This is the first study to assess the entire career of Alexander Pope (16881744) in relation to the political issues of his time.

Existing accounts of Fielding's political ideas are insufficiently aware of the structure of politics in the first half of the eighteenth century, and of the ways in which Whig political ideology developed following the Revolution of 1688. This political biography explains and illustrates what 'being a Whig' meant to Fielding.

"I was one of the 8,000-strong 'Betjemaniacs' gathered at Carruan farm in Cornwall in August 2006 to celebrate the hundredth birthday of Sir John Betjeman, the late Poet Laureate. Situated high above Polzeath, with tremendous views out to the azure Atlantic and the great headland of Pentire, Carruan was, with its exhilarating sense of space, an inspirational choice for this great event. I stood in the pasty-queue with the Archbishop of Canterbury, watched the poetic performance of Bert Biscoe, and browsed among the bookstalls in the hope of finding second-hand copies of rare Betjeman books to add to my collection. Here was that Patrick Taylor-Martin volume that had eluded me for years, and Betjeman's Britain - compiled by Candida Lycett Green, Betjeman's daughter - together with more recent editions of old favourites." Philip Payton, in the preface to John Betjeman and Cornwall Quintessentially English, Betjeman was an 'outsider' in England - and doubly so in Cornwall where, as he was the first to admit, he was a 'foreigner'. And yet, as this book describes, Betjeman also strove to acquire a veneer of 'Cornishness', cultivating an alternative Celtic identity, and finding inspiration in Cornwall's Anglo-Catholic tradition. He was also active in Cornish affairs, insisting that Cornwall was not part of England, and championing Cornish environmental concerns that anticipated today's focus on sustainability. The new research in this book includes a wealth of previously ignored source material, forming a lively new account of Betjeman's life and work and his defining relationship with Cornwall. This book is likely to be controversial and to provoke debate.

Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

The Journals of Sylvia Plath offers an intimate portrait of the author of the extraordinary poems for which Plath is so widely loved, but it is also characterized by a prose of vigorous immediacy which places it alongside The Bell Jar as a work of literature. These exact and complete transcriptions of the journals kept by Plath for the last twelve years of her life - covering her marriage to Ted Hughes and her struggle with depression - are a key source for the poems which make up her collections Ariel and The Colossus. 'Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now . . . The struggle of self with self makes the Journals compelling and unique.' John Carey, Sunday Times

This is the story of John McGahern's childhood, his mother's death, his father's anger and violence, and how, through his discovery of books, his dream of becoming a writer began. At the heart of Memoir is a son's unembarrassed tribute to his mother. His memory of walks with her through the narrow lanes to the country schools where she taught and his happiness as she named for him the wild flowers on the bank remained conscious and unconscious presences for the rest of his life. A classic family story, told with exceptional restraint and tenderness, Memoir cannot fail to move all those who read it.

Memorials of Harriet Martineau by Maria Weston Chapman was published in 1877 as volume three of Harriet Martineau's Autobiography. While the triple-decker was a popular format of the era, the configuration of a two-volume autobiography authored by one and a one-volume biography written by another is unusual. Indeed, the work's publishing history reveals that, in reissues of the Autobiography, the Memorials volume was not reproduced; while some might claim that the problem is with the editor-American abolitionist Chapman-rather than the contents, the fact remains that the bulk of the volume consists of primary materials written by Martineau that are available nowhere else, published or archival. Chapman's participation in the project was originally conceived as supplemental, in the event that the ailing Martineau did not live long enough to complete her memoirs; as it happened, Martineau-who finished the two volumes and had them privately printed in 1855-lived another twenty-one years. Whereas the Autobiography records what Martineau called the "interior life" or subjective perspective on her career, Chapman's volume addressed the exterior by offering a biographical overview of her friend's life and work, a record of her last decades, and a collection of posthumous memorials by those with whom her private and public lives intersected. Chapman's role was to "take up the parallel thread of her exterior life,-to gather up and co-ordinate from the materials placed in my hands the illustrative facts and fragments by her omitted or forgotten; and to show . . . what no mind can see for itself,-the effect of its own personality on the world." This volume is the first scholarly edition of the Memorials-a biography of one of the foremost intellectual women of the nineteenth century, told primarily in her own words.

In 1907, author, poet, essayist, and folk art historian Eliza Calvert Hall (1856--1935) published Aunt Jane of Kentucky, a collection of stories about rural life infused with the spirit and gentle good humor of its elderly narrator, Aunt Jane. The book and several sequels achieved wide popularity, reaching an estimated one million readers in her lifetime, and placed Hall in the front ranks of "local color" fiction writers of her time. Eliza Calvert Hall's life and work unfolded during a time of restlessness and change for American women. Born Eliza "Lida" Calvert in Bowling Green, Kentucky, Hall experienced the upheaval of both the Civil War and family scandal. Forced to help support her mother and four siblings by teaching school, she became a published poet, adopting her grandmother's name, Hall, as her pseudonym. At twenty-nine, she married William A. Obenchain, and in the space of eight years gave birth to four children. As Hall struggled to balance her writing career with the duties of a nineteenth-century wife and mother, suffragist Laura Clay was lobbying for every woman's right to vote. Hall joined the battle, writing fearlessly in support of suffrage and equality. While her passionate essays served as a direct appeal for this cause, her creative writing also carried a feminist spirit, celebrating the strength, humor, love, and art of the common woman. In Eliza Calvert Hal: Kentucky Author and Suffragistl, Lynn E. Niedermeier tells the story of this remarkable Kentuckian for the first time. Hall's challenge was to balance the artist's creative ambitions with the crusader's passion for achieving the goal of political equality for American women. Her successes did not stem from privilege or leisure; although she was an acclaimed writer, Hall was an ordinary woman, a wife and mother of moderate economic means. Through the power of her words, she challenged others to match her courage, independence, intellectual energy, and loyalty to her sex.

Memoir is Rosario Ferre's account of her life both as a writer and as a member of a family at the center of the economic and political history of Puerto Rico during the American Century, one hundred years of territorial "non-incorporation" into the United States. The autobiography tells the story of Ferre's transformation from the daughter of a privileged family into a celebrated novelist, poet, and essayist concerned with the welfare of Puerto Ricans, and with the difficulties of being a woman in Puerto Rican society. It is a snapshot of twentieth-century Puerto Rico through the lens of a writer profoundly aware of her social position. It is a picture taken from the perspective of a keen observer of the local history of the island, and of the history of the United States. Included are many photographs that connect Ferre's life with the story of her writing career.

Into Woods is an exuberant, profound, and often wonderfully funny account of ten years in the life of author Bill Roorbach. A paean to nature, love, family, and place, it begins with his honeymoon on a wine farm in France's Loire Valley and closes with the birth of his daughter and he and his wife's return to their beloved Maine. These essays blend journalism, memoir, personal narrative, nature writing, cultural criticism, and insight into a flowing narrative of place, a meditation on being and belonging, love and death, wonder and foreboding.

Beatrix Potter is one of the world's bestselling, most cherished authors, whose books have enchanted generations of children for over a hundred years. Yet how she achieved this legendary status is just one of several stories of Beatrix Potter's remarkable and unexpected life. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this short biography will delight anyone who has been touched by Beatrix Potter's work.

George Orwell remains an iconic figure today - even though he died in 1950. His dystopian novel Nineteen Eighty-Four depicts a Big Brother society in which the state intrudes into the most intimate details of people's lives - and, not surprisingly, it became a constant reference point after Edward Snowden's revelations. The word "Orwellian" is constantly in the media - used either as a pejorative adjective to evoke totalitarian terror or as a complimentary adjective to mean "displaying outspoken intellectual honesty". Interest in Orwell's life and writings - globally - continues unabated. Beginning with a preface by Richard Blair, Orwell's son, George Orwell Now! brings together thirteen chapters by leading international scholars in four thematic sections: * Peter Marks on Orwell and the history of surveillance studies; Florian Zollmann on Nineteen Eighty-Four in 2014; Henk Vynckier on Orwell's collecting project; and Adam Stock on 'Big Brother's Literary Offspring' * Paul Anderson "In Defence of Bernard Crick"; Luke Seaber on the "London Section of Down and Out in Paris and London"; John Newsinger on "Orwell's Socialism"; and Philip Bounds on "Orwell and the Anti-Austerity Left in Britain" * Marina Remy on the "Writing of Otherness in Burmese Days and Keep the Aspidistra Flying"; Sreya Mallika Datta and Utsa Mukherjee on "Reassessing Ambivalence in Orwell's Burma"; and Shu-chu Wei on Orwell's Animal Farm alongside Chen Jo-his's Mayor Yin * Tim Crook on "Orwell and the Radio Imagination"; and editor Richard Lance Keeble on "Orwell and the War Reporter's Imagination" Peter Stansky, in an afterword, argues that Orwell is now more relevant than ever before.

A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020 Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'. 'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________ 'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .' The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real Estate, is available now. _________________________________ 'I just haven't stopped reading it . . . it talks so beautifully about being a woman' Billie Piper on BBC Radio 4's Desert Island Discs 'It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself. Wonderful' Guardian 'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise . . . a brilliant writer' Daily Telegraph 'A graceful and lyrical rumination on the questions, "What is a woman for? What should a woman be?"' Tatler 'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times

At thirty-five, Elsie Robinson feared she'd lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered more than twenty million readers. Told in cinematic detail by bestselling author Julia Scheeres and award-winning journalist Allison Gilbert, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way.

A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance -- including Maya Angelou, Toni Morrison, and Alice Walker -- acknowledges Hurston as a literary foremother, and her 1937 masterpiece "Their Eyes Were Watching God" has become a crucial part of the modern literary canon.
"Wrapped in Rainbows, " the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston's history -- her youth in the country's first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodou. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, "Wrapped in Rainbows" not only positions Hurston's work in her time but also offers riveting implications for our own.

Originally published in 1969. In the seventeenth century neither the literary genre nor the term 'autobiography' existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as 'Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings - 'religious', where the autobiographies are grouped according to the denomination of their writer, and 'secular', where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time. Review of the original publication: "...a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling

If I had not kissed anyone, or danced with anyone, or had a reason to cry, the music made me feel as if I had gone through all that anyway . . . the music attracted and repelled, organised and disturbed and then let us into the night, clusters of emotion ready to dissolve into sleep. In The Importance of Music to Girls, Lavinia Greenlaw tells the story of the adventures that music leads us into: getting drunk, falling in love, dying of boredom, cutting our hair, terrifying our parents, wanting to change the world. This is a vivid memoir unlike any other, recalling the furious passion of being young, female, and coming alive through music.

Charles Corm: An Intellectual Biography of a Twentieth-Century Lebanese "Young Phoenician" delves into the history of the modern Middle East and an inquiry into Lebanese intellectual, cultural, and political life as incarnated in the ideas, and as illustrated by the times, works, and activities of Charles Corm (1894-1963). Charles Corm was a guiding spirit behind modern Lebanese nationalism, a leading figure in the "Young Phoenicians" movement, and an advocate for identity narratives that are often dismissed in the prevalent Arab nationalist paradigms that have come to define the canon of Middle East history, political thought, and scholarship of the past century. But Charles Corm was much more than a man of letters upholding a specific patriotic mission. As a poet and entrepreneur, socialite and orator, philanthropist and patron of the arts, and as a leading businessman, Charles Corm commanded immense influence on modern Lebanese political and social life, popular culture, and intellectual production during the interwar period and beyond. In many respects, Charles Corm has also been "the conscience" of Lebanese society at a crucial juncture in its modern history, as the autonomous sanjak/Mutasarrifiyya (or Province) of Mount-Lebanon and the Vilayet (State) of Beirut of the late nineteenth century were navigating their way out of Ottoman domination and into a French Mandatory period (ca. 1918), before culminating with the independence of the Republic of Lebanon in 1943.

An autobiography unlike other literary forms shows the ego of an author. Aleksandra Ziolkowska-Boehm's ego is delicate, fascinating, and courageous. Some fragments are almost like a movie with interesting dialog, compelling moments, and realistic characters. Vividly portrayed are dedicated and devoted parents who instilled a love for reading and books that formed the foundation for her career. Detailed descriptions of coping with the rigors of achieving an advanced education, career start, and caring, rearing and devoting love to a young son are outstanding.

Luis Rodriguez, author of the award-winning and bestselling classic memoir "Always Running," chronicles his harrowing journey from a drugged-out gang member to one of the most revered figures in Chicano literature.
Hundreds of thousands of readers came to know Luis J. Rodriguez through his fearless classic, "Always Running," which chronicled his early life as a young Chicano gang member surviving the dangerous streets of East Los Angeles. The long-awaited follow-up, "It Calls You Back" is the equally harrowing story of Rodriguez starting over, at age eighteen, after leaving gang life--the only life he really knew.
The book opens with Rodriguez's final stint in jail as a teenager and follows his struggle to kick heroin, renounce his former life, and search for meaningful work. He describes with heartbreaking honesty his challenges as a father, and his difficulty leaving his rages and addictions completely behind. Even as he breaks with "la vida loca" and begins to discover success as a writer and an activist, Rodriguez finds that his past--the crimes, the drugs, the things he'd seen and done--has a way of calling him back.
When his oldest son is sent to prison for attempted murder, Rodriguez is forced to confront his shortcomings as a father, and to acknowledge how and why his own history is repeating itself, right before his eyes.
Deeply insightful and beautifully written, "It Calls You Back" is an odyssey through love, addiction, revolutions, and healing.

Critic, poet, editor, chronicler of the "lost generation," and elder statesman of the Republic of Letters, Malcolm Cowley (1898-1989) was an eloquent witness to much of twentieth-century American literary and political life. These letters, the vast majority previously unpublished, provide an indelible self-portrait of Cowley and his time, and make possible a full appreciation of his long and varied career. Perhaps no other writer aided the careers of so many poets and novelists. Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever are among the many authors Cowley knew and whose work he supported. A poet himself, Cowley enjoyed the company of writers and knew how to encourage, entertain, and when necessary scold them. At the center of his epistolary life were his friendships with Kenneth Burke, Allen Tate, Conrad Aiken, and Edmund Wilson. By turns serious and thoughtful, humorous and gossipy, Cowley's letters to these and other correspondents display his keen literary judgment and ability to navigate the world of publishing. The letters also illuminate Cowley's reluctance to speak out against Stalin and the Moscow Trials when he was on staff at The New Republic--and the consequences of his agonized evasions. His radical past would continue to haunt him into the Cold War era, as he became caught up in the notorious "Lowell Affair" and was summoned to testify in the Alger Hiss trials. Hans Bak supplies helpful notes and a preface that assesses Cowley's career, and Robert Cowley contributes a moving foreword about his father.

This book reveals the lesser-known figure in a famous American friendship.Bewilderment often follows when one learns that Mark Twain's best friend of forty years was a minister. That Joseph Hopkins Twichell (1838-1918) was also a New Englander with Puritan roots only entrenches the ""odd couple"" image of Twain and Twichell. This biography adds new dimensions to our understanding of the Twichell-Twain relationship; more important, it takes Twichell on his own terms, revealing an elite Everyman - a genial, energetic advocate of social justice in an era of stark contrasts between America's ""haves and have-nots.""After Twichell's education at Yale and his Civil War service as a Union chaplain, he took on his first (and only) pastorate at Asylum Hill Congregational Church in Hartford, Connecticut, then the nation's most affluent city. Courtney tells how Twichell shaped his prosperous congregation into a major force for social change in a Gilded Age metropolis, giving aid to the poor and to struggling immigrant laborers as well as supporting overseas missions and cultural exchanges. It was also during his time at Asylum Hill that Twichell would meet Twain, assist at Twain's wedding, and preside over a number of the family's weddings and funerals.Courtney shows how Twichell's personality, abolitionist background, theological training, and war experience shaped his friendship with Twain, as well as his ministerial career; his life with his wife, Harmony, and their nine children; and his involvement in such pursuits as Nook Farm, the lively community whose members included Harriet Beecher Stowe and Charles Dudley Warner. This was a life emblematic of a broad and eventful period of American change. Readers will gain a clear appreciation of why the witty, profane, and skeptical Twain cherished Twichell's companionship.

As one of the most creative intellectuals of the twentieth century, C. S. Lewis transcended all literary, philosophical, and religious boundaries. A world-renowned scholar of medieval literature at Oxford and Cambridge Universities, he wrote and lectured in such clear, direct language that ordinary people were able to fully comprehend the truths he extolled. The prolific author of many classic masterpieces - including "The Lion, The Witch, and The Wardrobe", soon to be released as a feature movie and one of several volumes in "The Chronicles of Narnia" - he also lived a life that was as compelling as his work. This book offers a clear view of the character of this extraordinarily gifted man. Lewis believed that his sharp mind and rich imagination were to be accompanied by a sense of responsibility to the wider world. Thus this volume demonstrates why, two generations after his death, Lewis continues to be numbered among our best-selling authors and most influential thinkers.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The biography of Geoffrey Chaucer is no longer a mixture of unsifted facts, and of more or less hazardous conjectures. Many and wide as are the gaps in our knowledge concerning the course of his outer life, and doubtful as many important passages of it remain - in vexatious contrast with the certainty of other relatively insignificant data - we have at least become aware of the foundations on which alone a trustworthy account of it can be built. These foundations consist partly of a meagre though gradually increasing array of external evidence, chiefly to be found in public documents, - in the Royal Wardrobe Book, the Issue Rolls of the Exchequer, the Customs Rolls, and suchlike records - partly of the conclusions which may be drawn with confidence from the internal evidence of the poet's own indisputably genuine works, together with a few references to him in the writings of his contemporaries or immediate successors. Which of his works are to be accepted as genuine, necessarily forms the subject of an antecedent enquiry, such as cannot with any degree of safety be conducted except on principles far from infallible with regard to all the instances to which they have been applied, but now accepted by the large majority of competent scholars. Thus, by a process which is in truth dulness and dryness itself except to patient endeavour stimulated by the enthusiasm of special literary research, a limited number of results has been safely established, and others have at all events been placed beyond reasonable doubt. Around a third series of conclusions or conjectures the tempest of contro-versy still rages; and even now it needs a wary step to pass without fruitless deviations through a maze of assumptions consecrated by their longevity, or commended to sympathy by the fervour of personal conviction.