Koch's A History of South African Literature: Afrikaans Literature, Part 2 is an extensive and thorough study of the development of Afrikaans literature during the first three decades of the 20th century. It follows Part 1, in which the earlier origins of Afrikaans and Afrikaans literature as well as the local Dutch writings tradition were discussed. Koch uses the metaphor of mapping to describe the work of the historiographer, and it becomes clear that his study analyses the literary texts within the context of space and time. Accordingly, it includes information on the authors' lives and times as well as the developments in Afrikaans literature, criticism and literary historiography. The exposition starts with the origin and development of the Afrikaans language during the so-called 'Second Language Movement'. Koch also describes the polemics between historians emphasising the 'spontaneous development' of Afrikaans from Dutch and those regarding it as a creole language; his balanced conclusion is that neither of the two groups can lay absolute claim to the truth. The interest of the book is heightened by the inclusion of texts written in Dutch, as Koch discussed in Part 1, and also works which are not 'literary' in the strict sense of the word, like war diaries. These are discussed not primarily for their literary value but for the insights they provide into the effect of the Anglo-Boer War on the formation of Afrikaner identity. It confirms that this literary history does not isolate the development of Afrikaans literature from the development of Afrikaner ideology and identity. This is followed by the two main parts of the study: a discussion of the literary works of the 'first generation' (Celliers, Totius and Leipoldt) and those of the 'writers of the twenties' (Toon van den Heever, A G Visser, C J Langenhoven and Eugene Marais). Jerzy Koch is professor in the Department of Dutch and South African Studies, Faculty of English, at the Adam Mickiewicz University in Poznan, Poland, research fellow at the Free State University, Bloemfontein, and extraordinary professor at Stellenbosch University. He is an acclaimed translator of Dutch and Afrikaans literature into Polish and has published widely on Dutch and post-colonial literature.

The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown.

Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past?

While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures.

This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition.

To mark the 50th anniversary of the South African Council for English Education, this collection brings together the work of writers who either edited English Alive or were originally published in English Alive. Now they are active writers - poets, playwrights, novelists, print journalists, radio journalists, TV scriptwriters. They have contributed from their work a variety of pieces - truly a celebration of writing - that range from travel writing in verse through eye-witness accounts and poems and diary-entries and movie reviews to biographical and historical investigation and writing for teens and for children. And each writer offers a short reflection 'On Writing'. Some of South Africa's foremost writers are joined here by new voices, and the collection is graced by a gift contribution from South Africa's first winner of the Nobel Prize for Literature, Nadine Gordimer.

First published in 2001, Achille Mbembe's landmark book, On the postcolony, continues to renew our understanding of power and subjectivity in Africa. This edition has been updated with a foreword by professor of African literature, Isabel Hofmeyr, and a preface by the author. In a series of provocative essays, Mbembe contests die hard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory. Through his provocation, the `banality of power', Mbembe reinterprets the meanings of death, utopia and the divine libido as part of the new theoretical perspectives he offers on the constitution of power in Africa. He works with the complex registers of bodily subjectivity - violence, wonder and laughter - to contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century. On the postcolony, like Frantz Fanon's Black skins, white masks, will remain a text of profound importance in the discourse of anticolonial and anti-imperial struggles.

A passionate book of poetry from New York Times bestselling author Louise Erdrich.In this important collection, award-winning author Louise Erdrich has selected poems from her two previous books of poetry, Jacklight and Baptism of Desire, and has added nineteen new poems to compose Original Fire. "These molten poems radiate with the ferocity of desire, and in them Erdrich does not spin verse so much as tell tales--of betrayal and revenge, of hunting and being hunted."--Minneapolis Star Tribune

HarperCollins is proud to present its new range of best-loved, essential classics. 'Clanless, lawless, homeless is he who is in love with civil war, that brutal ferocious thing.' The epic poem The Iliad begins nine years after the beginning of the Trojan War and describes the great warrior Achilles and the battles and events that take place as he quarrels with the King Agamemnon. Attributed to Homer, The Iliad, along with The Odyssey, is still revered today as the oldest and finest example of Western Literature.

Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. '"I am living at the centre of a wound still fresh." The I is not only mine. It belongs to many.' In this searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.

The Methuen Drama Student Edition of Twelve Angry Men is the first critical edition of Reginald Rose's play, providing the play text alongside commentary and notes geared towards student readers. In New York, 1954, a man is dead and the life of another is at stake. A 'guilty' verdict seems a foregone conclusion, but one member of the jury has the will to probe more deeply into the evidence and the courage to confront the ignorance and prejudice of some of his fellow jurors. The conflict that follows is fierce and passionate, cutting straight to the heart of the issues of civil liberties and social justice. Ideal for the student reader, the accompanying pedagogical notes include elements such as an author chronology; plot summary; suggested further reading; explanatory endnotes; and questions for further study. The introduction discusses in detail the play's origins as a 1954 American television play, Rose's re-working of the piece for the stage, and Lumet's 1957 film version, identifying textual variations between these versions and discussing later significant productions. The commentary also situates the play in relation to the genre of courtroom drama, as a milestone in the development of televised drama, and as an engagement with questions of American individualism and democracy. Together, this provides students with an edition that situates the play in its contemporary social and dramatic contexts, while encouraging reflection on its wider thematic implications.

This book explores representations of fathers in select South African novels published from the birth of apartheid to the post-transitional moment.

Father figures in the texts reflect political and social climates in South Africa – at different times representing the oppressive apartheid government, righteous and authoritative liberation leaders and the unfulfilled promise of a democratic South Africa. Grant Andrews examines how father characters are linked to storytelling; they narrate the lives of their children and their patriarchal power is constituted through narratives. He features authors such as Alan Paton, Nadine Gordimer, J.M. Coetzee, Zakes Mda, K. Sello Duiker, Mark Behr, Zoë Wicomb, Lisa Fugard and Zukiswa Wanner.

Stories of Fathers, Stories of the Nation also investigates how fatherhoods are being reimagined in light of shifting discourses of gender and identity. More recent novels have deconstructed the father figure and his paternal narrative power, representing conflicts around racial identity, sexuality, legacy and how the sins of the father are visited on his children.

Presents eight essays on translations and reinterpretations of Old Norse myth and saga from the eighteenth century.

The essays collected in Samuel Johnson Among the Modernists frame this major writer in an unfamiliar milieu and company: high modernism and its aftermath. By bringing Johnson to bear on the various authors and topics gathered here, the book foregrounds some aspects of modernism and its practitioners that would otherwise remain hidden and elusive, even as it sheds new light on Johnson. Writers discussed include T. S. Eliot, Virginia Woolf, Ezra Pound, Joseph Conrad, James Joyce, Samuel Beckett, Jorge Luis Borges, and Vladimir Nabokov. Chapter contributors include major scholars in their field, including Melvyn New, Jack Lynch, Thomas M. Curley, Greg Clingham and Clement Hawes. These ground-breaking essays offer a vital and exciting interrogation of Modernism from a wholly fresh perspective.

In this searching, elegant essay, critically acclaimed writer Katherine Angel examines the place of fathers in contemporary culture with her characteristic mix of boldness and nuance, asking how the mixture of love and hatred we feel towards our fathers-and patriarchal father figures-can be turned into a relationship that is generative rather than destructive. Moving deftly between psychoanalysis from Freud to Winnicott, cultural visions of fathering from King Lear to Ivanka Trump, and issues from incest to #MeToo, Angel probes the fraught bond of daughters and fathers, women and the patriarchal regime. What, she asks, is this discomfiting space of love and hate-and how are we to reckon with both fealty and rebellion? As in her earlier Tomorrow Sex Will Be Good Again, Angel proves herself yet again to be one of the most perceptive feminist writers at work today.

Verbintenis en venster. Die Nederlandstalige letterkunde van aanvang tot hede - 'n Literatuurgeskiedenis in Afrikaans is die eerste nuwe Afrikaanse literatuurgeskiedenis van die Nederlands(talige) letterkunde in dertig jaar. Dit is 'n literatuurgeskiedenis vir die Afrikaanse student en dosent van die Nederlandstalige letterkunde en geinteresseerde leek.

Verbintenis en venster. Die Nederlandstalige letterkunde van aanvang tot hede - 'n Literatuurgeskiedenis in Afrikaans is die eerste nuwe Afrikaanse literatuurgeskiedenis van die Nederlands(talige) letterkunde in dertig jaar. Dit is 'n literatuurgeskiedenis vir die Afrikaanse student en dosent van die Nederlandstalige letterkunde en geinteresseerde leek.

In the wake of apartheid, South African culture conveys the sense of being lost in time and space. The Truth Commission provided an opportunity for South Africans to find their bearings in a nation changing at a bewildering pace. The Truth Commission also marked the beginning of a long process of remapping space, place and memory. In this title, Shane Graham investigates how post-apartheid theatre-makers and writers of fiction, poetry and memoir have taken this project forward, using their art to come to terms with South Africa's violent past and rapidly changing present.

Novelist and critic Colm Toibin explores the relationships of writers with their families and their work in the brilliant, nuanced, and wholly original "New Ways to Kill Your Mother."
Toibin--celebrated both for his award-winning fiction and his provocative book reviews and essays--traces the intriguing, often twisted family ties of writers in the books they leave behind.
Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, Jane Austen and her aunts, and Tennessee Williams and his sister, Toibin examines a world of relations, richly comic or savage in their implications. Acutely perceptive and imbued with rare tenderness and wit, "New Ways to Kill Your Mother "is a fascinating look at writers' most influential bonds and a secret key to understanding and enjoying their work.

This essential text for newcomers and experts alike combines a broad survey of African American women's writing with a vivid critique by Sandi Russell, inspired by her discovery of her own cultural inheritance.

This was the first book to focus on the full scope of African American women's writing and creativity. It has now been completely revised and is reissued with a new introduction. Filling as it does the growing demand for critical work on black women's writing, it is particularly suited to undergraduate courses in literature, women's studies and American studies.

Where are the dogs in southern African literature? The short answer is: everywhere, if you keep looking. Few texts centralise them, but they appear everywhere in the corners of people's lives: pets walking alongside, strays in the alleys, accompanying policemen, at the dog shows, outhunting, guarding gates. There are also the related canids- jackals, hyenas, wolves-making real and symbolic appearances. Dogs have always been with us, friends and foes in equal measure. This is the first collection of studies on dogs in southern African literatures. The essays range across many dogs' roles: as guides and guards, as victims and threats. They appear in thrillers and short stories. Their complex relations with colonialism and indigeneity are explored, in novels and poetry, in English as well as Shona and Afrikaans. Comparative perspectives are opened up in articles treating French and Russian parallels. This volume aims to start a serious conversation about, and acknowledgement of, the important place dogs have in our society.

This Norton Critical Edition includes: The 1818 first edition text of the novel, introduced and annotated by J. Paul Hunter. Three maps and eight illustrations. A wealth of source and contextual materials, thematically arranged to promote classroom discussion. Topics include "Sources, Influences, Analogues", "Circumstances, Composition, Revision" and "Reception, Impact, Adaptation". Eleven critical essays on Frankenstein's major themes, six of them new to the Third Edition. A chronology and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Agter hierdie boek le die verwondering oor ons vermoe om stip na letters op papier te kyk en dan te ervaar dat ons 'n ander wereld betree. Hoe kry ons dit reg om na aanleiding van die woorde wat ons lees, nie alleen inligting te bekom nie, maar 'n hele wereld tot stand te verbeel en daarheen te reis? Wat is die rol van die teks hierin? Wat is die rol van die leser? Waarom doen ons dit? Hoe help 'n begrip van ons reise na storiewerelde om ons "leefwereld" beter te verstaan? 'n Fokus op die werelde van stories maak dit moontlik om tekste krities binne hulle kontekste te lees, sonder om die spesifiekheid van elke teks te verwaarloos of om die betowering van storiewerelde te verloor. Willie Burger is professor in Afrikaanse letterkunde aan die Universiteit van Pretoria. Hy is die outeur van talle navorsingsartikels in verskeie akademiese tydskrifte en was ook as redakteur by publikasies oor vooraanstaande Afrikaanse skrywers betrokke: Sluiswagter by die dam van stemme (2002 - saam met Helize van Vuuren) oor Karel Schoeman; Die oop gesprek (2006) oor N.P. van Wyk Louw; en Contrary: Critical responses to the novels of Andre Brink (2013 - saam met Karina Szczurek). Willie het die Caxton Excellence Award in 2015 vir sy resensies in Vrouekeur ontvang, en in 2016 die kykNet-Rapport-toekenning as "Boekresensent van die jaar". Met sy resensies en rubrieke oor die letterkunde in verskeie populere publikasies probeer hy om literere navorsing ook buite die grense van die akademie te versprei.

"The poems of the Poetic Edda have waited a long time for a Modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc. Jackson Crawford's modern versions of these poems are authoritative and fluent and often very gripping. With their individual headnotes and complementary general introduction, they supply today's readers with most of what they need to know in order to understand and appreciate the beliefs, motivations, and values of the Vikings." -Dick Ringler, Professor Emeritus of English and Scandinavian Studies at the University of Wisconsin--Madison