's Royal Palace Hotel transports you to the bar at a spirited, Jazz Age nightspot. On the opposite side of the design spectrum, the menu for the mid-century Lasserre restaurant expresses a surrealistic simplicity. A range of stylistic decades is represented, from masterpieces of Art Nouveau and Art Deco to the graphic appropriations of the German Democratic Republic. Also showcased are the Michelin awarded restaurants of the celebrity chef-era and rarities such as a German military menu from World War II. More than just bills of fare, these menus often represent a memorable dining experience, at times being presented with as much care and attention to detail as the meal itself. So, although one cannot sit in La Tour D'Argent in 1952 and sample its famous duck dish Le Caneton Tour d'Argent, we can surely imagine what it was like when looking at the waterfowl-themed illustration displaying the night's offerings. Featuring an essay by graphic design historian Steven Heller and captions by leading ephemerist and antiquarian book dealer Marc Selvaggio, Menu Design In Europe features menus from leading collectors and institutions, providing a sumptuous visual banquet and historical document of two centuries of culinary traditions.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Aimee Stewart is a self-taught artist, photographer and writer who has been blurring the lines between digital and traditional art since 2005. Her special focus is in eclectic digital painting and photomanipulation - she takes components from old photographs and manipulates them into elements that complement her work perfectly. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

This book reports on interdisciplinary research and practices in communication, interior, fashion and product design, highlighting strategies for systematizing the design approach in a global, digital world. It gathers a selection of chapters written by the authors of the best articles presented at the 7th EIMAD conference, held online on May 14-15, 2020, from Portugal. The works were chosen for their particular link to contemporary concerns in terms of identity, health and well-being, social inclusion, sustainability, education and environment and, among others. They cover and bridges between important aspects of design education, research and practice, as well as creativity and emerging technology, offering a timely perspective and a source of inspiration to researchers, professionals and educators in design, product development and related fields.

This book presents cutting-edge methods and findings that are expected to contribute to significant advances in the areas of communication design, fashion design, interior design and product design, as well as musicology and other related areas. It especially focuses on the role of digital technologies, and on strategies fostering creativity, collaboration, education, as well as sustainability and accessibility in the broadly-intended field of design. Gathering the proceedings of the 8th EIMAD conference, held on July 7-9, 2022, and organized by the School of Applied Arts of the Instituto Politecnico de Castelo Branco, in Portugal, this book offers a timely guide and a source of inspiration for designers of all kinds, advertisers, artists, and entrepreneurs, as well as educators and communication managers.

A personal message from the author: Lots of individuals in society today are feeble-minded. They don't know what the HELL is going on. Unfortunately many of these people are responsible for running THE COUNTRY. They don't know the difference between a PRECIOUS JEWEL and a piece of animal turd. Their ideas are MEANINGLESS, illustrated using RUBBISH imagery (often made by a computer). The stupid words they write are always in BAD FONTS. Yet still people HEED this nonsense. Maybe YOU are one of these people? It's alright. I am here to HELP you. I have a FULLY-COMPOSED WORLD VIEW. I have STRONG opinions about EVERYTHING. And my ideas are HAND-ILLUSTRATED and use REAL HANDWRITING that you can trust. I know exactly what's going on and am WILLING to share my thoughts with you. If you LISTEN to what I say then things will quickly improve. No more weak messages. No more bad situations. Shall we proceed?

Part of a ten-volume bibliography series on comic art compiled by John A. Lent during the past decade, this volume provides more information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons than any other printed source in the world. Lent, founding editor of International Journal of Comic Art and longtime scholar of cartooning globally, takes great pains to be exhaustive, representative, and accurate in providing 11,367 citations of books, chapters, articles, and "fugitive" materials gleaned from a variety of sources worldwide, including about 400 periodicals and journals. Easy to use, incorporating a well-structured outline that includes categories and sub-categories, Lent spans every conceivable aspect of comic art. Other features include periodical directories for both Canada and the United States with addresses, typical contents, and inaugural dates of 101 comic art-related journals, magazines, and fanzines, and citations to hundreds of cartoonists and animators and their characters and works. Undoubtedly, this volume and the other nine in the Greenwood/Praeger series are unequalled as the definitive comic art bibliographies.

Design in Japan is deeply rooted in the country’s historic craft culture, profound understanding of materials and commitment to functionality. These qualities yield chairs, cups and other daily use items which are easy on the eye, comfortable in the hand and always do their job well. Even as mass manufacturing became widespread in the post-war period and cross-cultural exchanges began to take place with the West, Japan held fast to these core values and practices. This dedication has given rise to timeless objects of great beauty and utility as well as innovations in materials, form and technology. Far beyond design icons such as the Kikkoman Soy Sauce Bottle, Sori Yanagi’s Butterfly Stool, and the Sony Walkman®, the products and objects created in Japan over the past seven decades serve to delight and draw admiration. In recent years, a new generation of designers, including Naoto Fukasawa, nendo and Tokujin Yoshioka, have taken Japanese creativity into exciting new territory: some are eliminating objects entirely, others are reimagining what an object could be. Though Japan has developed some of the world’s most sophisticated robotic manufacturing complexes, many of its most appealing products are made by small factories and workshops whose artisans use their hands as much as machines. This impressive volume is the most complete overview of Japanese design to date and its exquisite presentation is itself a beautiful example of Japanese design. Including profiles of over 70 creators, the book is based on the author’s interviews with designers, their colleagues and family members, as well as leading curators and critics. The profiles are accompanied by short takes on iconic products and essays on related topics by Japanese and Western design experts. Featuring hundreds of objects, this volume will become the definitive work on the subject for many years to come.

Fashion is a big bubble, and sometimes I feel like popping it.' Alexander McQueen, 2009 This definitive publication on Alexander McQueen (1969 - 2010) invites you into the creative mind and world of one of Britain's most brilliant, daring and provocative designers, and the many themes and references that shaped his visionary fashion collections. Accompanying the V&A's landmark exhibition Alexander McQueen: Savage Beauty, and taking the key themes of the exhibition of tailoring, gothic, primitivism, naturalism and futurism, this comprehensive catalogue features previously unseen material as well as groundbreaking essays and feature spreads by multiple authors and leading fashion commentators. This kaleidoscopic approach explores themes central to the designer's work and his collections, such as the psychology of fashion, natural history, the theatre and spectacle of his shows, and the key creative collaborators during McQueen's lifetime. Alexander McQueen also offers an encyclopaedic survey of McQueen's catwalk collections, illustrated with striking images by leading fashion photographers, and specially commissioned photographs that capture the breath-taking skill of his designs and awesome theatricality of his shows. Accompanies Alexander McQueen: Savage Beauty (14 March to 19 July 2015), developed and expanded from the 2011 blockbuster show at the Metropolitan Museum of Art, New York.

This essential book provides the first comprehensive overview of the symbiotic relationship that exists between fashion and textiles. Because textiles represent a central ingredient of fashion (as with denim jeans, for example), their interrelationship should be an obvious theme for study, yet historically the two subjects are often considered separately. Gale and Kaur analyze fashion and textile's cultural, industrial and social relationships, as well as examining how the two fields compete with and influence one another. Taking as their starting point the nature of the relationship between fashion and textiles, Gale and Kaur then identify and discuss key arenas of commercial and cultural interaction, including raw materials, business, consumers, and future technology. Their examples are drawn from the experiences and opinions of industry professionals - designers, retailers, and manufacturers. Gale and Kaur look at how the raw materials from which clothing is made are heavily influenced by fashion trends on national and global levels. Why do we choose the fabrics we do, and how do our choices affect both industries? The story is very much a human one. Each garment has an intriguing history before a consumer even tries it on. Gale and Kaur unpick this history and examine how retail need and consumer demand impact upon the end product. The result is an exciting new book that begins at the level of supply and demand, and moves forward to consider issues about design, technology, globalization and broader fashion trends. Highlighting cultural differences and similarities between the two industry sectors, Fashion and Textiles offers varied professional perspectives, information about key roles and jobs, and practical considerations relating to economics, design, manufacture and retail. A key text for a wide range of courses on fashion and textiles, it is vital reading for anyone hoping to pursue a career in either field.