Do we remember only the stories we can live with?

The ones that make us look good in the rearview mirror? In "The Night of the Gun," David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for "The New York Times." Built on sixty videotaped interviews, legal and medical records, and three years of reporting, "The Night of the Gun" is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing -- and, in the end, more miraculous -- than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it.

That long-ago night he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend twenty years later reveals that Carr was pointing the gun.

His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril.

His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it.

The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that.

In one sense, the story of "The Night of the Gun" is a common one -- a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there. After fourteen years -- or was it thirteen? -- Carr tried an experiment in social drinking. Double jeopardy turned out to be a game he did not play well. As a reporter and columnist at the nation's best newspaper, he prospered, but gained no more adeptness at mood-altering substances. He set out to become a nice suburban alcoholic and succeeded all too well, including two more arrests, one that included a night in jail wearing a tuxedo.

Ferocious and eloquent, courageous and bitingly funny, "The Night of the Gun" unravels the ways memory helps us not only create our lives, but survive them.

Memorials of Harriet Martineau by Maria Weston Chapman was published in 1877 as volume three of Harriet Martineau's Autobiography. While the triple-decker was a popular format of the era, the configuration of a two-volume autobiography authored by one and a one-volume biography written by another is unusual. Indeed, the work's publishing history reveals that, in reissues of the Autobiography, the Memorials volume was not reproduced; while some might claim that the problem is with the editor-American abolitionist Chapman-rather than the contents, the fact remains that the bulk of the volume consists of primary materials written by Martineau that are available nowhere else, published or archival. Chapman's participation in the project was originally conceived as supplemental, in the event that the ailing Martineau did not live long enough to complete her memoirs; as it happened, Martineau-who finished the two volumes and had them privately printed in 1855-lived another twenty-one years. Whereas the Autobiography records what Martineau called the "interior life" or subjective perspective on her career, Chapman's volume addressed the exterior by offering a biographical overview of her friend's life and work, a record of her last decades, and a collection of posthumous memorials by those with whom her private and public lives intersected. Chapman's role was to "take up the parallel thread of her exterior life,-to gather up and co-ordinate from the materials placed in my hands the illustrative facts and fragments by her omitted or forgotten; and to show . . . what no mind can see for itself,-the effect of its own personality on the world." This volume is the first scholarly edition of the Memorials-a biography of one of the foremost intellectual women of the nineteenth century, told primarily in her own words.

In this startling group memoir, four friends-black and white, gay and straight, immigrant and American-born-use Toni Morrison's novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance. Framing their book club around collective secrets, the group bears witness to how Morrison's works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together? This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts.

Looking closely at a representative selection of Leavis's work, Richard Storer outlines his thinking on key topics such as:

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• literary theory, 'criticism' and culture
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• canon formation
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• modernism
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• close reading
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• higher education.

Exploring the responses and engaging with the controversies generated by Leavis's work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.

By the 1930s, Stefan Zweig, born to an affluent Jewish family in Vienna, had become the most widely translated living author in the world. His novels, short stories, and biographies became instant bestsellers, and his cultural patronage, his generosity, and his literary connections, were legendary. In 1934, following Hitler's rise to power, Zweig left Vienna for England, then New York, and, finally, Petropolis, a suburb of Rio de Janeiro. With the destruction of the cultural milieu of pre-Nazi Europe, Zweig's life in exile became increasingly isolated. In 1942 he and his wife, Lotte Altmann, were found dead. They had committed suicide, just after Zweig had completed his famous autobiography, The World of Yesterday. The Impossible Exile tells the mesmerizing and tragic story of Zweig's extraordinary rise and fall, the gulf between the world of ideas in Europe and in America, and the alienation of the refugees forced into exile. Zweig embodied and witnessed the end of an era: the great Central European civilization of Vienna and Berlin.

This pioneering effort links history and personality by pairing intellectual friends, most notably Lionel Trilling and Irving Howe, but also Thomas Carlyle and John Stuart Mill, D. H. Lawrence and Bertrand Russell, George Eliot and Emanuel Deutsch, Theodore Roethke and Robert Heilman. Chronologically the essays range from the early 1830s, when Carlyle and Mill discovered each other, to 1975, when Lionel Trilling died.

The essay that gives this volume its title is also the most ambitious. Alexander examines Trilling and Howe in relation to one another and to Jewish quandaries, Henry James, politics and fiction, antisemitic writers, literary radicals, 1960s insurrectionists, the state of Israel, the nature of friendship itself.

The chapter on the friendships (and ex-friendships) of Carlyle and Mill, Lawrence and Russell, views their stories against the background of the modern conflict between reason and feeling, positivism and imagination. Though some relationships began in adversity, they developed into friendships. This happened with Roethke and Heilman, and with Eliot and Deutsch. As a young woman, Eliot disparaged Jews as candidates for "extermination," but her friendship with the Talmudic scholar Deutsch changed her into one of the major Judeophiles of the Victorian period. The quartet of Carlyle and Mill, Lawrence and Russell shows how quickly-formed literary friendships, especially those based on hunger for disciples, can dissolve into ex-friendships. This volume offers new perspectives on leading literary figures and their relationship, and shows how friendship influences art.

F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts.

Looking closely at a representative selection of Leavis's work, Richard Storer outlines his thinking on key topics such as:

• 
  

  
  

• literary theory, 'criticism' and culture
• 
  

  
  

  
  

• canon formation
• 
  

  
  

  
  

• modernism
• 
  

  
  

  
  

• close reading
• 
  

  
  

  
  

• higher education.

Exploring the responses and engaging with the controversies generated by Leavis's work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.

Hunter Davies' childhood lived amongst the post-war dirt and grime of Carlisle was immediately hailed as a classic memoir from one of Britain's foremost columnists of the past half century. The Co-op's Got Bananas! left our protagonist at the cusp of working for one of the world's greatest newspapers - The Sunday Times. In this much-anticipated sequel, Hunter now looks back across five decades of successful writing to reflect on his colourful memories of the living in London during the height of the Swinging Sixties, becoming editor of Britain's first colour weekend supplement The Sunday Times magazine; befriending the Beatles; and interviewing (and partying with) the biggest names in television, film and theatre of the day. Hunter brings the story full circle to reflect on his years spent with the love of his life - the bestselling writer Margaret Forster, who sadly passed away in February 2016. This will not only be a colourful and enjoyable memoir of what it was like to be at the epicentre of Britain's artistic heart, but also an emotional, heart-felt tribute to family, friends and colleagues. For those captivated by The Co-op's Got Bananas!, this sequel is a must read.

Natasha Trethewey was born in Mississippi in the 60s to a black mother and a white father. When she was six, Natasha's parents divorced, and she and her mother moved to Atlanta. There, her mother met the man who would become her second husband, and Natasha's stepfather. While she was still a child, Natasha decided that she would not tell her mother about what her stepfather did when she was not there: the quiet bullying and control, the games of cat and mouse. Her mother kept her own secrets, secrets that grew harder to hide as Natasha came of age. When Natasha was nineteen and away at college, her stepfather shot her mother dead on the driveway outside their home. With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence, and a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Luminous, urgent, and visceral, it cements Trethewey's position as one of the most important voices in America today.

This book is the very simple story of the love affair between Miss Helene Hanff of New York and Messrs Marks and Co, sellers of rare and secondhand books, at 84 Charing Cross Road, London'. DAILY TELEGRAPH Told in a series of letters in 84 CHARING CROSS ROAD and then in diary form in the second part THE DUCHESS OF BLOOMSBURY STREET, this true story has touched the hearts of thousands.

George Orwell's first published work, Down and Out in Paris and London, is a vivid, sensitive account of the time he lived as one of the poor in the late twenties. In a bug-infested hotel, surviving only between the pawnbroker and a little teaching and writing, Orwell shocked the middle-class establishment with his observation of the misery, the hopelessness and the despair of the poor of a previously unexplored Paris and London.

The extraordinary untold story of Ernest Hemingway's dangerous secret life in espionage A NEW YORK TIMES BESTSELLER * A finalist for the William E. Colby Military Writers' Award "IMPORTANT" (Wall Street Journal) * "FASCINATING" (New York Review of Books) * "CAPTIVATING" (Missourian) A riveting international cloak-and-dagger epic ranging from the Spanish Civil War to the liberation of Western Europe, wartime China, the Red Scare of Cold War America, and the Cuban Revolution, Writer, Sailor, Soldier, Spy reveals for the first time Ernest Hemingway's secret adventures in espionage and intelligence during the 1930s and 1940s (including his role as a Soviet agent code-named "Argo"), a hidden chapter that fueled both his art and his undoing. While he was the historian at the esteemed CIA Museum, Nicholas Reynolds, a longtime American intelligence officer, former U.S. Marine colonel, and Oxford-trained historian, began to uncover clues suggesting Nobel Prize-winning novelist Ernest Hemingway was deeply involved in mid-twentieth-century spycraft -- a mysterious and shocking relationship that was far more complex, sustained, and fraught with risks than has ever been previously supposed. Now Reynolds's meticulously researched and captivating narrative "looks among the shadows and finds a Hemingway not seen before" (London Review of Books), revealing for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD, the forerunner to the KGB, followed in short order by a complex set of secret relationships with American agencies. Starting with Hemingway's sympathy to antifascist forces during the 1930s, Reynolds illuminates Hemingway's immersion in the life-and-death world of the revolutionary left, from his passionate commitment to the Spanish Republic; his successful pursuit by Soviet NKVD agents, who valued Hemingway's influence, access, and mobility; his wartime meeting in East Asia with communist leader Chou En-Lai, the future premier of the People's Republic of China; and finally to his undercover involvement with Cuban rebels in the late 1950s and his sympathy for Fidel Castro. Reynolds equally explores Hemingway's participation in various roles as an agent for the United States government, including hunting Nazi submarines with ONI-supplied munitions in the Caribbean on his boat, Pilar; his command of an informant ring in Cuba called the "Crook Factory" that reported to the American embassy in Havana; and his on-the-ground role in Europe, where he helped OSS gain key tactical intelligence for the liberation of Paris and fought alongside the U.S. infantry in the bloody endgame of World War II. As he examines the links between Hemingway's work as an operative and as an author, Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline (including paranoia) that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works, including For Whom the Bell Tolls and The Old Man and the Sea, while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide. A literary biography with the soul of an espionage thriller, Writer, Sailor, Soldier, Spy is an essential contribution to our understanding of the life, work, and fate of one of America's most legendary authors.

For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books-The Innocents Abroad, A Tramp Abroad, and Following the Equator-he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the "American Vandal," a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

This is the brilliant memoir of a man who starts out in Manhattan and comes of age in the skies over Korea, before emerging as one of America's finest authors in the New York of the 1960s. Burning the Days showcases James Salter's uniquely beautiful style with some of the most evocative pages about flying ever written, together with portraits of the actors, directors and authors who later influenced him. It is an unforgettable book about passion, ambition and what it means to live and to write.

‘I walked in a daze of illusions toward my future.’

Deeply felt and told with an intrepid spirit, Tales from the Heart are the intimate, formative stories from the childhood of the legendary Caribbean writer, Maryse Condé.

These affecting vignettes follow Condé’s early encounters with love, grief, friendship, as she navigates the pernicious legacy of slavery and colonialism in her home of Guadeloupe and as a student in Paris.

A genius of literary suspense, known to millions as the author of the "The Lottery", Shirley Jackson (1916-1965) plumbed the cultural anxiety of postwar America better than anyone. Based on a wealth of previously undiscovered correspondence and dozens of interviews, Shirley Jackson reveals the tumultuous life and inner darkness of the author, firmly placing Jackson within the American Gothic tradition.

Thomas Hardy Remembered assembles some 150 annotated interviews and recollections of Hardy, most of which are being reprinted for the first time. They range from close personal reflections by old friends such as Sir George Douglas, J.M. Barrie, and Edmund Gosse, to fleeting glimpses by strangers who saw Hardy at a London party or at his club. Martin Ray has selected items having the greatest literary or biographical significance, and annotated them with meticulous accuracy and a keen eye for the telling detail. As a result, the volume will be an invaluable resource to scholars who are interested not only in what concerned Hardy personally and professionally, but also in how he was perceived by others. Having these items collected in one volume reveals Hardy's contemporaneous opinions about his own writings and also makes it possible to trace the marked recurrence, over time, of certain preoccupations: ancient families, Hardy's hostility to reviewers, architecture, Roman relics, Wessex folklore and dialect, animal welfare, Napoleon, and hangings. With regard to his literary career, a portrait emerges of Hardy as the scrupulous professional, properly aware of his commercial rights, while at the same time appearing, to some who met him, unconscious of his own genius.

If he is to become a man, what sort of man should Thomas Page McBee be? To find out, McBee must confront the suffering he has endured at the hands of men: the abuse he endured as a child from his father, and the violent mugging which almost killed him as an adult. Standing at the brink of the life-changing decision to transition from female to male, McBee seeks to understand these examples of flawed manhood, and reclaim his body on his own terms. Powerful, uplifting and profound, Man Alive is a story about transformation; about freedom, and love, and finding the strength to rebuild ourselves as the people we are meant to be.

From poker to poetry, poisoners to princes, opera to the Oscars, Shakespeare to Olivier, Mozart to Murdoch, Anthony Holden seems to have rolled many writers' lives into one. Author of 35 books on a 'crazy' range of subjects, this cocky Lancashire lad-turned-bohemian citizen of the world has led an apparently charmed life from Merseyside to Buckingham Palace, the White House and beyond. As he turns 70, the award-winning journalist and biographer - grandson of an England footballer, son of a seaside shopkeeper, friend of the famous from Princess Diana to Peter O'Toole, Mick Jagger to Salman Rushdie - spills the beans on showbiz names to literary sophisticates, rock stars to royals as he looks back whimsically and wittily on a richly varied, anecdote- and action-packed career - concluding, in the words of Robert Louis Stevenson, that 'Life is not a matter of holding good cards, but of playing a poor hand well'.

Considers the reputations and biographical portrayal of three innovative and controversial writers: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray. These anthologies of contemporary biographical material shed light on the processes at work in the establishment of a public image and a critical reputation.

The superb classic memoir from a dazzlingly eccentric and endlessly fascinating author and feminist icon - a woman very much ahead of her time - including her time spent on the glorious island of Skiathos 'A happy, hilarious book' Daily Express Nancy Spain was one of the most celebrated - and notorious - writers and broadcasters of the 50s and 60s. Witty, controversial and brilliant, she lived openly as a lesbian (sharing a household with her two lovers and their various children) and was frequently litigated against for her newspaper columns - Evelyn Waugh successfully sued her for libel... twice. Nancy Spain had a deep love of the Mediterranean. So it was no surprise when, in the 1960s, she decided to build a place of her own on the Greek island of Skiathos. With an impractical nature surpassed only by her passion for the project, and despite many obstacles, she gloriously succeeded. This classic memoir is infused with all Spain's chaotic brilliance, zest for life and single-minded pursuit of a life worth living. Perfect for fans of A PLACE IN THE SUN and ESCAPE TO THE COUNTRY 'Full of fun, and that zest of intelligence that never left her' Sunday Times