Wallace Stevens (1879-1955) lived a richly imaginative life that he expressed in his poems. The Whole Harmonium presents Stevens within the living context of his times and as the creator of a poetry that continues to shape how we understand and define ourselves. A lawyer who rose to become an insurance-company vice president, Stevens composed brilliant poems on long walks to work and at other stolen moments. His first book of poems, Harmonium, published when he was forty-four, drew on his profound understanding of Modernism to create a distinctive and inimitable American idiom. Over time he became acquainted with peers such as Robert Frost and William Carlos Williams, but his personal style remained unique. The complexity of Stevens's poetry rests on emotional, philosophical, and linguistic tensions that thread their way intricately through his poems. And while he can be challenging to understand, Stevens has proven time and again to be one of the most richly rewarding poets to read.

Katherine Mansfield is New Zealands most famous author and was arguably the finest short-story writer of her day. This chronology provides a synopsis of her first years in New Zealand and then England and, from 1906, a more detailed account of her last months in her native country, her coming to Europe, meeting Middleton Murry, publishing her stories and finally (before her death at the age of 34) desperately seeeking a cure for her tuberculosis as she continued to write.

This is an imaginative work of literary criticism. Thirteen scholars have selected a wide variety of Joseph Brodsky's poems written between 1970 and 1994 for detailed discussion in the context of his whole output. The choice of poems reflects Brodsky's diversity of themes and devices. Together they offer a perspective on one of the most original and profound modern poets. This collection should fulfil the often-expressed need for a comprehensive approach to the study of Brodsky's poetry, which is linguistically as well as intellectually demanding.

Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with her six children ‘swarming around her’ whereas the artist Rosa Bonheur filled her bedroom with the sixty birds that inspired her work. Louisa May Alcott wrote so vigorously – skipping sleep and meals – that she had to learn to write with her left hand to give her cramped right hand a break.

From Isak Dinesen subsisting on oysters, champagne and amphetamines, to Isabel Allende's insistence that she begins each new book on 8 January, here are the working routines of over 140 brilliant female painters, composers, sculptors, writers, filmmakers and performers.

Filled with details of the large and small choices these women made, Daily Rituals Women at Work is a source of fascination and inspiration.

This largely chronological study of Iris Murdoch's literary life begins with her fledgling publications at Badminton School and Oxford, and her Irish heritage. It moves through the novels of the next four decades and concludes with an account of the biographical, critical and media attention given to her life and work since her death in 1999.

Bill Bryson's biography of William Shakespeare unravels the superstitions, academic discoveries and myths surrounding the life of our greatest poet and playwright. Ever since he took the theatre of Elizabethan London by storm over 400 years ago, Shakespeare has remained centre stage. His fame stems not only from his plays - performed everywhere from school halls to the world's most illustrious theatres - but also from his enigmatic persona. His face is familiar to all, yet in reality very little is known about the man behind the masterpieces. Shakespeare's life, despite the scrutiny of generations of biographers and scholars, is still a thicket of myths and traditions, some preposterous, some conflicting, arranged around the few scant facts known about the Bard - from his birth in Stratford to the bequest of his second best bed to his wife when he died. Taking us on a journey through the streets of Elizabethan and Jacobean England, Bryson examines centuries of stories, half-truths and downright lies surrounding our greatest dramatist. With a steady hand and his trademark wit, he introduces a host of engaging characters, as he celebrates the magic of Shakespeare's language and delights in details of the bard's life, folios, poetry and plays.

William Wordsworth: Interviews and Recollections collects and reprints, on a generous scale, selections from the texts of both immediately recorded opinions and characterizations that were written down in later years. Represented in this anthology are 22 of Wordsworth's most important contemporaries. With the exception of Shelley, they all knew Wordsworth personally. It was difficult, and perhaps impossible, for any of them to write neutrally or objectively about the impression that Wordsworth made on them. Their comments make for lively reading.

Set against the lush backdrop of rural El Salvador at the turn of the century, Claudia Lars' richly evocative memoir is a simple, yet profound tribute to the folklore, customs, and traditions of her people. It is a lyrical exaltation of her land's beauty, brimming with warm, vibrant imagery. Born to an Irish-American father and a Salvadoran mother, Lars takes readers on an enchanting journey that celebrates her dual heritage and reveals, with innocence and charm, the gradual self-awareness of a child who, from a very young age, was endowed with the soul of a poet.

"Land of Childhood" was first published in El Salvador in 1958. Currently in its seventeenth edition, it is an award-winning book that has become a beloved national classic as well as required reading for students in secondary schools and university classrooms.

Newly revised and enlarged, the second edition of A Conrad Chronology draws upon a rich range of published and unpublished materials. It offers a detailed factual record of Joseph Conrad's unfolding life as seaman and writer as well as tracing the compositional and publication history of his major works.

"Island Dreams" is a true story of the wonders of British Columbia's northern Gulf Islands. Swimming in the middle of the Strait of Georgia, these enchanting isles are serenaded by whales and surrounded by crushing depths; caressed by languorous calms and brutalized by terrifying storms.

"Island Dreams" tells of one family's move to Olsen Island, one of the uninhabited gems nestled close by the isle of Lasqueti. Their story tacks through the wild beauty of these islands and dives on glass sponge reefs shimmering in the surrounding depths. It's an exploration of earthquake faults deep below Vancouver Island and the birth of Qualicum winds.

"Island Dreams" also chronicles the natural and anthropological history of the islands-their formation, the glaciers that scoured them, and the first plants and animals that appeared there. It follows the first migrating Asians who skiffed down the coast, and explores the First Nations villages their ancestors founded. The robust cast of characters includes Sisters Islands light keepers and depression-era fishermen who beach-combed lumber for their island fishing shacks.

"Island Dreams" is also a tale of Lasqueti Island, held out of time by the special folks who make it their home. It is a story of islanders, and of the wind and waves that forge them into believers in the redemptive power of a wild environment.

There is a problem for the writer who decides to write his or her autobiography; and it is one that I have had to make a decision about. I know who I am when I am being myself in my day to day existence; I know who I am when I am writing and publishing my work. But who am I when the two collide? In fact, whose name will appear on the cover? Finally, I decided that I must emerge from my concealing curtain-my pen-name-and face the fact that Barbara Yates Rothwell could not have written this 'Fragment' without Hebe Morgan. So I am happy to combine my two lives for once, and let the reader in on the secret. I have been Hebe for 85 years; and I have been Barbara for about 50 of those years. The two of us get on quite well: Hebe makes the beds and the coffee while Barbara gets to the computer. Hebe was married for 59 years to Dr Derek Moore Morgan, and looked after the family; Barbara, meanwhile, managed to establish her writing career. Looking back, I think both of me were quite successful at what we took on You may wonder what the point is in having a pen-name. People have often asked me this, and some have thought it was not sensible to try to make a name for oneself as a writer by using another name. The reasons will be as many as the people who choose to do this. In my case, I found it released me from thinking too conventionally. As we now say, it permitted me to think 'outside the square'. Being a wife and mother is wonderful, but it can tend to make one think along very straight lines. A fiction writer needs to be able think freely, to analyse characters, to imagine lives that perhaps have nothing to do with the author's daily existence. I found it very helpful. However you think of me, whichever hat I wear for you, I hope you will enjoy journeying with me for a little while as I explore my own 'fragment of life'.

Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

The title of this book, Derivative Lives, alludes to the challenge of finding one's way within the contemporary market of virtually limitless information and claims to veracity. Amid this profusion of options, it is easy to feel lost in spaces of uncertainty where biographical truth teeters between the real and the imaginative. The title thus also points to the prolific market of biographical novels that openly and intentionally play in the speculative space between the real and the fictional. Drawing on theories of risk and uncertainty, Derivative Lives considers the surge in biofiction in Spain and globally, relating literary expression to concepts such as circumstantiality, derivatives, speculation, and game studies.

This work offers a peer reviewed account of Defoe's birth and upbringing from 1644 and how he kept the first 36 years of his life a secret and discusses the effects of a vastly different life on all critical understandings of his writing. It is fundamental to any study of Daniel Defoe.

"Las obras de arte siempre han sido de una infinita soledad. El verso de Dante, la prosa de Dostoiewsky jamas pueden ser comprendidas sino en la soledad del espiritu, en la meditacion profunda que cada frase contiene y en la belleza que los propios idiomas proporcionan a quien sabe expresarse con elegancia y dignidad. La obra de arte solo es posible en la infinita soledad, porque es la manifestacion pura y diafana del espiritu humano, de ese y de esos otros que se llaman Juan Sebastian Bach, Victor hugo o Enrique Heine. De ese y de esos otros que fueron Miguel Angel y Bernini, Tiziano y Rembrandt, Lucca Della Robbia y Durero. Un mundo de seres solitarios y siempre atentos a lo mas profundo de su alma." Dr. Adalberto Garcia de Mendoza