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Books > Language & Literature > Biography & autobiography > Literary
Dream Song is the story of John Berryman, one of the most gifted
poets of a generation that included Elizabeth Bishop, Randall
Jarrell, Robert Lowell, and Dylan Thomas. Using Berryman's
unpublished letters and poetry, as well as interviews with those
who knew him intimately, Paul Mariani captures Berryman's genius
and the tragedy that dogged him, while at the same time
illuminating one of the most provocative periods in American
letters. Here we witness Berryman's struggles with alcohol and
drugs, his obsession with women and fame, and his friendships with
luminary writers of the century. Mariani creates an unforgettable
portrait of a poet who, by the time of his suicide at age
fifty-seven, had won a Pulitzer Prize and a National Book Award.
Emily Dickinson may be the most widely read American poet but the
story behind her work's publication in 1890 is barely known. After
Emily recounts the extraordinary lives of Mabel Loomis Todd and her
daughter, Millicent Todd Bingham and the powerful literary legacy
they shared. Mabel's complicated relationships with the
Dickinsons-including her thirteen-year extramarital affair with
Emily's brother, Austin-roiled the small town of Amherst,
Massachusetts. Julie Dobrow has unearthed hundreds of primary
sources to tell this compelling story and reveal the surprising
impact Mabel and Millicent had on the Emily Dickinson we know
today.
Filled with dramatic, ironic, and sometimes tragic turns, this
superb biography captures the story of one of America's most
extraordinary figures, producing at once the best life of Fuller
ever written and one of the great biographies in American history.
In Volume II, Charles Capper illuminates Fuller's "public years,"
focusing on her struggles to establish her identity as an
influential intellectual woman in the Romantic Age. Capper brings
to life Fuller's dramatic mixture of inward struggles, intimate
social life, and deep engagements with the major movements of her
time. He describes how Fuller struggled to reconcile high
avant-garde cultural ideals and Romantic critical methods with
democratic social and political commitments, and he reveals how she
strove to articulate a cosmopolitan vision for her nation's culture
and politics. Capper also offers fresh and often startlingly new
treatments of Fuller's friendships with Ralph Waldo Emerson, Thomas
Carlyle, and Giuseppe Mazzini and many others.
From her childhood in Whitby to her long old age in Cambridge, the
life of Margaret Storm Jameson (1891-1986), novelist,
autobiographer, and political activist, spanned almost the whole of
the twentieth century. A self-styled Little Englander by nature,
and European by nurture, equally at home, or out of place, in the
North Yorkshire moors and seascape of her birth, metropolitan
London, rural France, and the capitals of Central Europe, she wrote
of country, cities and the exile from both with equal knowledge and
sympathy. Out of the changing landscapes of her present, she
fashioned her vision of the future. The title of her autobiography,
Journey from the North, is a simultaneous evocation and erasure of
nostalgia for lost commonality, and in her long life as writer and
activist, President of wartime PEN (the association of Poets,
Essayist, Novelists) committed to the values of freedom and social
justice, she fought to reconcile the conflicting forms of emergent
modernity. Her own journey is the generic experience of
twentieth-century Britain, and the England she urges on her
contemporaries is one that shares the life and mind of Europe. The
present book traces the history of that shared experience. It
recovers, through her writing, the aspirations and the
disappointments of the generation of socialists that was Class
1914. The soldiers returning from the front in 1918, to
unemployment and the General Strike of 1926, fight in 1940
alongside Frenchmen, and against Germans, who are victims of the
same system: class conflict, nationalist rivalries, imperialist
ambition, all for Jameson have the same defining economic horizon.
At the end of the odyssey the stark alternatives take shape:
Washington or Moscow, the madness of American capitalism, or the
oppression of Stalinist Communism.
Alongside the narrative of Jameson's life, and the experiences as
daughter, wife, and mother that shaped her personality and her
career, the book explores her concern with issues of culture and
society, cultural memory, and cultural landscapes, her fascination
with aesthetic form and the relation of writing to politics, her
insight into the materiality of words, and her persistent probing
of the nature of the writing subject. It draws on unpublished
archive material and brings new research on neglected areas of
cultural history into conjunction with literary-critical analyses
of Jameson's novels and studies of her journalism and essays. There
is an extensive Bibliography of her work.
When Leonard Cohen passed away in late 2016, he left behind many
who cared for and admired him, but perhaps few knew him better than
longtime friend Eric Lerner. Lerner, a screenwriter and novelist,
first met Cohen at a zen retreat where the two quickly bonded. The
pair lost touch for a time but, ten years later, they picked up
right where they left off and became practically inseparable. A
powerful commitment to zen practices flowed through their
friendship and allowed it to become ever deeper over time. Over the
years the two shared a house and helped each other through the
pains of divorce, the joys of raising children, and the ups and
downs of the writing life. These two friends helped guide one
another through life's myriad obstacles, and now that journey will
be told from a new perspective for the first time. Well-written,
funny, revealing, self-aware, and grounded, Matters of Vital
Interest is a charming memoir about Lerner's relationship with his
lifelong friend. His views of Cohen are unique, warm, and often
funny, and in recounting these tales he reveals a touching portrait
of what a deep bond between two men can truly be. Offering further
insight into Cohen's idiosyncratic style, his dignified life, the
way he was deeply informed by his spiritual practices, and his
sensibility as a poet first, musician second, Lerner allows readers
to understand a new facet of this fascinating man through the eyes
of his closest friend, and in so doing continue his legacy as a
captivating persona the likes of which we may never see again.
Katherine Lanpher, whose essays have appeared in the New York Times
and More magazine, officially moved to Manhattan on a leap day,
transferring from a rooted life in the Midwest to a new job, a new
city, and a new sense of who she was. But re-invention is a tricky
business and starting over in the middle of life isn't for the
feint of heart. Katherine Lanpher's short essay on her first six
months in New York - 'A Manhattan Admonition' was published last
August in the New York Times op-ed page and remained on their list
of most e-mailed stories for weeks. Now she has written a book
chronicling how her past life and loves have prepared her for
unexpected discoveries in her new home. Lanpher looks back on her
marriage, her early days in newspapers, and her childhood in the
Midwest. And, with startling insight, she examines her new
world--how beauty is defined in New York, how the landscape differs
from the Midwest, and how good food and books have been constants
in her life.
Over more than four decades J.R.R. Tolkien's son and literary
executor, Christopher Tolkien, published some twenty-four volumes
of his father's work, much more than his father had succeeded in
publishing during his own lifetime. Standing on the mountain of his
son's colossal publishing effort and extraordinary scholarship,
readers today are therefore able to survey and understand the
vastness of the landscape of Tolkien's legendarium. This collection
of essays by world-renowned scholars, together with family
reminiscences, sheds new light on J.R.R. Tolkien's work, his son
Christopher's unique gifts in communicating and interpreting that
work and the debt owed to Christopher by the many Tolkien scholars
who were privileged to work with him. What was Tolkien's intended
ending for 'The Lord of the Rings'? Did it leave echoes in the
stripped-down version that was actually published? What was the
audience's response to the first ever adaptation of 'The Lord of
the Rings' - a radio dramatization that has now been deleted
forever from the BBC's archives? What was the significance of the
extraordinary array of doorways which confronted the hobbits as
they journeyed through Middle-earth? The book is illustrated with
colour reproductions of J.R.R. Tolkien's manuscripts, maps,
drawings and letters and, with the kind permission of his estate,
photographs of Christopher Tolkien and extracts from his works,
some of which have never been seen before, making this volume
essential reading for Tolkien scholars, readers and fans.
Ernest Hemingway nearly defined machismo for many American men of
the twentieth century. Yet, in recent years critics have discerned
an "androgynous" sexuality beneath the surface stoicism of
Hemingway's heroes. This study breaks new ground by examining the
profoundly submissive and masochistic posture toward women
exhibited by many of Hemingway's heroes, from Jake Barnes in "The
Sun Also Rises "to David Bourne in "The Garden of Eden," The
discussion draws on the ideas of authors as diverse as
Sacher-Masoch, Freud, Deleuze, and others, and reveals that despite
Hemingway's rugged and hypermasculine image, a "masochistic
aesthetic" informs many of the texts. This accessible treatment of
a complex subject will appeal to readers with an interest in
Hemingway, gender issues, and American literature.
A smaller, cheaper edition of this acclaimed illustrated biography
of Beatrix Potter. Respected biographer Sarah Gristwood discovers a
life crisscrossed with contradictions and marked by tragedy, yet
one that left a remarkable literary - and environmental - legacy.
This illustrated biography of the beloved writer has been a strong
seller and critical success. It is now available in a smaller, more
affordable format. Interest in Beatrix Potter and her characters is
undimmed, with the second Peter Rabbit film being released in
summer 2021 and an exhibition at the V&A from February 2022,
'Beatrix Potter: Drawn to Nature'. Few people realise how
extraordinary Beatrix Potter's own story is. She was a woman of
contradictions. A sheltered Victorian daughter who grew into an
astute modern businesswoman. A talented artist who became a
scientific expert. A famous author who gave it all up to become a
farmer, then a pioneering conservationist. Bestselling biographer
Sarah Gristwood follows the twists and turns of Beatrix Potter's
life and its key turning points - including her tragically brief
first engagement and happy second marriage late in life. She traces
the creation of Beatrix's most famous characters - including the
naughty Peter Rabbit, confused Jemima Puddleduck and cheeky
Squirrel Nutkin - revealing how she drew on her unusual childhood
pets and locations in her beloved Lake District. A fitting legacy
for a pioneering conservationist who helped save thousands of acres
of the Lake District.' - The Mail on Sunday 'Excellent, anecdotal
text...' - The Times Literary Supplement 'Beautifully illustrated.'
- The Sunday Express
Of Joseph Conrad, H.L. Mencken has written: 'There was something
almost suggesting the vastness of a natural phenomenon. He
transcended all the rules. There have been perhaps, greater
novelists, but I believe that he was incomparably the greatest
artist whoever wrote a novel.' Originally published in 1957, the
year of the centenary of Conrad's birth, and although he was firmly
established among the world's great literary figures, little was
known about him generally, beyond the fact that he was himself once
a sailor, and that the language he handled with such mastery was
not the one to which he was born. This was described as the
definitive biography, written by one of Conrad's closest friends,
to whom the novelist willed his personal papers. It took many years
to prepare and the author travelled extensively in the lands that
Conrad knew and wrote about. He writes with clarity, compassion and
understanding of Conrad's childhood in Russia (where the father was
exiled for Polish nationalist activities); of how the youth of
fifteen, who had never seen the sea before, became a sailor; of how
at twenty-nine he became a British subject and master of his own
ship; of how in 1894 he became a novelist almost by accident, rose
rapidly to literary fame, found new friends and established himself
in literary history. This is a record of the strangest and most
enigmatic of lives, fascinating and authoritative at the same time.
No writer alive today exerts the magical appeal of Gabriel Garcia
Marquez. Now, in the long-awaited first volume of his
autobiography, he tells the story of his life from his birth in
1927 to the moment in the 1950s when he proposed to his wife. The
result is as spectacular as his finest fiction.
Here is Garcia Marquez's shimmering evocation of his childhood home
of Aracataca, the basis of the fictional Macondo. Here are the
members of his ebulliently eccentric family. Here are the forces
that turned him into a writer. Warm, revealing, abounding in images
so vivid that we seem to be remembering them ourselves, Living to
Tell the Tale" "is a work of enchantment.
Consistently an outsider - a child of the fundamentalist South with
an eighth-grade education, a self-taught intellectual, a black man
married to a white woman - Richard Wright nonetheless became the
unparalleled voice of his time. The first full-scale biography of
the author best known for his searing novels Black Boy and Native
Son, Richard Wright: The Life and Times brings the man and his work
- in all their complexity and distinction - to vibrant life.
Acclaimed biographer Hazel Rowley chronicles Wright's unprecedented
journey from a sharecropper's shack in Mississippi to Chicago's
South Side to international renown as a writer and outspoken critic
of racism.Drawing on journals, letters, and eyewitness accounts,
Richard Wright probes the author's relationships with Langston
Hughes and Ralph Ellison, his attraction to Communism, and his
so-called exile in France. Skillfully interweaving quotes from
Wright's own writings, Rowley deftly portrays a passionate,
courageous, and flawed man who would become one of our most
enduring literary figures.
Priceless Wisdom from a Modern Tao Te Ching Odyssey "...this book
will completely absorb your attention from the beginning..."
-Emanuele Pettener, PhD, assistant professor of Italian and writer
in residence at Florida Atlantic University #1 New Release in
Chinese Poetry, Asian Poetry, and Tao Te Ching A literary memoir
like no other, Monk of Park Avenue recounts novelist and martial
master Monk Yon Rou's spiritual journey of self-discovery. Learn
from Yon Rou as he tackles tragedy and redemption on an
unforgettable soul-searching odyssey. A spiritual journey with
extraordinary encounters. Yon Rou's memoir is a kaleidoscopic ride
through the upper echelons of New York Society and the
nature-worshipping, sword-wielding world of East Asian religious
and martial arts. Monk of Park Avenue divulges a privileged
childhood in Manhattan, followed by the bitter rigors of kung fu in
China and meditations in Daoist temples. Join Yon Rou's adventure
as he encounters kings, Nobel laureates, and the Mob. Witness this
martial master's incarceration in a high-mountain Ecuadorian
hellhole and fight for survival in Paraguay's brutal thorn jungle.
Meet celebrities along the way. A story of love, loss, persistence,
triumph, and mastery, The Monk of Park Avenue is peopled with the
likes of Milos Forman, Richard Holbrooke, Paul McCartney, Warren
Beatty and now-infamous opioid purveyors, the Sackler Family. Yun
Rou's memoir is no mere celebrity tell-all, but a novelist and
martial master's path to self-discovery. The Monk of Park Avenue
offers you: Paths for personal and spiritual growth Anecdotal
stories of self-discovery and insights into how to live An
eloquent, candid exploration of spiritual transformation If you
loved Zen and the Art of Motorcycle Maintenance, To Shake the
Sleeping Self, or Lao Tzu by Ursula K. Le Guin, you'll love The
Monk of Park Avenue. Also, be sure to read Monk Yon Rou's Mad Monk
Manifesto, winner of both the Gold & Silver 2018 Nautilus Book
Award.
Winner of the 1993 Bancroft Prize and praised in The Nation as "the
richest account we have yet of Fuller's formative years," the first
volume of Margaret Fuller: An American Romantic Life was acclaimed
by critics and scholars alike as the finest portrait available of
Fuller's early life. Now, in the much-anticipated sequel, Charles
Capper illuminates Fuller's "public years," focusing on her
struggles to establish her identity as an influential intellectual
woman in the Romantic Age.
Capper brings to life Fuller's dramatic mixture of inward
struggles, intimate social life, and deep engagements with the
major movements of her time--from outre Boston Transcendentalism to
contentious New York journalism and European revolutionary ideas.
Capper describes how Fuller struggled to reconcile high avant-garde
cultural ideals and Romantic critical methods with democratic
social and political commitments, and he reveals how she strove to
articulate--through the lens of American idealism and European
"experience"--a cosmopolitan vision for her nation's culture and
politics. Capper also sheds light on Fuller's complex personal
life. He offers fresh and often startlingly new treatments of
Fuller's friendships with Ralph Waldo Emerson, Thomas Carlyle, and
Giuseppe Mazzini and provides new insights into such badly
understood intimates as the shadowy James Nathan, the poetic genius
Adam Mickiewicz, and Fuller's Roman lover Giovanni Ossoli. Readers
will also find lively portraits of many other famous figures with
whom Fuller associated, including Henry David Thoreau, Nathaniel
Hawthorne, Horace Greeley, Lydia Maria Child, George Sand, and
Robert and Elizabeth Browning.
Filled with dramatic, ironic, and sometimes tragic turns, this
superb biography captures the story of one of America's most
extraordinary figures, producing at once the best life of Fuller
ever written and one of the great biographies in American history.
Byron Rogers' biography of Wales' s national poet and vicar, R.S.
Thomas has been hailed as a ' masterpiece' , even as a work of '
genius' , by reviewers from Craig Brown to the Archbishop of
Canterbury. Within someone considered a wintry, austere and
unsociable curmudgeon, Rogers has unearthed an extremely funny
story - ' riotously' so, in Rowan Williams' words. Thomas is widely
considered as one of the twentieth-century' s greatest English
language poets. His bitter yet beautiful collections on Wales, its
landscape, people and identity, reflect a life of political and
spiritual asceticism. Indeed, Thomas is a man who banned vacuum
cleaners from his house on grounds of noise, whose first act on
moving into an ancient cottage was to rip out the central heating,
and whose attempts to seek out more authentically Welsh parishes
only brought him more into contact with loud English holidaymakers.
To Thomas' s many admirers this will be a surprising, sometimes
shocking, but at last humanising portrait of someone who wrote
truly metaphysical poetry.
Cold Cream is a sparkling autobiography in the great tradition:
wonderfully perceptive, exquisitely rendered and bursting with
characters and anecdotes of every shade and hue. A tender, moving
and witty portrait of Ferdinand Mount's family and his early life,
it follows his bumbling path from his decadent upbringing in the
world of 'Hobohemia' to his schooldays at Eton, and from the boozy
depths of Fleet Street in the 60s to his years at the vortex of
Downing Street in the 80s as speech writer (much to his own
bemusement) for Margaret Thatcher. Every sentence radiates with
fondness, intelligence and humour in this utterly charming
anthology of an eccentric and colourful cast of people who defined
their generation.
Counterculture icon and best-selling author of the
anti-authoritarian novels One Flew Over the Cuckoo's Nest and
Sometimes a Great Notion, Ken Kesey said he was ""too young to be a
beatnik and too old to be a hippie."" It's All a Kind of Magic is
the first biography of Kesey. It reveals a youthful life of
brilliance and eccentricity that encompassed wrestling, writing,
magic and ventriloquism, CIA-funded experiments with hallucinatory
drugs, and a notable cast of characters that would come to include
Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy
Leary, the Grateful Dead, and Hunter S. Thompson. A child of the
Depression, Kesey was born in 1935 to a migrant farming family that
settled in Oregon during World War II. Based on meticulous research
and many interviews with friends and family, Rick Dodgson's
biography documents Kesey's early life, from his time growing up in
Oregon as a farm boy and wrestling champion through his college
years, his first drug experiences, and the writing of his most
famous books. While a graduate student in creative writing at
Stanford University in the late 1950s and early 1960s, Kesey worked
the night shift at the Menlo Park Veterans Administration hospital,
where he earned extra money taking LSD and other psychedelic drugs
for medical studies. Soon he and his bohemian crowd of friends were
using the same substances to conduct their own experiments,
exploring the frontiers of their minds and testing the boundaries
of their society. With the success of One Flew Over the Cuckoo's
Nest, Kesey moved to La Honda, California, in the foothills of San
Mateo County, creating a scene that Hunter S. Thompson remembered
as the ""world capital of madness."" There, Kesey and his growing
band of Merry Prankster friends began hosting psychedelic parties
and living a ""hippie"" lifestyle before anyone knew what that
meant. Tom Wolfe's book The Electric Kool-Aid Acid Test
mythologised Kesey's adventures in the 1960s. Illustrated with
rarely seen photographs, It's All a Kind of Magic depicts a
precocious young man brimming with self-confidence and ambition
who-through talent, instinct, and fearless spectacle-made his life
into a performance, a wild magic act that electrified American and
world culture.
The Emerson Brothers: A Fraternal Biography in Letters is a
narrative and epistolary biography drawn from the unpublished
lifelong correspondence exchanged among four brothers: Charles
Chauncy, Edward Bliss, Ralph Waldo, and William Emerson. This is an
extensive correspondence, for not counting Waldo's previously
published letters, there are 768 letters exchanged among the
brothers and an additional 483 unpublished letters from the
brothers to their aunt Mary Moody Emerson, mother Ruth Haskins
Emerson, and Charles' fiancee Elizabeth Hoar, among others.
While lesser figures might have faltered under the burden of
having been born an Emerson, with social, political, and
ecclesiastic roots extending back to the first century of New
England settlement, the brothers' letters reveal that all were
invigorated by a shared sense of origin and aspired to make a
significant reputation for themselves. Across six richly developed
chapters, the signal events and friendships that shaped the Emerson
brothers' lives are strung together to reveal a remarkable family
culture. For the first time, The Emerson Brothers treats the
illustrious history of the Emerson family in America as a
foreshadowing of expectations the brothers inherited; defines the
extent of Waldo's debt to William for his encounter with German
Biblical Criticism; develops Charles' and Edward's incredibly
promising but ultimately tragic lives; examines the profound
emotional and intellectual impact of Aunt Mary on the younger
Emersons; considers the three-year courtship between Charles and
Elizabeth Hoar in the context of Waldo's own marriages; and studies
the brothers' preoccupation with financial security for "the
family"(revealing, too, that finances were at least as powerful a
motivation behind Waldo's 1832 resignation from Boston's Second
Church as were the death of his first wife and his religious
doubts).
This biography approaches Waldo's inner life in a way that makes
him a figure to imagine personally by portraying him in relation to
his brothers who are his intellectual equals. It offers an
imaginative social and cultural history of one of our oldest and
most gifted families, unique players in a period often considered
to be the "American Renaissance."
Autobiography of Mark Twain (1907) is a collection of
autobiographical writings by American humorist Mark Twain. Dictated
toward the end of his life, the Autobiography of Mark Twain is a
series of brief reflections on 74 years of fame, hard work, and
adventure by an icon of American literature. Originally serialized
in the North American Review, the United States' oldest literary
magazine, the Autobiography of Mark Twain has gone through
countless editions in the century after Twain's death, and is
considered a masterpiece of literary nonfiction. "I intend that
this autobiography shall become a model for all future
autobiographies when it is published [...] because of its form and
method-a form and method whereby the past and the present are
constantly brought face to face, resulting in contrasts which newly
fire up the interest all along, like contact of flint with steel."
Focusing on the small events, unremarkable encounters, and
marginalia which make a life both common and particular, Mark Twain
envisions a model of autobiography capable of dispelling the myth
of the writer as a man of fortune and mysterious talent. Capturing
episodes from his youth and the early stages of his writing career,
reflecting on the importance of his wife Olivia and daughter Susy,
and describing the influence of labor on his philosophy of life,
Twain invites his reader to recognize him not just as Samuel
Clemens, his birth name, but as a man who lived and worked and
triumphed and suffered alongside others, as a man whose success was
a testament to the power of community. With a beautifully designed
cover and professionally typeset manuscript, this edition of Mark
Twain's Autobiography of Mark Twain is a classic of American
literature reimagined for modern readers.
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