'Every deep feeling a human is capable of will be shaken loose by this short, but profound book' David Sedaris 'I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can't have it all.' Ariel Levy picks you up and hurls you through the story of how she lived believing that conventional rules no longer applied - that marriage doesn't have to mean monogamy, that aging doesn't have to mean infertility, that she could be 'the kind of woman who is free to do whatever she chooses'. But all of her assumptions about what she can control are undone after a string of overwhelming losses. 'I thought I had harnessed the power of my own strength and greed and love in a life that could contain it. But it has exploded.' Levy's own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed - and what never can.

An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death-as a quality of invention, of melancholy, of small victories in the face of greater threats-at the moment when his sight (and life) is eclipsed. This new edition includes an Introduction and Afterword contextualizing Guibert's work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

Remembered for both his satirical and serious work, Robert Barnabas Brough (1828-60) was a playwright, journalist, poet and founder member of the Savage Club. Built around a series of inspired etchings by the celebrated artist George Cruikshank (1792-1878), this is a delightful fictional biography, 'from authentic sources', of that most colourful of Shakespeare's characters. We hear how our hero was descended from the great Saxon leader Hundwulf Falstaff, how the name is a corruption of 'False-thief', of his adventures with his beloved Prince Hal, and of Christmas 1412 with the Whittington family. Henry V's terrible rejection of him - 'I know thee not, old man' - is touchingly depicted, as are the episode of the laundry basket and other misadventures at Windsor, along with his sad death at the Boar's Head in 1415. First published in 1858, this book is a must-read for every lover of this larger-than-life figure.

OUTSIDERS tells the stories of five novelists - Mary Shelley, Emily Bronte, George Eliot, Olive Schreiner, Virginia Woolf - and their famous novels. We have long known their individual greatness but in linking their creativity to their lives as outsiders, this group biography throws new light on the genius they share. 'Outsider', 'outlaw', 'outcast': a woman's reputation was her security and each of these five lost it. As writers, they made these identities their own, taking advantage of their separation from the dominant order to write their novels. All five were motherless. With no female model at hand, they learnt from books; and if lucky, from an enlightened man; and crucially each had to imagine what a woman could be in order to invent a voice of their own. They understood female desire: the passion and sexual bravery in their own lives infused their fictions. What they have in common also is the way they inform one another, and us, across the generations. Even today we do more than read them; we listen and live with them. Lyndall Gordon's biographies have always shown the indelible connection between life and art: an intuitive, exciting and revealing approach that has been highly praised and much read and enjoyed. She names each of these five as prodigy, visionary, outlaw, orator and explorer and shows how they came, they saw and left us changed.

Leonard Woolf: Bloomsbury Socialist is an invaluable biography of an important if somewhat neglected figure in British cultural and political life,whose significance has been overshadowed by that of his wife, Virginia Woolf. His vital role in her life and career is a central aspect of this incisive study. Born to a prosperous middle-class Jewish family, he was profoundly affected by the early death of his father, a prominent barrister and QC, which left his family in reduced economic circumstances. Fred Leventhal and Peter Stansky expertly reveal that, despite his youthful loss of religious faith, being Jewish was as crucial in shaping Woolf's ideas as the Hellenism he imbibed at St Paul's and Trinity College, Cambridge. As an undergraduate member of the celebrated elite Apostles-along with his close friends, Lytton Strachey and John Maynard Keynes-he played a formative role in what later became the Bloomsbury Group. He subsequently spent seven years as a colonial servant in Ceylon, the background to his powerful novel, The Village in the Jungle. Within a year of his return to England in 1911 he married Virginia Stephen, and in 1917 they founded the Hogarth Press, an innovative and commercially successful publishing house. In the course of his long life he wrote prolifically on international relations, notably on the creation of the League of Nations, on socialism, and on imperial policy, particularly in Africa. Throughout this authoritative study,Leventhal and Stansky illuminate the life, scope, and thought of this seminal figure in twentieth-century British society.

"As gripping and twisted as a James Ellroy novel." - Ian Rankin "A masterpiece of literary biography." - David Peace The first critical biography of a titan of American crime fiction. Love Me Fierce In Danger is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called "Demon Dog of Crime Fiction," Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential. Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.

Highly educated and accustomed to intellectual society, the writer Hester Lynch Piozzi (1741 1821) became a close friend of Samuel Johnson through her first husband, the brewer Henry Thrale. Her second marriage, to the Italian musician Gabriel Mario Piozzi in 1784, estranged her from Johnson, but following his death she published her groundbreaking Anecdotes of the Late Samuel Johnson, anticipating Boswell's biography. In addition to publishing essays, memoirs, poetry and travel diaries, she was one of the first women to produce works on philology and history. Edited by the essayist Abraham Hayward (1801 84) and incorporating correspondence and other writings, this two-volume work offers a valuable insight into the life of an important woman of letters and how she was perceived by contemporaries and posterity. Reissued here is the enlarged second edition of 1861. Volume 1 is devoted to Hayward's biographical essay and critique of her works.

Highly educated and accustomed to intellectual society, the writer Hester Lynch Piozzi (1741 1821) became a close friend of Samuel Johnson through her first husband, the brewer Henry Thrale. Her second marriage, to the Italian musician Gabriel Mario Piozzi in 1784, estranged her from Johnson, but following his death she published her groundbreaking Anecdotes of the Late Samuel Johnson, anticipating Boswell's biography. In addition to publishing essays, memoirs, poetry and travel diaries, she was one of the first women to produce works on philology and history. Edited by the essayist Abraham Hayward (1801 84) and incorporating correspondence and other writings, this two-volume work offers a valuable insight into the life of an important woman of letters and how she was perceived by contemporaries and posterity. Reissued here is the enlarged second edition of 1861. Volume 2 presents her autobiographical writings together with marginalia, letters and poetry.

An accomplished biographer of figures ranging from Talleyrand to Cardinal Newman, Charlotte Blennerhassett (1843-1917) originally published this three-volume study in German. Reissued here is the English translation of 1889 by J. E. Gordon Cumming. Madame de Stael (1766-1817), an intellectual in Paris at the turn of the nineteenth century, was ranked by Auguste Comte as among the 'great men' of the era. A novelist, salonniere, literary and social critic, and follower of Rousseau, she became keenly involved in the opposition to Louis XVI. Volume 2 of Blennerhassett's authoritative study addresses Madame de Stael's life from the Revolution through to the first decade of the nineteenth century, examining the ascent of Napoleon, with whom she strongly disagreed, and her exile to Coppet in Switzerland - where she organised her famous salon - as well as her celebrated visit to England and travels in Germany.

An accomplished biographer of figures ranging from Talleyrand to Cardinal Newman, Charlotte Blennerhassett (1843 1917) originally published this three-volume study in German. Reissued here is the English translation of 1889 by J.E. Gordon Cumming. Madame de Stael (1766 1817), an intellectual in Paris at the turn of the nineteenth century, was ranked by Auguste Comte as being among the 'great men' of the era. A novelist, salonniere, literary and social critic, and follower of Rousseau, she became keenly involved in the opposition to Louis XVI. Volume 3 of Blennerhassett's authoritative study covers Madame de Stael's life from the early years of the nineteenth century through to her death. It includes a fascinating account of her journey to Weimar and friendships with Goethe and Schiller, her travels in Italy, her return to Paris after the defeat of Napoleon, and her acquaintance with the Duke of Wellington.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism, becoming a pioneer in comparative religion. Through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, Jones inspired and influenced Romantic writers from William Blake to August Wilhelm Schlegel. These thirteen volumes of his works, published in 1807, begin with a memoir by his friend and editor Lord Teignmouth (1751-1834). Volume 2 covers Jones' life and death in India, and includes important correspondence and unpublished work.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 5 of his thirteen-volume works, published in 1807, contains Jones' researches into Indian botany - including the comparative 'Botanical Observations on Select Indian Plants' - coupled with his groundbreaking Grammar of the Persian Language (1771), the work which established Jones as one of the eighteenth century's greatest orientalists.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala. Volume 7 of his thirteen-volume works, published in 1807, addresses Jones' significant jurisprudential work, containing his 'Charges' as a supreme court judge. It also contains Jones's most controversial work, his Institutes of Hindu Law (1794), a translation from Sanskrit which Jones considered his masterpiece, although postcolonial scholars argue that it cemented Britain's imperial control over India.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala. Volume 8 of his thirteen-volume works, published in 1807, contains more of Jones' legal work, including his pre-India tracts on Islamic laws of succession and inheritance - culturally comparative works debunking prejudiced claims that Islamic cultures denied private property. Also included is his formative 'Essay on the Law of Bailments' (1781), a work still cited in some legal cases today.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala. Volume 9 of his thirteen-volume works, published in 1807, contains Jones' translation of the Speeches of Isaeus (1779) and perhaps his most influential translation, Sacontala (1789), a Hindu love fable that explores the depths of Hindu mythology and philosophy. Lauded throughout Europe, Sacontala would inspire Goethe to write that once it is mentioned, 'everything is said'.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 10 of his thirteen-volume works, published in 1807, contains Jones' important pre-India poetry and essays. These include his essays 'On the Arts, Commonly Called Imitative' and 'On the Poetry of the Eastern Nations' (1772), which anticipate Romantic themes of the sublime, as well as his Alcaic 'Odes', which establish Jones' radical political identity.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 11 of his thirteen-volume works, published in 1807, contains most of Jones' Histoire de Nader Chah (1770), a memoir of the famed Iranian ruler, translated into French from the Persian. Commissioned by the king of Denmark, this was Jones' first publication. Widely praised, it established him as a pre-eminent orientalist.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 12 of his thirteen-volume works, published in 1807, contains the final book of Jones's Histoire de Nader Chah (1770), a memoir of the famed Iranian ruler, translated into French from the Persian. This volume also includes Jones' Traite sur la poesie orientale (1770), an essay exploring Arabic and Persian poetry.

The legendary Austro-Hungarian novelist and essayist, Joseph Roth, was born in Ukraine in 1894 and died tragically in Paris in 1939. These letters span the breadth of Roth's life, from the schoolboy to the veteran of 44, marked by war, poverty, alcoholism, the loss of his wife through madness, and two decades of prolific work. It is a deeply moving portrait of the life of the writer as an outsider, in exile from a world he no longer recognized as his own.

The playwright and critic John Oxenford (1812-77) had an acute aptitude for languages. Although he translated both Moliere and Calderon into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749-1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848-9. In Volume 1, Goethe tells the story of his life from the day he was born until the publication of The Sorrows of Young Werther, which attained cult status almost immediately after it was released in 1774. As the protagonist of his own story, Goethe reflects here on how he himself came of age.

The playwright and critic John Oxenford (1812-77) had an acute aptitude for languages. Although he translated both Moliere and Calderon into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749-1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848-9. In Volume 2, Goethe recalls how he first arrived in the small city of Weimar, which grew into an important cultural centre, due in no small part to his extended residence there. Also included are letters from Switzerland along with notes from the time he spent in Italy during the 1880s. Goethe's Italian travels would be highly significant for his artistic development and outlook.

A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book's format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as "Painting," "Music," "Memory," "Property and Appearance," and "Rank and Luxury," Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil-and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft's approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now.