The Book of Small is a collection of thirty-six short stories about a childhood in a town that still had vestiges of its pioneer past. Emily Carr tells stories about her family, neighbours, friends and strangers-who run the gamut from genteel people in high society to disreputable frequenters of saloons-as well as an array of beloved pets. All are observed through the sharp eyes and ears of a young and ever-curious girl. Carr's writing is a disarming combination of charm and devastating frankness.

Widely recognized as Canada's finest literary humorist, Stephen Leacock was a prolific author, publishing over sixty books during his lifetime, in addition to countless articles and pamphlets. He was also a devoted correspondent, writing hundreds of letters to friends, relatives, and business associates. Illustrated with several original photographs, The Letters of Stephen Leacock brings together over 800 letters, most of them never before published. Together they give a vivid picture of one of the twentieth century's most distinguished men of letters, a man who was honest, compassionate, and committed to his craft. From the brief, unpolished lines he wrote as a boy to his father, to the final letters he wrote before his death, Leacock's correspondence reveals much about the man behind the humour: the devoted son, husband, and father; the distinguished McGill professor; the proud Canadian; the generous uncle; the social critic; and the private citizen consumed and deeply troubled by the two world wars. Fans of Leacock's many books of humour will find glimpses of his trademark wit in letters on subjects ranging from the Scottish penchant for whiskey to the beauty of the west. More than a humorist, Leacock was an intellectual and an educator who wrote serious works on many topics, including political economy, education, and social reform, and many of his strong views on these subjects are laid out plainly in letters to associates and friends. He was also an astute businessman, and was, as letters to numerous publishers show, a writer by profession. As Leacock himself wrote of his letters to a friend and associate, 'We wrote in the plain straighforward way only possible in such an interchange of letters, about what we thought of this new world that seemed to overwhelm us in our old age.' These are the letters of a gentleman, written with charm, grace, and humour, occassionally blunt and assertive in dealings with publishers, but - in keeping with his humour - never mean-spirited or designed to injure. Together, they represent a fascinating collection that will captivate anyone who enjoys Canadian fiction or history. David Staines has spent 15 years bringing together Leacock's letters, many of them from private collections in Britain, the United States, and Canada. His ten chapter introductions place these carefully selected and annotated letters in the context of Leacock's life and work.

When Covid-19 pulled the rug out from under Marita van der Vyver and her Frenchman's feet and they were forced to sell their old, large house in the French countryside, they decided to get rid of most of their earthly possessions and travel far across the world. In this journey, which spans three continents, a lifetime of memories from one of Afrikaans’s greatest writers is explored. Sometimes you have to lose a lot, and also be willing to lose yourself, before you can truly gain freedom.

My prayers are my poems are my prayers.

I've always relied on logic to make sense of myself and the world.

A prescriptionist at heart, I've always looked to reason to find the rhyme, the practical to get to the mystical, the choreography to find the dance, the proof to get to the truth, and reality to get to the dream.

I've been finding that tougher to do lately. It's more than hard to know what to believe in; it's hard to believe.

But I don't want to quit believing, and I don't want to stop believing in . . . humanity, you, myself, our potential.

I think it's time for us to flip the script on what's historically been our means of making sense, and instead open our aperture to enchantment and look to faith, belief, and dreams for our reality.

Let's sing more than we might make sense, believe in more than the world can conclude, get more impressed with the wow instead of the how, let inspiration interrupt our appointments, dream our way to reality, serve some soul food to our hungry heads, put proof on the shelf for a season, and rhyme our way to reason.

Forget logic, certainty, owning, or making a start-up company of it; let's go beyond what we can merely imagine, and believe, in the poetry of life.

This vivid portrait reveals both Hemingway, the writer, and Hemingway, the hard-drinking, woman-chasing fighter and sportsman of legend. Hemingway's decade in Key West during the 1930s was his most productive. His only book set in the U.S., To Have and Have Not, takes place there. Meet his circle of friends (known as "the Mob"), his second wife, Pauline, and their two children. Hear from Hemingway contemporaries and scholars about the man and the town that he made famous.

This new edition has been updated to include a record of the author's exploits in Bimini and Cuba. Accompany Hemingway on fishing expeditions in the Gulf Stream and to Cuba and Bimini aboard his custom-built boat, Pilar. Learn of his doomed love affairs, his patriotic activities during World War II, and his writing experiences in an old farmhouse in Cuba.

Filled with photos (some of which were not available in the first edition), this book also includes a two-hour walking tour of Key West and a tour of Hemingway's favorite Cuban haunts. A treat for Hemingway fans!

George Orwell is a difficult author to summarize. He was a would-be revolutionary who went to Eton, a political writer who abhorred dogma, a socialist who thrived on his image as a loner, and a member of the Imperial Indian Police who chronicled the iniquities of imperialism. Both the books in this volume were published in the 1930s, a "a low, dishonest decade," as his coeval W.H. Auden described it. Orwell's subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s. Orwell's honesty, courage, and sense of decency are inextricably bound up with the quasi-colloquial style that imbues his work with its extraordinary power. His descriptions of working in the slums of Paris, living the life of a tramp in England, and digging for coal with miners in the North make for a thoughtful, riveting account of the lives of the working poor and of one man's search for the truth. Our edition includes the following essays: Marrakech; How the Poor Die; Antisemitism in Britain; Notes on Nationalism

How does the greatest writer of our time tell her own story? Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between

Every writer is at least two beings: the one who lives, and the one who writes

Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful.

From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel.

As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations.

One of the world’s bestselling storytellers, Lesley Pearse writes brilliantly about survivors. Why? Because she is one herself . . .

Born during the Second World War, Lesley’s innocence came to an abrupt end when a neighbour found her, aged 3, coatless in the snow. The mother she’d been unable to wake had been dead for days. Sent to an orphanage, Lesley soon learned adults couldn’t always be trusted.

As a teenager in the swinging sixties, she took herself to London. Here, the second great tragedy of her life occurred. Falling pregnant, she was sent to a mother and baby home, and watched helplessly as her newborn was taken from her.

But like so many of her generation, Lesley had to carry on. She was, after all, a true survivor. Marriage and children followed – and all the while she nurtured a dream: to be a writer. Yet it wasn’t until at the age of 48 that her stories – of women struggling in a difficult world – found a publisher, and the bestseller lists beckoned.

As heartbreaking as it is heartwarming, Lesley’s story really is A Long and Winding Road with surprises and uplifting hope around every corner . . .

Ivan Petrov was born in 1934 in the industrial town of Chapaevsk. His father was shot by Stalin as an 'enemy of the people', and Ivan was brought up by his mother and violent stepfather - both alcoholics, along with most of the rest of the town. By his early 20s, Ivan had also succumbed to the lure of the bottle. 'Smashed in the USSR' is his eye-opening, frequently eye-watering story.

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience – classics which will endure for generations to come.

A single person is missing for you, and the whole world is empty.

John Gregory Dunne and Joan Didion saw their daughter fall ill. At first they thought it was flu, then she was placed on life support. Days later, the Dunnes were sitting down to dinner when John suffered a massive and fatal coronary.

This powerful book is Didion’s ‘attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness’. The result is a personal yet universal portrait of marriage and life, in good times and bad, from one of the defining voices of American literature.

Andy West teaches philosophy in prisons. He has conversations with people inside about their lives, discusses their ideas and feelings and listens as the men and women he works with explore new ways to think about their situation. Could we ever be good if we never felt shame? What makes a person worthy of forgiveness? Could someone in prison ever be more free than someone outside? These questions about how to live are ones we all need to ask, but in this setting they are even more urgent. When Andy steps into jail, he also confronts his inherited guilt: his father, uncle and brother all spent time in prison. He has built a different life for himself, but he still fears that their fate will be his. As he discusses questions of truth, identity and hope with his students, he searches for his own form of freedom. Moving, sympathetic, wise and frequently funny, The Life Inside is an elegantly written and unforgettable book. Through its blend of memoir, storytelling and gentle philosophical questioning, readers will gain a new insight into our justice system, our prisons and the plurality of lives found inside.

“Op die kombuisvloer sit-lê my man met sy rug na my toe. Sy ledemate hang slap, soos ’n marionet wat pas sy toutjies verloor het. Op die toonbank lê sy haelgeweer. Ek weet dadelik hy is dood.”

Die geskenk is die bekende skrywer Riette Rust se ontroerende ware verhaal, onthutsend eerlik, vol menslikheid en soms selfs skreeusnaaks. Van haar kinderjare in die Paarl, waar haar pa whiskey-bottels in die gangkas wegsteek, haar huwelik met JD, die onbeplande swangerskap en gelukkige gesinsjare, tot dié oggend, toe Riette se hele wêreld aan skerwe spat.

Te midde van die diepste verskrikking gaan soek Riette na kennis. Sy studeer sielkunde en lees wyd oor trauma en rou, en met dié boek deel sy wat sy uitvind. Hierdie is nie net die memoir van ʼn merkwaardige vrou aan wie die lewe groot uitdagings gestel het nie. Dit sal ook van groot nut wees vir elkeen wat deur trauma geraak word, met die nuutste wetenskaplike inligting oor selfdood en die nadraai daarvan, van die waarskuwingstekens tot die skaamte en skuldgevoelens, en ʼn hoofstuk oor die verskillende soorte rou.

Riette, nou skielik “ʼn weduwee”, is blootgestel aan skindertonge, geniepsige pastore, en ʼn huis wat herstel moet word. Met Die geskenk bied sy ons die deurleefde wysheid van iemand wat self daar was. Iemand wat weet dit is moontlik om weer voluit te leef, selfs al het die ondenkbare gebeur.

Hierdie dapper, inspirerende boek sal jou uitkyk op die lewe vir altyd verander.

"Nothing yet published about her so totally contradicts the legend of Virginia Woolf.... [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentary" (New York Times). Edited and with a Preface by Anne Olivier Bell; Introduction by Quentin Bell; Index.

• Daarna is dit ‘n gepaste geskenk vir enige tyd van die jaar.
• Kunstig saamgestel, duursaam en inspirerend.
• Nie net ‘n mooi geskenk nie, dis ‘n kunswerk en ‘n erfstuk.
• Die boek bestaan uit 8 hoofstukke met gepaste digkuns en kunswerk wat jou op reis neem - deur jou eie weermag herinneringe.
• Daar is ‘n stewige koevert waarin die oorlog veteraan memorabilia soos foto’s, dokumente, balkies en ‘n usb (vir video’s, foto’s en stemboodskappe) kan plaas.
• Dit bevat ook kaarte waarop oud makkers kan aandui waar hulle opleiding ontvang het en aangewend is.
• Die boek sluit ‘n kleiner handleiding in wat inspirasieprikkelaars (prompts) bevat. Die doel is om leiding te gee, sonder om voorskriftelik te wees.