An essential introduction to Fanon’s remarkable life and philosophy. Connecting his writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s philosophical commitments and the vision of revolution that he stood for. Fanon’s oeuvre is essential to thinking about race today.

Revolutionary humanist and radical psychiatrist Frantz Fanon was one of the greatest Black thinkers of the twentieth century. Born in Martinique and known for his involvement in the Algerian liberation movement, his seminal books Black Skin, White Masks and The Wretched of the Earth are widely considered to be cornerstones of anti-colonial and anti-racist thought.

In this essential introduction to Fanon’s remarkable life and philosophy, Nigel C. Gibson argues that Fanon’s oeuvre is essential to thinking about race today. Connecting Fanon’s writing, psychiatric practice and lived experience in the Caribbean, France and Africa, Gibson highlights Fanon’s his philosophical commitments and the vision of revolution that he stood for. Despite his untimely death, the revolutionary pulse of Fanon’s ideas has continued to beat ever more strongly in the consciousness of successive revolutionary generations, from the Black Panthers and Black power to the Black Lives Matter and Fallist student movements, as well as to grassroots resistance movements working to improve the lives of Black and indigenous people who are continuously oppressed by systems of capitalism, imperialism and colonialism.

As Fanon’s thought comes alive to new activists thinking about their mission to ‘humanise the world,’ Gibson reminds us that Fanon’s revolutionary humanism is fundamental to all forms of anti-colonial struggle across the world.

My prayers are my poems are my prayers.

I've always relied on logic to make sense of myself and the world.

A prescriptionist at heart, I've always looked to reason to find the rhyme, the practical to get to the mystical, the choreography to find the dance, the proof to get to the truth, and reality to get to the dream.

I've been finding that tougher to do lately. It's more than hard to know what to believe in; it's hard to believe.

But I don't want to quit believing, and I don't want to stop believing in . . . humanity, you, myself, our potential.

I think it's time for us to flip the script on what's historically been our means of making sense, and instead open our aperture to enchantment and look to faith, belief, and dreams for our reality.

Let's sing more than we might make sense, believe in more than the world can conclude, get more impressed with the wow instead of the how, let inspiration interrupt our appointments, dream our way to reality, serve some soul food to our hungry heads, put proof on the shelf for a season, and rhyme our way to reason.

Forget logic, certainty, owning, or making a start-up company of it; let's go beyond what we can merely imagine, and believe, in the poetry of life.

The Book of Small is a collection of thirty-six short stories about a childhood in a town that still had vestiges of its pioneer past. Emily Carr tells stories about her family, neighbours, friends and strangers-who run the gamut from genteel people in high society to disreputable frequenters of saloons-as well as an array of beloved pets. All are observed through the sharp eyes and ears of a young and ever-curious girl. Carr's writing is a disarming combination of charm and devastating frankness.

Widely recognized as Canada's finest literary humorist, Stephen Leacock was a prolific author, publishing over sixty books during his lifetime, in addition to countless articles and pamphlets. He was also a devoted correspondent, writing hundreds of letters to friends, relatives, and business associates. Illustrated with several original photographs, The Letters of Stephen Leacock brings together over 800 letters, most of them never before published. Together they give a vivid picture of one of the twentieth century's most distinguished men of letters, a man who was honest, compassionate, and committed to his craft. From the brief, unpolished lines he wrote as a boy to his father, to the final letters he wrote before his death, Leacock's correspondence reveals much about the man behind the humour: the devoted son, husband, and father; the distinguished McGill professor; the proud Canadian; the generous uncle; the social critic; and the private citizen consumed and deeply troubled by the two world wars. Fans of Leacock's many books of humour will find glimpses of his trademark wit in letters on subjects ranging from the Scottish penchant for whiskey to the beauty of the west. More than a humorist, Leacock was an intellectual and an educator who wrote serious works on many topics, including political economy, education, and social reform, and many of his strong views on these subjects are laid out plainly in letters to associates and friends. He was also an astute businessman, and was, as letters to numerous publishers show, a writer by profession. As Leacock himself wrote of his letters to a friend and associate, 'We wrote in the plain straighforward way only possible in such an interchange of letters, about what we thought of this new world that seemed to overwhelm us in our old age.' These are the letters of a gentleman, written with charm, grace, and humour, occassionally blunt and assertive in dealings with publishers, but - in keeping with his humour - never mean-spirited or designed to injure. Together, they represent a fascinating collection that will captivate anyone who enjoys Canadian fiction or history. David Staines has spent 15 years bringing together Leacock's letters, many of them from private collections in Britain, the United States, and Canada. His ten chapter introductions place these carefully selected and annotated letters in the context of Leacock's life and work.

When Covid-19 pulled the rug out from under Marita van der Vyver and her Frenchman's feet and they were forced to sell their old, large house in the French countryside, they decided to get rid of most of their earthly possessions and travel far across the world. In this journey, which spans three continents, a lifetime of memories from one of Afrikaans’s greatest writers is explored. Sometimes you have to lose a lot, and also be willing to lose yourself, before you can truly gain freedom.

Professor. Pundit. Public nuisance. In his columns, books and on social media, Jonathan Jansen is prolific and he likes to speak his mind about schools and universities, race, politics and our complex South African society.

He has brought an incisive analysis, compassion and sense of humour to some of the most controversial issues in our country for many years. And now, in this memoir, he goes back to his early years growing up in a loving, fiercely evangelical family on the Cape Flats,
being put on the road to purpose by an inspiring school teacher and becoming the first of his generation to go to university under the apartheid regime. Journey with Jansen as he finds a passion for teaching high school and becomes a leading academic and thinker
amid great transformation in post-apartheid South Africa.

This patchwork of memories tells a bigger story than his own life. It’s a tale of learning the value of ‘breaking bread’ with others, of finding mutual recognition in our different faith and fears, our ideals and frustrations, our hurts and our hopes.

A staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poetWhen Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it. In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun offers a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind.

How does the greatest writer of our time tell her own story? Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between

Every writer is at least two beings: the one who lives, and the one who writes

Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful.

From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel.

As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations.

One of the world’s bestselling storytellers, Lesley Pearse writes brilliantly about survivors. Why? Because she is one herself . . .

Born during the Second World War, Lesley’s innocence came to an abrupt end when a neighbour found her, aged 3, coatless in the snow. The mother she’d been unable to wake had been dead for days. Sent to an orphanage, Lesley soon learned adults couldn’t always be trusted.

As a teenager in the swinging sixties, she took herself to London. Here, the second great tragedy of her life occurred. Falling pregnant, she was sent to a mother and baby home, and watched helplessly as her newborn was taken from her.

But like so many of her generation, Lesley had to carry on. She was, after all, a true survivor. Marriage and children followed – and all the while she nurtured a dream: to be a writer. Yet it wasn’t until at the age of 48 that her stories – of women struggling in a difficult world – found a publisher, and the bestseller lists beckoned.

As heartbreaking as it is heartwarming, Lesley’s story really is A Long and Winding Road with surprises and uplifting hope around every corner . . .

George Orwell is a difficult author to summarize. He was a would-be revolutionary who went to Eton, a political writer who abhorred dogma, a socialist who thrived on his image as a loner, and a member of the Imperial Indian Police who chronicled the iniquities of imperialism. Both the books in this volume were published in the 1930s, a "a low, dishonest decade," as his coeval W.H. Auden described it. Orwell's subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s. Orwell's honesty, courage, and sense of decency are inextricably bound up with the quasi-colloquial style that imbues his work with its extraordinary power. His descriptions of working in the slums of Paris, living the life of a tramp in England, and digging for coal with miners in the North make for a thoughtful, riveting account of the lives of the working poor and of one man's search for the truth. Our edition includes the following essays: Marrakech; How the Poor Die; Antisemitism in Britain; Notes on Nationalism

This vivid portrait reveals both Hemingway, the writer, and Hemingway, the hard-drinking, woman-chasing fighter and sportsman of legend. Hemingway's decade in Key West during the 1930s was his most productive. His only book set in the U.S., To Have and Have Not, takes place there. Meet his circle of friends (known as "the Mob"), his second wife, Pauline, and their two children. Hear from Hemingway contemporaries and scholars about the man and the town that he made famous.

This new edition has been updated to include a record of the author's exploits in Bimini and Cuba. Accompany Hemingway on fishing expeditions in the Gulf Stream and to Cuba and Bimini aboard his custom-built boat, Pilar. Learn of his doomed love affairs, his patriotic activities during World War II, and his writing experiences in an old farmhouse in Cuba.

Filled with photos (some of which were not available in the first edition), this book also includes a two-hour walking tour of Key West and a tour of Hemingway's favorite Cuban haunts. A treat for Hemingway fans!

Ivan Petrov was born in 1934 in the industrial town of Chapaevsk. His father was shot by Stalin as an 'enemy of the people', and Ivan was brought up by his mother and violent stepfather - both alcoholics, along with most of the rest of the town. By his early 20s, Ivan had also succumbed to the lure of the bottle. 'Smashed in the USSR' is his eye-opening, frequently eye-watering story.

In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

There are not one, but two daring escapes from boarding school; the delirium of a jetlagged American book tour; the writing of Birdsong in his brother’s house in 1992; and memorable trips across the channel to France. Politics, psychiatry and frustrated ventures into the world of entertainment are analysed with patience and rueful humour.

The book is driven by a desire ‘to arrive where we started and know the place for the first time.’ It ends with a tribute to Faulks’s parents and a sense of how his own generation was shaped by the disruptive power of war and its aftermath.

Sharply perceptive and alive with a generous wit, Fires Which Burned Brightly is a work of subtle yet profound intelligence and warmth.

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience – classics which will endure for generations to come.

A single person is missing for you, and the whole world is empty.

John Gregory Dunne and Joan Didion saw their daughter fall ill. At first they thought it was flu, then she was placed on life support. Days later, the Dunnes were sitting down to dinner when John suffered a massive and fatal coronary.

This powerful book is Didion’s ‘attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness’. The result is a personal yet universal portrait of marriage and life, in good times and bad, from one of the defining voices of American literature.

Andy West teaches philosophy in prisons. He has conversations with people inside about their lives, discusses their ideas and feelings and listens as the men and women he works with explore new ways to think about their situation. Could we ever be good if we never felt shame? What makes a person worthy of forgiveness? Could someone in prison ever be more free than someone outside? These questions about how to live are ones we all need to ask, but in this setting they are even more urgent. When Andy steps into jail, he also confronts his inherited guilt: his father, uncle and brother all spent time in prison. He has built a different life for himself, but he still fears that their fate will be his. As he discusses questions of truth, identity and hope with his students, he searches for his own form of freedom. Moving, sympathetic, wise and frequently funny, The Life Inside is an elegantly written and unforgettable book. Through its blend of memoir, storytelling and gentle philosophical questioning, readers will gain a new insight into our justice system, our prisons and the plurality of lives found inside.

In Funny Thing, Getting Older, one of our most beloved novelists shares his reflections from a lifetime of writing stories about the world. Here, collected for the first time on Michael's 82nd birthday, are his thoughts on nature, childhood, writing, peace and war, and getting older. Some are deeply personal, some political, others in between. And woven in amongst them you will find a play, a poem or two, and even a few stories.

Full of wonder, gentle humour and sharp observation, Funny Thing, Getting Older is a book to treasure.

A story is like a kite. If I make it right, if I fly it right, it will swoop and soar. And it will please my heart when it's up there, floating on the wind.

Bloke of All Ages is an expansive reflection that offers refreshing new insights into the works of one of South Africa’s most important literary, intellectual and artistic figures, William Bloke Modisane. Born in Sophiatown, Modisane was a remarkable author, playwright and actor, and a leading member of the DRUM generation in the 1950s. The contributors trace Modisane’s intellectual and cultural journey from his early years in South Africa to his exile in the United Kingdom, East Africa, North America, Italy, the German Democratic Republic, and the Federal Republic of Germany. Through a comprehensive and diverse exploration of Modisane’s body of work, they offer critical literary essays on his early short stories, his autobiography Blame Me on History, his journalism as well as his writings while in exile. The volume also includes little-known and previously unpublished essays by Modisane, written during his time in exile. Bloke of All Ages highlights the relevance and resilience of Modisane’s intellectual and cultural contribution by situating his work in the broader historic context of South African creative arts.