Journeying through the comic art worlds of Africa, Asia, Australia, and Latin America, one cannot help being deeply impressed with the longevity, magnitude, and versatility of their cartooning traditions. This is the fourth title in Lent's definitive bibliography of comic art worldwide--the series includes over 30,000 citations. The current volume covers 67 countries on the various continents. The 6,506 items here comprise the richest lode of research materials on comic art in these regions. Three famous cartoonists from Asia (Abu Abraham), Africa and the Middle East (Effat), and the Caribbean (Ares) provide interesting perspectives on their regions in separate forewords.

The work is divided by regions, countries, and topics, and, like the others in the series, includes citations in many languages and in published and unpublished formats. The other three volumes are "Animation, Caricature, and Gag and Political Cartoons in the United States and Canada"; "Comic Art of Europe"; and "Comic Books and Comic Strips in the United States," all published by Greenwood in 1994. Early reviews of these volumes include statements such as, incredible...monumental task that gets] the art forM's reference files in order and you've set the study of comics ahead by about ten years.

"[...] this is a book to pick up and dream about having a dragon curled up on your lap by the fire in these winter nights." - SFcrowsnest Anne Stokes is a phenomenally popular artist in the field of gothic and magical fantasy, with fans all over the world. Her roots in design and illustration have led to supremely well-crafted paintings that have been licensed for use on all manner of merchandise and her followers eagerly await each new piece. This long-overdue book showcases Anne's oeuvre in all its glory, accompanied by illuminating text about Anne and her inspirations, techniques and processes. The book is divided into thematic sections covering the full range of subjects that she has portrayed: her early work (like that for Dungeons & Dragons), the dark and the gothic, dragons, unicorns, fairies, mermaids and all that is mystical and magical. From the dark allure of Summon the Reaper to the opalescent beauty of Stargazer, this is a real treat for all fans and anyone who loves fantasy and stunning art in general.

Taking as its point of departure Roland Barthes' classic series of essays, Mythologies, Rebecca Houze presents an exploration of signs and symbols in the visual landscape of postmodernity. In nine chapters Houze considers a range of contemporary phenomena, from the history of sustainability to the meaning of sports and children's building toys. Among the ubiquitous global trademarks she examines are BP, McDonald's, and Nike. What do these icons say to us today? What political and ideological messages are hidden beneath their surfaces? Taking the idea of myth in its broadest sense, the individual case studies employ a variety of analytic methods derived from linguistics, psychoanalysis, anthropology, sociology, and art history. In their eclecticism of approach they demonstrate the interdisciplinarity of design history and design studies. Just as Barthes' meditations on culture concentrated on his native France, New Mythologies is rooted in the author's experience of living and teaching in the United States. Houze's reflections encompass both contemporary American popular culture and the history of American industry, with reference to such foundational figures as Thomas Jefferson and Walt Disney. The collection provides a point of entry into today's complex postmodern or post-postmodern world, and suggests some ways of thinking about its meanings, and the lessons we might learn from it.

From internationally bestselling author Liz Climo comes I'm So Happy You're Here, a book to remind us to love ourselves. We all need a reminder that we're loved and we matter, and international bestselling author Liz Climo delivers that dose of warmth and love in her new book Sometimes we just need a little pep talk to remind us that we're doing our best. With help from her charming animal drawings, Liz Climo encourages us to embrace the joyful moments, get back up after falling down, and always love ourselves. A little book to let someone know how important they are to you or a thoughtful gift you can give to yourself, I'm So Happy You're Here highlights how truly amazing we are. Like a good friend, it will lift you out of low moments and keep you company until they've passed, making you laugh and cry while reminding you that you're loved, you matter, and we're all really happy you're here.

Modular products are products that fulfill various overall functions through the combination of distinct building blocks or modules, in the sense that the overall function performed by the product can be divided into sub-functions that can be implemented by different modules or components. An important aspect of modular products is the creation of a basic core unit to which different components (modules) can be fitted, thus enabling a variety of versions of the same module to be produced. The core should have sufficient capacity to cope with all expected variations in performance and usage. Components used in a modular product must have features that enable them to be coupled together to form a complex product. Modularity will promote: reduction in product development time; customization and upgrades; cost efficiencies due to amortization; quality design standardization; and reduction in order lead time. The purpose of this book is to develop a structured approach to the design of products using the concept of modularity, assembly, and manufacturability. The book has proposed and developed a structured and systematic approach to product and systems design using the modularity concept. Mathematical and genetic algorithm models are developed to support the developed methodology.

As in a grammar book, this volume looks at the foundations and rules of the Western wardrobe. By exploring each garment with its functions that often called for extremely precise details, we have developed a teaching tool for the general public, using pieces from the author's enormous collection, to help understand the attraction and appeal of a specific garment. This second book, which focuses on breeches and trousers, offers secrets that were the foundation for what ended up as a social evolution - Wearing the Trousers. Both an introductory book and a reference document on the culture of fashion, this second book of the series looks at breeches and trousers from yesterday and today. It helps better understand the changes in these garments for men and especially for women, moving from ready-to-wear for the city to leisure activities.

The six essays of Visual Identities are an important contribution to the growing field of industrial semiotics. Floch's major strength is his analysis of signs in a way which is both industrially relevant and textually precise. Until recently there have been two quite different and distinct ways of understanding commerical signs, such as logos and advertisements. Industry-based work has tended to look at questions of marketing and has often been reduced to the mass psychology of 'appeal' and audience research, whereas the textual analysis of commerical signs has tended to come from limited positions of identity politics and criticism (Marxism, feminism, etc). Floch manages to find a way between (and also outside) these traditions. In doing so he has produced a book which will interest industrial practitioners in advertising, marketing and design as well as students and academics in semiotics.

Design for the Real World has been translated into over twenty languages since it first appeared in 1971; it has become the world's most widely read book on design and is an essential text in many design and architectural schools. This edition offers a blueprint for survival in the third millennium. Victor Papanek's lively and instructive guide shows how design can reduce pollution, overcrowding, starvation, obsolescence and other modern ills. He leads us away from 'fetish objects for a wasteful society' towards a new age of morally and environmentally responsible design.

This book reflects on the methodological challenges and possibilities encountered when researching practices that have been historically defined and classified as 'craft.' It fosters an understanding of how methodology, across disciplines, contributes to analytical frameworks within which the subject-matter of craft is defined and constructed. The contributions are written by scholars whose work focuses on different craft practices across geographies. Each chapter contains detailed case study material along with theoretical analysis of the research challenges confronted. They provide valuable insight into how methodologies emerge in response to particular research conditions and contexts, addressing issues of decolonization, representation, institutionalization, and power. Informed by anthropology, art history and design, this volume facilitates interdisciplinary discussion and touches on some of the most critical issues related to craft research today.

Volume II of The Watch Book follows on the successful and comprehensive earlier volume with a magnificently illustrated book about the additional functions and refinements of wristwatches. For centuries, so-called "complications" - any feature of a mechanical timepiece beyond the display of hours, minutes and seconds - have embodied the crowning glory of fine mechanical watchmaking. Among the earliest of these are alarm clocks and calendar movements. Moon phase displays have also been known for several centuries. Striking movements can be considered among the most complex and technically elaborate additional functions, while finishing techniques such as skeletonising, which is mainly done by hand, also characterise the high art of watchmaking. This superbly illustrated volume by watch expert and historian Gisbert L. Brunner is dedicated to advanced functions of mechanical timepieces, their historical development and special technical features. Topics covered in this book include: Hands and numerals; Spring; Astronomical display (moon phases etc.); Tides; Double balance; Alarm clock; Altitude/depth measurement; Skeletonisation. Text in English and German.

*Encourages students into the profession of media production for sports, drawing on case studies and interviews with practitioners and providing careers advice for students looking to break into the industry. *This is the first book to address motion graphics in sports production and presentation so fills a niche gap in the market which sits between media production, graphic design and advertising/sports marketing. *Combines research and practice to give a holistic overview of the area and where it is going/how students can shape it.

Louisa May Alcott's Little Women was a critically acclaimed bestseller upon its publication in 1868. It tells the story of sisters Meg, Jo, Beth, and Amy March - each a young woman with a distinctive and relatable personality, a rare feature for a children's novel at the time. The novel continues to resonate with readers as a timeless tale of growing up. This is the first modern edition of Little Women to feature the complete illustrations of Clara Miller Burd, originally executed in 1926. Burd's brilliant colour plates and detailed drawings bring the world of the March family to life. An introduction by Alice A. Carter, an expert on Golden Age illustration, explores Burd's life and the work of early 20th-century women illustrators. This new edition, handsomely bound in cloth, will be the perfect gift for all devotees of Little Women.

The paintings and drawings of J.R.R. Tolkien are featured in this illustrated study, seen in the context of his writing. He is the author of "The Hobbit", "The Lord of the Rings" and "The Silmarillion". This book explores Tolkien's art at length, from his childhood paintings and drawings to his final sketches. Central to the book are his illustrations for his works, especially his tales of "Middle-earth". Also examined are the pictures Tolkien made for his children, notably in his "Father Christmas" letters and for the story of "Mr Bliss", his calligraphy, his love of decoration, and his contributions to the typography and design of his books. Wayne G. Hammond is the author of "The Graphic Art of C.B. Falls" and "J.R.R. Tolkien: a Descriptive Bibliography" and he is a contributor of notes on Tolkien to the journal "Mythlore". Christina Skull is the author of "Soane Hogarths" and she edits the journal, "The Tolkien Collector".

This book provides unique step-by-step guidance to producing a high quality, effective poster for display at a scientific meeting. It aims to give young or inexperienced scientists the extra confidence and encouragement to start contributing poster presentations to scientific meetings, and enthuse experienced poster presenters to continue to improve upon their presentations, and benefit more from the overall experience. Chapters 1-4 are concerned with the purpose of posters: the pros and cons of poster presentations and how to take advantage of the opportunities they present. Chapters 5-9 cover aspects of what to include: how best to present text and data, and the use of colour in the overall format and design of the poster. Chapters 10-11 deal with actual construction: how to produce posters in a variety of styles and formats, as well as general advice on paper characteristics, drawing aids, adhesives, and cutting equipment. Chapters 12-13 are a guide to transporting the poster to the meeting, and presenting it at the poster session, and should take some of the mystique out of creating the right' image to the people that matter. Chapter 14 gives guidance on hosting poster sessions and avoiding the various pitfalls. Chapter 15 provides an opportunity to critically review some examples of posters presented at international scientific meetings. This book provides concise, practical guidance on all aspects of production and presentation of scientific posters. It alerts the poster presenter to the various pitfalls and how best to avoid them, and to the many opportunities that may be capitalised upon.

Why do some physical products succeed and others fail? When you have an idea for a new product, it's a pivotal moment. This device of yours will enhance the lives of the people who use it, earn you extra money, and have a significant impact on the world. However, there's much more to a successful product than the quality of the original idea. Why do some products fly off the shelves and others not even reach the market? That's what this book will explain. You'll learn how to decide if your physical product solves the right problem, who to sell it to, and how to protect and fund it. You'll also explore different business models and manufacturing options and discover the ins and outs of the product design process. By the end, you'll understand what it takes to be a professional product innovator. Gethin Roberts is an experienced product design engineer and Managing Director of ITERATE, a dynamic product design consultancy that blends creative and technical expertise to develop products from idea all the way through to production.

Explores the impact of consumerism from a design perspectiveEssential reading for practitioners, researchers and students in the design industryWill be of interest to sustainability professionals, as well as conscious consumers

The Hidden Facts of Fashion is not just a book of random facts - it's a combination of fashion, fun, surprise, knowledge, and helpful hacks.

Brought to life with photographs and illustrations, The Hidden Facts of Fashion will enrich your fashion knowledge across 80 different topics, revealing phenomena, unexpected history, fun stories, and more.

In Sustaining Cultural Development, Biljana Mickov and James Doyle argue that effective programmes to promote greater participation in cultural life require substantial investment in research and strategic planning. Using studies from contributors throughout Europe, they look at ways to promote cultural life as the centre of the broader sustainable development of society. These studies illustrate how combining cultural identity, cultural diversity and creativity with increased participation of citizens in cultural life improves harmonized cultural development and promotes democracy. They indicate a shift from traditional governance of the cultural sector to a new, more horizontal, approach that links cultural workers at different levels in different sectors and different locations. This book will stimulate debate amongst cultural leaders, city managers and other policy makers, as well as serving as a resource for researchers and those teaching and learning on a range of post-graduate courses and programmes.