Winner of the Anne M. Sperber Prize

A spirited and revealing memoir by the most celebrated editor of his time

After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carre, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.

But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.

A smaller, cheaper edition of this acclaimed illustrated biography of Beatrix Potter. Respected biographer Sarah Gristwood discovers a life crisscrossed with contradictions and marked by tragedy, yet one that left a remarkable literary - and environmental - legacy. This illustrated biography of the beloved writer has been a strong seller and critical success. It is now available in a smaller, more affordable format. Interest in Beatrix Potter and her characters is undimmed, with the second Peter Rabbit film being released in summer 2021 and an exhibition at the V&A from February 2022, 'Beatrix Potter: Drawn to Nature'. Few people realise how extraordinary Beatrix Potter's own story is. She was a woman of contradictions. A sheltered Victorian daughter who grew into an astute modern businesswoman. A talented artist who became a scientific expert. A famous author who gave it all up to become a farmer, then a pioneering conservationist. Bestselling biographer Sarah Gristwood follows the twists and turns of Beatrix Potter's life and its key turning points - including her tragically brief first engagement and happy second marriage late in life. She traces the creation of Beatrix's most famous characters - including the naughty Peter Rabbit, confused Jemima Puddleduck and cheeky Squirrel Nutkin - revealing how she drew on her unusual childhood pets and locations in her beloved Lake District. A fitting legacy for a pioneering conservationist who helped save thousands of acres of the Lake District.' - The Mail on Sunday 'Excellent, anecdotal text...' - The Times Literary Supplement 'Beautifully illustrated.' - The Sunday Express

Tristessa is a strange fever-dream of morphine sickness and belly-deep sadness. Or, in the words of Allen Ginsberg: ‘a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuahua dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums’.

As a young woman growing up in a small, religious community, Regan Penaluna daydreamed about the big questions: Who are we and what is this strange world we find ourselves in? In college she discovered philosophy and fell in love with its rationality, its abstractions, its beauty.

What Penaluna didn't realize was that philosophy - at least the canon that's taught in Western universities, as well as the culture that surrounds it - would slowly grind her down through its devaluation of women and their minds. Women were nowhere in her curriculum, and feminist philosophy was dismissed as marginal, unserious.

Until Penaluna came across the work of a seventeenth-century woman named Damaris Cudworth Masham. Reading Masham's work was like reaching through time: writing three hundred years ago, Masham was speaking directly to her about knowledge and God, but also the condition of women. Her work eventually led Penaluna to other remarkable women philosophers of the era: Mary Astell, Catharine Cockburn and Mary Wollstonecraft.

Together these women rekindled Penaluna's love of philosophy and taught her how to live a truly philosophical life. She combines memoir with biography to tell the stories of these four women, weaving throughout an alternative history of philosophy as well as her own search for beauty and truth. Formally inventive and keenly intelligent, How to Think Like a Woman is a moving meditation on what philosophy could look like if women were treated equally.

Jane Was Here is a whimsical, illustrated guide to Jane Austen's England – from the settings in her novels and the scenes in the wildly popular television and film adaptations, to her homes and other important locations throughout her own life.

Discover the stately homes of Basildon Park and Ham House and the lush landscapes of Stourhead and Stanage Edge. Tread in Jane's footsteps as you explore her school in the old gatehouse of the ruined Reading Abbey; her perfectly-preserved home in her Chawton cottage, where she spent the last eight years of her life; or her final resting place in Winchester Cathedral.

Whether you want to embark on a real Austenian pilgrimage of your own, or experience the journey from the comfort of your own living room, Jane Was Here will take you – with a tone as wry as Jane herself's – on an enchanting adventure through the ups and downs of the world of Jane Austen. Publishing in time for the 250th anniversary of Austen's birth, this book is the perfect companion for any Austenophile looking for a novel way to celebrate.

Agnon's Story is the first complete psychoanalytic biography of the Nobel-Prize-winning Hebrew writer S.Y. Agnon. It investigates the hidden links between his stories and his biography. Agnon was deeply ambivalent about the most important emotional objects of his life, in particular his "father-teacher," his ailing, depressive and symbiotic mother, whom he left when she was very ill, and about whose death he felt guilty all his life, his emotionally-fragile wife, whom he named after his mother, and his adopted motherland, "the Land of Israel." Yet he maintained an incredible emotional resiliency and ability to sublimate his emotional pain into works of art. This biography seeks to investigate the unconscious emotional forces that drove his stories, his ambivalence about his family, and the underlying narcissistic grandiosity of his famous "modesty."