An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.

Acclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers.

Oxford thought it was at war. And then it was. After the horrors of the First World War, Oxford looked like an Arcadia - a dreamworld - from which pain could be shut out. Soldiers arrived with pictures of the university fully formed in their heads, and women finally won the right to earn degrees. Freedom meant reading beneath the spires and punting down the river with champagne picnics. But all was not quite as it seemed. Boys fresh from school settled into lecture rooms alongside men who had returned from the trenches with the beginnings of shellshock. It was displacing to be surrounded by aristocrats who liked nothing better than to burn furniture from each other's rooms on the college quads for kicks. The women of Oxford still faced a battle to emerge from their shadows. And among the dons a major conflict was beginning to brew. Set in the world that Evelyn Waugh immortalised in Brideshead Revisited, this is a true and often funny story of the thriving of knowledge and spirit of fun and foreboding that characterised Oxford between the two world wars. One of the protagonists, in fact, was a friend of Waugh and inspired a character in his novel. Another married into the family who inhabited Castle Howard and befriended everyone from George Bernard Shaw to Virginia Woolf. The third was an Irish occultist and correspondent with the poets W. H. Auden, Louis MacNeice and W. B. Yeats. This singular tale of Oxford colleagues and rivals encapsulates the false sense of security that developed across the country in the interwar years. With the rise of Hitler and the Third Reich came the subversion of history for propaganda. In academic Oxford, the fight was on not only to preserve the past from the hands of the Nazis, but also to triumph, one don over another, as they became embroiled in a war of their own.

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street-already a synonym for impoverished hack writers-before he became one of literary London's most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers' livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson's "Club" and those far less fortunate "brothers of the quill" trapped in Grub Street. Clarke emphasizes Goldsmith's sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish emigres: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

The autobiography by A S Mopeli-Paulus, author of the best-selling Blanket Boy's Moon and of its equally prestigious follow-up, Turn to the Dark. Although substantial excerpts were published in Drum magazine at the time of composition in the mid-1950s, this is the first appearance of the complete text. Whether running away from school, serving in the 'Grave Unit' during the Battle of El Alamein or proving an extraordinary leader through the early days of the anti-apartheid struggle, here is the testimony of a vibrant writer. 'The manuscript of The World and the Cattle is very valuable because it identifies the ambiguities the Mopelis adopted towards the different forces which formed the environment of this little Basotho clan, clinging precariously to their land and cattle on the slopes of the Drakensberg.' Alf Stadler in a 1987 paper.

Originally published in English in 1951, this biography of one of Germany's foremost mystical poets dis-proves many of the myths surrounding Rainer Maria Rilke and examines his life and work from social, historical and psychological perspectives, while all the time referencing Rilke's works to his complex personality. The legacy of his work on younger generations is also examined. All German prose quotations have been translated into English for this edition, existing translations used for the German poetry.

Onyeka Nwelue: A Troubled Life is a portrait of the writers predicaments and triumphs as he courses through experiences that are sometimes grim, and other times, spectacular.

The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Eve Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered-as a writer-by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she's since experienced a breakthrough. Now in her mid-seventies, she's on the cusp of literary stardom and recognition as an essential-as the essential-LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so simply enjoyable as to be mistaken for simple entertainment. What Hollywood's Eve has going for it on every page is its subject's utter refusal to be dull... It sends you racing to read the work of Eve Babitz." The New York Times "Read Lili Anolik's book in the same spirit you'd read a new Eve Babitz, if there was one: for the gossip and for the writing. Both are extraordinary." Jonathan Lethem "There's no better way to look at Hollywood in that magic decade, the 1970s, than through Eve Babitz's eyes. Eve knew everyone, slept with everyone, used, amused, and abused everyone. And then there's Eve herself: a cult figure turned into a legend in Anolik's electrifying book. This is a portrait as mysterious, maddening-and seductive-as its subject." -Peter Biskind, author of Easy Riders, Raging Bulls For Babitz, life was slow days, fast company until a freak fire turned her into a recluse, living in a condo in West Hollywood, where author Lili Anolik tracked her down in 2012. Hollywood's Eve, equal parts biography and detective story "brings a ludicrously glamorous scene back to life, adding a few shadows along the way" (Vogue) and "sends you racing to read the work of Eve Babitz" (The New York Times).

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

Alun, Gweno and Freda is a radical reworking of John Pikoulis's classic biography, Alun Lewis: A Life (Seren, 1984) with new material which sheds further light on the greatest writer of the Second World War, Alun Lewis (1915-1944). Born in the impoverished industrial valleys of south Wales, the story of Lewis has many varied aspects - he was a talented academic, a gifted writer, a depressive personality, politically aspirational in left wing terms, a pacifist by nature who was faced with a war against fascism. In the course of the war he became caught between two women on opposite sides of the world, his wife Gweno and Freda Aykroyd, an ex patriot in India whose house provided respite for officers on leave there. Lewis's relationships with Gweno and Freda informed his poetry but also contributed to an inevitable emotional turmoil. He died in mysterious circumstances on active service in Burma: was his death an accident or suicide? And did his triangular relationship with Gweno and Freda contribute to the ending of his life? Essentially the story of Lewis's short and sometimes tortured life, the book is also the story about how it was written. It quotes extensively from interviews with and correspondence from the main players in the story, and explores the sometimes difficult and delicate territories to be negotiated by the biographer as a story unfolds.

This tender and personal memoir by the poet Joanna Ramsey of George Mackay Brown gives an account of some aspects of the last eight years of his life in Stromness, Orkney, and of the friendship between them. It also provides a background to his poem 'A New Child: ECL 11 June 1993' (included in the anthology Following a Lark), which he wrote for Joanna's daughter. There are many small details of George's day to day life in those last years that are not included in any other account. Also included are an unpublished poem written for Joanna, and a number of birthday acrostics written for her and her daughter, Emma. In his final years George Mackay Brown rarely travelled beyond Stromness, but many of his friends visited him there; the book is also peopled by George's other friends, and paints a portrait of a man who remained very dear and important to others until his death and beyond it.

Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local "powhitetrash." At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age-and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns about love for herself and the kindness of others, her own strong spirit, and the ideas of great authors ("I met and fell in love with William Shakespeare") will allow her to be free instead of imprisoned.
Poetic and powerful, I Know Why the Caged Bird Sings is a modern American classic that will touch hearts and change minds for as long as people read.

In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 1 covers the period to 1860, the year in which the final volume of Modern Painters was published.

In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 2 covers the period from 1860 to Ruskin's death in 1900, and includes an index to both volumes.

This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."

A groundbreaking biography of Milton's formative years that provides a new account of the poet's political radicalization John Milton (1608-1674) has a unique claim on literary and intellectual history as the author of both Paradise Lost, the greatest narrative poem in English, and prose defences of the execution of Charles I that influenced the French and American revolutions. Tracing Milton's literary, intellectual, and political development with unprecedented depth and understanding, Poet of Revolution is an unmatched biographical account of the formation of the mind that would go on to create Paradise Lost-but would first justify the killing of a king. Biographers of Milton have always struggled to explain how the young poet became a notorious defender of regicide and other radical ideas such as freedom of the press, religious toleration, and republicanism. In this groundbreaking intellectual biography of Milton's formative years, Nicholas McDowell draws on recent archival discoveries to reconcile at last the poet and polemicist. He charts Milton's development from his earliest days as a London schoolboy, through his university life and travels in Italy, to his emergence as a public writer during the English Civil War. At the same time, McDowell presents fresh, richly contextual readings of Milton's best-known works from this period, including the "Nativity Ode," "L'Allegro" and "Il Penseroso," Comus, and "Lycidas." Challenging biographers who claim that Milton was always a secret radical, Poet of Revolution shows how the events that provoked civil war in England combined with Milton's astonishing programme of self-education to instil the beliefs that would shape not only his political prose but also his later epic masterpiece.

This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.

This book, first published in 1950, is a balanced examination of Chekhov's life and work, a critical analysis of his stories and plays set against the background of his life the Russia of the day. Using Chekhov's works, biographical details, and, more importantly, his many thousands of letters, this book presents a comprehensive critical study of the writer and the man.

This book, first published in 1978, demonstrates how Dostoyevsky's novels grew directly out of the pressures of their creator's tormented experience and personality. Ronald Hingley draws upon important fresh source material, which includes the definitive Soviet edition of Dostoyevsky's works with drafts and variants, Soviet research on the circumstances of his father's death, and a newly deciphered section of the diary of his second wife, Anna. Hingley considers with his analysis all Dostoyevsky's works, the ideas they contain, their varying artistic success, and their contemporary critical reception. He convincingly present's Dostoyevsky's genius at its most powerful when most on the attack.