Die geliefde en gevierde kortverhaalskrywer Hennie Aucamp is op 21 Maart 2014, slegs twee maande na sy 80ste verjaardag oorlede. In hierdie herinneringsboek word verskillende fasette van sy lewe deur familie, vriende en medeskrywers belig. Onder die familielede wat bydraes tot die boek gelewer het, is sy suster Rina wat herinneringe aan hulle kinderjare op die familieplaas Rus-mijn-ziel opdiep en sy neef Inus Aucamp wat meer vertel van die vestiging van die Aucamp-familie in die Stormberge. Die skryfster Margaret Bakkes, wat ook sy kleinniggie is en op 'n buurplaas grootgeword het, vertel hoe sy en Hennie reeds as kinders teenoor mekaar bely het dat hulle wil skryf. Daar is ook bydraes deur Marius en Christiaan Bakkes, wat oor Hennie se belangstelling in die natuur. Daar is besondere opstelle deur medeskrywers Lina Spies, Aletta Lubbe (gebore Aucamp), Danie Botha en Abraham de Vries, terwyl Daniel Hugo en Joan Hambidge gedigte opgedra aan Hennie gelewer het. Die radiopersoonlikhede Monica Breed en Margot Luyt skryf oor Hennie se ruimhartigheid en sy vriend Nico Loubser oor Hennie se laaste dae. Foto’s van Philip de Vos en Marius Bakkes skep 'n visuele beeld van die woordman Aucamp.

When John Joseph Mathews (1894-1979) began his career as a writer in the 1930s, he was one of only a small number of Native American authors writing for a national audience. Today he is widely recognized as a founder and shaper of twentieth-century Native American literature. Twenty Thousand Mornings is Mathews's intimate chronicle of his formative years. Written in 1965-67 but only recently discovered, this work captures Osage life in pre-statehood Oklahoma and recounts many remarkable events in early-twentieth-century history. Born in Pawhuska, Osage Nation, Mathews was the only surviving son of a mixed-blood Osage father and a French-American mother. Within these pages he lovingly depicts his close relationships with family members and friends. Yet always drawn to solitude and the natural world, he wanders the Osage Hills in search of tranquil swimming holes - and new adventures. Overturning misguided critical attempts to confine Mathews to either Indian or white identity, Twenty Thousand Mornings shows him as a young man of his time. He goes to dances and movies, attends the brand-new University of Oklahoma, and joins the Air Service as a flight instructor during World War I - spawning a lifelong fascination with aviation. His accounts of wartime experiences include unforgettable descriptions of his first solo flight and growing skill in night-flying. Eventually Mathews gives up piloting to become a student again, this time at Oxford University, where he begins to mature as an intellectual. In her insightful introduction and explanatory notes, Susan Kalter places Mathews's work in the context of his life and career as a novelist, historian, naturalist, and scholar. Kalter draws on his unpublished diaries, revealing aspects of his personal life that have previously been misunderstood. In addressing the significance of this posthumous work, she posits that Twenty Thousand Mornings will challenge, defy, and perhaps redefine studies of American Indian autobiography.

This fascinating book is a must-Read for any Twain enthusiast" - Andy Borowitz In fall 1891, Mark Twain headed for Berlin, the "newest city I have ever seen," as America's foremost humorist wrote; accompanied by his wife, Olivia, and their three daughters. Twain, a "Yankee from head to toe," according to the Berlin press, conspired with diplomats, frequented the famed salons, had breakfast with duchesses, and dined with the emperor. He also suffered an "organized dog-choir club," at his first address, which he deemed a "rag-picker's paradise," picked a fight with the police, who made him look under his maid's petticoats, was abused by a porter, got lost on streetcars, was nearly struck down by pneumonia, and witnessed a proletarian uprising right in front of his hotel on Unter den Linden. Twain penned articles about his everyday life and also began a novel about lonely Prussian princess Wilhelmina von Preussen-unpublished until now, like many of his Berlin stories. These are assembled for the first time in this book, along with a riveting account of Twain's foray in the German capital, by Andreas Austilat. Berlinica offers English-language books from Berlin, German; fiction, non-fiction, travel guides, history about the Wall and the Third Reich, Jewish life, art, architecture and photography, as well as books about nightlife, cookbooks, and maps. It also offers documentaries and feature films on DVD, as well as music CDs. Berlinica caters to history buffs, Americans of German heritage, travelers, and artists and young people who love the cutting-edge city in the heart of Europe. Berlinica's current and upcoming titles include "Berlin Berlin Dispatches from the Weimar Republic," by Kurt Tucholsky, "Jews in Berlin, by Andreas Nachama, Julius H. Schoeps, and Hermann Simon, a comprehensive book on Jewish history and present in the German capital, "Wings of Desire-Angels of Berlin," by Lother Heinke," "The Berlin Wall Today," a full-color guide to the remnants of the Wall, "Wallflower," a novel by New-York-born writer Holly-Jane Rahlens; "Berlin For Free," a guide to everything free in Berlin for the frugal traveler by Monika Maertens; "Berlin in the Cold War," about post-World War II history and the Wall, "The Berlin Cookbook," a full-color collection of traditional German recipes by Rose Marie Donhauser, the music CD "Berlin-mon amour," by chanteuse Adrienne Haan, and two documentaries on DVD, "The Red Orchestra," by Berlin-born artist Stefan Roloff and "The Path to Nuclear Fission," by New York filmmaker Rosemarie Reed.

Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839-1908) is widely regarded as Brazil's greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell's seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including Jose Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called "the greatest writer ever produced in Latin America" and whom Allen Ginsberg hailed as "another Kafka." Philip Roth has said of him that "like Beckett, he is ironic about suffering." And Harold Bloom has remarked of Machado that "he's funny as hell."

A definitive new biography of James Fenimore Cooper, early nineteenth-century master of American popular fiction "It will be the definitive biography and foremost study of Cooper's fiction and nonfiction for the foreseeable future."- Allan Axelrad, California State University, Fullerton American author James Fenimore Cooper (1789-1851) has been credited with inventing and popularizing a wide variety of genre fiction, including the Western, the spy novel, the high seas adventure tale, and the Revolutionary War romance. America's first crusading novelist, Cooper reminds us that literature is not a cloistered art; rather, it ought to be intimately engaged with the world. In this second volume of his definitive biography, Wayne Franklin concentrates on the latter half of Cooper's life, detailing a period of personal and political controversy, far-ranging international travel, and prolific literary creation. We hear of Cooper's progressive views on race and slavery, his doubts about American expansionism, and his concern about the future prospects of the American Republic, while observing how his groundbreaking career management paved the way for later novelists to make a living through their writing. Franklin offers readers the most comprehensive portrait to date of this underappreciated American literary icon.

In June 1942, Anne Frank received a red-and-white-checked diary for her thirteenth birthday, just weeks before she and her family went into hiding in an Amsterdam attic to escape the Nazis. For two years, with ever-increasing maturity, Anne crafted a memoir that has become one of the most compelling documents of modern history. But Anne Frank's diary, argues Francine Prose, is as much a work of art as it is a historical record. Through close reading, she marvels at the teenage Frank's skillfully natural narrative voice, at her finely tuned dialogue and ability to turn living people into characters.

Anne Frank: The Book, The Life, The Afterlife tells the extraordinary story of the book that became a force in the world. Along the way, Prose definitively establishes that Anne Frank was not an accidental author or a casual teenage chronicler but a writer of prodigious talent and ambition.

John Cleland is among the most scandalous figures in British literary history, both celebrated and attacked as a pioneer of pornographic writing in English. His first novel, "Memoirs of a Woman of Pleasure, " or "Fanny Hill," is one of the enduring literary creations of the eighteenth century, despite over two hundred years of legal prohibition. Yet the full range of his work is still too little known.

In this study, Hal Gladfelder combines groundbreaking archival research into Cleland's tumultuous life with incisive readings of his sometimes extravagant, sometimes perverse body of work, positioning him as a central figure in the development of the novel and in the construction of modern notions of authorial and sexual identity in eighteenth-century England.

Rather than a traditional biography, "Fanny Hill in Bombay" presents a case history of a renegade authorial persona, based on published works, letters, private notes, and newly discovered legal testimony. It retraces Cleland's career from his years as a young colonial striver with the East India Company in Bombay through periods of imprisonment for debt and of estrangement from collaborators and family, shedding light on his paradoxical status as literary insider and social outcast.

As novelist, critic, journalist, and translator, Cleland engaged with the most challenging intellectual currents of his era yet at the same time was vilified as a pornographer, atheist, and sodomite. Reconnecting Cleland's writing to its literary and social milieu, this study offers new insights into the history of authorship and the literary marketplace and contributes to contemporary debates on pornography, censorship, the history of sexuality, and the contested role of literature in eighteenth-century culture.

Hailed as "a virtuoso exercise" (Sunday Telegraph), this book reflects candidly, sometimes with great humor, on the condition of being old. Charming readers, writers, and critics alike, the memoir won the Costa Award for Biography and made Athill, then ninety-one, a surprising literary star. Diana Athill was one of the great editors in British publishing. For more than five decades she edited the likes of V. S. Naipaul and Jean Rhys, for whom she was a confidante and caretaker. As a writer, Athill made her reputation for the frankness and precisely expressed wisdom of her memoirs. Writing in her ninety-first year, "entirely untamed about both old and new conventions" (Literary Review) and freed from any of the inhibitions that even she may have once had, Athill reflects candidly, and sometimes with great humor, on the condition of being old-the losses and occasionally the gains that age brings, the wisdom and fortitude required to face death. Distinguished by "remarkable intelligence...[and the] easy elegance of her prose" (Daily Telegraph), this short, well-crafted book, hailed as "a virtuoso exercise" (Sunday Telegraph) presents an inspiring work for those hoping to flourish in their later years.

This is an essential early Johnson biography, recovered from obscurity and reissued in celebration of the tercentenary of Johnson's birth. This is the first and only scholarly edition of Sir John Hawkins' Life of Samuel Johnson, LL.D., a work that has not been widely available in complete form for more than two hundred years. Published in 1787, some four years before James Boswell's biography of Johnson, ""Hawkins' Life"" complements, clarifies, and often corrects numerous aspects of Boswell's Life. Samuel Johnson (1709-84) is the most significant English writer of the second half of the eighteenth century; indeed, this period is widely known as the Age of Johnson. Hawkins was Johnson's friend and legal adviser and the chief executor of his will. He knew Johnson longer and in many respects better than other biographers, including Boswell, who made unacknowledged use of Hawkins' Life and helped orchestrate the critical attacks that consigned the book to obscurity. Sir John Hawkins had special insight into Johnson's mental states at various points in his life, his early days in London, his association with the ""Gentleman's Magazine"", and his political views and writings. Hawkins' use of historical and cultural details, an uncommon literary device at the time, produced one of the earliest 'life and times' biographies in our language. O M Brack, Jr.'s introduction covers the history of the composition, publication, and reception of the Life and provides a context in which it should be read. Annotations address historical, literary, and linguistic uncertainties, and a full textual apparatus documents how Brack arrived at this definitive text of Hawkins' Life.

Few people are aware that the true identity of William Shakespeare represents Western Civilization's greatest mystery. Even fewer realize that the commonly accepted authorship by William Shaksper of Stratford-on-Avon, who was illiterate, is a complete hoax manufactured by England's leading politicians, William Cecil and his son, Robert, for personal reasons of greed and power.

The hoax survived largely unscathed until 1920 when J. Thomas Looney's brilliant book, "Shakespeare Identified," plucked Edward de Vere's buried name out of historical obscurity and introduced him to the world as the real Shakespeare. Fighting the astonishing power of conventional wisdom, believers in the de Vere theory have steadily built their case through now hard-to-find scholarly research for the past ninety years.

This anthology series, "Building the Case for Edward de Vere as Shakespeare," salvages fascinating, neglected authorship material which repeatedly and convincingly shows that Edward de Vere was the uniquely creative genius who wrote under the coerced pen name of William Shakespeare.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different--if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived?
Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian emigres and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. "If I were allowed one simple cry to God," she wrote in one of her last letters, "that cry would be I want to be REAL."

David Foster is the most original, challenging, contradictory, risk-taking and infuriating Australian novelist of his generation. To date he has published twelve novels, three collections of novellas and short stories, two books of poetry, and a collection of essays, with several produced radio plays. Foster writes in an Australian tradition of idiosyncratic satire and comedy that may be traced through the work of Joseph Furphy, Miles Franklin, Xavier Herbert and David Ireland. His novels are the most wide-ranging and fearless of the Australian novels that have contributed to the late twentieth-century re-examination of Western ideologies and the literary forms in which they are expressed. In this first critical study of David Foster's works, Professor Susan Lever steers us into penetrating the mysteries of Foster's fiction, and provides guidance to readers willing to approach them. The book examines the contradictory nature of his commitments and interests as expressed mainly in his novels. Each of his works of fiction and poetry in the order of publication (except for The Adventures of Christian Rosy Cross and The Pale Blue Crochet Coathanger Cover which are discussed with similar novels) are discussed. The development of Foster's philosophical ideas and technique as a novelist over the 35 years of his writing life to date is followed. The book also examines Foster's letters to Geoffrey Dutton early in his career; his interviews and essays provide some of the background to these novels. The book also furnishes a sense of the Australian context for his work. A brief biography of Foster's early life and a discussion of his approach to satire is also included.

The first comprehensive biography of this iconic artist to appear in English. Richly illustrated with 160 photographs. Since her dramatic death at the age of 31 the name Ingrid Jonker has been linked to that of James Dean, Marilyn Monroe, Sylvia Plath - legends who died young. In her first biography to appear in English, the frail figure of Jonker as a child, a young poet, daughter of a prominent politician, wife, mother, mistress of a famous author, lover and rebel is portrayed against the backdrop of revolt against South Africa's policies of censorship and apartheid.