Although his hilariously entertaining stories have touched the hearts of generations of children, there was much more to beloved author Roald Dahl than met the eye. His fascinating life began in Norway in 1916, and he became a highly rebellious teenager who delighted in defying authority before joining the RAF as a fighter pilot. But after his plane crashed in the African desert he was left with agonising injuries and unable to fly. He was dispatched to New York where, as a dashing young air attache, he enraptured societies greatest beauties and became friends with President Roosevelt. Roald soon found himself entangled with a highly complex network of British undercover operations. Eventually he grew tired of the secrecy of spying and retreated to the English countryside. He married twice and had five children, but his life was also affected by serious illness, tragedy and loss. He wrote a number of stories for adults, many of which were televised as the hugely popular Tales of the Unexpected, but it was as a children's author that he found greatest fame and satisfaction, saying "I have a passion for teaching kids to become readers...Books shouldn't be daunting, they should be funny, exciting and wonderful." From 1945 until his death in 1990, he lived in Buckinghamshire, where he wrote his most celebrated children's books including Matilda, Charlie and the Chocolate Factory and Fantastic Mr Fox.

Driven by famine from their home in the Rif, Mohamed's family walks to Tangiers in search of a better life. But things are no better there. Eight of Mohamed's siblings die of malnutrition and neglect, and one is killed by Mohamed's father in a fit of rage. On moving to another province Mohamed learns how to charm and steal, and discovers the joys of drugs, sex and alcohol. Proud, insolent and afraid of no-one, Mohamed returns to Tangiers, where he is caught up in the violence of the 1952 independence riots. During a short spell in a filthy Moroccan jail, a fellow inmate kindles Mohamed's life-altering love of literature. A cult classic, For Bread Alone is an astonishing tale of human resilience and an unflinching and searing portrait of the early life of one of the Arab world's most important and widely read authors.

This biography examines the long life of the traveller and author Stephen Graham. Graham walked across large parts of the Tsarist Empire in the years before 1917, describing his adventures in a series of books and articles that helped to shape attitudes towards Russia in Britain and the United States. In later years he travelled widely across Europe and North America, meeting some of the best known writers of the twentieth century, including H.G.Wells and Ernest Hemingway. Graham also wrote numerous novels and biographies that won him a wide readership on both sides of the Atlantic. This book traces Graham's career as a world traveller, and provides a rich portrait of English, Russian and American literary life in the first half of the twentieth century. It also examines how many aspects of his life and writing coincide with contemporary concerns, including the development of New Age spirituality and the rise of environmental awareness. Beyond Holy Russia is based on extensive research in archives of private papers in Britain and the USA and on the many works of Graham himself. The author describes with admirable tact and clarity Graham's heterodox and convoluted spiritual quest. The result is a fascinating portrait of a man who was for many years a significant literary figure on both sides of the Atlantic.

Thomas Carlyle was a major figure in Victorian literature and a unique commentator on nineteenth-century life. Born in humble circumstances in the Scottish village of Ecclefechan in 1795, his rise to fame was marked by fierce determination and the development of a highly distinctive literary voice. In this clear, authoritative and readable biography, John Morrow traces Carlyle's personal and intellectual career. Wide-ranging, prophetic and invariably challenging, his work ranged from the astonishing pseudo-autobiography Sartor Resartus to major historical works on the French Revolution and Frederick the Great, and to radical political manifestos such as Latter Day Pamphlets. Thomas Carlyle is an account of his work and of his life, including celebrity as the Sage of Chelsea and his tempestuous marriage to Jane Welsh Carlyle.

Mary Shelley was brought up by her father in a house filled with radical thinkers, poets, philosophers and writers of the day. Aged sixteen, she eloped with Percy Bysshe Shelley, embarking on a relationship that was lived on the move across Britain and Europe, as she coped with debt, infidelity and the deaths of three children, before early widowhood changed her life forever. Most astonishingly, it was while she was still a teenager that Mary composed her canonical novel Frankenstein, creating two of our most enduring archetypes today.

The life story is well-known. But who was the woman who lived it? She's left plenty of evidence, and in this fascinating dialogue with the past, Fiona Sampson sifts through letters, diaries and records to find the real woman behind the story. She uncovers a complex, generous character - friend, intellectual, lover and mother - trying to fulfil her own passionate commitment to writing at a time when to be a woman writer was an extraordinary and costly anomaly.

Published for the 200th anniversary of the publication of Frankenstein, this is a major new work of biography by a prize-winning writer and poet.

From one of the most famous poets in history comes a new selection of writings to bereaved friends and acquaintances, providing comfort in a time of grief and words to soothe the soul.

Throughout his life, the poet Rainer Maria Rilke addressed letters to individuals who were close to him, who had contacted him after reading his works, or whom he had met briefly - anyone with whom he felt an inner connection. Within his vast correspondence, there are about two dozen letters of condolence. In these direct, personal and practical letters, Rilke writes about loss and mortality, assuming the role of a sensitive, serious and uplifting guide through life's difficulties. He consoles a friend on the loss of her nephew, which she experienced like the loss of her own child; a mentor on the death of her dog; and an acquaintance struggling to cope with the end of a friendship. The result is a profound vision of mourning and a meditation on the role of pain in our lives, as well as a soothing guide for how to get through it.

Where things become truly difficult and unbearable, we find ourselves in a place already very close to its transformation...

Alex la Guma was a major twentieth century South African novelist. His first novel, A Walk in the Night, in 1966 brought him instant recognition as a pioneering writer on the African continent. Its ‘startling realism and accurate imagery’ drew high praise from his contemporaries. Wole Soyinka, later awarded the Nobel Prize for Literature, and Ngũgĩ wa Thiong’o . The critic and writer, Lewis Nkosi, likewise, compared La Guma’s intense and sombre vision of the individual in society to that of Dostoevsky. La Guma was also an important political figure. As leader of the South African Coloured People’s Organisation and a communist, he was charged with treason, banned, house arrested and eventually forced into exile. At the time of his death in 1985 he was serving as chief representative of the African National Congress in the Caribbean.

Published on the centenary of Alex La Guma’s birth on 20 February 1925, The Early Writings of Alex La Guma contains a selection of his early work as a journalist and short story writer, before he became a published novelist and was forced into exile. It provides unique cameos of South African life and politics during a turbulent time in the country’s history – the late 1950s and early 1960s, the years around Sharpeville – at the same time giving us insight into the making of a novelist. The ‘hidden’ world of Alex La Guma – material, social, emotional, political and intellectual – at a time when he was developing into a serious writer, is revealed. Many of the themes in his fiction are first encountered and developed in these early newspaper articles, providing useful material for literary scholars seeking to understand the progression of his work.

A reviewer wrote that this book, like Alex La Guma’s novels, captures not only the misery of poverty and oppression in South Africa, but also the rich song of everyday life beneath the surface. It reads easily as fiction and adds significantly to our understanding of popular culture in Cape Town, as well as to the social and political history of the city. When asked what one of his novels was about, La Guma – born and bred in District 6 – replied, ‘Ag, just about the folks back home’. La Guma peels off, as if with a scalpel, the glossy covers of the Cape’s tourist-brochure ‘liberalism’ to reveal the hard realities faced by the majority of its (non-) citizens: This is District Six talking. It is unmistakable – terse, racy, humorous, as convincing as truth.’

La Guma’s insider accounts of contemporary politics also help with the recovery of important aspects of the history of the South African liberation movement.

Shortlisted for the Stanford Dolman Travel Book of the Year Award 'A gem of a book, informative, companionable, sometimes funny, and wholly original. MacLean must surely be the outstanding, and most indefatigable, traveller-writer of our time' John le Carre In 1989 the Berlin Wall fell. In that euphoric year Rory MacLean travelled from Berlin to Moscow, exploring lands that were - for most Brits and Americans - part of the forgotten half of Europe. Thirty years on, MacLean traces his original journey backwards, across countries confronting old ghosts and new fears: from revanchist Russia, through Ukraine's bloodlands, into illiberal Hungary, and then Poland, Germany and the UK. Along the way he shoulders an AK-47 to go hunting with Moscow's chicken Tsar, plays video games in St Petersburg with a cyber-hacker who cracked the US election, drops by the Che Guevara High School of Political Leadership in a non-existent nowhereland and meets the Warsaw doctor who tried to stop a march of 70,000 nationalists. Finally, on the shores of Lake Geneva, he waits patiently to chat with Mikhail Gorbachev. As Europe sleepwalks into a perilous new age, MacLean explores how opportunists - both within and outside of Russia, from Putin to Home Counties populists - have made a joke of truth, exploiting refugees and the dispossessed, and examines the veracity of historical narrative from reportage to fiction and fake news. He asks what happened to the optimism of 1989 and, in the shadow of Brexit, chronicles the collapse of the European dream.

The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a sensation all over again-both on Broadway and in Disney's upcoming film Saving Mr. Banks. Saving Mr. Banksretells many of the stories in Valerie Lawson's biography Mary Poppins, She Wrote, including P. L. Travers's move from London to Hollywood and her struggles with Walt Disney as he adapted her novel for the big screen. Travers, whom Disney accused of vanity for "thinking she knows more about Mary Poppins than I do," was a poet and world-renowned author as tart and opinionated as Andrews's big-screen Mary Poppins was cheery and porcelain-beautiful. Yet it was a love of mysticism and magic that shaped Travers's life as well as the very character of Mary Poppins. The clipped, strict, and ultimately mysterious nanny who emerged from her pen was the creation of someone who remained inscrutable and enigmatic to the end of her ninety-six years. Valerie Lawson's illuminating biography provides the first full look at the life of the woman and writer whose personal journey is as intriguing as her beloved characters.

Frank M. Robinson (1926-2014) accomplished a great deal in his long life, working in magazine publishing, including a stint for Playboy, and writing science fiction novels such as The Power, The Dark Beyond the Stars, and thrillers such as The Glass Inferno (filmed as The Towering Inferno). Robinson also passionately engaged in politics, fighting for gay rights, and most famously writing speeches for his good friend Harvey Milk in San Francisco. This deeply personal autobiography explains the life of one gay man over eight decades in America and contains personal photos. By turns witty, charming, and poignant, this memoir grants insights into Robinson's work not just as a journalist and writer, but as a gay man navigating the often perilous social landscape of twentieth-century life in the United States. The bedrock sincerity and painful honesty with which he describes this life makes Not So Good a Gay Man compelling reading.

"This work will change our understanding of Coleridge's politics and how we read his oeuvre." Dr. Michael John Kooy (Warwick University, U.K.) Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power - acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this volume Barry Hough and Howard Davis show how Coleridge's actions whilst in a position of power differ markedly from the idealism he had advocated before taking office - shedding new light on Coleridge's sense of political and legal morality. Meticulously researched and including newly discovered archival materials, Coleridge's Laws provides detailed analysis of the laws and public notices drafted by Coleridge, together with the first published translations of them. Drawing from a wealth of primary sources Hough and Davis identify the political challenges facing Coleridge and reveal that, in attempting to win over the Maltese public to support Britain's strategic interests, Coleridge was complicit in acts of government which were both inconsistent with the the rule of law and contrary to his professed beliefs. Coleridge's willingness to overlook accepted legal processes and personal misgivings for political expediency is disturbing and, as explained by Michael John Kooy's in his extensive Introduction, necessarily alters our understanding of the author and his writing. Coleridge's Laws contributes in new ways to the current debates about Coleridge's achievements, British colonialism and its engagement with the rule of law, nationhood and the effectiveness of the British administration of Malta. It provides essential reading for anybody interested in Coleridge specifically and the Romantics more generally, for political and legal historians and for students of colonial government.

"One is not born a woman, but becomes one", Simone de Beauvoir A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short. Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker who 'applied' Sartre's ideas. In recent years new material has come to light revealing the ingenuity of Beauvoir's own philosophy and the importance of other lovers in her life. This ground-breaking biography draws on never-before-published diaries and letters to tell the fascinating story of how Simone de Beauvoir became herself.

David Gilmour's biography of Giuseppe di Lampedusa unearths the life story of the creator of "The Leopard", one of the great novels of the twentieth century. A book whose imagery, once tasted, haunts the reader forever. "The Leopard" describes the golden era of the nineteenth-century Sicily in all its sensual, fading, aristocratic glory. But beneath the surface lurk Sicily's millenial contagions - corruption, brutality and inequality. Who wrote this masterpiece, this work of art? the answer is as unlikely as one might hope. This is a fascinating meditation on what it is that makes a writer.

George Eliot (1819-1880) was one of the leading writers of the Victorian period and she remains one of Britain's greatest novelists. This brief life offers new insights into Eliot's life and work focusing on the themes, patterns, relationships, feelings and language common to both her life and writing. Barbara Hardy discusses Eliot's relations with parents and siblings, her brave but joyful unmarried partnership with George Henry Lewes, her friendships and her late brief marriage to the younger John Cross. Setting her life and fiction side by side, Hardy reveals Eliot's ideas about society, home, foreignness, nature, gender, religion, sex, illness and death and her experiences as translator, journalist, editor and novelist. Drawing on letters, journals, journalism and the memoirs and biographies written by contemporaries, Hardy brings together a biographical approach with close reading of Eliot's novels to give a combined perspective on her life and art. This book offers students, academics and readers alike an illuminating portrait of George Eliot as a woman and a writer.

In recent years, under pressure from New Historicism and developments in the formal study of biography, scholars have become increasingly conscious of how deliberately fashioned were the images of Shelley, Byron and Wordsworth. In Byron's case, this was often with his consent or collusion; in Shelley's case, it was the active efforts of his widow and friends who struggled to construct a particular picture of both man and poet. With Wordsworth the picture is less clear, since the kind of scrutiny that his two counterparts have recently received has rarely extended to him. The memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains the original memoirs in facsimile together with introductions and headnotes. The headnotes set the relevant context for each document, cross-referencing controversial passages.

Rooms of Their Own travels around the world examining the unique spaces, habits and rituals in which famous writers created their most notable works. The perennial question asked of all authors is, 'How do you write?'. What do they require of their room or desk? Do they have favourite pens, paper or typewriters? And have they found the perfect daily routine to channel their creativity? Crossing centuries, continents and genres, Alex Johnson has pooled 50 of the best writers and transports you to the heart of their writing rooms - from attics and studies to billiard rooms and bathtubs. Discover the ins and outs of how each great writer penned their famous texts, and the routines and habits they perfected. Meet authors who rely on silence and seclusion and those who need people, music and whisky. Meet novelists who travel half-way across the world to a luxury writing retreat, and others who just need an empty shed at the bottom of the garden. Some are particular about pencils, inks, paper and typewriters, and some will scribble on anything - including the furniture. But whether they write in the library or in cars, under trees, private islands, hotel rooms or towers - each of these stories confirms that there is no 'best way' to write. From James Baldwin, writing in the small hours of the morning in his Paris apartment, to DH Lawrence writing at the foot of a towering Ponderosa pine tree, to the Bronte sisters managing in a crowded co-working space, this book takes us into the lives of some of history's greatest ever writers, with each writing space illustrated in evocative watercolour by James Oses. In looking at the working lives of our favourite authors, bibliophiles will be transported to other worlds, aspiring writers will find inspiration and literature fans will gain deeper insight into their most-loved authors.

This is the first scholarly edition of Aubrey's Brief Lives since 1898, the first to include the complete text of the three Brief Lives manuscripts (including censored and deleted material, title pages, antiquarian notes, and the indices), and the first to provide a full general and critical introduction and comprehensive commentary. This edition is the first to respect the original arrangement of the Lives in Aubrey's manuscripts. Brief Lives is presented as an antiquarian and collaborative text, containing the autograph papers of biographical subjects, the annotations of those among whom the manuscripts circulated, and wax seals. As well as 25 facsimile pages, there are over 160 images, reproducing for the first time all Aubrey's horoscopes, pedigrees, coats of arms, and topographical sketches as they are found in the manuscripts. The text respects the mise-en-page of the manuscript and its status as an incomplete and heavily revised work-in-progress while presenting an edited, rather than a diplomatic, text. The commentary presents extensive new research on manuscript sources including much material not previously known to be Aubrey's or associated with him. It also reflects the state of current scholarship. Each life is introduced by a headnote placing the life in context. This gives the dates and sequence of composition and an account of Aubrey's relationship with the biographical subject, the circulation of knowledge of that subject in Aubrey's circle, and a full account of Aubrey's notes on the subject of the life in other manuscripts and correspondence. Aubrey's biographical informants also have a long note, as do uncompleted or missing Lives.

Based on a rich range of primary sources and manuscripts, "A Rossetti Family Chronology" breaks exciting new ground. Focusing on Christina and Dante Gabriel Rossetti, the "Chronolgy" deomstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, reviews, finances, relationships, health and detailing literary and artistic influences. Drawing on many unpublished sources, including family letters and diaries, this new volume in the" Author Chronologies" series will be of value to all students and scholars of the Rossettis.