This book is a memoir with a ‘double heartbeat’. At its centre is the author’s relationship with the late Zimbabwean writer, Dambudzo Marechera, whose award-winning book The House of Hunger marked him as a powerful, disruptive, perhaps prophetic voice in African literature.

Flora Veit-Wild is internationally recognised for her significant contribution to preserving Marechera’s legacy. What is less known about Marechera and Veit-Wild is that they had an intense, personal and sexual relationship. This memoir explores this: the couple’s first encounter in 1983, amidst the euphoria of the newly independent Zimbabwe; the tumultuous months when the homeless writer moved in with his lover and her family; the bouts of creativity once he had his own flat followed by feelings of abandonment; the increasing despair about a love affair that could not stand up against reality and the illness of the writer and his death of HIV related pneumonia in August 1987.

What follows are the struggles Flora went through once Dambudzo had died. On the one hand she became the custodian of his life and work, on the other she had to live with her own HIV infection and the ensuing threats to her health.

A self-portrait of a great writer. "A Short Autobiography" charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25," to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.

As a young woman growing up in a small, religious community, Regan Penaluna daydreamed about the big questions: Who are we and what is this strange world we find ourselves in? In college she discovered philosophy and fell in love with its rationality, its abstractions, its beauty.

What Penaluna didn't realize was that philosophy - at least the canon that's taught in Western universities, as well as the culture that surrounds it - would slowly grind her down through its devaluation of women and their minds. Women were nowhere in her curriculum, and feminist philosophy was dismissed as marginal, unserious.

Until Penaluna came across the work of a seventeenth-century woman named Damaris Cudworth Masham. Reading Masham's work was like reaching through time: writing three hundred years ago, Masham was speaking directly to her about knowledge and God, but also the condition of women. Her work eventually led Penaluna to other remarkable women philosophers of the era: Mary Astell, Catharine Cockburn and Mary Wollstonecraft.

Together these women rekindled Penaluna's love of philosophy and taught her how to live a truly philosophical life. She combines memoir with biography to tell the stories of these four women, weaving throughout an alternative history of philosophy as well as her own search for beauty and truth. Formally inventive and keenly intelligent, How to Think Like a Woman is a moving meditation on what philosophy could look like if women were treated equally.

In this study Ghibellino sets out to show that the platonic relationship between Goethe and Charlotte von Stein--lady-in-waiting to Anna Amalia, the Dowager Duchess of Weimar--was used as part of a cover-up for Goethe's intense and prolonged love relationship with the Duchess Anna Amalia herself. The book attempts to uncover a hitherto closely guarded state secret and one of the very great loves stories in European history--to rank with that of Dante and Beatrice, and Petrarch and Laura.

As he did in the Edgar(R)-nominated and Agatha, Anthony, and Macavity Awards-winning Agatha Christie's Secret Notebooks, Christie expert and archivist John Curran once again examines the unpublished notebooks of the world's bestselling author to explore the techniques she used to surprise and entertain generations of readers.

Drawing on Christie's personal papers and letters, he reveals how more than twenty of her novels, as well as stage scripts, short stories, and some more personal items, evolved. Here are wonderful gems, including Christie's essay on her famous detective, Hercule Poirot, written for a British national newspaper in the 1930s; a previously unseen version of a "Miss Marple" short story; and a courtroom chapter from her first novel, The Mysterious Affair at Styles, which was edited out of the published version in 1920; plus an insightful, well-reasoned analysis of her final unfinished novel, based on the author's notes and Curran's own deep knowledge of Christie and her work.

A must-read for every Christie aficionado, Agatha Christie: Murder in the Making is a fascinating look into the mind and craft of one of the world's most prolific and beloved authors.

Hero Martyr Poet
The inspiring story of a remarkable life cut short.

I don t think Hannah wanted to die for the sake of having her memory exalted in history or to prove herself equal to a romantic image she conceived for herself. Her purpose wasn t to die. She died for her life s purpose. U.S. Senator John McCain, in "Why Courage Matters"

Hannah Senesh, poet and Israel s national heroine, has come to be seen as a symbol of Jewish heroism. Safe in Palestine during World War II, she volunteered for a mission to help rescue fellow Jews in her native Hungary. She was captured by the Nazis, endured imprisonment and torture, and was finally executed at the age of twenty-three.

Like Anne Frank, she kept a diary from the time she was thirteen. This new edition brings together not only the widely read and cherished diary, but many of Hannah s poems and letters, memoirs written by Hannah s mother, accounts by parachutists who accompanied Hannah on her fateful mission, and insightful material not previously published in English.

Described by a fellow parachutist as a spiritual girl guided almost by mysticism, Hannah s life has something of value to teach everyone. Now the subject of a feature-length documentary, Blessed Is the Match: The Life and Death of Hannah Senesh, Hannah s words and actions will inspire people from each generation to follow their own inner voices, just as she followed hers.

Four popular novelists of the same generation each wrote a novel inspired by a holiday that the author spent in France. In the nineteen-fifties, Rumer Godden based The Greengage Summer on her recollections of her family's 1923 battlefield-tour manque in the Champagne region. Margery Sharp's 1936 holiday in Southern France led to 'Still Waters' and The Nutmeg Tree: both the short story and the novel are set in and around the region of Aix-les-Bains. In 1955, Daphne du Maurier first visited the department of Sarthe to research French family history; the novel The Scapegoat was the immediate result of the holiday. And in 1966, Stella Gibbons' last trip to the continent took the form of a visit to an old friend in her summer home near Grenoble. The stay is obliquely reflected in The Snow-Woman, in which a similar holiday leads a never-married septuagenarian to experience a renaissance of sorts.

Wilfred Owen is the poet of pity, the voice of the soldier maimed, blinded, traumatised and killed, not just in the Great War, but in all wars since, so resonant has his message become. Although he saw only five of his poems published in his lifetime, he left behind a portfolio of poetry and letters that created a powerful legacy. This generously illustrated book tells the story of Wilfred Owen's life and work anew, from his birth in 1893 until his death one week before the Armistice on 4 November 1918. It chronicles Owen's journey from a romantic youth, steeped in the poetry of Keats, to mature soldier awakened to the horrors of the Western Front. Drawing on rich archival material such as personal books, artefacts, family photographs and numerous manuscripts, the volume takes a fresh look at Owen's apprenticeship and eventual mastery of poetry, giving a comprehensive view of the relationship between his lived experience and his writing. Those already familiar with or well-versed in Owen's work will find new material in this book, and those coming to Owen for the first time will enjoy a well researched, yet accessible, illustrated introduction to one of the twentieth century's greatest poets.

An acclaimed biography that recreates the cosmopolitan world in which a wine merchant's son became one of the most celebrated of all English writers Geoffrey Chaucer is often called the father of English literature, but this acclaimed biography reveals him as a great European writer and thinker. Uncovering important new information about Chaucer's travels, private life, and the circulation of his writings, Marion Turner reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. From the wharves of London to the frescoed chapels of Florence, the book recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan. At the same time, the book offers a comprehensive exploration of Chaucer's writings. The result is a landmark biography and a fresh account of the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales.

The first modern study of Hartley Coleridge, showing that he deserves our attention not as the son of Samuel Taylor Coleridge, but as a literary presence in his own right.

A unique chronicle of the hundred-year period when the Jewish people changed the world - and it changed them Marx, Freud, Proust, Einstein, Bernhardt and Kafka. Between the middle of the nineteenth and twentieth centuries a few dozen men and women changed the way we see the world. But many have vanished from our collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich no chemotherapy. Without Siegfried Marcus no motor car. Without Rosalind Franklin genetic science would look very different. Without Fritz Haber there would not be enough food to sustain life on earth. These visionaries all have something in common - their Jewish origins and a gift for thinking outside the box. In 1847 the Jewish people made up less than 0.25% of the world's population, and yet they saw what others could not. How?

Includes an exciting sneak peek extract from Three Sisters - the conclusion to The Tattooist of Auschwitz Trilogy. Available now. The Tattooist of Auschwitz is one of the bestselling books of the 21st Century. Now, in this essential companion, Heather Morris presents an inspiring manual for life, with a series of tales of the remarkable people she has met, the incredible stories they have shared with her, and the lessons they hold for us all. In Stories of Hope, Heather will explore her extraordinary talents as a listener - a skill she employed when she first met Lale Sokolov, the tattooist at Auschwitz-Birkenau and the inspiration for her bestselling novel. It was this ability that led Lale to entrust Heather with his story, which she told in her novel The Tattooist of Auschwitz and the bestselling follow up, Cilka's Journey. Now Heather shares the story behind her inspirational writing journey and the defining experiences of her life, including her profound friendship with Lale, and explores how she learned to really listen to the stories people told her - skills she believes we can all learn. 'Stories are what connect us and remind us that hope is always possible.' Heather Morris An international phenomenon, The Tattooist of Auschwitz has sold over six million copies. Cilka's Journey has sold over a million copies worldwide.

First published in 1970, this is a detailed and balanced biography of one of the most controversial literary figures of the twentieth century. Ezra Pound, an American who left home for Venice and London at the age of twenty-three, was a leading member of the modern movement, a friend and helper of Joyce, Eliot, Yeats, Hemingway, an early supporter of Lawrence and Frost. As a critic of modern society his far-reaching and controversial theories on politics, economics and religion led him to broadcast over Rome Radio during the Second World War, after which he was indicted for treason but declared insane by an American court. He then spent more than twelve years in St Elizabeth 's Hospital for the Criminally Insane in Washington, D.C. In 1958 the changes against him were dropped and he returned to Italy where he had lived between 1924 and 1945.

From the award-winning poet, dark comic microbursts of prose deliver a whole childhood, at the hands of an aspiring middle-class Jewish family whose hard-boiled American values and wit were the forge of a poet's coming-of-age.

“My grandparents taught me to write my sins on paper and cast them into the water. . . . They didn’t expect an entire book,” Hirsch says in the “prologue” to this glorious festival of knife-sharp observations. In microchapters—sometimes only a single scathing sentence long—with titles like “Call to Breakfast,” “Pay Cash,” “The Sorrow of Manly Sports,” and “Aristotle on Lawrence Avenue,” Eddie’s gambling father, Ruby, son of a white metal smelter, schools him and his sister in blackjack; Eddie’s mom bangs pots to wake the kids to a breakfast of cold cereal; Uncle Bob, in the collection business, is heard threatening people on the phone; and nobody suffers fools. In this household, Eddie learned to jab with his left and cross with his right, never to kid a kidder, and how to sneak out at night.
Affectionate, deadpan, and exuberant, steeped in Yiddishkeit and Midwestern practicality, Hirsch’s laugh-and-cry performance animates a heartbreaking odyssey, from the cradle to the day he leaves home, armed with sorrow and a huge store of poetic wit.

The brilliant graphic memoir of growing up in Iran during and after the Islamic revolution.

Marjane Satrapi lived through the Iranian Revolution as a little girl. This is her classic memoir-in-comic-strips, the story of a child entangled in the history and politics of her country. It paints an unforgettable portrait of growing up in revolutionary and war-torn Iran, in a family that was both outrageous and ordinary, beset by tragedy and yet buffered by love. Funny, wise, ultimately heartbreaking and told with unforgettable pictures.

In his motivational autobiography Glimpses of Greatness, Philip Guy Rochford shares the milestones of his life that mark not only his spiritual journey, but also his very successful professional career as a financier.

Rochford was born in 1933 in Port of Spain, Trinidad-arriving into the world with a clean slate of consciousness. Raised in a strict Catholic household by a single mother, Rochford received his first lessons in applied economics as he and his family dealt with the financial ripples of World War II. With an honest, conversational style, Rochford details his intriguing life story beginning with his school years when he was encouraged to work in a local pharmacy to his education in several countries to the challenges-political, professional, and personal-that he faced on a daily basis as he enjoyed a fruitful career as an economist and chartered secretary, banker, and accountant. By including questions and answer segments at the end of each chapter, Rochford allows for deeper explanations, insight, and elaboration into his life experiences and many professional accomplishments.

Rochford combines anecdotes, poetry, and letters with a compelling life story that will surely motivate others to let their brilliance shine through, no matter what their barriers.