Go further under the covers and stay in bed a little longer with Marian Keyes in this winning follow-up to her smash essay collection, Under the Duvet. Written in the witty, forthright style that has earned her legions of devoted readers, "Cracks in My Foundation" offers an even deeper and more candid look into this beloved author's mind and heart, exploring such universal themes as friends and family, home, glamour and beauty, children, travel, and more. Marian's hilarious and thoughtful take on life makes her readers feel they are reading a friend, not just an author.

Marian continues to entertain with her reports from the trenches, and throws in some original short fiction as well. Whether it's visiting Siberia, breaking it off with an old hairdresser, shopping (of course!), turning "forty," living with her beloved husband, Himself (a man beyond description), or musing on the F word (feminism), Marian shares the joys, passions, and sorrows of her world and helps us feel good about our own. So grab a latte and a pillow and get ready to laugh your slippers off!

In a lucid, brilliant work of nonfiction -- as close to an autobiography as his readers are likely to get -- Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become.

Using as a springboard an essay by the German literary critic Walter Benjamin that he first read in Archer City's Dairy Queen, McMurtry examines the small-town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.

McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

From poker to poetry, poisoners to princes, opera to the Oscars, Shakespeare to Olivier, Mozart to Murdoch, Anthony Holden seems to have rolled many writers' lives into one. Author of 35 books on a 'crazy' range of subjects, this cocky Lancashire lad-turned-bohemian citizen of the world has led an apparently charmed life from Merseyside to Buckingham Palace, the White House and beyond. As he turns 70, the award-winning journalist and biographer - grandson of an England footballer, son of a seaside shopkeeper, friend of the famous from Princess Diana to Peter O'Toole, Mick Jagger to Salman Rushdie - spills the beans on showbiz names to literary sophisticates, rock stars to royals as he looks back whimsically and wittily on a richly varied, anecdote- and action-packed career - concluding, in the words of Robert Louis Stevenson, that 'Life is not a matter of holding good cards, but of playing a poor hand well'.

The extraordinary untold story of Ernest Hemingway's dangerous secret life in espionage A NEW YORK TIMES BESTSELLER - A finalist for the William E. Colby Military Writers' Award "IMPORTANT" (Wall Street Journal) - "FASCINATING" (New York Review of Books) - "CAPTIVATING" (Missourian) A riveting international cloak-and-dagger epic ranging from the Spanish Civil War to the liberation of Western Europe, wartime China, the Red Scare of Cold War America, and the Cuban Revolution, Writer, Sailor, Soldier, Spy reveals for the first time Ernest Hemingway's secret adventures in espionage and intelligence during the 1930s and 1940s (including his role as a Soviet agent code-named "Argo"), a hidden chapter that fueled both his art and his undoing. While he was the historian at the esteemed CIA Museum, Nicholas Reynolds, a longtime American intelligence officer, former U.S. Marine colonel, and Oxford-trained historian, began to uncover clues suggesting Nobel Prize-winning novelist Ernest Hemingway was deeply involved in mid-twentieth-century spycraft -- a mysterious and shocking relationship that was far more complex, sustained, and fraught with risks than has ever been previously supposed. Now Reynolds's meticulously researched and captivating narrative "looks among the shadows and finds a Hemingway not seen before" (London Review of Books), revealing for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD, the forerunner to the KGB, followed in short order by a complex set of secret relationships with American agencies. Starting with Hemingway's sympathy to antifascist forces during the 1930s, Reynolds illuminates Hemingway's immersion in the life-and-death world of the revolutionary left, from his passionate commitment to the Spanish Republic; his successful pursuit by Soviet NKVD agents, who valued Hemingway's influence, access, and mobility; his wartime meeting in East Asia with communist leader Chou En-Lai, the future premier of the People's Republic of China; and finally to his undercover involvement with Cuban rebels in the late 1950s and his sympathy for Fidel Castro. Reynolds equally explores Hemingway's participation in various roles as an agent for the United States government, including hunting Nazi submarines with ONI-supplied munitions in the Caribbean on his boat, Pilar; his command of an informant ring in Cuba called the "Crook Factory" that reported to the American embassy in Havana; and his on-the-ground role in Europe, where he helped OSS gain key tactical intelligence for the liberation of Paris and fought alongside the U.S. infantry in the bloody endgame of World War II. As he examines the links between Hemingway's work as an operative and as an author, Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline (including paranoia) that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works, including For Whom the Bell Tolls and The Old Man and the Sea, while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide. A literary biography with the soul of an espionage thriller, Writer, Sailor, Soldier, Spy is an essential contribution to our understanding of the life, work, and fate of one of America's most legendary authors.

In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this "compelling...unvarnished, resonant" (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to "El Otro Lado" (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to "El Otro Lado" to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.

Enid Blyton first visited Dorset at Easter 1931 with her husband Hugh Pollock; she was aged 34 and pregnant with her first child. She would later return to spend many holidays in, and around the town of Swanage in South Dorset's Isle of Purbeck, together with her two daughters: Gillian (born 1931) and Imogen (born 1935), and later with her second husband Kenneth Darrell Waters.What was it about this particular region that would draw her back, time and time again, and what pursuits did she choose to follow whilst she was here? In order to find out, we accompany Enid as she walks, swims off Swanage beach, plays golf, takes the steam train to Corfe Castle, and the paddle-steamer to Bournemouth.Although Enid's stories were drawn from her imagination, this itself was fed and nurtured by external experiences - in the case of the 'Famous Five' books, largely by what she had seen in Dorset. Whereas it is probably futile to attempt to match a specific real life location with her fictitious ones, nevertheless it is a fascinating exercise to retrace her steps, and having done so, to reflect on those topographical features which might have impinged upon her subconscious (or what she called her 'under mind') whilst she was writing the stories. It is often the case that when an author bases his work on a certain place, the subsequent discovery by the reader of that place's true identity may come as a disappointment. Not so in this case, for the real life locations are equally as interesting and exciting as the nail biting adventures of 'The Famous Five' themselves

A revelatory look at the life of the great American author--and how it shaped his most beloved works

Jack London was born a working class, fatherless Californian in 1876. In his youth, he was a boundlessly energetic adventurer on the bustling West Coast--an oyster pirate, a hobo, a sailor, and a prospector by turns. He spent his brief life rapidly accumulating the experiences that would inform his acclaimed bestselling books "The Call of the""Wild," "White Fang," and "The Sea-Wolf."

The bare outlines of his story suggest a classic rags-to-riches tale, but London the man was plagued by contradictions. He chronicled nature at its most savage, but wept helplessly at the deaths of his favorite animals. At his peak the highest paid writer in the United States, he was nevertheless forced to work under constant pressure for money. An irrepressibly optimistic crusader for social justice and a lover of humanity, he was also subject to spells of bitter invective, especially as his health declined. Branded by shortsighted critics as little more than a hack who produced a couple of memorable dog stories, he left behind a voluminous literary legacy, much of it ripe for rediscovery.

In "Jack London: An American Life," the noted Jack London scholar Earle Labor explores the brilliant and complicated novelist lost behind the myth--at once a hard-living globe-trotter and a man alive with ideas, whose passion for seeking new worlds to explore never waned until the day he died. Returning London to his proper place in the American pantheon, Labor resurrects a major American novelist in his full fire and glory.

An ardent steward of the land, fearless traveller and unrivalled observer of nature and culture, Barry Lopez died after a long illness on Christmas Day in 2020. The previous summer, a wildfire had consumed much of what was dear to him in his home and the community around it - a tragic reminder of the climate change of which he'd long warned. At once a cri de Coeur and a memoir of both pain and wonder, this remarkable collection of essays adds indelibly to Lopez's legacy, and includes previously unpublished works, some written in the months before his death. They unspool memories, both personal and political, among them tender, sometimes painful stories of his childhood in New York and California, reports from expeditions to study animals and sea life, recollections of travels to Antarctica and other extraordinary places on earth, and mediations on finding oneself amid vast, dramatic landscapes. He reflects on those who taught him, including Indigenous elders and scientific mentors who sharpened his eye for the natural world. We witness poignant returns from his travels to the sanctuary of his Oregon backyard and in prose of searing candour, he reckons with the cycle of life, including own and - as he has done throughout his career - with the dangers the earth and its people are facing. With an introduction by Rebecca Solnit that speaks to Lopez's keen attention to the world, including its spiritual dimensions, Embrace Fearlessly the Burning World opens our minds and sounds to the important of being wholly present to the beauty and complexity of life.

An instant "New York Times "bestseller, this "explosive biography" ("People") of one of the most beloved and mysterious figures of the twentieth century is "as close as we'll ever get to being inside J.D. Salinger's head" ("Entertainment Weekly").
This "revealing" ("The" "New York Times") and "engrossing" ("The" "Wall Street Journal") oral biography, "fascinating and unique" ("The Washington Post") and "an unmitigated success" ("USA TODAY"), has redefined our understanding of one of the most mysterious figures of the twentieth century.
In nine years of work on "Salinger," and especially in the years since the author's death, David Shields and Shane Salerno interviewed more than 200 people on five continents, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger's World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his "New Yorker" colleagues, and people with whom he had relationships that were secret even to his own family. Their intimate recollections are supported by more that 175 photos (many never seen before), diaries, legal records, and private documents that are woven throughout; in addition, appearing here for the first time, are Salinger's "lost letters"--ranging from the 1940s to 2008, revealing his intimate views on love, literature, fame, religion, war, and death, and providing a raw and revelatory self-portrait.
The result is "unprecedented" (Associated Press), "genuinely valuable" ("Time"), and "strips away the sheen of Salinger's] exceptionalism, trading in his genius for something much more real" ("Los Angeles Times"). According to the "Sunday Times" of London, "Salinger" is "a stupendous work...I predict with the utmost confidence that, after this, the world will not need another Salinger biography."

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
"San Francisco Chronicle - "Newsweek/The Daily Beast - "The Seattle Times - The Economist - Kansas City Star - BookPage"
On February 14, 1989, Valentine's Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been "sentenced to death" by the Ayatollah Khomeini. For the first time he heard the word "fatwa." His crime? To have written a novel called "The Satanic Verses, " which was accused of being "against Islam, the Prophet and the Quran."
So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov--"Joseph Anton."
How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom.
It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.
Praise for "Joseph Anton"
"A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie's work throughout his career."--Michiko Kakutani, "The New York Times"
"A splendid book, the finest . . . memoir to cross my desk in many a year."--Jonathan Yardley, "The Washington Post"
" "
"Thoughtful and astute . . . an important book.""--USA Today"
"Compelling, affecting . . . demonstrates Mr. Rushdie's ability as a stylist and storytelle. . . . He] reacted with great bravery and even heroism.""--The Wall Street Journal"
" "
"Gripping, moving and entertaining . . . nothing like it has ever been written.""--The Independent" (UK)
"A thriller, an epic, a political essay, a love story, an ode to liberty.""--Le Point "(France)
"Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie's eye is a camera lens --firmly placed in one perspective and never out of focus."--Los Angeles Review of Books
"Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book."--"de Volkskrant "(The Netherlands)
"One of the best memoirs you may ever read."--"DNA "(India)
"Extraordinary . . . "Joseph Anton" beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing--at all costs--any curtailment on a writer's freedom."--"The Boston Globe"

Biofiction is literature that names its protagonist after an actual historical figure, and it has become a dominant literary form over the last 35 years. What has not yet been scholarly acknowledged or documented is that the Irish played a crucial role in the origins, evolution, rise, and now dominance of biofiction. Michael Lackey first examines the groundbreaking biofictions that Oscar Wilde and George Moore authored in the late 19th and early 20th centuries as well as the best biographical novels about Wilde (by Peter Ackroyd and Colm Toibin). He then focuses on contemporary authors of biofiction (Sabina Murray, Graham Shelby, Anne Enright, and Mario Vargas Llosa, who Lackey has interviewed for this work) who use the lives of prominent Irish figures (Roger Casement and Eliza Lynch) to explore the challenges of seizing and securing a life-promoting form of agency within a colonial and patriarchal context. In conclusion, Lackey briefly analyzes biographical novels by Peter Carey and Mary Morrissy to illustrate why agency is of central importance for the Irish, and why that focus mandated the rise of the biographical novel, a literary form that mirrors the constructed Irish interior.