1. This book is a complete, one-stop-guide to the study of English Literature, offering an introduction and approach that could be applied to any text or theory. 2. There are thousands of students of English Literature around the world and introductory courses often cater for hundreds of students. Though there are many introduction to literature books available, this complete methodology to literary analysis is unique 3. The approach to this book is unique to most other introductions that tend to simply provide a description of histories and theories. This book introduces the approaches and theories and then provides practical applications so that students can pursue their studies with complete confidence in their literary analysis abilities

1. This book is a complete, one-stop-guide to the study of English Literature, offering an introduction and approach that could be applied to any text or theory. 2. There are thousands of students of English Literature around the world and introductory courses often cater for hundreds of students. Though there are many introduction to literature books available, this complete methodology to literary analysis is unique 3. The approach to this book is unique to most other introductions that tend to simply provide a description of histories and theories. This book introduces the approaches and theories and then provides practical applications so that students can pursue their studies with complete confidence in their literary analysis abilities

This book is about the metanarrative and metafictional elements of J. M. Coetzee's novels. It draws together authorship, readership, ethics, and formal analysis into one overarching argument about how narratives work the boundary between art and life. On the basis of Coetzee's writing, it reconsiders the concept of metalepsis, challenges common understandings of self-reflexive discourse, and invites us to rethink our practice as critics and readers. This study analyzes Coetzee's novels in three chapters organized thematically around the author's relation with character, reader, and self. Author and character are discussed on the basis of Foe, Slow Man, and Coetzee's Nobel lecture, 'He and His Man'. Stories featuring the character Elizabeth Costello, or the figuration Elizabeth Curren, serve to elaborate the relation of author and reader. The study ends on a reading of Summertime, Diary of a Bad Year, and Dusklands as Coetzee's engagement with autobiographical writing, analyzing the relation of author and self. It will appeal to readers with an interest in literary and narrative theory as much as to Coetzee scholars and advanced students.

Contemporary French Environmental Thought in the Post-COVID-19 Era is focused on the fields of biosemiotics, linguistics, ecocriticism, and environmental ethics. Closely aligning with Sustainable Development Goal 13.1, Keith Moser's study aims to strengthen resilience to climate-related hazards by drawing on ecological theories developed by French philosophers in conversation with biosemiotic principles. Not only does the novel theoretical framework offered by biosemiotic interpretations of the universe and our place in it represent an indispensable conceptual tool for understanding the unprecedented medical challenges at the dawn of a new millennium, but it also beckons us to think harder about the environmental crisis that threatens the continued existence of all sentient beings who call the biosphere home. This book also highlights the richness, diversity, and utility of the ecological theories developed by the French philosophers Michel Serres, Edgar Morin, Jacques Derrida, Dominique Lestel, and Michel Onfray in addition to how they engage with biosemiotic principles. Taken together, the book probes the scientific, linguistic, philosophical, and ethical implications of biosemiotic theories in a post-pandemic world from an environmental and medical perspective.

In Dockside Reading Isabel Hofmeyr traces the relationships among print culture, colonialism, and the ocean through the institution of the British colonial Custom House. During the late nineteenth and early twentieth centuries, dockside customs officials would leaf through publications looking for obscenity, politically objectionable materials, or reprints of British copyrighted works, often dumping these condemned goods into the water. These practices, echoing other colonial imaginaries of the ocean as a space for erasing incriminating evidence of the violence of empire, informed later censorship regimes under apartheid in South Africa. By tracking printed matter from ship to shore, Hofmeyr shows how literary institutions like copyright and censorship were shaped by colonial control of coastal waters. Set in the environmental context of the colonial port city, Dockside Reading explores how imperialism colonizes water. Hofmeyr examines this theme through the concept of hydrocolonialism, which puts together land and sea, empire and environment.

Environmental crisis is more than a passing phase; it is the modern condition. Thus environmental issues remain controversial and topical, and ecocriticism is one of the most vibrant fields of literary and cultural study today. From its origins in the study of nature writing and Romantic literature, it has extended into every period, region and genre of cultural analysis. Teaching Ecocriticism and Green Cultural Studies captures the diversity and excitement of green reading, including contributions on digital media, film, climate change and digital media. It reflects on the relationship of 'slow reading' to the haste and commercialism of the modern academy, and provides practical guidance for dealing with the specific difficulties that face teachers in the field: the problem of global scale; interdisciplinary links with ecology; and the debilitating attitudes of some students: corrosive irony, scepticism or apathy. It is an invaluable toolkit for teachers in the environmental humanities.

Spiritual Grammar identifies a genre of religious literature that until now has not been recognized as such. In this surprising and theoretically nuanced study, F. Dominic Longo reveals how grammatical structures of language addressed in two medieval texts published nearly four centuries apart, from distinct religious traditions, offer a metaphor for how the self is embedded in spiritual reality. Reading The Grammar of Hearts (Nahw al-qulub) by the great Sufi shaykh and Islamic scholar 'Abd al-Karim al-Qushayri (d. 1074) and Moralized Grammar (Donatus moralizatus) by Christian theologian Jean Gerson (d. 1429), Longo reveals how both authors use the rules of language and syntax to advance their pastoral goals. Indeed, grammar provides the two masters with a fresh way of explaining spiritual reality to their pupils and to discipline the souls of their readers in the hopes that their writings would make others adept in the grammar of the heart.

Pacific Literatures as World Literature is a conjuration of trans-Pacific poets and writers whose work enacts forces of "becoming oceanic" and suggests a different mode of understanding, viewing, and belonging to the world. The Pacific, past and present, remains uneasily amenable to territorial demarcations of national or marine sovereignty. At the same time, as a planetary element necessary to sustaining life and well-being, the Pacific could become the means to envisioning ecological solidarity, if compellingly framed in terms that elicit consent and inspire an imagination of co-belonging and care. The Pacific can signify a bioregional site of coalitional promise as much as a danger zone of antagonistic peril. With ground-breaking writings from authors based in North America, Japan, Taiwan, Korea, Hawaii, and Guam and new modes of research - including multispecies ethnography and practice, ecopoetics, and indigenous cosmopolitics - authors explore the socio-political significance of the Pacific and contribute to the development of a collective effort of comparative Pacific studies covering a refreshingly broad, ethnographically grounded range of research themes. This volume aims to decenter continental/land poetics as such via long-standing transnational Pacific ties, re-worlding Pacific literature as world literature.

This book: * Examines popular texts from syllabi to apply literary theory * Looks at major schools in critical theory - structuralism, poststructuralism, myth criticism, queer theory, feminism, Marxist critical thought, new historicism, psychoanalysis, postcolonialism, deconstruction * Includes Western and non-Western texts * Will be of great interest to scholars and researchers of literary and critical theory, culture studies and postcolonialism

In the middle years of the sixteenth century, English drama witnessed the emergence of the 'tyrant by entrie' or the usurper, who supplanted earlier 'tyrant by the administration' as the main antihero of political drama. This usurper or, in Machiavellian terms principe nuove, was the prince without dynastic claims who creates his sovereignty by dint of his own 'virtu' and through an act of 'lawmaking' violence. Early Tudor morality plays were exclusively concerned with the legitimate monarch who becomes a tyrant; in the political drama of the first half of the sixteenth century, we do not encounter a single instance of usurpation among the texts that are still available to us. In contrast, the historical and tragic plays of the late Elizabethan and Jacobean periods teem with illegitimate monarchs. Almost all of Shakespeare's history plays, at least four of his ten tragedies, and even a few of his comedies feature usurpation or potential usurpation of sovereign power as a crucial plot device. Why and how does usurpation emerge as a preoccupation in English theatre? What are the political, historical, legal, and dramaturgical transformations that influence and are influenced by this moment of emergence? As the first book-length study devoted exclusively to the study of usurpation and tyranny in sixteenth-century drama and politics, Tyranny and Usurpation: The New Prince and Lawmaking Violence will challenge existing disciplinary boundaries in order to engage with these critical questions.

Originally published in 1986, this book subverts an attitude towards the moral dimension of life which the author terms 'ethical cynicism'. It discusses a theory of moral powers - a theory which shows that moral values are immensely potent sources of power. The author argues that there is a conceptual affinity between the Wittgensteinian account of language and the Marxist theory of history such that the two complement and even require one another in various aspects.

Originally published in 1986, this book explores the animating qualities of human character and moral thought and discusses how they place constraints on the adequacy of moral theories. It evaluates some of the major theories in the history of ethics, notably the moral thoughts of Sidgwick, Kant, Aristotle and Hume. The book examines questions of fundamental importance to all of us and broadens the scope and wisdom of analytical philosophy by conveying the excitement of original philosophical research.

This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group - much like Beethoven's piano sonatas or Keats's great odes - in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward's novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.

1. Offers a new approach to teaching/thinking and analysing in literary studies 2. Responds to the key concerns of most researchers and students right now - global social justice and sustainability and the value of literature/humanities 3. There are no other books that tie together systems thinking, wisdom, literary studies and social justice - it is unique

Locating Classed Subjectivities explores representations of social class in British fiction through the lens of spatial theory and analysis. By analyzing a range of class-conscious texts from the nineteenth-, twentieth-, and twenty-first centuries, the collection provides an overview of the way British writers mobilized spatial aesthetics as a means to comment on the intricacies of social class. In doing so, the collection delineates aesthetic strategies of representation in British writing, tracing the development of literary forms while considering how authors mobilized innovative spatial metaphors to better express contingent social and economic realities. Ranging in coverage from early-nineteenth-century narratives of disease to contemporary writing on the working-class millennial, Locating Classed Subjectivities offers new perspectives on literary techniques and political intentions, exploring the way class is parsed and critiqued through British writing across three centuries. As such, the project responds to Nigel Thrift and Peter Williams's claim that literary and cultural production serves as a particularly rich yet unexamined access point by which to comprehend the way space and social class intersect.

Caroline Alphin presents an original exploration of biopolitics by examining it through the lens of cyberpunk science fiction. Comprised of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics, intensification, resilience, and accelerationism. The first chapters examine the political possibilities of cyberpunk as a genre of science fiction and introduce one kind of neoliberal subject, the self-monitoring cyborg. These are individuals who join fitness/health tracking devices and applications to their body to "self-cultivate". Here, Alphin presents concrete examples of how fitness trackers are a strategy of neoliberal governmentality under the guise of self-cultivation. Moving away from Foucault's biopolitics to themes of intensity and resilience, Alphin draws largely from William Gibson's Neuromancer, Neal Stephenson's Snow Crash, Richard K. Morgan's Altered Carbon, along with the film Blade Runner to problematize notions of neoliberal resilience. Alphin returns to biopolitics, intensity, and resilience, connecting these themes to accelerationism as she engages with biohacker discourses. Here she argues that a biohacker is, in part, an intensification of the self-monitoring cyborg and accelerationism is in the end another form of resilience. Neoliberalism and Cyberpunk Science Fiction is an invaluable resource for those interested in security studies, political sociology, biopolitics, critical IR theory, political theory, cultural studies, and literary theory.

This innovative volume employs theoretical tools from the field of literary geography to explore Virginia Woolf's writing and the ways in which she constructs her human subjects. It follows the routes of characters from The Voyage, Jacob's Room, Mrs. Dalloway, To the Lighthouse and more as they walk around London, demonstrating how Woolf constructs the characters in her stories in a very politically conscious way. As Larsson argues, none of Woolf's characters are able to walk just anywhere, at any time in history, or at any time of the day. Time, place, gender, and class form the conditions of life that the characters must accept or challenge. Featuring an array of detailed maps, Walking Virginia Woolf's London: An Investigation in Literary Geography brings a fascinating new perspective to Virginia Woolf's work. It is essential reading for scholars of modernist literature or geocriticism.

Martin Luther King, Jr. famously expressed his dream that his children would "one day not be judged by the color of their skin, but by the content of their character." In his vision, a person's ethical qualities would be understood in spite of his or her body rather than through it. In general, we think that a person's actions should not be judged according to their physical features, such as race. In fact, we see evaluations based on a subject's race or other bodily traits as illegitimate. But Stain Removal argues that our perception of a person's actions always entails judgments of the body. It therefore challenges modern moral theory's premise that a subject's deeds and not its bodily traits count as primary objects of evaluation. Drawing on modern and pre-modern accounts of how ethical knowledge originates, from the Biblical story of Ham, to Socrates, Immanuel Kant, Alain Locke, Frantz Fanon, Langston Hughes, Onora O'Neill, and Louis Althusser, the book suggests that our recognition of both a person and that person's deeds demands an evaluative context. From this it proposes that all perception is "evaluative perception." Through the metaphor of the stain, J. Reid Miller traces the long history of thought suggesting that embodiments like race can and do signify ethical qualities. He argues that these qualities do not "attach" to subjects from the outside - like a stain on innocent and unraced beings - but are instead what allow us to see people as distinct ethical individuals. The objective of ethics, he shows, is not to determine whether race is good or bad but to illustrate how our "unique" personal traits emerge through our multiple relations to others. The consequence is that, contrary to King's vision, it is only through judgments of "skin" and other bodily features that the ethical "content" of subjects can be recognized.

Auerbach was one of the foremost literary critics of the 20th century whose work has relevance within the fields of literary criticism, historiography and postcolonial theory. The opening chapter of this book explains how he understood the task of interpretation and his role as an interpreter. The following chapter outlines the important phases in his life with reference to the writers and thinkers who influenced him in his thinking and practice. The central chapters of the book focus on specific themes in his work: the historical grounding of the 'figural' imagination; the relation between the secular and the sacred; the emergence of tragic realism; and the notion of 'inner history' as a defining feature of early 20th-cenntury modernism. The final two chapters focus on broader issues relating to the development of Auerbach's understanding of the development of an educated readership within Europe and of his concerns regarding the emergence of what he terms 'a world literature'.

Presents a unique Gestalt-oriented approach to the study of poetic metaphor. Focuses on the integral relationship among art, psychology and Rudolf Arnheim as a Gestalt psychologist.

Literature holds a privileged place in Deleuze's works. Not only is it the art that most clearly reveals his aesthetics, but it also serves as the laboratory of his thought, the space where he experiments with concepts that become part of his ongoing philosophical project. In this brilliant analyses of Deleuze's texts on Proust, Sacher-Masoch, Kafka, Carmelo Bene, Melville and Beckett, Pombo Nabais traces the development of Deleuze's aesthetics across three distinct periods of his thought: the transcendental empiricism of Difference and Repetition and The Logic of Sense; the philosophy of Nature of Anti-Oedipus and A Thousand Plateaus; and the philosophy of Spirit of The Fold, What Is Philosophy? and Essays Critical and Clinical. More than a simple account of Deleuze's literary theory and aesthetics, this book offers a provocative and original reading of Deleuze's entire philosophy, highlighting the question of modality (the actual, the virtual, the possible, the impossible and the incompossible), the problematic relationship between the event and the assemblage, and the unifying theme of the vitalism of nonorganic life.

Don DeLillo, American Original is a startlingly original and provocative reinterpretation of one of the most important novelists of the 20th and 21st centuries. Adopting a direct approach that steers clear of debates with secondary literature and covering the full arc of Don DeLillo's career from A to Z - Americana (1971) to Zero K (2016) - Michael Naas shows that the extraordinary power, authority, insight, and inventiveness of DeLillo's fiction are the result of the way it traffics everywhere in contraband goods and narratives, in doubleness or duplicity of every kind, in multiple voices, story lines, times, places, and media that at once interrupt and complement one another. This is a book that invites skimming and dipping, structured into easily digestible sections on everything from weapons and drugs to erotica, nuclear waste, and secret societies, each preceded by humorous and incisive epigraphs from DeLillo's novels. Michael Naas reads DeLillo's fiction as a way of life or as equipment for living, rather than as a critical puzzle to be solved - and thereby opens up new horizons for thinking about why literature matters in the 21st century.

Alan Hollinghurst and the Vitality of Influence proposes a striking approach for reading the influences that interlace twentieth-century gay British writers. Focusing on the role of the textual image in literary influence, this book moves toward a new understanding of the interpenetration of literary and visual culture in the twentieth century.