Monk's House in Sussex is the former home of Leonard and Virginia Woolf. It was bought by them in 1919 as a country retreat, somewhere they came to read, write and work in the garden. From the overgrown land behind the house they created a brilliant patchwork of garden rooms, linked by brick paths, secluded behind flint walls and yew hedges. The story of this magical garden is the subject of this book and the author has selected quotations from the writings of the Woolfs which reveal how important a role the garden played in their lives, as a source of both pleasure and inspiration. Virginia wrote most of her major novels at Monk's House, at first in a converted tool shed, and later in her purpose-built wooden writing lodge tucked into a corner of the orchard. Caroline Zoob lived with her husband, Jonathan, at Monk's House for over a decade as tenants of the National Trust, and has an intimate knowledge of the garden they tended and planted. The photographer, Caroline Arber, was a frequent visitor to the house during their tenancy and her spectacular photographs, published here for the first time, often reveal the garden as it is never seen by the public: at dawn, in the depths of winter, at dusk. The photographs and text, enriched with rare archive images and embroidered garden plans, take the reader on a journey through the various garden 'rooms', (including the Italian Garden, the Fishpond Garden, the Millstone Terrace and the Walled Garden). Each garden room is presented in the context of the lives of the Woolfs, with fascinating glimpses into their daily routines at Rodmell. This beautiful book is an absorbing account of the creation of a garden which will appeal equally to gardeners and those with an interest in Virginia and Leonard Woolf.

Jonathan Ball, the founder of Jonathan Ball Publishers, died on 3 April 2021 after a short illness. This collection of essays, commissioned in tribute to him, is edited by Michele Magwood.

Jonathan Ball left a deep impression on many different people in different ways. The forty or so essays reflect the many facets of Jonathan. The chapter headings would read husband, father, businessman, friend, brother, colleague. But it is in the subheads that we begin to understand the shape of him: publisher extraordinaire, history expert, gourmand, liberal thinker, suitor, philosemite and so on.

It cannot be exaggerated how deep an imprint Jonathan has left on the political and cultural life of South Africa, too. The shelves of Jonathan Ball Publishers are weighted with serious history and biographies of eminent figures, with books that other publishers didn’t have the boldness, the sheer guts, to take on. But there are many smaller, more finespun stories that tell us too who we are as a people and as a nation.

This timely and expansive biography of Wole Soyinka, the Nigerian writer, Nobel laureate, and social activist, shows how the author's early years influence his life's work and how his writing, in turn, informs his political engagement. Three sections spanning his life, major texts, and place in history, connect Soyinka's legacy with global issues beyond the borders of his own country, and indeed beyond the African continent. Covering his encounters with the widespread rise of kleptocratic rule and international corporate corruption, his reflection on the human condition of the North-South divide, and the consequences of postcolonialism, this comprehensive biography locates Wole Soyinka as a global figure whose life and works have made him a subject of conversation in the public sphere, as well as one of Africa's most successful and popular authors. Looking at the different forms of Soyinka's work--plays, novels, and memoirs, among others--this volume argues that Soyinka used writing to inform, mobilize, and sometimes incite civil action, in a decades-long attempt at literary social engineering.

For generations of children, including a young Oprah Winfrey, opening a Lois Lenski book has meant opening a world. This was just what the author wanted: to help children ""see beyond the rim of their own world."" In Lois Lenski: Storycatcher, historian and educator Bobbie Malone takes us into Lenski's own world to tell the story of how a girl from a small Ohio town became a beloved literary icon. Author and illustrator of the Newbery Award-winning Strawberry Girl and numerous other tales of children from America's diverse regions and cultures, Lenski spent five decades creating stories for young readers. Lois Lenski: Storycatcher follows her development as a writer and as an artist, and it traces the evolution of her passionate belief in the power of empathy conveyed in children's books. Understanding that youngsters responded instinctively to narratives rich in reality, Lenski turned her extensive study of hardworking families into books that accurately and movingly depicted the lives of the children of sharecroppers, coal miners, and migrant field workers. From Bayou Suzette to Blue Ridge Billy, Corn-Farm Boy to Houseboat Girl, and Boom Town Boy to Texas Tomboy, Lenski's books mirrored the cultural energy and concerns of the time. This first full-length biography tells how Lenski traveled throughout the country, gathering the stories that brought to life in words and pictures whole worlds that had for so long been invisible in children's literature. In the process, her work became a source of delight, inspiration, and insight for generations of readers.

"Here's the thing with kissing: it matters intensely or not at all." Mid-kiss, do you ever wonder who you are, who you're kissing, where it's leading? It can feel luscious, libidinal, friendly, but are we trying to make out something through our kissing? For Kathryn Bond Stockton, making out is a prism through which to look at the cultural and political forces of our world: race, economics, childhood, books, and movies. Making Out is Stockton's memoir about a non-binary childhood before that idea existed in her world. We think about kissing as we accompany Stockton to the bedroom, to the closet, to the playground, to the movies, and to solitary moments with a book, the ultimate source of pleasure. Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly-an online magazine supported by the Los Angeles Review of Books-specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author's emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.

Winner of the Anne M. Sperber Prize

A spirited and revealing memoir by the most celebrated editor of his time

After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carre, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.

But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.

A smaller, cheaper edition of this acclaimed illustrated biography of Beatrix Potter. Respected biographer Sarah Gristwood discovers a life crisscrossed with contradictions and marked by tragedy, yet one that left a remarkable literary - and environmental - legacy. This illustrated biography of the beloved writer has been a strong seller and critical success. It is now available in a smaller, more affordable format. Interest in Beatrix Potter and her characters is undimmed, with the second Peter Rabbit film being released in summer 2021 and an exhibition at the V&A from February 2022, 'Beatrix Potter: Drawn to Nature'. Few people realise how extraordinary Beatrix Potter's own story is. She was a woman of contradictions. A sheltered Victorian daughter who grew into an astute modern businesswoman. A talented artist who became a scientific expert. A famous author who gave it all up to become a farmer, then a pioneering conservationist. Bestselling biographer Sarah Gristwood follows the twists and turns of Beatrix Potter's life and its key turning points - including her tragically brief first engagement and happy second marriage late in life. She traces the creation of Beatrix's most famous characters - including the naughty Peter Rabbit, confused Jemima Puddleduck and cheeky Squirrel Nutkin - revealing how she drew on her unusual childhood pets and locations in her beloved Lake District. A fitting legacy for a pioneering conservationist who helped save thousands of acres of the Lake District.' - The Mail on Sunday 'Excellent, anecdotal text...' - The Times Literary Supplement 'Beautifully illustrated.' - The Sunday Express

Tristessa is a strange fever-dream of morphine sickness and belly-deep sadness. Or, in the words of Allen Ginsberg: ‘a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuahua dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums’.