In recent years, under pressure from New Historicism and developments in the formal study of biography, scholars have become increasingly conscious of how deliberately fashioned were the images of Shelley, Byron and Wordsworth. In Byron's case, this was often with his consent or collusion; in Shelley's case, it was the active efforts of his widow and friends who struggled to construct a particular picture of both man and poet. With Wordsworth the picture is less clear, since the kind of scrutiny that his two counterparts have recently received has rarely extended to him. The memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains the original memoirs in facsimile together with introductions and headnotes. The headnotes set the relevant context for each document, cross-referencing controversial passages.

Since the beginning of his artistic career in 1959, Bahram Beyzaie's oeuvre has incorporated various aspects of Iranian, Euro-American, Chinese, Japanese, and Indian performance traditions and cinema. Beyzaie's work reformulates indigenous artistic and ritual forms and cultural narratives in plays and films whose emancipatory aesthetics have influenced several generations of writers, playwrights, and filmmakers. This book examines the origins and development of what the author identifies as Beyzaie's unique sense of creativity, using an interdisciplinary method of semiotic and cultural analysis to identify its manifestations in Beyzaie's films and plays of the 1960 and 1970s. It focusses on Beyzaie's early works, such as Downpour and Uncle Moustache, and how they engage with neglected aspects of Iranian culture to challenge mainstream approaches to writing and directing plays and films. In this way, the author argues, Beyzaie's work questions notions of being and belonging, by subverting exclusionist discourses on art, politics, society, culture, self and other, personal and collective identity, gender relations, intellectuals, heroes and villains, and children.

"One is not born a woman, but becomes one", Simone de Beauvoir A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short. Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker who 'applied' Sartre's ideas. In recent years new material has come to light revealing the ingenuity of Beauvoir's own philosophy and the importance of other lovers in her life. This ground-breaking biography draws on never-before-published diaries and letters to tell the fascinating story of how Simone de Beauvoir became herself.

Based on a rich range of primary sources and manuscripts, "A Rossetti Family Chronology" breaks exciting new ground. Focusing on Christina and Dante Gabriel Rossetti, the "Chronolgy" deomstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, reviews, finances, relationships, health and detailing literary and artistic influences. Drawing on many unpublished sources, including family letters and diaries, this new volume in the" Author Chronologies" series will be of value to all students and scholars of the Rossettis.

Partita
Fiction and non-fiction are two sides of the same coin. Or are they? Michael Penderecki is in flight. Someone has threatened to kill him. But who is the woman dead in the bathtub? And why does the voice of Yves Montand singing 'Les Feuilles Mortes' surge from the horn of an antiquated phonograph in an otherwise silent villa in Sils Maria? This is the most enigmatic – and melodramatic – of Gabriel Josipovici's novels to date. It is as though one of Magritte's paintings had come to life to the rhythms of a Bach Partita.

A Winter in Zürau
Fiction and non-fiction are two sides of the same coin. Or are they? Franz Kafka is in flight. After spitting blood and being diagnosed with tuberculosis in the summer of 1917, his thirty-fourth year, he escapes from Prague to join his sister Ottla in her smallholding in Upper Bohemia. He leaves behind, he hopes, a dreaded office job, a dominating father, an importunate fiancée and the hothouse literary culture of his native city. Free of all this, he believes, he will at last be able to make sense of his existence and of his strange compulsion to write stories and novels which, he knows, will bring him neither fame nor financial reward. But this is not fiction. It is an exploration of eight crucial months in the life of one of the greatest writers of the twentieth century, months of anguish and reflection preserved for us in his letters and journals of the time, and which resulted not just in the production of the famous Aphorisms but, as Josipovici shows in this compelling study, of some of his most resonant parables and story-fragments.

A biography of the American author including his childhood, emergence as a young writer, introduction to the jet set, travels, years of struggle, and descent into a life of alcohol and quarrelsome lovers.

This novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days. Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him. Besserie delights in Beckett's bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work. Yell, Sam, If You Still Can won the "Goncourt du premier roman", the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world. Financial Times Book of the Year 2022

The diaries of Clara Mary Jane Clairmont are, so far as is known, the last of the major documents of the Shelley-Byron circle to be published. Only the writings of the Shelleys themselves surpass hers in importance for those interested in the careers of the poets and their friends. Best known as Byron's mistress and the mother of his daughter Allegra, "Claire," as she preferred to be called, is important to literary history for her role in bringing Byron and Shelley together.

Claire Clairmont began her journals in 1814, when she accompanied Shelley and her half-sister, Mary Wollstonecraft Godwin, on their elopement to the continent. She continued to write them until after Byron and Shelley were dead and she was living as a governess with a wealthy family in Moscow. The journals present a detailed and fascinating picture of life with the Shelley family their discovery of the European landscape, wretched days in London dodging bailiffs and bill collectors, happy days of opera and ballet and endless conversations. Our knowledge of the Shelleys' life in Italy is expanded by this intimate view of the brilliant society of artists, writers, musicians, actors, scholars, revolutionaries, and nobility who were their constant companions. The later entries provide an account of the daily life of an Englishwoman living in Russia during the exciting time of the Decembrist uprising.

In "The Journals of Claire Clairemont," Stocking has brought together five of Claire's journals, all that is known of the now-lost Russian journal, and two leaflets of Miscellanea dealing with the years 1828 to 1830. The interruptions in the diaries are bridged by narratives that allow the reader to follow her life, as she develops from an effervescent schoolgirl into a self-possessed, attractive, and talented young woman.

Appendices present reviews of theatrical performances seen by Claire and the Shelleys, biographical sketches of the varied personages they knew in Italy, a review by Mary Shelley (1826) describing people and life on the Continent as Claire and the Shelleys saw it, and the text of a manuscript fragment, possibly by Claire, containing thinly disguised romantic portrayals of the Shelleys and Jane and Edward Ellerker Williams. There is also a list of Claire's voluminous and systematic reading. Editorial comment within the body of the text has been kept to a minimum, and all of Claire's rewritings and crossings out are clearly indicated. Genealogical tables and numerous footnotes help to place Claire's journals in their proper social and historical perspective.

This is not a book about Laurie Lee, still less a biography. It is about the spirit of the man and the spirit of a place. A Thousand Laurie Lees is a poetic reassessment of the Slad Valley, a memoir from a different age rooted in the same idyllic landscape that inspired Cider with Rosie. A year after Lee's death in 1997, a handful of locals dressed up as him for an epic, drunken cycle ride right through the heart of Laurie Lee country. They called it The Night of a Thousand Laurie Lees and stopped off at all the pubs on the way, signing books, singing and carousing. Taking this as a starting point, poet Adam Horovitz reaches back through myth, memory and literature to explore Laurie Lee's impact on the Slad Valley and its people. Lyrically evoking his own childhood there sixty years after Lee, he explores the connections between family, the valley and learning to write, and examines what has changed since Lee's day and what remains the same.

'If you find the subject of food to be both vexing and transfixing, you'll love What She Ate' Elle Did you know that Eleanor Roosevelt dished up Eggs Mexican (a concoction of rice, fried eggs, and bananas) in the White House? Or that Helen Gurley Brown's commitment to 'having it all' meant dining on supersized portions of diet gelatine? In the irresistible What She Ate, Laura Shapiro examines the plates, recipe books and shopping trolleys of six extraordinary women, from Dorothy Wordsworth to Eva Braun. Delving into diaries, newspaper articles, cook books and more, Shapiro casts a different light on the usual narratives of women's lives. Finding meaning in every morsel, and looking through the lens of their attitudes towards food, she masterfully reveals the love and rage, desire and denial, need and pleasure, behind six remarkable appetites.

'If you want to read a book that moves you both at the level of sentence and the quality of language and with the emotional depth of its subject matter, then A Fortunate Woman is definitely the book you should be reading' Samanth Subramanian, Baillie Gifford Judge When Polly Morland is clearing out her mother's house she finds a book that will lead her to a remarkable figure living on her own doorstep: the country doctor who works in the same remote, wooded valley she has lived in for many years. This doctor is a rarity in contemporary medicine, she knows her patients inside out, and their stories are deeply entwined with her own. In A Fortunate Woman, with its beautiful photographs by Richard Baker, Polly Morland has written a profoundly moving love letter to a landscape, a community and, above all, to what it means to be a good doctor. 'Morland writes about nature and the changing landscape with such lyrical precision that her prose sometimes seems close to poetry' Christina Patterson, The Sunday Times 'Timely . . . compelling . . . a delicately drawn miniature' The Financial Times 'This book deepens our understanding of the life and thoughts of a modern doctor, and the modern NHS, and it expands movingly to chronicle a community and a landscape' Kathleen Jamie, The New Statesman

This first full-length biography of the Nobel Laureate to appear in a quarter century explores John Steinbeck's long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men and The Grapes of Wrath. His most poignant and evocative writing emerged in his sympathy for the Okies fleeing the dust storms of the Midwest, the migrant workers toiling in California's fields and the labourers on Cannery Row, reflecting a social engagement-paradoxical for all of his natural misanthropy-radically different from the writers of the so-called Lost Generation. A man by turns quick-tempered, contrary, compassionate and ultimately brilliant, Steinbeck took aim at the corrosiveness of power, the perils of income inequality and the growing urgency of ecological collapse, all of which drive fierce public debate to this day.

Arthur Hugh Clough (1819-1861), poet, skeptic, friend of Emerson and of Matthew Arnold, was a man concerned with the religious, political, and social issues of the turbulent times in which he lived. In this fresh examination of Clough, Greenberger traces the intellectual development of a poet who was considered a brilliant failure in his own day, a reputation that still persists despite the fact that Clough is now attracting considerable critical attention. Her study contradicts this traditional view of him as ineffectual and uncommitted and reveals instead a complex figure whose varied interests enriched his prose and poetry.

Greenberger has made a thorough study of all of Clough's prose on contemporary issues written between 1837 and 1853. These largely neglected writings, many of which remain unpublished, enable her to follow the poet's development through religious doubts and conflicts and to trace his political metamorphosis from naive idealism through radicalism to a final disenchantment with utopias. Having placed the poet's work in its proper historical context, the author goes on to reveal the great extent to which Clough succeeded in making the issues of his day viable subjects for poetry.

Greenberger, thoroughly versed in the intellectual history of the Victorian period, vividly depicts the English social and economic scene and contemporary life at unreformed Oxford. She suggests new insights into Clough's relations with Emerson, the influence of Carlyle upon the poet, and his reactions to the America of the early 1850's.

The author concludes that the techniques Clough developed for presenting his ideas in poetic form and the concerns that pervaded his thinking make him a precursor of twentieth-century literature. In the last chapter she relates her findings to Clough's three major poems. She includes in an appendix a number of new poems and other material by Clough found in manuscript during her research.

'A memoir which is also a work of art' - Allan Massie, The Scotsman The story begins with Campbell, aged 14, in a police cell in Glasgow. He's been charged with stealing books - five Mickey Spillane novels and a copy of Peyton Place. At 15, he became an apprentice printer, but gave that up in order to 'go on the road', fulfilling the only ambition he ever had while a pupil at King's Park Secondary School in Glasgow - to be what RLS called 'a bit of a vagabond'. On his hitchhiking journeys through Asia and North Africa, an interest in music, reading and writing grew. Campbell also took a keen interest in learning from interesting people. In 1972 he worked on a kibbutz, living in the neighbouring cabin to Peter Green, the founder and lead guitarist of Fleetwood Mac, with whom he formed a two-man musical combo. At the same time, he was part of a group of aspiring writers in Glasgow, including Tom Leonard. His literary heroes of the time were Alexander Trocchi and John Fowles: Campbell tracked them down to their homes and wrote extensively about both. The stories Campbell are recounted in this book. A crowning moment of his life was forming a friendship with the American writer James Baldwin. Campbell visited him more than once at his home in the South of France, and persuaded him to come to Edinburgh for the Book Festival in 1985. Campbell later wrote the acclaimed biography of Baldwin, Talking at the Gates.

A "NEW YORK TIMES" EDITORS' CHOICE
Deborah Mitford, Duchess of Devonshire, is the youngest of the famously witty brood that includes the writers Jessica and Nancy. "Wait for Me! "chronicles her remarkable life, from an eccentric but happy childhood roaming the Oxfordshire countryside, to tea with her sister Unity and Adolf Hitler in 1937, to her marriage to Andrew Cavendish, the second son of the Duke of Devonshire. Written with intense warmth, charm, and perception, "Wait for Me!" is a unique portrait of an age of tumult, splendor, and change. "Touching . . . moving . . . [and] compelling as a portrait of a vanishing world" ("The Wall Street Journal").

THE SUNDAY TIMES BESTSELLER WINNER OF THE ONDAATJE PRIZE 'The best book I read last year by a mile. . . so beautifully written that anyone would be hooked' Laura Hackett, Sunday Times, Best Summer Books 'Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime' Luke Harding, Observer 'We never lose our inner freedom; the freedom to do what is right' Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope. Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant. Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history. THE SUNDAY TIMES MEMOIR OF THE YEAR WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE GORDON BURN PRIZE CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATOR

Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo's Nest and Sometimes a Great Notion, Ken Kesey said he was ""too young to be a beatnik and too old to be a hippie."" It's All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson. A child of the Depression, Kesey was born in 1935 to a migrant farming family that settled in Oregon during World War II. Based on meticulous research and many interviews with friends and family, Rick Dodgson's biography documents Kesey's early life, from his time growing up in Oregon as a farm boy and wrestling champion through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society. With the success of One Flew Over the Cuckoo's Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the ""world capital of madness."" There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a ""hippie"" lifestyle before anyone knew what that meant. Tom Wolfe's book The Electric Kool-Aid Acid Test mythologised Kesey's adventures in the 1960s. Illustrated with rarely seen photographs, It's All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who-through talent, instinct, and fearless spectacle-made his life into a performance, a wild magic act that electrified American and world culture.

For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books-The Innocents Abroad, A Tramp Abroad, and Following the Equator-he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the "American Vandal," a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

The biographer Winifred Gerin (1901-81), who wrote the lives of all four Bronte siblings, stumbled on her literary vocation on a visit to Haworth, after a difficult decade following the death of her first husband. On the same visit she met her second husband, a Bronte enthusiast twenty years her junior. Together they turned their backs on London to live within sight of the Parsonage, Gerin believing that full understanding of the Brontes required total immersion in their environment. Gerin's childhood and youth, like the Brontes', was characterised by a cultured home and intense imaginative life shared with her sister and two brothers, and by family tragedies (the loss of two siblings in early life). Strong cultural influences formed the children's imagination: polyglot parents, French history, the Crystal Palace, Old Vic productions. Winifred's years at Newnham College, Cambridge were enlivened by eccentric characters such as the legendary lecturer Quiller-Couch (Q'), Lytton Strachey's sister Pernel and Bloomsbury's favourite philosopher, G.E. Moore. Her happy life in Paris with her Belgian cellist husband, Eugene Gerin, was brought to an abrupt end by the Second World War, in which the couple had many adventures: fleeing occupied Belgium, saving Jews in Nice in Vichy France, escaping through Spain and Portugal to England, where they did secret war work for Political Intelligence near Bletchley. After Eugene's death in 1945 Winifred coped with bereavement through poetry and playwriting until discovering her true literary metier on the trip to Haworth. She also wrote about Elizabeth Gaskell, Anne Thackeray Ritchie and Fanny Burney. The book is based on her letters and on her unpublished memoir.

Letters, poems, and fragments of a journal are the only first-hand reflection we have of a personality of major importance in the life of Ralph Waldo Emerson, that of the beautiful and gifted Ellen Louisa Tucker, whom he married in 1829. Blithe, humorous, full of charm and candor, the engaging seventeen-year-old had captured wholly the heart of the serious young minister. The depth and transforming effect on him of their happy love is a universally acknowledged biographical fact, as is the tragic, shattering effect of her early death in 1831. Emerson's letters to Ellen Tucker have been destroyed, but several of his poems to her--two of them hitherto unpublished--are included with her letters in this volume. This romantic chronicle of two intelligent, active young people takes on a poignant significance as a monument to a love that affected Emerson profoundly during the years of his most critical personal decisions. The letters are owned by the Ralph Waldo Emerson Memorial Association. They are edited and presented here by Emerson's great-granddaughter, a trustee of the Association, as the most direct commemoration possible of a vital experience, intimate and central to the Emerson story.

From 1893-1895 George Griffith was the most famous science fiction writer in England. His books entranced the readers of the 19th century with tales of Martians, submarines, immortality, rogue comets and even spaceships whizzing around the solar system. He invented the Countdown in 1897 and his son would become the co-inventor of the jet engine. Griffith's name became synonymous with high adventure and so in the Spring of 1894 he was recruited to follow in the mythical footsteps of Jules Verne's Phileas Fogg. In just 65 days Griffith travelled through 24 time zones and established a new world record. Now for the first time in over 100 years his story can be retold along with a lengthy biography of his many literary achievements by noted Space writer and editor, Robert Godwin. It includes a special Introduction by John Griffith, grandson of George Griffith.