Agatha Christie's 'most absorbing mystery' - her own autobiography. Over the three decades since her death on 12 January 1976, many of Agatha Christie's readers and reviewers have maintained that her most compelling book is probably still her least well-known. Her candid Autobiography, written mainly in the 1960s, modestly ignores the fact that Agatha had become the best-selling novelist in history and concentrates on her fascinating private life. From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, Agatha shares the details of her varied and sometimes complex life with real passion and openness.

From 1893-1895 George Griffith was the most famous science fiction writer in England. His books entranced the readers of the 19th century with tales of Martians, submarines, immortality, rogue comets and even spaceships whizzing around the solar system. He invented the Countdown in 1897 and his son would become the co-inventor of the jet engine. Griffith's name became synonymous with high adventure and so in the Spring of 1894 he was recruited to follow in the mythical footsteps of Jules Verne's Phileas Fogg. In just 65 days Griffith travelled through 24 time zones and established a new world record. Now for the first time in over 100 years his story can be retold along with a lengthy biography of his many literary achievements by noted Space writer and editor, Robert Godwin. It includes a special Introduction by John Griffith, grandson of George Griffith.

Known for his journalism, biographies and novels, A. N. Wilson turns a merciless searchlight on his own early life, his experience of sexual abuse, his catastrophic mistakes in love (sacred and profane) and his life in Grub Street - as a prolific writer. Before he came to London, as one of the "Best of Young British" novelists, and Literary Editor of the Spectator, we meet another A. N. Wilson. We meet his father, the Managing Director of Wedgwood, the grotesque teachers at his first boarding school, and the dons of Oxford - one of whom, at the age of just 20, he married, Katherine Duncan-Jones, the renowned Shakespearean scholar. The book begins with his heart-torn present-day visits to Katherine, now for decades his ex-wife, who has slithered into the torments of dementia. At every turn of this reminiscence, Wilson is baffled by his earlier self - whether he is flirting with unsuitable lovers or with the idea of the priesthood. His chapter on the High Camp seminary which he attended in Oxford is among the funniest in the book. We follow his unsuccessful attempts to become an academic, his aspirations to be a Man of Letters, and his eventual encounters with the famous, including some memorable meetings with royalty. The princesses, dons, paedophiles and journos who cross the pages are as sharply drawn as figures in Wilson's early comic fiction. But there is also a tenderness here, in his evocation of those whom he has loved, and hurt, the most.

It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art market-publishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealers-ultimately establishing Van Gogh's reputation as one of the finest artists of his generation. In doing so, she fundamentally changed how we view the relationship between the artist and his work. She also lived a rich and fascinating life-not only was she friends with eminent writers and artists, but she also was active within the Social Democratic Labour Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this visionary woman with the drive to shake the art world to its core.

'You cannot find peace by avoiding life' Virginia Woolf An intimate portrait of Virginia, the best-known and most influential Bloomsbury author of them all - 'All you need to know about the modernist, feminist icon' TIME OUT 'A gem' SUNDAY TIMES 'As a short introduction to Virginia Woolf this deceptively brief book could hardly be bettered and achieves high status instantly as a significant work of reference in its own right' THE TIMES Virginia Woolf was undoubtedly one of the literary giants of the twentieth century. She was a central figure in the Bloomsbury Group, and her writings were works of astonishing originality. Nigel Nicolson is the son of Vita Sackville-West, who was Virginia Woolf's most intimate friend, and for a short time her lover. He spent many days in her company and he has threaded his recollections of her throughout this unique narrative of her life.

Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remains widely admired. Iris grew up in Italy with her Irish mother after the death of her wealthy American father. They settled in the Villa Medici in Florence, where they became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons.When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.

Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history's greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. "On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in..." From the remnants of memory, J. M. Barrie attempts to reconstruct his mother's life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, "she got her soft face and her pathetic ways and her large charity," but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. With a beautifully designed cover and professionally typeset manuscript, this edition of J. M. Barrie's Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.

Autobiography of Sir Walter Besant (1902) is a posthumously published autobiography by Walter Besant. Although he is more widely known for his works of fiction and book-length studies of the city of London, Besant was also a gifted autobiographer whose unique sense of self and rich memories make for an entertaining, informative read. "I am supposing that [man] has the choice offered him, together with an outline of the future-not a future of fate laid down with Calvinistic rigour, but a future of possibility. And as time, past or future, does not exist in the other world, I am supposing that a man can be born in any age that he pleases." The son of a merchant, Walter Besant would combine ambition with wit to become one of Victorian England's leading intellectual figures. His autobiography is not just the portrait of a man, but a record of a century that saw empires rise and fall, industry outpace agriculture, and the life of humanity change forever, for better or worse. Unsatisfied with the success and fame he found in his literary work, Besant dedicated himself to social causes and was a true champion of the poor in London and around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Besant's Autobiography of Sir Walter Besant is a classic of English literature reimagined for modern readers.

Paul Laurence Dunbar: Poet Laureate of the Negro Race (1914) is a pamphlet on American poet Paul Laurence Dunbar. Published nearly a decade after Dunbar's untimely death, Paul Laurence Dunbar: Poet Laureate of the Negro Race contains three essays on his life, his legacy, and his importance to American literature. Born in Dayton, Ohio, Dunbar was the son of parents who were emancipated from slavery in Kentucky during the American Civil War. In 1893, he published Oak and Ivy, a debut collection of poetry blending traditional verse and poems written in dialect. Over the next decade, Dunbar wrote ten more books of poetry, four collections of short stories, four novels, a musical, and a play. In his brief career, Dunbar became a respected advocate for civil rights, participating in meetings and helping to found the American Negro Academy. His lyrics for In Dahomey (1903) formed the centerpiece to the first musical written and performed by African Americans on Broadway, and many of his essays and poems appeared in the nation's leading publications, including Harper's Weekly and the Saturday Evening Post. Diagnosed with tuberculosis in 1900, however, Dunbar's health steadily declined in his final years, leading to his death at the age of thirty-three while at the height of his career. Alice Dunbar-Nelson, in her essay, reflects on the man her husband was, a "true poet" who "reached out and groped for the bigness of the out-of-doors, divining all that he was afterwards to see." In his piece, classical scholar William S. Scarborough argues for Dunbar's importance to African American history as "the first among ten million," as a man who "did not inherit, [but] originated." To close the collection, Reverdy C. Ransom briefly eulogizes a poet whose loss was a blow to a people and a nation, whose name must be spoken in the same breath as Wheatley, Browning, Shelley, Burns, Keats, and Poe. More than anything, Paul Laurence Dunbar: Poet Laureate of the Negro Race cements his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Laurence Dunbar: Poet Laureate of the Negro Race is a classic of African American literature reimagined for modern readers.

-The only biography of Achebe, author of the most widely read book in African literature, which covers his full life up to his death in 2013 -Contains a treasure trove of interviews with Achebe, and his family, colleagues and friends -Commissioned directly by Achebe's son, in recognition of the author's considerable expertise and familiarity with Achebe and his family

From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife.

Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public.

Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.

Franz Kafka's letters to his one-time muse, Milena Jesenska - an intimate window into the desires and hopes of the twentieth-century's most prophetic and important writer Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience. While at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.

An intimate and expansive look at Judy Blume’s life, work, and cultural impact, focusing on her most iconic—and controversial—young adult novels, from Are You There God? It’s Me, Margaret. to Blubber.

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

One of the most popular Victorian writers, Samuel Smiles (1812 1904) made his name in 1859 with the original self-improvement manual Self-Help. His highly successful multi-volume Lives of the Engineers (also reissued in this series) contained biographies of men who had, like him, achieved greatness not through privilege but through hard work. Left incomplete at his death, edited by the social theorist Thomas Mackay (1849 1912) and first published in 1905, his autobiography opens with a vivid description of the Scottish garrison town of his birth during the Napoleonic wars. In his later years he was a vocal supporter of state education, and the value of education was a constant theme throughout his life. He remembers his schooldays here with clarity, writing that 'a good education is equivalent to a good fortune'. Straightforward and unpretentious, this book will be of interest to historians and readers fascinated by the Victorian drive for self-improvement.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism, becoming a pioneer in comparative religion. Through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, Jones inspired and influenced Romantic writers from William Blake to August Wilhelm Schlegel. These thirteen volumes of his works, published in 1807, begin with a memoir by his friend and editor Lord Teignmouth (1751-1834). Volume 1 explores Jones' heritage and birth through to his departure for India.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 3 of his thirteen-volume works, published in 1807, contains Jones' 'Anniversary Discourses' (1784-94) addressed to the Asiatick Society as its president - including 'On the Hindus' (1786), a seminal work of comparative linguistics. It also contains his landmark essay of cultural comparison, 'On the Gods of Greece, Italy, and India' (1784).

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala, influencing Romantic writers from William Blake to August Wilhelm Schlegel. Volume 4 of his thirteen-volume works, published in 1807, contains Jones' extensive Indic scholarship and translations published in British periodicals such as Asiatick Researches and The Asiatick Miscellany, and includes the unprecedented 'On the Musical Modes of the Hindus' (1792) and 'On the Mystical Poetry of the Persians and Hindus' (1791).

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his nine 'Hymns' to Hindu deities and his translation of the Sanskrit classic Sacontala. Volume 6 of his thirteen-volume works, published in 1807, contains Jones' Poeseos Asiaticae Commentariorum (1774). A work of comparative literature after mentor Robert Lowth's De Sacra Poesi Hebraeorum (1753) - in which Lowth established the Old Testament as a masterpiece of oriental literature - Poeseos provides detailed Latin commentary on the language and techniques of Arabic, Hebrew, Persian and Turkish poetry.

A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his translation of the Sanskrit classic Sacontala. Volume 13 of his thirteen-volume works, published in 1807, contains Jones' most critical engagements with Hinduism, including his translations of the Sanskrit Hitopadesa (Aesop-like fables of Hindu mythology) and sacred religious texts such as the Isa Upanishad. The volume also contains Jones' nine original 'Hymns' to Hindu deities, poems based on Hindu philosophy that influenced Romantics such as William Blake, Robert Southey and Percy Bysshe Shelley.

Literary museums today must respond to new challenges; the traditional image of the author's home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.

This book is a consideration of various themes and techniques ranging across famous South African writer J. M. Coetzee's whole oeuvre. It aims to discover the "how" rather than "what" or "why": where does Coetzee's work derive its power? A discussion of themes, influences, and allegorical meanings tends to bleach out the experience of reading; and this experience is surely the only reason for choosing Coetzee's narratives over anyone else's. It examines the type of resistance to be found in his work, a resistance which seems to have little basis in a political belief or a rational philosophy of justice. The book also traces the effects of Coetzee's choice of point of view in each of his books--how it interacts with questions of complicity and impressions of realism, as well as how it relates to the subject matter and characters he is dealing with in each case. It is also an exploration of the place of the comic arts in Coetzee's work. This is a subject which has routinely been dismissed by critics who have failed to discern any humor in the novels. The contention is that a sense of the ridiculous and absurd is implicit in much of Coetzee's narrative prose and can be seen in the underlying structure of all his books. This study delves into his use of language and languages: the choice of tenses, the surprising flights of imagery to be found amidst the taut elegance of his narrative style; and also the multilingual sensibilities he shares with many of his characters, not excluding the non-verbal language of music.

Originally published in 1847, William W. Brown offers a first-person narrative that details his enslavement and the daring escape that ultimately led to his freedom. It's a captivating tale and testament to the perseverance and strength of the human spirit. In this narrative, William W. Brown presents the true story of his birth and life as an enslaved African American. He provides a truthful look at his origins, noting the unfortunate dynamic between his Black mother and white father. Brown goes into great detail explaining the rules and regulations of plantation life. He also discusses working on a steamboat, which eventually leads to his escape. Narrative of William W. Brown is a sobering story that illuminates the horrors of an inhumane institution. It's personal and vital record that gives insight into the darkest time in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Narrative of William W. Brown is both modern and readable.

Josephine Brown presents a detailed biography of her father, William Wells Brown, who was born on a plantation but escaped to become a successful abolitionist. Biography of an American Bondman by His Daughter is a viable supplement to the original Narrative of William W. Brown: A Fugitive Slave Biography of an American Bondman by His Daughter gives new insight into William Wells Brown's eventful life. Josephine Brown presents a vivid account of his origins which began on a Kentucky plantation. She explains the glaring power imbalance between enslaved people, their overseers and plantation owners. She also explains how her father was hired out to perform various odd jobs including innkeeper, steamboat captain and even slave trafficker. It was a brutal existence where patience and persistence were key to survival. An illuminating record of one of the most prominent figures in the abolitionist movement. Josephine Brown provides an updated history of her father's personal and professional achievements. It's an eye-opening account of William Wells Brown's revolutionary life. With an eye-catching new cover, and professionally typeset manuscript, this edition of Biography of an American Bondman by His Daughter is both modern and readable.