Of Joseph Conrad, H.L. Mencken has written: 'There was something almost suggesting the vastness of a natural phenomenon. He transcended all the rules. There have been perhaps, greater novelists, but I believe that he was incomparably the greatest artist whoever wrote a novel.' Originally published in 1957, the year of the centenary of Conrad's birth, and although he was firmly established among the world's great literary figures, little was known about him generally, beyond the fact that he was himself once a sailor, and that the language he handled with such mastery was not the one to which he was born. This was described as the definitive biography, written by one of Conrad's closest friends, to whom the novelist willed his personal papers. It took many years to prepare and the author travelled extensively in the lands that Conrad knew and wrote about. He writes with clarity, compassion and understanding of Conrad's childhood in Russia (where the father was exiled for Polish nationalist activities); of how the youth of fifteen, who had never seen the sea before, became a sailor; of how at twenty-nine he became a British subject and master of his own ship; of how in 1894 he became a novelist almost by accident, rose rapidly to literary fame, found new friends and established himself in literary history. This is a record of the strangest and most enigmatic of lives, fascinating and authoritative at the same time.

This biography of Joseph Severn (1793-1879), the best known but most controversial of Keats's friends, is based on a mass of newly discovered information, much of it still in private hands. Severn accompanied the dying Keats to Italy, nursed him in Rome and reported on his last weeks there in a famous series of moving letters. After Keats's death in relative obscurity, Severn pressed hard for an early biography and a more fitting memorial in the Protestant Cemetery in Rome.
In the nineteenth century Severn's friendship with Keats was seen as a model of devoted masculine companionship and he was reburied by popular acclaim next to Keats in 1882. In the twentieth century, by contrast, he was denigrated as an unreliable, self-promoting witness. Sue Brown's book fills a major gap in studies of Keats and his circle. It reassesses Severn's character, friendship with Keats, and influence on the posthumous development of the poet's fame and provides new information on Keats's death.
The significance of Severn's artistic career has previously been downplayed. This book offers the first full assessment of his work and of his turbulent spell as British Consul in Rome from 1860 to 1871. Keats was not Severn's only famous friend. For most of his adult life Severn was at the heart of the large, lively British community in Rome welcoming amongst others Gladstone, who became his most important patron, Ruskin, Walter Scott, Wordsworth, Turner, Samuel Palmer, David Wilkie, and many more. He maintained long friendships with Leigh Hunt, Mary Shelley, Charles Eastlake, Richard Monckton Milnes, amongst others, and enjoyed a rich family life.

An American Teacher in Argentina tells the story of Mary E. Gorman who in 1869 was the first North American woman to accept President Domingo F. Sarmiento's invitation to set up normal schools in Argentina, where she eventually settled. An ordinary historical actor whose life only sometimes enters the historical record, she moved along the fault lines of some of the greatest historical dramas and changes in nineteenth-century US and Argentine history: she was a pioneering child on the US-Indian frontier; she participated in the push for US women's education; she was a single woman traveler at a time when few women traveled alone; she was a player in an Argentine attempt to expand common school education; and a beneficiary of the great primary products export boom in the second half of nineteenth-century Argentina, and thus well positioned to enjoy the country's Belle Epoque. The book is not a straightforward, biographical narrative of a woman's life. It charts a life, but, more important, it charts the evolving ideas in a life lived mostly among people pushing boundaries in pursuit of what they considered progress. What emerges is a quintessentially transnational life story that engages with themes of gender, education, religion, contact with indigenous peoples in both the US and Argentina, natural history, and economic and political change in Argentina in the second half of the nineteenth century. Because the book tells a good story about one woman's rich and eventful life, it will also appeal to an audience beyond academe.

In this final volume of Christopher Isherwood's diaries, the celebrated writer greets advancing age with poignant humor and an unquenchable appetite for the new. Isherwood deepens his study of Hinduism, writes his final books, and immerses himself in the vibrant creative scenes of the 1970s. With his long-term companion, Don Bachardy, Isherwood delves into the art worlds of Los Angeles, New York, and London, where he meets Rauschenberg, Ruscha, Warhol, and Hockney. Collaborating with Bachardy on scripts for Broadway and Hollywood, he encounters John Huston, Merchant and Ivory, John Travolta, David Bowie, Jon Voight, Armistead Maupin, Elton John, and Joan Didion. This volume is a densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses. The final installment of Isherwood's masterwork reveals a man candidly fearful of his approaching death, and yet engaged in the vitality and energy of daily life.

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.

James Arbuckle (c.1700-1742), poet and essayist, was born in Belfast to a Presbyterian merchant family of Scottish origin and educated at Glasgow University (1717-1723). In Glasgow, his poetry, influenced by Pope and the Latin classics, won praise from leading members of Scotland's literary and political establishment, including Allan Ramsay. In 1723 he moved to Dublin, producing under the name "Hibernicus" Ireland's first literary journal, in collaboration with a group of young Whig intellectuals forming the "Molesworth circle". He aimed at first to avoid politics, but in the highly politicized Dublin of Dean Swift that proved impossible. He was satirized by members of Swift's circle and responded with the ironic Panegyric on the Rev Dean Swift. His later work, especially The Tribune, developed a radical and anticlerical critique of contemporary Ireland, in which Swift was represented more as Church Tory than Irish patriot. Arbuckle was well-known in his day, but his work has not been published since the end of the eighteenth century. He has often been discussed in modern scholarly work across a range of disciplines: on Swift and Pope; Scottish poetry and especially Allan Ramsay; Francis Hutcheson and the early Scottish Enlightenment; the background to the United Irishmen of 1798; the history of Irish presbyterians. Arbuckle himself has not been the focus of detailed scholarly inquiry until now. This edition presents an annotated selection of Arbuckle's work in poetry and prose. It begins with a substantial introduction dealing with his biography and political and literary context. It is then divided into three parts. The first, on his Scottish period, includes the annotated texts of his two principal poems, Snuff and Glotta. The second presents a selection of the "Hibernicus" essays, grouped by four themes: literary (which will include a selection of his Horace translations); philosophical (responding principally to Francis Hutcheson); political (placing him in the contemporary varieties of Whiggism, and especially the dispute between Walpole and "Opposition" Whigs); religious (the focus here is on his writing on toleration). The final section deals with his response to Swift's Irish writing, as demonstrated in selected essays from The Tribune and in A Panegyric.

Originally published in 1962, Virginia Woolf, provides a commentary on the literary work of Virginia Woolf - examining not only her the novels, but also the considerable body of criticism surrounding her work. Along with the essential biographical details of Woolf, the books recreates the atmosphere of 'the Bloomsbury Group' and gives us a valuable insight into a very rich period of English literature, involving such figures as Leslie Stephen, Leonard Woolf, Clive Bell, Desmond MacCarthy, Christopher Isherwood, David Garnett and others. The book provides a comprehensive account of Virginia Woolf's body of work and will be of interest to academics and students alike.

In 1930 Danish artist Einar Wegener underwent a series of surgeries to live as Lili Ilse Elvenes (more commonly known as Lili Elbe). Her life story, Fra Mand til Kvinde (From Man to Woman), published in Copenhagen in 1931, is the first popular full-length (auto)biographical narrative of a subject who undergoes genital transformation surgery (Genitalumwandlung). In Man Into Woman: A Comparative Scholarly Edition, Pamela L. Caughie and Sabine Meyer present the full text of the 1933 American edition of Elbe's work with comprehensive notes on textual and paratextual variants across the four published editions in three languages. This edition also includes a substantial scholarly introduction which situates the historical and intellectual context of Elbe's work, as well as new essays on the work by leading scholars in transgender studies and modernist literature, and critical coverage of the 2015 biopic, The Danish Girl. This print edition has a digital companion: the Lili Elbe Digital Archive (www.lilielbe.org). Launched on July 6, 2019, to commemorate the 100th anniversary of the founding of Magnus Hirschfeld's Institute for Sexual Science (Institut fur Sexualwissenschaft) where Lili Elbe was initially examined, the Lili Elbe Digital Archive hosts the German typescript and all four editions of this narrative published in Danish, German, and English between 1931 and 1933, with English translations of the Danish edition and the typescript. Many letters from archives and contemporaneous articles noted in this print edition may be found in the digital archive.

An autobiography unlike other literary forms shows the ego of an author. Aleksandra Ziolkowska-Boehm's ego is delicate, fascinating, and courageous. Some fragments are almost like a movie with interesting dialog, compelling moments, and realistic characters. Vividly portrayed are dedicated and devoted parents who instilled a love for reading and books that formed the foundation for her career. Detailed descriptions of coping with the rigors of achieving an advanced education, career start, and caring, rearing and devoting love to a young son are outstanding.

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought.
Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968.
One of the Denver Post's Great Reads of 2009
One of Bloomberg News's Top Nonfiction Books of 2009
"Excellent."
--Time magazine
"A terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century."
--The American Thinker
"A wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles."
--Mises Economics Blog

What is the taste of life as we really live it, rather than the way we imagine it in others? What does it feel like to become aware of the hand of cards we've been dealt, to play them as well as we can, to understand what has happened to us, and to try to control the future? Journey to the Middle of the Forest answers these questions in a way that celebrity memoirs, where events seem so much more intense than happenings in our own lives because of our perspective and the writer's fame, cannot. In Journey to the Middle of the Forest, Bruce Fleming considers the slippages between presupposition and reality in a life begun and continued in Maryland, with intervals in pre-civil war Rwanda, the walled-in city of West Berlin, and the central European Freiburg im Breisgau, once Austrian, then part of the Duchy of Baden, now part of Germany. Like all lives, it has its crises-more, it may be, than an average life: a childhood marked by an alcoholic and abusive father, a marriage gone horribly awry, an autistic child and a bipolar stepchild, a dragged-out divorce, the death of a brother to AIDS, and the re-tooling of hopes to meet the new givens of the world. And, then re-marriage, two little boys, and the threat of childhood leukemia. Fleming's intense and vivid memoir asks us to consider this fundamental question: Do we gain wisdom as we age? We may tell ourselves we do, as a way of summarizing what's happened to us: we figure everything we've been through has to be good for something. But if we do become wiser, it's not with a wisdom that can help us with any subsequent challenge-and the challenges never cease. Life gets no easier as we age, we just get deeper into the forest.

Things to Come is the 1936 release of London Films, produced from the 1935 film story by H.G. Wells, the text of the present work. The book includes more than 100 illustrations, most of them publicity stills that are all the more relevant because Wells, for a script writer, had unusual control over the actual film production. The images are very much a direct expression of his film story. Done at age 70, Things to Come reflects on a long literary career, in both fiction and nonfiction, often given to the fate of man and the prospect of a unified world state, a utopian future realized in the film by A.D. 2036. That is what is coming: the end of warfare between belligerent nation states. Now the new frontier of human conquest is space, begun at film's end with the first firing of a gigantic space gun.

Man Who Could Work Miracles (without a The) is a 1937 film, ostensibly a comedy, that H.G. Wells scripted late in life for London Film Productions. This work is a literary text of the scenario and dialogue published in advance of the movie's release. Wells himself says it is a companion piece to Things to Come, his deadly serious film done a year before, also produced by Alexander Korda. The editor's introduction explains how two such radically different films are related and discusses the artistic quality of the text, Wells' overriding sense of cosmic vision, his views on sex and politics, and his uncommon estimate of the common man's incapacity for public affairs. The world's foremost Wellsian scholar here brings his unique analytical powers to bear on, in the opinion of many, the strangest work Wells ever wrote. The appendices include the 1898 short story version, The Man Who Could Work Miracles, three related cosmic-vision short stories by Wells, and an excerpt from a 1931 radio address by Wells not inaccurately retitled If I Were Dictator of the World.

Memoir is Rosario Ferre's account of her life both as a writer and as a member of a family at the center of the economic and political history of Puerto Rico during the American Century, one hundred years of territorial "non-incorporation" into the United States. The autobiography tells the story of Ferre's transformation from the daughter of a privileged family into a celebrated novelist, poet, and essayist concerned with the welfare of Puerto Ricans, and with the difficulties of being a woman in Puerto Rican society. It is a snapshot of twentieth-century Puerto Rico through the lens of a writer profoundly aware of her social position. It is a picture taken from the perspective of a keen observer of the local history of the island, and of the history of the United States. Included are many photographs that connect Ferre's life with the story of her writing career.

Much attention has been paid to the scientific romance novels of H.G. Wells, a founder of modern science fiction and one of the genre's greatest writers. In comparison, little attention has been given by critics to his works of fantasy, which in the opinion of many, are just as artistic and worthy of study. This work, takes a critical look at Wells' little known fantasy The Sea Lady: A Tissue of Moonshine, which is a parable of dark foreboding that unveils the nothingness of utopian dreams and foreshadows Franz Kafka's dark fables of the totalitarian age. A lengthy introduction by the editor provides a comprehensive overview of the text and the story of The Sea Lady, and serves to explain the ideas of civil death and every citizen's acting as a public servant, and the concept of totalitarian metaphysics, which deals with a revolt against the limits of the human condition. This work provides a complete, extensively annotated text of the 1902 London first edition of The Sea Lady.

The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit. In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival. This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness, about lessons in love, the search for a mother and a journey into madness and out again. It is generous, honest and true. 'Unforgettable... It's the best book I have ever read about the cost of growing up' Daisy Goodwin, Sunday Times **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

A riveting look into the world of James Bond and his creator, published on the centenary of Ian Fleming's birth.
In "For Your Eyes Only," Ben Macintyre reveals where the world of Ian Fleming ends and the world of James Bond begins. Macintyre looks at the actual people on whom the writer based his fictional creations--friends, colleagues, lovers, and, of course, the notorious villains. Exploring the tradition of spy fiction past and present, with specific attention to the Cold War, Macintyre explains how Bond was based on the realities--and fantasies--of Fleming's life as a wartime spymaster and peacetime bon vivant.
Stylishly illustrated, "For Your Eyes Only" features a collector's dream of gadgets, costumes, props, and storyboards from the films--Daniel Craig's bloodstained shirt from Casino Royale, the Aston Martin DB5, complete with weaponry--as well as memorabilia from Fleming's personal archive: his smoking jacket, the manuscript for "Casino Royale," his golden typewriter, his guns, and much more.

Enid Blyton first visited Dorset at Easter 1931 with her husband Hugh Pollock; she was aged 34 and pregnant with her first child. She would later return to spend many holidays in, and around the town of Swanage in South Dorset's Isle of Purbeck, together with her two daughters: Gillian (born 1931) and Imogen (born 1935), and later with her second husband Kenneth Darrell Waters.What was it about this particular region that would draw her back, time and time again, and what pursuits did she choose to follow whilst she was here? In order to find out, we accompany Enid as she walks, swims off Swanage beach, plays golf, takes the steam train to Corfe Castle, and the paddle-steamer to Bournemouth.Although Enid's stories were drawn from her imagination, this itself was fed and nurtured by external experiences - in the case of the 'Famous Five' books, largely by what she had seen in Dorset. Whereas it is probably futile to attempt to match a specific real life location with her fictitious ones, nevertheless it is a fascinating exercise to retrace her steps, and having done so, to reflect on those topographical features which might have impinged upon her subconscious (or what she called her 'under mind') whilst she was writing the stories. It is often the case that when an author bases his work on a certain place, the subsequent discovery by the reader of that place's true identity may come as a disappointment. Not so in this case, for the real life locations are equally as interesting and exciting as the nail biting adventures of 'The Famous Five' themselves

First revised edition of interviews with 14 prominent activists whose writings influenced the 1979 Nicaraguan revolution and help us understand present-day Nicaragua Margaret Randall presents a dynamic collection of personal interviews with Nicaragua's most important writer-revolutionaries who played major roles in the 1979 revolution and the subsequent reconstruction. This revised first edition includes a new preface and additional notes that frame the narrative in high relevance to the present day. The featured writer-activists speak of their work and practical tasks in constructing a new society. Among the writers included are Gioconda Belli, Tomas Borge, Omar Cabezas, Ernesto Cardenal, Vidaluz Meneses, Julio Valle-Castillo, and Daisy Zamora. The work also features 50 evocative photographs from the era by Margaret Randall.

"Charlotte Perkins Gilman" offers the definitive account of this controversial writer and activist's long and eventful life. Charlotte Anna Perkins Stetson Gilman (1860-1935) launched her career as a lecturer, author, and reformer with the story for which she is best-known today, "The Yellow Wallpaper." She was hailed as the "brains" of the US women's movement, whose focus she sought to broaden from suffrage to economics. Her most influential sociological work criticized the competitive individualism of capitalists and Social Darwinists, and touted altruistic service as the prerequisite to both social progress and human evolution.
By 1900, Gilman had become an international celebrity, but had already faced a scandal over her divorce and "abandonment" of her child. As the years passed, her audience shrunk and grew more hostile, and she increasingly positioned herself in opposition to the society that in an earlier, more idealistic period she had seen as the better part of the self. In her final years, she unflinchingly faced breast cancer, her second husband's sudden death, and finally, her own carefully planned suicide-- she "preferred chloroform to cancer" and cared little for a single life when its usefulness was over.
"Charlotte Perkins Gilman" presents new insights into the life of a remarkable woman whose public solutions often belied her private anxieties. It aims to recapture the drama and complexity of Gilman's life while presenting a comprehensive scholarly portrait.

Acknowledged Legislator: Critical Essays on the Poetry of Martin Espada stands as the first-ever collection of essays on poet and activist Martin Espada. It is also, to date, the only published book-length, single-author study of Espada currently in existence. Relying on innovative, highly original contributions from thirteen Espada scholars, its principal aim is to argue for a long overdue critical awareness of and cultural appreciation for Espada and his body of writing. Acknowledged Legislator accomplishes this task in three fundamental ways: by providing readers with background information on the poet's life and work; offering an examination into the subject matter and dominant themes that are frequently contained in his writing; and finally, by advocating, in a variety of ways, for why we should be reading, discussing, and teaching the Espada canon. Divided into four distinct sections that modulate through several theoretical frames-from Espada's attention to resistance poetics and concerns for historical memory to his oppositional critique of neoliberalism and support for a class consciousness grounded in labor rights-Acknowledged Legislator offers a cohesive, forward-thinking interpretive statement of the poet's vision and proposes a critical (re)assessment for how we read Espada, now and in the future.

'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times

After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change.

And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . .

Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.

Published in 1990: This book tells the life story of Dante, the poet and his work.

This collection of seven essays, like the carefully linked collection of vignettes within Tim O'Brien's most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O'Brien's books. Grounded in through research, Herzog's work illustrates how O'Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.