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Books > Language & Literature > Biography & autobiography > Literary
A self-portrait of a great writer. "A Short Autobiography" charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25," to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.
For over seven centuries, Dante and his masterpiece, "The Divine Comedy," have held a special place in Western culture. The poem is at once a vivid journey through hell to heaven, a poignant love story, and a picture of humanity's relationship to God. It is so richly imaginative that a first reading can be bewildering. In response, Peter Hawkins has written an inspiring introduction to the poet, his greatest work, and its abiding influence. His knowledge of Dante and enthusiasm for his vision make him an expert guide for the willing reader.
This volume features selections from the New Directions founder's correspondence with Guy Davenport, the polymath artist and author of "The Geography of the Imagination." More than simply detailing an author/publisher relationship, these letters depict two fine minds educating and supporting each other in the service of literature.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
English translation and appreciation by Peter Chen and Michael Tan Reviewed by Chan Chiu MingAn original English translation from the Chinese text:A companion edition of the book in Chinese is available - the original classical text translated into modern Chinese and profusely annotated by Associate Professor Dr Chan Chiu Ming of National Institute of Education, Singapore.
William Weaks Morris was a writer defined in large measure by his southern roots. A seventh generation Mississippian, he grew up in Yazoo City, close enough to his mother's family to be frequently reminded of his heritage. Spending his college years at the University of Texas and Oxford University in England gave Morris a taste of the world and, perhaps, a deeper appreciation for his southern birthright. At the very least, these experiences gave him something to write home about. The product of exhaustive research, this volume is a comprehensive reference to Willie Morris' life and works. It also provides an in-depth literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The book's principal focus, however, is Morris' literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip. Two annotated bibliographies - one for Morris' own writing and one focusing on secondary sources - comprise over 2100 entries. Each entry contains a concise, informative summary of the cited work. A chronology of Willie Morris' life and career is supplied for easy reference. Exclusive photographs, some provided by the Morris family, and an index are also included.
This new volume in the "Literary Lives" series focuses on the
career of the popular Victorian novelist Wilkie Collins
(1824-1889), and provides a new account of his professional life in
the literary world of nineteenth-century Britain. It draws on
recently available business and personal correspondence to
establish a fresh portrait of one of Victorian Britain's busiest
authors, taking in Collins's notoriously complicated private life
and his friendship with Charles Dickens, as well his work as
journalist, reviewer and playwright. New insights are given into
the international dimensions of Collins's career. There is
discussion of Collins's best-known novels, including "The Woman in
White," "The Moonstone" and "Armadale," but attention is also given
to lesser-known works and to Collins's plays, which have long been
neglected. The volume will appeal to all students of Wilkie Collins
and also to those interested in the literary world of Victorian
Britain and the social and business networks which lay at its
heart.
NATIONAL BOOK CRITICS CIRCLE FINALIST '...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet Tubman Jesmyn Ward's acclaimed memoir shines a light on the community she comes from, in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young men dear to her, including her beloved brother - to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected, by identity and place, and as Jesmyn dealt with these losses, she came to a staggering truth: These young men died because of who they were and the place they were from, because racism and economic struggle breed a certain kind of bad luck. The agonising reality brought Jesmyn to write, at last, their true stories and her own. Men We Reaped opens up a parallel universe, yet it points to problems whose roots are woven into the soil under all our feet. This indispensable American memoir is destined to become a classic.
Julian Maclaren-Ross, well known in his own lifetime and unfairly neglected after it, is now getting the attention he deserves. None of his letters have ever been published, and this collection comes out of extensive research and selection by Paul Willetts, Maclaren-Ross's biographer, the authority on the writer.
A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who dared to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his 'brother-in-law'. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussion on Christopher Marlowe's famous drama and his 'atheistic' rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessing's unfinished Faust drama. Volume II features: A unique, in-depth account Johann Wolfgang von Goethe and his masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed revealations of Goethe's hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations. "As a compendium of useful facts, there's not likely to be a replacement any time soon. Bucchianeri pursues every avenue of Faustian analogue with a dogged persistence that would win accolades from Ahab. ... Bucchianeri's unceasing search for source materials brings together in one place the many texts that build the Faust legend from the late Middle Ages onward, ..." - Dr. K.A. Laity, College of Saint Rose, Journal of Folklore Research ..". two large-format volumes is sure to provide enterprising readers with a lavish diet of documentary matter, commentary, and conjecture on the Faust tradition from its medieval origins to the 'almost unapproachable zenith' which it attained in the year of Goethe's demise. ... Bucchianeri investigates each controversial incident in turn, drawing parallels with historical figures, Dante's Divine Comedy, Arthurian and other late medieval legends, and citing sources which range from the Bible to Copernican astronomy. ... The distinctive quality of Bucchianeri's commentary lies in tireless contextualization, with each incident in Faust's career related to specific historical events, cultural phenomena, or to background circumstances; ... In Volume II, key stages of Goethe's career are graphically recounted with the help of over two thousand footnotes ... there is no denying the near-boundless enthusiasm with which Bucchianeri approaches even the most recondite passages of Faust II." - Dr. Osman Durrani, University of Kent, Modern Language Review
The brief life and meteoric career of Sylvia Plath have been the
subject of fascination since her suicide in 1963 at age thirty.
This concise, well-researched biography recounts the facts of her
troubled life based on the latest updated research. Biographer
Connie Ann Kirk has consulted the Plath archives at Smith College
and the University of Indiana--Bloomington, as well as Plath's
unabridged journals published in 2000. She has also interviewed a
Plath contemporary who knew her.
An irresistible, nostalgic, insightful-and "consistently intelligent and funny" (The New York Times Book Review)-ramble through classic children's literature from Vanity Fair contributing editor (and father of two) Bruce Handy. The dour New England Primer, thought to be the first American children's book, was first published in Boston in 1690. Offering children gems of advice such as "Strive to learn" and "Be not a dunce," it was no fun at all. So how did we get from there to "Let the wild rumpus start"? And now that we're living in a golden age of children's literature, what can adults get out of reading Where the Wild Things Are and Goodnight Moon, or Charlotte's Web and Little House on the Prairie? A "delightful excursion" (The Wall Street Journal), Wild Things revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces. Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy's Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby. It's a profound, eye-opening experience to re-encounter books that you once treasured decades ago. A clear-eyed love letter to the greatest children's books and authors from Louisa May Alcott and L. Frank Baum to Eric Carle, Dr. Seuss, Mildred D. Taylor, and E.B. White, Wild Things is "a spirited, perceptive, and just outright funny account that will surely leave its readers with a new appreciation for childhood favorites" (Publishers Weekly).
In this study Ghibellino sets out to show that the platonic relationship between Goethe and Charlotte von Stein--lady-in-waiting to Anna Amalia, the Dowager Duchess of Weimar--was used as part of a cover-up for Goethe's intense and prolonged love relationship with the Duchess Anna Amalia herself. The book attempts to uncover a hitherto closely guarded state secret and one of the very great loves stories in European history--to rank with that of Dante and Beatrice, and Petrarch and Laura.
Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child. Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician. She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove, Ohio. In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed. Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. "Driving with Dead People" is an extraordinary real-life tale with a wonderfully observant and resourceful heroine.
To be a bookseller or librarian . . .
This first biography of John Erskine views him in the larger contexts of the mass culture and expanded commercialism that helped propel his fame. It also relates a life narrative that demonstrates perils of academic celebrity along a conceptual path from public intellectual to pop icon. |
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