This book, first published in 1979, provides a systematic anatomy of Russia's modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR's social and political structure.

This book, first published in 1977, begins with a close look at the lives of nineteenth century Russian writers, and at the problems of their profession. It then examines their environment in its broader aspects, the Russian empire being considered from the point of view of geography, ethnography, economics, and the impact of individual Tsars on writers and society. A discussion of the main social 'estates' follows, and concluding is an analysis in their literary context of the activities of the competing forces of cohesion and disruption in imperial society: the civil service, law courts, police, army, schools, universities, press, censorship, revolutionaries and agitators. This book makes possible a fuller understanding of the works of Pushkin, Dostoyevsky, Chekhov and the other great Russian writers.

This book, first published in 1950, is a balanced examination of Chekhov's life and work, a critical analysis of his stories and plays set against the background of his life the Russia of the day. Using Chekhov's works, biographical details, and, more importantly, his many thousands of letters, this book presents a comprehensive critical study of the writer and the man.

SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting ... masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams's work - blood hot and personal - pioneered, as Arthur Miller declared, 'a revolution' in American theatre. Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Including Williams's poems, stories, journals and private correspondence in his discussion of the work - posthumously Williams has been regarded as one of the best letter writers of his day - Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art.

These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne's influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.

PEN/ Jacqueline Bograd Weld Award for Biography Longlist O, The Oprah Magazine "Best Books of Summer" selection "Magnetic nonfiction." --O, The Oprah Magazine "Remarkable insight ...[a] unique meditation/investigation...Jerome Charyn the unpredictable, elusive, and enigmatic is a natural match for Emily Dickinson, the quintessence of these." --Joyce Carol Oates, author of Wild Nights! and The Lost Landscape We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote: My Life had stood--a Loaded Gun-- ...Though I than He-- may longer live He longer must--than I-- For I have but the power to kill, Without--the power to die-- Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today. Jerome Charyn is the author of, most recently, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel. He lives in New York.

This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.

Josep Pla is Catalonia's foremost twentieth-century prose writer. He witnessed and wrote about some of the twentieth-century's most notable events including the Spanish Civil War and the foundation of the state of Israel. Due to a lack of translations of his work he is only now being discovered by the international audience and will soon join the ranks of major realist writers in world literature. In Josep Pla, Joan Ramon Resina teases out the writer's deep-seated intellectual concerns and challenges the assumption of Pla as an anti-intellectual. Resina condenses Pla's forty-seven volumes of work, including travel books, narrative fiction, and history, into eleven thematic units: including time, memory, perception, life, religion, metaphysics, utopia, and self-delusion. Resina acutely explores the writer's authorial gaze and invites the reader to see the world through the eyes of one of the most underappreciated observers and writers of the twentieth-century.

The first non-fiction book from the author of international bestselling novels The Tattooist of Auschwitz and Cilka's Journey.

In Stories Of Hope, Heather Morris will explore the art of listening - a skill she employed when she first met Lale Sokolov, the Tattooist of Auschwitz. It was her ability to listen that led Lale to entrust Heather with his story, which she told as the novel The Tattooist Of Auschwitz. Now she shares her story of how she learned to listen.

Heather grew up on a farm in rural New Zealand. On her way back across the paddocks from school, she would visit her great-grandfather and listen to his experiences of war - stories he told only Heather. From a very young age, she learned that people would share their most sacred and intimate stories with her, if she stopped and listened to them. Stories Of Hope will examine and explore Heather's journey, in the form of a series of tales of the remarkable people she has met, the extraordinary stories they have shared with her, and the lessons they hold for us all.

In Paris during the summer of 1814, two lovers, Percy Bysshe Shelley and Mary Wollstonecraft Godwin, began a chronicle of their life together, starting with an account of the day they eloped to France. These journals--kept during the early years by both of them and then, after their marriage, mostly by Mary alone--are an essential source of information about the lives, both individually and together, of two major British literary figures. This critical edition, the first to be faithful to the manuscript, presents the full text of all surviving journal entries and provides extensive biographical commentary drawn from unpublished as well as published sources.

Edmond Malone (1741 1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to discovering the facts of literary history through manuscripts and early editions laid the foundations for the scholar's code and the modern study of literature. Yet he was also a gregarious man, attracting many friends and enemies among his contemporaries. This first modern full-length biography of Edmond Malone illuminates in a unique way both the intensely private world of the scholar and the highly public world of the late eighteenth-century artistic, intellectual and political elite, including Samuel Johnson, Edmund Burke, Sir Joshua Reynolds, Sarah Siddons and James Boswell.

If you like true stories about real people, are intrigued by serendipity, curious about curiosities, or maybe you are a collector yourself, then this book is for you.

The collecting and researching of any collectable is an intense and pleasurable pastime. The author’s passion for more than half a century has been for collecting handwritten, original letters, antique documents, manuscripts, old share certificates, fire insurance policies, photographs and maps.

The writers of these words on paper include kings and queens, presidents and prime ministers, admirals and generals, actors and authors, judges and prisoners, philosophers, statesmen, scientists, and sportsmen. Some were famous, some infamous, some important, others less so. Many you will know about; with others, only their names may be familiar. There’s Admiral Nelson, and the Duke of Wellington; there are queens Elizabeth I and II and kings George III, IV and VI; presidents Eisenhower, Kruger, and Mandela are here; prime ministers Botha, Hertzog and Smuts; explorers Scott and Shackleton. There’s Faraday and De la Rey, and many more, including two controversial giants of history – Napoleon and Rhodes.

The chapters need not be read in any set order, although there is an underlying thread linking them to the life of the author that enabled this eclectic collection to evolve in the way it did.

Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

Of Joseph Conrad, H.L. Mencken has written: 'There was something almost suggesting the vastness of a natural phenomenon. He transcended all the rules. There have been perhaps, greater novelists, but I believe that he was incomparably the greatest artist whoever wrote a novel.' Originally published in 1957, the year of the centenary of Conrad's birth, and although he was firmly established among the world's great literary figures, little was known about him generally, beyond the fact that he was himself once a sailor, and that the language he handled with such mastery was not the one to which he was born. This was described as the definitive biography, written by one of Conrad's closest friends, to whom the novelist willed his personal papers. It took many years to prepare and the author travelled extensively in the lands that Conrad knew and wrote about. He writes with clarity, compassion and understanding of Conrad's childhood in Russia (where the father was exiled for Polish nationalist activities); of how the youth of fifteen, who had never seen the sea before, became a sailor; of how at twenty-nine he became a British subject and master of his own ship; of how in 1894 he became a novelist almost by accident, rose rapidly to literary fame, found new friends and established himself in literary history. This is a record of the strangest and most enigmatic of lives, fascinating and authoritative at the same time.

Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.

Forrest J Ackerman (1916-2008) was an author, archivist, agent, actor, promoter, and editor of the iconic fan magazine Famous Monsters of Filmland; a founder of science fiction fandom; and one of the world's foremost collectors of sci-fi, horror and fantasy films, literature, and memorabilia. This biography begins with a foreword by Joe Moe, Ackerman's caregiver and close friend since 1982. It documents Ackerman's lifelong dedication to his work in both literature and film; his interests, travels, relationships and associations with famous personalities; and his lasting impact on popular culture. Primary research material includes letters given by Ackerman to the author during their long friendship, and numerous reminiscences from Ackerman's friends, fans and colleagues.

'A most impressive achievement' Michael Holroyd 'Enthralling' Sunday Times 'Masterly' Telegraph _______________________ 'The web of our Life is of mingled Yarn' - John Keats In Young Romantics Daisy Hay shatters the myth of the Romantic poet as a solitary, introspective genius, telling the story of the communal existence of an astonishingly youthful circle. The fiery, generous spirit of Leigh Hunt, radical journalist and editor of The Examiner, took centre stage. He bound together the restless Shelley and his brilliant wife Mary, author of Frankenstein; Mary's feisty step-sister Claire Clairmont, who became Byron's lover and the mother of his child; and Hunt's charismatic sister-in-law Elizabeth Kent. With authority, sparkling prose and constant insight Daisy Hay describes their travels in France, Switzerland and Italy, their artistic triumphs, their headstrong ways, their grievous losses and their devastating tragedies. Young Romantics explores the history of the group, from its inception in Leigh Hunt's prison cell in 1813 to its ultimate disintegration in the years following 1822. It encompasses tales of love, betrayal, sacrifice and friendship, all of which were played out against a background of political turbulence and intense literary creativity. This smouldering turmoil of strained relationships and insular friendships would ferment to inspire the drama of Frankenstein, the heady idealism of Shelley's poetry, and Byron's own self-loathing, self-loving public persona. Above all the characters are rendered on the page with marvellous vitality, and this is a gloriously entrancing and revelatory read, the debut of a young biographer of the highest calibre and enormous promise.

As father and son, John and Dan Fante's relationship was characterized by competition, resentment, rages, and extended periods of silence. As men, both were driven to succeed but damaged by often uncontrolled drinking. As writers, both were gifted with unstoppable passion. In "Fante", Dan Fante traces his family's history from the hillsides of Italy to the immigrant neighborhoods of Colorado to Los Angeles. There, John Fante struggled to gain the literary recognition he so badly craved, and after the publication of his best known work, "Ask the Dust" (which was quickly consigned to literary oblivion), he turned to the steady paycheck of screenwriting, working to support his family and enjoy the good life of a well-paid Hollywood writer. We follow Dan through a troubled childhood to his discovery of words and life's vices, through work as a carnival barker and later as he hitchhikes to New York City, where he drives a taxi for seven years. Over time the elder Fante's rages over his perceived failure as a writer and his struggle with debilitating diabetes make him more and more miserable, until, late in life, he rekindles his true voice as a novelist. Meanwhile, Dan battles alcoholic blackouts, repeated suicide attempts and what he considers an unrelenting and murderous mind. John was a writer whose literary contributions were not recognized until the end of his life. Dan was an alcoholic saved by writing, who at the age of 45 picked up his father's old typewriter in order to ease his madness. "Fante" is the story of the evolution of a relationship between father and son who eventually found their way back to loving each other. In straightforward, unapologetic prose, Dan Fante lays bare his family's story from his point of view, with the rage and passion of a true writer, which he feels was his true inheritance and his father's greatest gift.

Racine the practising dramatist had been in some danger of being crowded out from the numerous books on his psychology and style. In this critical study of the man and his work, first published in 1951 and this slightly revised edition originally in 1973, Dr Brereton's guiding principle has been to make the factual basis as accurate as it can be in the light of modern research. The result is the portrait of a sensitive and attractive figure which is none the worse for being shorn of certain legends.

Ever since the first edition of Thomas Ligotti's 'Songs of a Dead Dreamer' appeared in 1985, it was clear that here was an author of extraordinary brilliance and originality. In following years there has been a great deal of interest in the author and his works, although, until now, articles about him have mostly been scattered in obscure journals. Now, at last, here is a book about him, a symposium of explorations and examinations of the Ligottian universe by such leading critics as S.T. Joshi, Stefan Dzimianowicz, Robert M. Price. With a complete, up-to-date bibliography of Ligotti's work, two interviews with him, and even a fascinating essay by Ligotti himself. Also available in hardcover.

Neil Gaiman (b. 1960) currently reigns in the literary world as one of the most critically decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy Award-winning DC/Vertigo series, The Sandman, Gaiman quickly became equally renowned in literary circles for works such as Neverwhere, Coraline, and American Gods, as well as the Newbery and Carnegie Medal-winning The Graveyard Book. For adults, for children, for the comics reader to the viewer of the BBC's Doctor Who, Gaiman's writing has crossed the borders of virtually all media and every language, making him a celebrity on a worldwide scale. The interviews presented here span the length of his career, beginning with his first formal interview by the BBC at the age of seven and ending with a new, unpublished interview held in 2017. They cover topics as wide and varied as a young Gaiman's thoughts on Scientology and managing anger, learning the comics trade from Alan Moore, and being on the clock virtually 24/7. What emerges is a complicated picture of a man who seems fully assembled from the start of his career, but only came to feel comfortable in his own skin and voice far later in life. The man who brought Morpheus from the folds of his imagination into the world shares his dreams and aspirations from different points in his life, including informing readers where he plans to take them next.