My life is a lovely story, happy and full of incident. If, when I was a boy, and went forth into the world poor and friendless, a good fairy had met me and said, "Choose now thy own course through life, and the object for which thou wilt strive, and then, according to the development of thy mind, and as reason requires, I will guide and defend thee to its attainment," my fate could not, even then, have been directed more happily, more prudently, or better. The history of my life will say to the world what it says to me-There is a loving God, who directs all things for the best. My native land, Denmark, is a poetical land, full of popular traditions, old songs, and an eventful history, which has become bound up with that of Sweden and Norway. The Danish islands are possessed of beautiful beech woods, and corn and clover fields: they resemble gardens on a great scale. Upon one of these green islands, Funen, stands Odense, the place of my birth. Odense is called after the pagan god Odin, who, as tradition states, lived here: this place is the capital of the province, and lies twenty-two Danish miles from Copenhagen.

As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and progressive depictions of women in the literature of the age. Gaskell's one work of nonfiction is this 1857 biography of her close friend, novelist Charlotte Bront. At once a triumph of the biographical form and a charming celebration of the writer by someone who knew her well, this has been hailed as a remarkably insightful and highly readable life of Bront, one that makes up for its lack of objectivity with its warmth, admiration, and respect. It offers a significant view of one woman writer's perspective on another's work at a time when women writers were afforded little respect at all.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It may seem presumptuous that so young a man as myself should propose to write his life and memoirs, for, as a rule, one waits until he has accomplished something in the world, or until he has reached old age, before he ventures to tell of the times in which he has lived, and of his part in them. But the profession to which I belong, which is that of a soldier, and which is the noblest profession a man can follow, is a hazardous one, and were I to delay until to-morrow to write down what I have seen and done, these memoirs might never be written, for, such being the fortune of war, to-morrow might not come. So I propose to tell now of the little I have accomplished in the first twenty-three years of my life, and, from month to month, to add to these memoirs in order that, should I be suddenly taken off, my debit and credit pages may be found carefully written up to date and carried forward. On the other hand, should I live to be an old man, this record of my career will furnish me with material for a more complete autobiography, and will serve as a safeguard against a failing memory.

America is a land of immigrants. We each have a unique story to tell. Most stories will never be known beyond the first generation's memories. To fit in with the dominate culture; most immigrants were pressured into denying their cultural roots. They never passed on their language or cultural histories to the next generation. Memories are treasures we enjoy in our golden years. We keep them alive by sharing with the next generation. My greatest treasure has been discovering the roots of my identity, my cultural base in the Nation of Cape Verde. This knowledge gives me pride; it adds unique perspective and value to my life. This book expresses my quest to discover my cultural roots. My grandparents provided support for the first generation born in America to survive and strive for the American dream. They came to America to find a better life and future for those left behind. In 1909 Nicholau and Rosa Pires, emigrated to the United States from the Island of Fogo, Cape Verde. They had four children born in America, Anna, Margaret, Roche, and my father Vasco. One daughter, Mimi, born in Cape Verde, remained there. In 1947 at the age of six, my father brought me from Ohio to live with my Cape Verdean grandparents on Cape Cod. My grandfather was Portuguese educated and learned just enough English to get his U.S. citizenship in 1946. In his house only Kriolu (Cape-Verdean spoken language) was spoken. The neighborhood was primarily Cape Verdean and most was from the same area on the Island Fogo. Sandwich Road, in the village of Teaticket, Massachusetts, was like a transplanted village from Cape Verde set in America. My grandmother, Rose "Ke'Ke'" was the friendly visitor of the community. She would walk the length of Sandwich Road (about two miles) at least once a week to visit relatives and friends, share the news, latest gossip from the Islands, and visit those who were ill. She would often take me along. The foundation of my love, pride, and longing to see Cape Verde was set. This experience became my wellspring of inspiration for my expressions of Cape Verde and the sea. Religious belief has sustained me throughout my life. Cape Verdean people are traditionally Roman Catholic. In my early childhood, I was raised to be a Catholic. I was required to attend catechism to be indoctrinated into the Church. I received the sacrament of First Communion and then as a teenager, the sacrament of Confirmation. The Church served me well as a child, but as I grew more mature, the Church posed more questions then answers to life's meaning. Religion to me is supposed to be a way to find answers to life's mysteries, and live a happy life as a human being. At age fifteen my search for the real meaning of God and religion began. My mother's side of the family was Christian. I then became a born-a-gain Christian till the age of 36. The Bible, I was told, was the word of God. God loved everyone. God knew everything and God was everywhere. God was so powerful, that nothing could stand up to him/her. My thought was, why then, is God limited to just one religious belief like, Christianity, Islam, or Judaism? Why does God allow so much suffering in the world? In 1968 during a peace rally at Boston City hall a stranger gave me a newspaper called the "World Tribune." In it were articles about how people had changed their lives by saying the words, "Nam Myoho Renge Kyo." In it were ideas about creating peace in the world, one person at a time. I never saw that person again, but nine years later on Cape Cod, one of my students in my high school art class invited me to a Buddhist meeting. At that meeting, the "World Tribune" was being used to study Buddhism based on real experiences. They studied the history of Buddhism, and what it means to be a human being. After several months of checking out the people, the organization, and the history of Buddhism, I became convinced that this is what will give me the answers I have been seeking for the past twent

"A celebrated writer and celebrator of writers tells what has shaped her life and career"

For the longest time, Teresa Miller wanted to get as far from Oklahoma as possible--to escape from her distant father and abusive stepmother, from the ache of her mother's death, and from the small-town insularity of Tahlequah. She longed for New York and Hollywood, for all the glamorous settings that transcended grief--at least on television.

Miller never made it out of Oklahoma permanently, though she came to treasure the region that kept her heart anchored even as her spirit cast far and wide. In "Means of Transit--A Slightly Embellished Memoir, " Miller writes of journeys that turned into life-altering experiences as she learned to "story" her way beyond the impasses. Still other trips, begun with great promise, found her wandering through confusing back roads, relying on more seasoned storytellers for direction. Eventually she established a literary center simply by reaching out to such authors as Jim Lehrer, Maya Angelou, and Isabel Allende, fellow travelers who taught her as much about life as about writing.

The author takes readers from her early childhood, to a short stint in a New York acting school, to the writing of her first novel, and the painful decades of writer's block that followed its publication. We also learn of the author's terrifying encounter with a stalker, a dark sort of Everyman who personified her late-night suspicions about even the people closest to her.

Told with humor, candor, and the same haunting lyricism that distinguished her early work, Miller's story is about learning the ultimate life lesson--that when we do lose our way, our hearts can guide us.

"Generous and entertaining." -Publishers Weekly (starred review) Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay * Nominated for "Best Memoir & Autobiography" by Goodreads Choice Awards 2016 * Named a "Best Book of the Year" by New York Post "You'll laugh, you'll cry, you'll want to read it again." -TheSkimm "I'm mad Jennifer's Weiner's first book of essays is as wonderful as her fiction. You will love this book and wish she was your friend." -Mindy Kaling, author of Why Not Me? "Fiercely funny, powerfully smart, and remarkably brave." -Cheryl Strayed, author of Wild Jennifer Weiner is many things: a bestselling author, a Twitter phenomenon, and an "unlikely feminist enforcer" (The New Yorker). She's also a mom, a daughter, and a sister, a clumsy yogini, and a reality-TV devotee. In this "unflinching look at her own experiences" (Entertainment Weekly), Jennifer fashions tales of modern-day womanhood as uproariously funny and moving as the best of Nora Ephron and Tina Fey. No subject is off-limits in these intimate and honest essays: sex, weight, envy, money, her mother's coming out of the closet, her estranged father's death. From lonely adolescence to hearing her six-year-old daughter say the F word-fat-for the first time, Jen dives into the heart of female experience, with the wit and candor that have endeared her to readers all over the world.

January 1957: girl meets boy on a blind date arranged by Allen Ginsberg. The girl was Joyce Johnson, the boy Jack Kerouac, and it was nine months before 'On The Road' became a permanent part of the American vocabulary. But like Robin Hood's and Peter Pan's, Jack's was a boy gang. Women were minor characters at best, though they risked much more to live as freely as the rebels they loved. Tender, observant and beautifully written, Joyce Johnson's award-winning 'Minor Characters' is both a personal memoir and an unforgettable portrait of that whole, near-mythical, generation: the Beats.

Longlisted for the Baillie Gifford Prize for Non-Fiction 2019 Longlisted for the Orwell Prize for Political Writing 2020 'If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother' to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts'. The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaids Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd's V for Vendetta to David Bowie's Diamond Dogs - and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since. 2019 marks the seventieth anniversary of the publication of what is arguably Orwell's masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature. It describes how history can inform fiction and how fiction can influence history.

Judy Blume is one of the most popular authors of children's and young adult fiction in American history. For over 30 years, her books and career have withstood the test of time and she continues to resonate with new generations of young readers. While she is arguably one of the most important authors of the twentieth century, she is also one of the most banned. What is perhaps the most surprising aspect of Blume's career is that despite today's proliferation of cable channels and easy Internet access, books of hers written decades ago about every day life events that all teenagers experience still manage to find themselves at the center of censorship debates. Rather than change her style, the efforts to censor her books turned Blume into an activist and champion for the First Amendment. Inside this biography Kathleen Tracy explores the life and career of Judy Blume, one of the most successful-and most controversial-authors of twentieth century.

In addition to tracing the events of BlooM's life, this engaging biography discusses historic and current censorship issues in classrooms and libraries across the country. Her association with the National Coalition Against Censorship, a group that Blume says changed her life, as did her friendship with the organization's longtime director, Leanne Katz, is examined in detail as well as how libraries, teachers, publishers and grass-roots activists have responded to the ever-growing attempts to censor children's reading material. In-depth chapters are supplemented with a bibliography of print and electronic sources that provide suggested readings for students and general readers alike. Also included is a timeline, photos, and an appendix of free speech resources.

The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.

The extraordinary untold story of Ernest Hemingway's dangerous secret life in espionage A NEW YORK TIMES BESTSELLER - A finalist for the William E. Colby Military Writers' Award "IMPORTANT" (Wall Street Journal) - "FASCINATING" (New York Review of Books) - "CAPTIVATING" (Missourian) A riveting international cloak-and-dagger epic ranging from the Spanish Civil War to the liberation of Western Europe, wartime China, the Red Scare of Cold War America, and the Cuban Revolution, Writer, Sailor, Soldier, Spy reveals for the first time Ernest Hemingway's secret adventures in espionage and intelligence during the 1930s and 1940s (including his role as a Soviet agent code-named "Argo"), a hidden chapter that fueled both his art and his undoing. While he was the historian at the esteemed CIA Museum, Nicholas Reynolds, a longtime American intelligence officer, former U.S. Marine colonel, and Oxford-trained historian, began to uncover clues suggesting Nobel Prize-winning novelist Ernest Hemingway was deeply involved in mid-twentieth-century spycraft -- a mysterious and shocking relationship that was far more complex, sustained, and fraught with risks than has ever been previously supposed. Now Reynolds's meticulously researched and captivating narrative "looks among the shadows and finds a Hemingway not seen before" (London Review of Books), revealing for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD, the forerunner to the KGB, followed in short order by a complex set of secret relationships with American agencies. Starting with Hemingway's sympathy to antifascist forces during the 1930s, Reynolds illuminates Hemingway's immersion in the life-and-death world of the revolutionary left, from his passionate commitment to the Spanish Republic; his successful pursuit by Soviet NKVD agents, who valued Hemingway's influence, access, and mobility; his wartime meeting in East Asia with communist leader Chou En-Lai, the future premier of the People's Republic of China; and finally to his undercover involvement with Cuban rebels in the late 1950s and his sympathy for Fidel Castro. Reynolds equally explores Hemingway's participation in various roles as an agent for the United States government, including hunting Nazi submarines with ONI-supplied munitions in the Caribbean on his boat, Pilar; his command of an informant ring in Cuba called the "Crook Factory" that reported to the American embassy in Havana; and his on-the-ground role in Europe, where he helped OSS gain key tactical intelligence for the liberation of Paris and fought alongside the U.S. infantry in the bloody endgame of World War II. As he examines the links between Hemingway's work as an operative and as an author, Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline (including paranoia) that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works, including For Whom the Bell Tolls and The Old Man and the Sea, while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide. A literary biography with the soul of an espionage thriller, Writer, Sailor, Soldier, Spy is an essential contribution to our understanding of the life, work, and fate of one of America's most legendary authors.

Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.

Thomas Merton, Robert Lax, and Edward Rice were college buddies who became life-long friends, literary innovators, and spiritual iconoclasts. Their friendship and collaboration began at Columbia College in the 1930s and reached its climax in the widely acclaimed magazine, which ran from 1953 to 1967, a year before Merton's death. Rice was founder, publisher, editor, and art director; Merton and Lax two of his steadiest collaborators. Well-known on campus for their high spirits, avant-garde appreciation of jazz and Joyce, and indiscriminate love of movies, they also shared their Catholic faith. Rice, a cradle Catholic, was godfather to both Merton and Lax. Merton, who died some 30 years before the other two, was the first to achieve fame with his best-selling spiritual autobiography, "The Seven-Story Mountain". Lax, whom Jack Kerouac dubbed "one of the great original voices of our times," eventually received recognition as one of "America's greatest experimental poets, a true minimalist who can weave awesome poems from remarkably few words" ("New York Times" Book Review). He spent most of the last 35 years of his life living frugally on one of the remotest of the Greek isles. After Jubilee folded, Rice wrote 20 books on world culture, religion, and biography. His 1970 biography of Merton, "The Man in the Sycamore Tree", was judged too intimate, forthright, and candid by those who, in Lax's words, "were trying so hard to get pictures of [Merton's] halo that they missed his face." His biography of the 19th century explorer and "orientalist" Sir Richard Burton became a "New York Times" bestseller. This book is not only the story of a 3-way friendship but a richly detailed depiction of the changes in American Catholic life over the past sixty-some years, a micro history of progressive Catholicism from the 1940s to the turn of the twenty-first century. Despite their loyalty to the church, the three often disagreed with its positions, grumbled about its tolerance for mediocrity in art, architecture, music, and intellectual life and its comfortableness with American materialism and military power. And each in his own way engaged in a spiritual search that extended beyond Christianity to the great religions of the East.

"How we should think about board games, and what do they do to us as we play them?" Writer and critic Eric Thurm digs deep into his own experience as a board game enthusiast to explore the emotional and social rules that games create and reveal, telling a series of stories about a pastime that is also about relationships. From the outdated gender roles in Life and Mystery Date to the cutthroat, capitalist priorities of Monopoly and its socialist counterpart, Class Struggle, Thurm thinks through his ongoing rivalries with his siblings and ponders the ways games both upset and enforce hierarchies and relationships-from the familial to the geopolitical. Like sitting down at the table for family game night, Board Games is an engaging book of twists and turns, trivia, and nostalgia. Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly-an online magazine supported by the Los Angeles Review of Books-specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author's emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.

Widely popular throughout the world, Hardy still seems to speak to us, in fiction and in poetry, as our contemporary. In this new edition of his popular study, Peter Widdowson identifies the elements in his work which enable Hardy to be read in this way: the focus on unstable class and sexual relations in a society undergoing rapid change; the highly-charged and contradictory representations of women at the heart of this dangerously 'metamorphic' social process; the self-reflexive artifice of the writing itself as an aspect of Hardy's 'satiric' worldview; his ironic humanism in the 'new Dark Age' of the modern world. Drawing on contemporary approaches to literary study in an accessible way, the author shows where this radical and destabilizing Hardy is to be located in the texts; and similarly seeks to recast our conception of Hardy the Poet by showing how preconceived and selective it is. For this edition, Professor Widdowson has updated the Select Bibliography and has also included a 'Postscript' on film and TV adaptation of Hardy's fiction, since many newcomers to Hardy may these days experience his work for the first time in this medium. This lucid and engaging study offers a comprehensive guide to reading Hardy anew as a writer who continues to challenge our assumptions about art and life.