This celebration of the woman who took us to the heights of a secluded attic and the depths of our own dark psyches reveals an intimate portrait of the famously private V.C. Andrews-featuring family photos, personal letters, a partial manuscript for an unpublished novel, and more. Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy. Now, The Woman Beyond the Attic aims to connect her personal life with the public novels for which she was famous. Based on Virginia's own letters, and interviews with her dearest family members, her long-term ghostwriter Andrew Neiderman tells Virginia's full story for the first time. The Woman Beyond the Attic is perfect for V.C. Andrews fans who pick up every new novel or for fans hoping to return to the favorite novelist of their adolescence. Eye-opening and intimate, The Woman Beyond the Attic is for anyone hoping to learn more about the enigmatic woman behind one of the most important novels of the 20th century.

A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book's format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as "Painting," "Music," "Memory," "Property and Appearance," and "Rank and Luxury," Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil-and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft's approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now.

Great blue herons, yellow birches, damselflies, and beavers are among the talismans by which Bill Roorbach uncovers a natural universe along the stream that runs by his house in Farmington, Maine. Populated by an oddball cast of characters to whom Roorbach ("The Professor") and his family might always be considered outsiders, this book chronicles one man's determined effort-occasionally with hilarious results-to follow his stream to its elusive source. Acclaimed essayist and award-winning fiction writer Bill Roorbach uses his singular literary gifts to inspire us to laugh, love, and experience the wonder of living side by side with the natural world.

From a bilingual master of the literary memoir comes this moving and humorous story of losing immigrant baggage and trying to reclaim it for his American future. In this poignant literary memoir, internationally acclaimed author and Boston College professor Maxim D. Shrayer (Waiting for America) explores both material and immaterial aspects of immigrant baggage. Through a combination of dispassionate reportage, gentle irony, and confessional remembrance, Shrayer writes about traversing the borders and boundaries of the three cultures that have nourished him-Russian, Jewish, and American. The spirit of nonconformism and the power of laughter come to the rescue of Shrayer's autobiographical protagonist when he faces existential calamities and life's misadventures. The aftermath of a dangerous ski accident in Italy reminds the memoirist of history's black holes. A haunting, Soviet-era theatrical affair pushes the emigre protagonist to the brink of a disaster in a provincial Russian town. Attempting to collect overdue royalties from a Moscow publisher, the expatriate writer tips his hat to Kafka. The book's six interconnected tales are held together by the memorist's imperative to make the ordinary absurd and the absurd-ordinary. Shrayer parses a translingual literary life filled with travel, politics, and discovery-and sustained by family love and faith in art's transcendence.

Now available for the first time in English, Oleg Lekmanov's critically acclaimed Mandelstam presents the maverick Russian poet's life and work to a wider audience and includes the most reliable details of the poet's life, which were recently found and released from the KGB archives. Through his engaging narrative, Lekmanov carries the reader through Mandelstam's early life and education in pre-revolutionary Petersburg, at the Sorbonne in Paris, and in Heidelberg and his return to revolutionary Russia. Bold and fearless, he was quoted as saying: "Only in Russia do they respect poetry. They even kill you for it." Osip Mandelstam compared a writer to a parrot, saying that once his owner tires of him, he will cover his cage with black cloth, which becomes for literature a surrogate of night. In 1938, Mandelstam was arrested and six months later became a statistic: over 500,000 political prisoners were sent to the Gulags in 1938; between 1931 and 1940, over 300,000 prisoners died in the Gulags. One of them was the poet Osip Mandelstam. This is the tragic story of his life, pre-empted by the black cloth of Stalinism.

From Leonardo Da Vinci to Oliver Sacks: the first history of the western polymath, from the Renaissance to the present "An absorbing group portrait and intellectual history."-Kirkus Reviews "An admirable mixture of industry and erudition."-Robert Wilson, Wall Street Journal From Leonardo Da Vinci to John Dee and Comenius, from George Eliot to Oliver Sacks and Susan Sontag, polymaths have moved the frontiers of knowledge in countless ways. But history can be unkind to scholars with such encyclopedic interests. All too often these individuals are remembered for just one part of their valuable achievements. In this engaging, erudite account, renowned cultural historian Peter Burke argues for a more rounded view. Identifying 500 western polymaths, Burke explores their wide-ranging successes and shows how their rise matched a rapid growth of knowledge in the age of the invention of printing, the discovery of the New World and the Scientific Revolution. It is only more recently that the further acceleration of knowledge has led to increased specialization and to an environment that is less supportive of wide-ranging scholars and scientists. Spanning the Renaissance to the present day, Burke changes our understanding of this remarkable intellectual species.

The Unfinished Song of Francisco Urondo: When Poetry is Not Enough is a comprehensive, well-written, documented, and carefully developed study of the literary work and life of Francisco Urondo, an Argentine poet, intellectual, activist, cultural promoter, revolutionary, and clandestine guerilla member who died in 1976 fighting for a cause in which he believed, against the oppressive Argentine Military Junta. This methodical but never mechanistic work shows how life events, cultural milieu, political movements, and world circumstances interacted and impacted Urondo's temperament to produce his poetic voice, his prose, and his theatrical works. By studying the man, we get closer to his poetry. With his poetry, the author makes a compelling case for understanding the man. Francisco Urondo's life, work, and praxis were varied, agonizing at times, and always marked by imperatives. This book fills a significant lacuna in the scholarship on the work of this worthy, yet neglected and under-studied, writer. Readers of this book will come away with not only a deepened understanding of the man and his writings but also of a key period in recent Argentine political, social, and intellectual history.

Caste and Outcast (1923) is an autobiography by Dhan Gopal Mukerji. Published the year after Mukerji moved from San Francisco to New York City, Caste and Outcast is a moving autobiographical narrative from the first Indian writer to gain a popular audience in the United States. Although he is more widely recognized for such children's novels as Gay Neck: The Story of a Pigeon (1927), which won the 1928 Newbery Medal, and Kari the Elephant (1922), Mukerji was also a gifted poet and memoirist whose experiences in India, Japan, and the United States are essential to his unique perspective on twentieth century life. "As I look into the past and try to recover my earliest impression, I remember that the most vivid experience of my childhood was the terrific power of faces. From the day consciousness dawned upon me, I saw faces, faces everywhere, and I always noticed the eyes. It was as if the whole Hindu race lived in its eyes." Raised in a prominent Brahmin family, Dhan Gopal Mukerji enjoyed immense privileges in his native India and came to trust in the effectiveness and fairness of the country's caste system. As a young man, however, no longer enthralled with the ascetic lifestyle explored in his youth, Mukerji devoted himself to nationalist politics and eventually left India for Japan. Unsatisfied with life as an engineering student, he emigrated once more to the United States, where he moved in anarchist and bohemian circles while embarking on a career as a popular poet and children's author. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Dhan Gopal Mukerji's Caste and Outcast is a classic of Indian American literature reimagined for modern readers.

John Updike's Early Years first examines his family, then places him in the context of the Depression and World War II. Relying upon interviews with former classmates, the next chapters examine Updike's early life and leisure activities, his athletic ability, social leadership, intellectual prowess, comical pranks, and his experience with girls. Two chapters explore Updike's cartooning and drawing, and the last chapter explains how he modeled his characters on his schoolmates. Lists of Updike's works treating Pennsylvania, and a compilation of contributions to his school paper are included, along with profiles of all students, faculty and administrators during his years at Shillington High School.

The memoirs of Ernest Forssgren (1894-1970), the young Swede who served as Marcel Proust's last valet, provide new insights into Proust's life and death. Previously, Forssgren's memoir has been published only in excerpts, in French, with serious omissions and alterations.
This book presents the complete text of the memoir, with an introduction and helpful annotations by the distinguished Proust scholar William C. Carter. Also included here is other new material: the inscriptions that Proust wrote for Forssgren's copy of "Swann's Way;" an important telegram that Proust sent Forssgren, which defines with greater precision the novelist's activities in the final months of his life; Forssgren's "Summary" of the first English biography of Proust, by George D. Painter, which provides many new details about Proust's last trip to Cabourg in 1914 and his attempts at seducing young men of the servant class; and the notes that Forssgren made in his copy of Painter's biography.

At the age of nineteen Arthur Rimbaud committed suicide, not in the flesh but as a writer. At that point he had composed a body of poetry now ranked among the classics of France and of the world. He never wrote another line. He cut himself not only from literature but from his native country and from European civilization, and lost himself in the inaccessible mountains of North Africa. When he reappeared it was to die, in torment, in a hospital on the coast. Further research has reconstructed the 'lost' life of this extraordinary man and his amazing second career. Traveling as a trader under terrible difficulties, he acted unknowingly as a pioneer agent of the French Empire. The routes he discovered became military and commercial highways of the French Empire in North Africa. Jean Marie Carre has written the first complete and authoritative biography of this genius and adventurer. It opens the mystery of Rimbaud's renunciation, a profound research into a tortured soul woven into a powerful narrative of his adventures in Africa. Also included in this volume is a translation of Rimbaud's moving spiritual autobiography A Season in Hell.

"You don't have to be Irish to cherish this literary gift-just being human and curious and from a family will suffice." -Malachy McCourt, New York Times bestselling author of A Monk Swimming In the tradition of Frank McCourt's Angela's Ashes and Alice Taylor's To School Through the Fields, Tom Phelan's We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. Tom Phelan, who was born and raised in County Laois in the Irish midlands, spent his formative years working with his wise and demanding father as he sought to wrest a livelihood from a farm that was often wet, muddy, and back-breaking. It was a time before rural electrification, the telephone, and indoor plumbing; a time when the main modes of travel were bicycle and animal cart; a time when small farmers struggled to survive and turkey eggs were hatched in the kitchen cupboard; a time when the Church exerted enormous control over Ireland. We Were Rich and We Didn't Know It recounts Tom's upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.

Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imagination-indeed, it is the basis for the legend she created. Gone With the Wind took the American reading public by storm and went on to become the most popular motion picture of all time. It was a phenomenon whose success has never been equaled-and it shattered Margaret Mitchell's private life. In this commemorative reprint of Road to Tara, Anne Edwards tells the real story of Margaret Mitchell and the extraordinary novel that has become part of our heritage.

Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remains widely admired. Iris grew up in Italy with her Irish mother after the death of her wealthy American father. They settled in the Villa Medici in Florence, where they became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons.When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.

Ernest Hemingway embraced adventure and courted glamorous friends while writing articles, novels, and short stories that captivated the world. Hemingway's personal relationships and experiences influenced the content of his fiction, while the progression of places where the author chose to live and work shaped his style and rituals of writing. Whether revisiting the Italian front in A Farewell to Arms, recounting a Pamplona bull run in The Sun Also Rises, or depicting a Cuban fishing village in The Old Man and the Sea, setting played an important part in Hemingway's fiction. The author also drew on real people-parents, friends, and fellow writers, among others-to create memorable characters in his short stories and novels. In Influencing Hemingway: The People and Places That Shaped His Life and Work Nancy W. Sindelar introduces the reader to the individuals who played significant roles in Hemingway's development as both a man and as an artist-as well as the environments that had a profound impact on the author's life. In words and photos, readers will see images of Hemingway the child, the teenager, and the aspiring author-as well as the troubled legend dealing with paranoia and fear. The book begins with Hemingway's birth and early influences in Oak Park, Illinois, followed by his first job as a reporter in Kansas City. Sindelar then recounts Hemingway's experiences and adventures in Italy, France, Spain, Key West, Florida, and Cuba, all of which found their way into his writing. The book concludes with an analysis of the events that preceded the author's suicide in Idaho and reflects on the influences critics had on his life and work. Though much has been written about the life and work of the Nobel prize-winning author, Influencing Hemingway is the first publication to carefully document-in photographs and letters-the individuals and locales that inspired him. Featuring more than 60 photos, many of which will be new to the general and academic reader, and unguarded statements from personal letters to and from his parents, lovers, wives, children, and friends, this unique biography allows readers to see Hemingway from a new perspective.

Written from a teenage child's point of view, Motion captures the pathos and puzzlement of childhood with great clarity of expression and freshness of memory. We encounter a strange but beguiling extended family, a profound love of the natural world, a troubled schooling, and a growing passion for books and writing. By turns funny, heartbreaking and elegiac, In the Blood is a deeply moving portrait of the bond between a mother and her son, and the capturing of a moment in time before the loss of childhood innocence.

He has been called passionate and violent, cryptic and probing, hostile and eloquent. His works have been called brilliant and unbearable, poetic and documentary, classic and controversial. He is a major voice of the Civil Rights Movement. His words, which have compelled, agitated and hypnotized a nation, are now heard around the world. That is the public image of James Baldwin. But there is also an aspect of Baldwin that grew out of self-deprecation and a search for personal identity; a timorous side that his mother worried over in the presence of a step-father who would not acknowledge him, and that his teachers watched carefully because there was precocity beneath it, trying to force its way out. There was a child who thought he was ugly and useless, who was overly self-conscious about his appearance and couldn't find the love he needed to make his own existence bearable. There is a man who claims: "I've been scared to death since I was born and I'll be scared till I die. But if you're scared to death, walk toward it." And there is an author whose tremendous impact on American literature-and American life-has, until now, not been fully measured. Fern Marja Eckman has based this vivid book on hours and hours of taped interviews with Baldwin and with the people who are significant in his story. She presents a detailed account of Baldwin's Harlem childhood, a portrait of the exile who returned to his country to shock it into reappraisal of its racial and sexual attitudes, and an inside view of his part in Robert Kennedy's civil-rights meeting in 1963. Speaking with James Baldwin and probing the complex mixture of extreme hate and intense love that characterize him, she presents a profile told largely in his own words-one which is essentially Baldwin on Baldwin.

First Published in 1959, The Life of John Middleton Murry is the first biography of one of the most controversial figures in English letters. Many people know Middleton Murry in one or other of his capacities: as editor (of the avant-grade magazine Rhythm, while he was still an undergraduate, of The Athenaeum in its last, most brilliant phase, The Adelphi in the 1920s, Peace News in the '40s); as the foremost critique of his day; as author of some forty books on literary, religious and social questions; as the husband of Katherine Mansfield and intimate of D.H. Lawrence; as prophet, politician or farmer.... Few, even of his most vigorous champions or opponents, discerned the consistent purpose uniting all his multifarious activities. To trace that is the principal aim of this book. Believing that the duty of the 'official biographer' is rather to present than interpret, the author makes no attempt to evaluate Murry's theories objectively, confining himself to showing how intimately they grew out of his strange, tragic (and occasionally comic) experience. At the same time, he makes no secret of his own view of Murry's significance both as a thinker and as 'the representative figure of an age of breakneck social transition'. The Life of John Middleton Murry will be of interest to scholars and researchers of historical biographies, British history, and literature.

-The only biography of Achebe, author of the most widely read book in African literature, which covers his full life up to his death in 2013 -Contains a treasure trove of interviews with Achebe, and his family, colleagues and friends -Commissioned directly by Achebe's son, in recognition of the author's considerable expertise and familiarity with Achebe and his family

Michael Chabon, author of The Amazing Adventures of Kavalier and Clay, Manhood for Amateurs and Moonglow, returns with a collection of heartfelt, humorous and insightful essays on the meaning of fatherhood. You are born into a family and those are your people, and they know you and they love you and if you are lucky they even, on occasion, manage to understand you. And that ought to be enough. But it is never enough What are you allowed to talk about with your children? When to step in with advice, when to let them make their own mistakes? It's more complicated than you think. Somehow you muddle through. In this heartfelt, humorous and wise book, Pulitzer Prize-winning author Michael Chabon attempts to weigh in on difficult conversations with his children, on everything from texting girls to death. But it is when he hangs back that he catches them transforming into their own people. What emerges is a father's deep respect for his children's passions and for their bravery in the face of conformity. Whether you know the joy and struggles of being a father, or were shaped by one, you will find a home in these stunning essays.

Reclaiming Our Brains without Losing Our Minds relates the story of a group of women in the mid-sized town of Yakima, Washington, who form a reading group in dedicated pursuit of "the best that has been thought and said" in literature. Over the course of twenty-nine years, the women hone their minds, exchange ideas, and discover a sense of closeness and community that extends beyond the page. Featuring detailed accounts of the recruitment process, strategies for meetings, and the methods of choosing the featured texts, this book is a vital tool for anyone interested in starting a reading group or rekindling a love of literature.

Michel Winock's biography situates Gustave Flaubert's life and work in France's century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation-and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his "hole" in Croisset to pursue a variety of pleasures: fervent friendships, society soirees, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert's contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.