A critical reading of Jean Genet's last 18 years, through his politics, writings and personal experience.

Sir John Hill (1714--1775) was one of Georgian England's most vilified men despite having contributed prolifically to its medicine, science and literature. Born into a humble Northamptonshire family, the son of an impecunious God-faring Anglican minister, he started out as an apothecary, went on to collect natural objects for the great Whig lords and became a botanist of distinction. But his scandalous behavior prevented his election to the Royal Society and entry to all other professions for which he was qualified. Today, we can understand his actions as the result of a personality disorder; then he was understood entirely in moral terms. When he saw the dye cast he turned to journalism and publication, and strove maniacally to succeed without patronage. As a writer he was also cut down in ferocious 'paper wars'. Yet by the time he died, he had been knighted by the Swedish monarch and become a household name among scientists and writers throughout Britain and Europe. His life was a series of paradoxes without coherence, perhaps because he was above all a provocateur.In time he would also become a filter for the century in which he lived: its personalities--great and small--as well as the broad canvas of its culture, and for this reason any biography necessarily stretches beyond the man himself to those whose profiles he also illuminates.

Poet and Journalist, Max Eastman is perhaps the most famous example of an American intellectual who during his life moved across the entire political spectrum. This reexamination of his career and his place in history reveals the dynamics behind his several careers and political transformations, offering new insight into one of the most influential writers of this century. It is a model biography of a key intellectual of the twentieth century. It is also both a perspective social history of his times and a study in the history of ideas. The book will find a welcome place in history, literature, and political science courses, as well as in personal libraries.

"A lovely memoir of young manhood, Europe, the aftermath of war, and the search for craft, by an urbane stylist who found, in his excellent prose, the poise that he was seeking."-- Larry McMurtry"I know of no other book about a writer's apprenticeship from Graves' generation that has quite the candor, quite the remedies for the displacement of war, or exactly this excitement at being given a rain check on life itself. A great book, a great writer."-- Thomas McGuane"A shrewd, lucid, and uncomfortably perceptive story of a writer's apprenticeship."-- Jim Harrison"Graves is a master of visual detail, and his journey unfolds with the picturesque clarity of a film."-- Publishers Weekly"An altogether commendable picture of a time and of a man who proved singularly American."-- Weekly Standard

In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II-- as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed JohnGraves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.

In 1903, after a fire completely destroyed her family home in Norfolk, UK, the 27- year-old Constance helped her mother redesign their house and recreate the garden. It was an experience from which she never looked back, going on to become an internationally recognised garden expert and connoisseur. A rich woman herself, she was attracted to the most spectacular and extravagant gardens in the world. From Shalimar Bagh, Lahore, to Nishat Bagh, Srinagar, to La Granja near Madrid, Constance earned her reputation studying Mughal and Moorish gardens as well as those in Great Britain, France, Italy and northern Europe. Between 1910 and 1955 she wrote about them, painted and photographed them and lectured on them. She produced two successful illustrated books, and numerous articles for magazines, including Country Life, Vogue, The Burlington Magazine, Harpers Bazaar, and The Times. When she died in 1966, she left paintings, photographs, diaries, press cuttings and scrapbooks to her grandchildren. It is upon this fascinating and hitherto unseen archive of memorabilia that Constance Villiers Stuart: In Pursuit of Paradise is based.

Robert Baldick's Life of J.-K. Huysmans has become not just a standard reference work, to be consulted as regularly as the writing of the author whose life it chronicles, but a work of literature in its own right. First published fifty years ago, Baldick's classic biography presents a compelling narrative of Huysmans' life and work in all its various phases - from the Naturalism of the 1870s to the Decadence of the 1880s, and from the occult vogue of the 1890s to the Catholic Revival of the turn of the century - and it is written with such impeccable scholarship that it is still relied on today as regards matters of fact and detail. For this new edition - the first time the biography has been reprinted in English -Baldick's notes have been extensively revised and updated by Brendan King to take account of new developments and publications in the field of Huysmansian studies.

This biography came into being after extensive research in Moscow, Berlin, Paris, New York, and Los Angeles. The author is the first to analyze Eisenstein's diaries and correspondence' materials that were inaccessible in the past. Eisenstein's relations with Freemasons, Rosicrucians and Stalin, with rivals and admirers, with psychoanalysts who treated him are no longer faded out. Was Eisenstein homosexual? A Stalinist? A conformist? A dissident? He left no clear answers for his biographers. Oksana Bulgakowa's study of Eisenstein's life tries to uncover these themes in his films and drawings, between the lines of his diaries and letters, in his drafts to screenplays, projects, and research. Late in life Eisenstein viewed this research as his only possible means of salvation from the compromises he had consciously made with himself and his creativity. Oksana Bulgakowa (b. 1954) graduated from the Moscow Film Institute VGIK in 1977. In the same year she moved to Berlin/GDR and received her doctoral degree from Humboldt University in 1982. She works as an author, editor, translator, and filmmaker. Since 1998 she has been a visiting professor at Stanford University, USA. For further information go to www.PotemkinPress.com]

THE RADIO 4 BOOK OF THE WEEK 'Gobsmacking' The Times 'Luscious' Mail on Sunday 'Delectable . . . ravishing' Sunday Times 'A chocolate box full of delicious gothic delights - jump in' Lucy Worsley 'Stranger than fiction, as dark as any gothic drama . . . utterly gripping' Amanda Foreman 'Brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists . . . A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold Many know Lord Byron as leading poet of the Romantic movement. But few know the dynasty from which he emerged; infamous for its scandal and impropriety, with tales of elopement, murder, kidnaping, profligacy, doomed romance and adultery. A sumptuous story that begins in rural Nottinghamshire and plays out in the gentleman's clubs of Georgian London, amid tempests on far-flung seas, and in the glamour of pre-revolutionary France, The Fall of the House of Byron is the acclaimed account of intense family drama over three turbulent generations.

Alive with adventure, rich with exotic detail, the voice of Rudyard Kipling carried readers to faraway locations and brought new, exciting scenes to their doorsteps. Born and raised in India, Kipling became the voice of the eastern British Empire, and his writing extensively covered Central Asia. Early in his career, Kipling drew inspiration not from travels of his own, but from working with far-flung correspondents at the Civil and Military Gazette in Lahore, Pakistan, where he served as assistant editor. One of his chief correspondents was Dr. Charles Owen, a close friend of his father's who served a tour of duty with the Afghan Boundary Commission between 1884 and 1886 addressing the border dispute between Great Britain and Russia. This historical biography provides a new perspective on Kipling's days as an employee of the Civil and Military Gazette. Information garnered from newly uncovered letters and diaries of Dr. Owen (acquired by the National Army Museum in 1998) gives personal insight into Kipling's life as well as firsthand perceptions of the Boundary Commission's work. In addition, appendices provide a wealth of information regarding articles by Kipling, articles attributed to Kipling or his supervisor Wheeler, Kipling's translations of Russian dispatches, and Boundary Commission reports.

Academic - Scholarly - Defoe Studies - Political History - Eighteenth-Century History; In this new book, Furbank and Owens attempt to disentangle the story of Daniel Defoe's political career, as journalist, polemicist, political theorist and secret agent. They argue that this remarkable career calls for a good deal of rethinking, not least because biography and bibliography are here inextricably intertwined. The book challenges the current account of Defoe's political career - rather drastically in some cases. It argues, for example, that Defoe's cherished story of his intimacy with King William - a staple of all previous Defoe biographies - was most probably an (immensely bold) fiction, a view which, if correct, entails considerable revision of his personality and career. Likewise, it offers a new interpretation of the famous series of letters Defoe wrote in 1718 to his Government paymaster, the Whig Undersecretary of State Charles de la Faye,

Upon publication, "Don't Panic" quickly established itself as the definitive companion to "Adams" and "The Hitchhiker's Guide to the Galaxy". This edition comes up-to-date, covering the movie, "And Another Thing" by Eoin Colfer and the build up to the 30th anniversary of the first novel. Acclaimed author Neil Gaiman celebrates the life and work of Douglas Adams who, in a field in Innsbruck in 1971, had an idea that became "The Hitchhiker's Guide to the Galaxy". The radio series that started it all, the five - soon to be six - book 'trilogy', the TV series, almost-film and actual film, and everything in between.

Pronounced guilty of libel and sentenced to a year in prison, novelist Émile Zola went on the run.

Zola's crime had been to defend a wrongly convicted man, in what became known as the Dreyfus Affair. Fleeing the French state with just hours to spare he ended up living in the suburbs of south London unable to speak a word of English. Michael Rosen brings to life the sleepy world of late Victorian suburbia, Zola's turbulent politics and his tangled private life. Desperate to write a novel, he was also trying to balance the extremely delicate matter of the two women in his life - one the mother of his children, the other his wife.

The Disappearance of Émile Zola is the incredible true story of a writer's personal bravery in the face of the greatest political scandal of the age.

?Who knows what evil lurks in the hearts of men? . . . The Shadow knows!? And who knew The Shadow better than his creator, Walter B. Gibson. Relatively few people have heard of Gibson, but many more are familiar with The Shadow having heard the program on the Blue Coal Radio Program in the 1930s and read the Street & Smith Shadow novels. Walter B. Gibson's life and career come out from behind The Shadow in this biography. It covers his youth in Philadelphia, his development as a writer and magician, his wives, including the third, (Litzka, who was a harpist and magician in her own right), his time living in Maine and upstate New York, and his later years and death. In addition to being credited with creating The Shadow (he used the pseudonym Maxwell Grant), Gibson wrote 187 books, contributed 668 articles to periodicals, created 283 stories for The Shadow Magazine, wrote 48 separate syndicated feature columns, reported the adventures of The Shadow and Blackstone the magician in 394 comic books and newspaper strips, and helped develop 147 radio scripts and many other works under numerous pseudonyms. Gibson has invented many widely used magic tricks and traveled with and befriended Harry Houdini, Howard Thurston, Harry Blackstone, Sr., and Joseph Dunninger.

'An absolute belter of a biography' MARINA HYDE A Times Literary Non-Fiction Book of the Year 2022 An LA Times Best Book of the Year 2022 An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys's experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic 'Rhys woman' whose personality - vulnerable, witty, watchful and angry - was often mistaken, and still is, for a self-portrait. Many details of Rhys's life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it's a shock to discover that no biographer - until now - has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys's mind and her work for the rest of her life. Luminous and penetrating, Seymour's biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil - and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

'It was said to me, "Better have a little of the plantation manner of speech than not; 'tis not best that you seem too learned."' Appearing in 1855, My Bondage and My Freedom is the second autobiography written by Frederick Douglass (1818-95), a man who was born into slavery in Maryland and who went on to become the most famous antislavery author, orator, philosopher, essaysist, historian, intellectual, statesman and freedom-fighter in US history. An instant bestseller, Douglass's autobiography tells the story of his early life as lived in 'bondage' and of his later life as lived in a 'freedom' that was in name only. Recognizing that his body and soul were bought and sold by white slaveholders in the US South, he soon realized his story was being traded by white northern antislavery campaigners. Douglass's My Bondage and My Freedom is a literary, intellectual and philosophical tour-de-force in which he betrays his determination not only to speak but to write 'just the word that seemed to me the word to be written by me.' This new edition examines Douglass's biography, literary strategies and political activism alongside his depiction of Black women's lives and his narrative histories of Black heroism. This volume also reproduces Frederick Douglass's only work of fiction, The Heroic Slave, published in 1853.

A SUNDAY TIMES LITERARY NON-FICTION BOOK OF THE YEAR A GUARDIAN BEST BOOK OF THE YEAR (AS CHOSEN BY AUTHORS) **LONGLISTED FOR THE BAILLIE GIFFORD PRIZE** **SHORTLISTED FOR THE RSL ONDAATJE PRIZE** 'Outstanding. I'll be recommending this all year.' SARAH BAKEWELL 'A beautiful and deeply moving book.' SALLY ROONEY 'I like this London life . . . the street-sauntering and square-haunting.' Virginia Woolf, diary, 1925 Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. Francesca Wade's spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own. 'Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.' FRANCES WILSON 'A fascinating voyage through the lives of five remarkable women - moving and immersive.' EDMUND GORDON

"Invaluable."--Eric J. Sundquist in The New York Times Book Review

Charles M. Blow's mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their town in segregated Louisiana, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to "love that blurred her vision and bent the barrel." Charles was the baby of the family, fiercely attached to his "do-right" mother. Until one day that divided his life into Before and After - the day an older cousin took advantage of the young boy. The story of how Charles escaped that world to become one of America's most innovative and respected journalists is a searing, redemptive journey that works its way into the deepest chambers of the heart.

In a brilliant combination of biography, literary criticism, and history, The Bronte Myth shows how Charlotte, Emily, and Anne Bronte became cultural icons whose ever-changing reputations reflected the obsessions of various eras.
When literary London learned that Jane Eyre and Wuthering Heights had been written by young rural spinsters, the Bronte s instantly became as famous as their shockingly passionate books. Soon after their deaths, their first biographer spun the sisters into a picturesque myth of family tragedies and Yorkshire moors. Ever since, these enigmatic figures have tempted generations of readers- Victorian, Freudian, feminist- to reinterpret them, casting them as everything from domestic saints to sex-starved hysterics. In her bewitching " metabiography, " Lucasta Miller follows the twists and turns of the phenomenon of Bront-mania and rescues these three fiercely original geniuses from the distortions of legend.

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent."Memoirs of Casanova Volume I covers the childhood of Giacomo Casanova in Venice. The eldest of six children, Casanova is raised by actor and actress Gaetano Casanova and Zanetta Farussi at a time of cultural and economic ascendancy for the Republic of Venice. Following his father's death at the age of eight, Casanova, whose mother was often busy touring Europe for her work in the theater, is sent to a boarding house in Padua. Due to poor living conditions, he is eventually taken into the care of an instructor and priest, whose household introduced the young boy to music, literature, and most importantly, women. In Padua, Casanova discovers the ideals of art and beauty that will drive him for much of his life, remaining with him through all of his trials and triumphs. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather's farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other's work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry's discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did.They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they've chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature.No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.

Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron's tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other's works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael's standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.

A radical look at Jane Austen as you've never seen her - as a lover of farce, comic theatre and juvenilia. The Genius of Jane Austen celebrates Britain's favourite novelist 200 years after her death and explores why her books make such awesome movies, time after time. Jane Austen loved the theatre. She learned much of her art from a long tradition of English comic drama and took joyous participation in amateur theatricals. Her juvenilia, then Sense and Sensibility, Pride and Prejudice, Mansfield Park and Emma were shaped by the arts of theatrical comedy. Her admiration for drama's dialogue, characterisation, plotting, exits and entrances is why she has been dramatised so successfully on screen in the last twenty years - and these versions are at the centre of her continuing fame, culminating in her celebration on GBP10 note. Austen expert and author of The Real Jane Austen, Paula Byrne looks at stage adaptations of Austen's novels (including one called Miss Elizabeth Bennet by A. A. Milne) to modern classics, including the BBC Pride and Prejudice and Persuasion, Emma Thompson's Sense and Sensibility, and the phenomenally brilliant and successful Clueless, The Genius of Jane Austen presents an Austen not of prim manners and genteel calm, but filled with wild comedy and outrageous behaviour.

In the second memoir from the first Native American to serve as US poet laureate, Joy Harjo invites us to travel along the heartaches, losses and humble realisations of her "poet-warrior" road. A musical, kaleidoscopic meditation, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Weaving together the voices that shaped her, Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, the teachings of a changing earth and the poets who paved her way. She explores her grief at the loss of her mother and sheds light on the rituals that nourish her as an artist, mother, wife and community member. Moving fluidly among prose, song and poetry, Poet Warrior is a luminous journey of becoming that sings with all the jazz, blues, tenderness and bravery that we know as distinctly Joy Harjo.