Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life. In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin's poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn't read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year) and he hasn't stopped performing and touring since. Nelson Mandela, after hearing Benjamin's tribute to him while he was in prison, requested an introduction to the poet that grew into a lifelong relationship, inspiring Benjamin's work with children in South Africa. Benjamin would also go on to be the first artist to record with The Wailers after the death of Bob Marley in a musical tribute to Nelson Mandela. The Life and Rhymes of Benjamin Zephaniah is a truly extraordinary life story which celebrates the power of poetry and the importance of pushing boundaries with the arts.

When Agatha Christie died in 1976, at age eighty-five, she had become the world's most popular author. At the end of 2004, following the death of Christie's daughter, Rosalind, a remarkable legacy was revealed: seventy-three handwritten volumes of notes, lists, and drafts outlining all her plans for her many books, plays, and stories. Buried in this treasure trove, all in the beloved author's unmistakable handwriting, are revelations about her famous books that will fascinate anyone who has ever read or watched an Agatha Christie story.

Full of details she was too modest to reveal in her own autobiography, this remarkable book includes a wealth of excerpts and pages reproduced directly from the notebooks and her letters--plus, two complete, recently discovered Hercule Poirot short stories never before published.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.

They were the bohemians.

Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

I have been a fan of the Sherlock Holmes tales since I was given The Long Stories and The Short Stories in 1961. So when I retired twelve years ago I decided that I would compile a book on Sir Arthur Conan Doyle, Sherlock Holmes and Dr Watson. The majority of the content is taken from newspaper and magazine articles from 1998-2011 and some book forewords, the greater part containing information which I had never seen or read before.

Few people are aware that the true identity of William Shakespeare represents Western Civilization's greatest mystery. Even fewer realize that the commonly accepted authorship by William Shaksper of Stratford-on-Avon, who was illiterate, is a complete hoax manufactured by England's leading politicians, William Cecil and his son, Robert, for personal reasons of greed and power.

The hoax survived largely unscathed until 1920 when J. Thomas Looney's brilliant book, "Shakespeare Identified," plucked Edward de Vere's buried name out of historical obscurity and introduced him to the world as the real Shakespeare. Fighting the astonishing power of conventional wisdom, believers in the de Vere theory have steadily built their case through now hard-to-find scholarly research for the past ninety years.

This anthology series, "Building the Case for Edward de Vere as Shakespeare," salvages fascinating, neglected authorship material which repeatedly and convincingly shows that Edward de Vere was the uniquely creative genius who wrote under the coerced pen name of William Shakespeare.

David Foster is the most original, challenging, contradictory, risk-taking and infuriating Australian novelist of his generation. To date he has published twelve novels, three collections of novellas and short stories, two books of poetry, and a collection of essays, with several produced radio plays. Foster writes in an Australian tradition of idiosyncratic satire and comedy that may be traced through the work of Joseph Furphy, Miles Franklin, Xavier Herbert and David Ireland. His novels are the most wide-ranging and fearless of the Australian novels that have contributed to the late twentieth-century re-examination of Western ideologies and the literary forms in which they are expressed. In this first critical study of David Foster's works, Professor Susan Lever steers us into penetrating the mysteries of Foster's fiction, and provides guidance to readers willing to approach them. The book examines the contradictory nature of his commitments and interests as expressed mainly in his novels. Each of his works of fiction and poetry in the order of publication (except for The Adventures of Christian Rosy Cross and The Pale Blue Crochet Coathanger Cover which are discussed with similar novels) are discussed. The development of Foster's philosophical ideas and technique as a novelist over the 35 years of his writing life to date is followed. The book also examines Foster's letters to Geoffrey Dutton early in his career; his interviews and essays provide some of the background to these novels. The book also furnishes a sense of the Australian context for his work. A brief biography of Foster's early life and a discussion of his approach to satire is also included.

Walden is one of the best-known non-fiction books ever written by an American. It details Thoreau's sojourn in a cabin near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson. Walden was written with expressed seasonal divisions. Thoreau hoped to isolate himself from society in order to gain a more objective understanding of it. Simplicity and self-reliance were Thoreau's other goals, and the whole project was inspired by Transcendentalist philosophy. This book is full of fascinating musings and reflections. As pertinent and relevant today as it was when it was first written.

On the strength of a National Book Award for his novel "Going After Cacciato" (1978) and a widely acclaimed short-story cycle, "The Things They Carried" (1990), Tim O'Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam--and, in the process, was cast as a "Vietnam writer." But to confine O'Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades.

In addition to detailed discussions of all of O'Brien's work--a memoir, "If I Die in a Combat Zone" (1973), and seven books of fiction--the sixteen interviews and profiles in "Conversations with Tim O'Brien" explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O'Brien's youth in Minnesota and the expectations of a Midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction, the role of war in society; gender issues; and the craft of writing. O'Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

Sir Thomas Browne (1605-1682) was an English writer, physician, and philosopher whose work has inspired everyone from Ralph Waldo Emerson to Jorge Luis Borges, Virginia Woolf to Stephen Jay Gould. In an intellectual adventure like Sarah Bakewell's book about Montaigne, How to Live, Hugh Aldersey-Williams sets off not just to tell the story of Browne's life but to champion his skeptical nature and inquiring mind. Mixing botany, etymology, medicine, and literary history, Aldersey-Williams journeys in his hero's footsteps to introduce us to witches, zealots, natural wonders, and fabulous creatures of Browne's time and ours. We meet Browne the master prose stylist, responsible for introducing hundreds of words into English, including electricity, hallucination, and suicide. Aldersey-Williams reveals how Browne's preoccupations-how to disabuse the credulous of their foolish beliefs, what to make of order in nature, how to unite science and religion-are relevant today. In Search of Sir Thomas Browne is more than just a biography-it is a cabinet of wonders and an argument that Browne, standing at the very gates of modern science, remains an inquiring mind for our own time. As Stephen Greenblatt has written, Browne is "unnervingly one of our most adventurous contemporaries."

Challenging. Successful. Controversial. All terms used to accurately describe African American novelist and autobiographer John Edgar Wideman. This book examines his life and work-and the connections between them. The Life and Work of John Edgar Wideman is ideal for readers who might not be familiar with Wideman's work or those who may have been intimidated by descriptions of his writings. Through its coverage of Wideman's life from several generations back to the present and explanations of how Wideman makes use of life experiences, this book breaks down barriers for new readers and enables them to better relate and connect to his writing. Author Keith E. Byerman discusses Wideman's book-length works of fiction and nonfiction, as well as some of his shorter, journalistic pieces. The book emphasizes how Wideman integrates family and personal experience into what is typically labeled postmodern writing, and explains how he has evolved as a public intellectual who supplies shrewd commentary on subjects such as the prison system, terrorism, and the role of sports in American society.

Here at last in paperback is Frank McCourt's critically acclaimed and bestselling book about how his thirty-year teaching career shaped his second act as a writer. "Teacher Man" is also an urgent tribute to teachers everywhere. In bold and spirited prose featuring his irreverent wit and heartbreaking honesty, McCourt records the trials, triumphs and surprises of teaching in public high schools. "Teacher Man" shows McCourt developing his unparalleled ability to tell a great story as, five days a week, five periods per day, he works to gain the attention and respect of unruly, hormonally charged or indifferent adolescents.

For McCourt, storytelling itself is the source of salvation, and in "Teacher Man" the journey to redemption--and literary fame--is an exhilarating adventure.

Joan Didion (b. 1934) is an American icon. Her essays, particularly those in Slouching Towards Bethlehem and The White Album, have resonated in American culture to a degree unmatched over the past half century. Two generations of writers have taken her as the measure of what it means to write personal essays. No one writes about California, the sixties, media narratives, cultural mythology, or migraines without taking Didion into account. She has also written five novels; several screenplays with her husband, John Gregory Dunne; and three late-in-life memoirs, including The Year of Magical Thinking and Blue Nights, which have brought her a new wave of renown. Conversations with Joan Didion features seventeen interviews with the author spanning decades, continents, and genres. Didion reflects on her childhood in Sacramento; her time at Berkeley (both as a student and later as a visiting professor), New York, and Hollywood; her marriage to Dunne; and of course her writing. Didion describes her methods of writing, the ways in which the various genres she has worked in inform one another, and the concerns that have motivated her to write.

Rooms of Their Own travels around the world examining the unique spaces, habits and rituals in which famous writers created their most notable works. The perennial question asked of all authors is, 'How do you write?'. What do they require of their room or desk? Do they have favourite pens, paper or typewriters? And have they found the perfect daily routine to channel their creativity? Crossing centuries, continents and genres, Alex Johnson has pooled 50 of the best writers and transports you to the heart of their writing rooms - from attics and studies to billiard rooms and bathtubs. Discover the ins and outs of how each great writer penned their famous texts, and the routines and habits they perfected. Meet authors who rely on silence and seclusion and those who need people, music and whisky. Meet novelists who travel half-way across the world to a luxury writing retreat, and others who just need an empty shed at the bottom of the garden. Some are particular about pencils, inks, paper and typewriters, and some will scribble on anything - including the furniture. But whether they write in the library or in cars, under trees, private islands, hotel rooms or towers - each of these stories confirms that there is no 'best way' to write. From James Baldwin, writing in the small hours of the morning in his Paris apartment, to DH Lawrence writing at the foot of a towering Ponderosa pine tree, to the Bronte sisters managing in a crowded co-working space, this book takes us into the lives of some of history's greatest ever writers, with each writing space illustrated in evocative watercolour by James Oses. In looking at the working lives of our favourite authors, bibliophiles will be transported to other worlds, aspiring writers will find inspiration and literature fans will gain deeper insight into their most-loved authors.

How could William Shaksper of Stratford, who was illiterate, be the author of plays that have dazzled the world for centuries? Answer: he wasn't. His authorship is a remarkably successful hoax.

It was not until 1920 that J. Thomas Looney plucked Edward de Vere out of historical obscurity and introduced him as the real Shakespeare. In the next fifty years, powerful articles and books validated his authorship claim but much of this evidence has been neglected.

The first five volumes of this book series salvage this early research which makes Edward de Vere by far the likeliest candidate for being the great playwright, William Shakespeare.

In Volume One, you'll learn:

● Why Shakespeare's breadth of knowledge and intimate familiarity with England's Royal Court exclude Shaksper of Stratford as the true Bard;
● Why Francis Bacon is an unlikely Shakespeare authorship candidate;
● Why Edward de Vere fulfills all criteria to be the great playwright;
● And much more

Stop blindly accepting what the textbooks say. Take a logical, analytical approach to one of history's most important questions. Start Building the Case for Edward de Vere as Shakespeare with Volume 1: The Great Shakespeare Hoax.

Delve into the fascinating life of Ray Bradbury, one of the most prolific writers of our time, spokesperson for the Space Age, and idea man for Disney. Author of more than forty-five books and nearly five hundred short stories, Bradbury has entertained generations of readers worldwide with imaginative stories, poetry, TV shows and movies.

In "Ray Bradbury-Uncensored " author and journalist Gene Beley examines the life of this literary King Kong of writers. A plethora of interesting insights and milestones from Bradbury's life includes:

• Advice to writers
• Non-edited speeches from the 1960s
• Views on architecture, religion, and space
• CBS television plagiarism court battles
• Sparring with movie producer John Huston over the Moby Dick screenplay
• How and where he got his ideas for his classic books and short stories. Beley offers an intriguing look at one of the world's greatest, iconoclastic minds, revealing why Bradbury has inspired many other creative people to practice his "optimal optimism."