Longlisted for the Baillie Gifford Prize for Non-Fiction 2019 Longlisted for the Orwell Prize for Political Writing 2020 'If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother' to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts'. The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaids Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd's V for Vendetta to David Bowie's Diamond Dogs - and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since. 2019 marks the seventieth anniversary of the publication of what is arguably Orwell's masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature. It describes how history can inform fiction and how fiction can influence history.

Who is this woman? She was born in Leeds, U.K., died in Kaitaia, New Zealand, and appears in both the Dictionary of New Zealand Biography and the Bibliography of Australian Literature...She was raised a Quaker, converted to and campaigned for Islam, had a life-long interest in spiritualism and died a devout Catholic...She made a foundational contribution to socialist feminist journalism in The Maoriland Worker using the principles of Christian socialism and Leninist-Marxism...She was an associate of Pat Lawlor and Robin Hyde, helped lead the New Zealand Movement against War and Fascism before World War Two and then made a significant contribution to the American War Effort in the US during the war...Answer: Margaret L. Macpherson. Lovers and Husbands and What-not is Margaret Macpherson's biography as written by her grandson. Reynold Macpherson was born in the Far North of New Zealand. He trained as a teacher, and has travelled and worked around the world. Dr. Macpherson has taught mathematics, held three chairs as a professor, served as a CEO of a polytechnic institute, a Chancellor and CEO at a university in the Middle East, and helped with post conflict reconstruction in East Timor. Although retired, he serves internationally as a researcher, and is deeply interested in his family history. Dr. Macpherson is a lifelong writer; Lovers and Husbands and What-not is the author's fourteenth book. Publisher's website: http://sbpra.com/ReynoldMacpherson

In the late 1890s, Vartanoosh Tarzian escapes with her parents from Turkish massacres in their province of Erzeroum, Armenia, to Beirut, the little girl and her brother riding in saddlebags on a camel. Left in Syria in the care of a bachelor uncle while her mother emigrates to America and her father travels to England for medical treatment, she finally rejoins her mother in New York City in 1903. Vartanoosh is placed in The Sheltering Arms, an Episcopal home for "half-orphans" in what is now Harlem, where she learns to speak, write and read English and is taught American customs and hygiene. Returning to her parents' home, she comes to know Thomas Alva Edison while working in their tailor shop in Orange, New Jersey. Although her dream is to become a nurse, her parents insist that she marry, which she does in 1913, shepherding her family of six children through two World Wars and the Depression. "VARTANOOSH" is the true story of a remarkable, independent woman, told amidst a rich tapestry of Armenian customs and life in Armenia and America.

The death by suicide of Gary J Shipley's close friend, Conrad Unger (writer, theorist and amateur entomologist), has prompted him to confront not only the cold machinery of self-erasure, but also its connections to the literary life and notions surrounding psychological bewitchment, to revaluate in both fictional and entomological terms just what it is that drives writers like Unger to take their own lives as a matter of course, as if that end had been there all along, knowing, waiting. Like Gerard de Nerval, David Foster Wallace, Ann Quin and Virginia Woolf before him, Unger was not merely a writer who chose to end his life, but a writer whose work appeared forged from the knowledge of that event's temporary postponement. And while to the uninitiated these literary suicides would most likely appear completely unrelated to the suicide behaviors of insects parasitized by entomopathogenic fungi or nematomorpha, within the pages of this short study we are frequently presented with details that allow us to see the parallels between their terminal choreographies. He investigates what he believes are the essentially binary and contradictory motivations of his suicide case studies: where their self-dispatch becomes an instance of necro-autonomy (death as solution to an external thraldom, or the zombification of everyday life as something requiring the most extreme form of emancipation), while in addition being an instance of necro-equipoise (death as solution to an internal thraldom, or the anguish of no longer being able to slip back comfortably inside that very everydayness). The deadening claustrophobia of human life and achieving a stance outside of it: both barbs on the lines that can only ever detail the sickness, never cure it. Through extracts and synopses of Unger's books, marginalia and underscorings selected from his extensive library, and a brief itinerary of his movements in that last month of exile, a picture of the writer's suicidal obsession begins to form, and it forms at the expense of the man, the idea eating through his brain like a fungal parasite, disinterring the waking corpse to flesh its words.

Angus Wilson was a critic, lecturer and man of letters. Pre-eminently though he was a novelist, indeed, in the words of Paul Bailey 'no other novelist of his generation offered as complete and detailed a portrait of English society.' His first volume of stories, The Wrong Set (1949) - reissued in Faber Finds - launched Wilson as one of the most controversial, colourful and entertaining figures on the post-war literary scene, and he rapidly developed into a major novelist, maturing from enfant terrible to elder statesman in the process. Margaret Drabble's biography traces the influences of his bizarrely extended family, his years as a librarian at the British Museum - interrupted by a grim spell in the code-breaking huts at Bletchley Park - and his unexpected liberation as a writer. It portrays the dizzying progress of a writer and enthusiast whose work was at the forefront of English fiction for the second-half of the twentieth-century: above all it is a portrait of an artist of enormous courage, a man who confronted challenge to the very end. In his later years he became both influence and mentor for a younger generation of writers, including Ian McEwan, Rose Tremain and Margaret Drabble herself. Margaret Drabble knew Angus Wilson from the late 1960s and her biography is enriched with personal knowledge and recollections. 'He has been fortunate in his biographer . . . Altogether, with the assistance and consent of Tony Garrett, the dedicatee and second hero of the book, she has given a minute, intimate and candid account . . . of Wilson's hectic life.' Frank Kermode, London Review of Books 'A solid tribute of scholarship and affection' Penelope Fitzgerald, Independent 'No one interested in the story of modern fiction can fail to find this life fascinating. Its virtues - a bright, crowded canvas, warmth, a witty, polished style - are those of Wilson's novels . . . Through it all shines so human a picturer of a courageous, doubting, eccentric, driven writer.' Jackie Wullschlager, Financial Times

This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.

Wallace Stevens (1879-1955) lived a richly imaginative life that he expressed in his poems. The Whole Harmonium presents Stevens within the living context of his times and as the creator of a poetry that continues to shape how we understand and define ourselves. A lawyer who rose to become an insurance-company vice president, Stevens composed brilliant poems on long walks to work and at other stolen moments. His first book of poems, Harmonium, published when he was forty-four, drew on his profound understanding of Modernism to create a distinctive and inimitable American idiom. Over time he became acquainted with peers such as Robert Frost and William Carlos Williams, but his personal style remained unique. The complexity of Stevens's poetry rests on emotional, philosophical, and linguistic tensions that thread their way intricately through his poems. And while he can be challenging to understand, Stevens has proven time and again to be one of the most richly rewarding poets to read.

Katherine Mansfield is New Zealands most famous author and was arguably the finest short-story writer of her day. This chronology provides a synopsis of her first years in New Zealand and then England and, from 1906, a more detailed account of her last months in her native country, her coming to Europe, meeting Middleton Murry, publishing her stories and finally (before her death at the age of 34) desperately seeeking a cure for her tuberculosis as she continued to write.

This is an imaginative work of literary criticism. Thirteen scholars have selected a wide variety of Joseph Brodsky's poems written between 1970 and 1994 for detailed discussion in the context of his whole output. The choice of poems reflects Brodsky's diversity of themes and devices. Together they offer a perspective on one of the most original and profound modern poets. This collection should fulfil the often-expressed need for a comprehensive approach to the study of Brodsky's poetry, which is linguistically as well as intellectually demanding.

There is a problem for the writer who decides to write his or her autobiography; and it is one that I have had to make a decision about. I know who I am when I am being myself in my day to day existence; I know who I am when I am writing and publishing my work. But who am I when the two collide? In fact, whose name will appear on the cover? Finally, I decided that I must emerge from my concealing curtain-my pen-name-and face the fact that Barbara Yates Rothwell could not have written this 'Fragment' without Hebe Morgan. So I am happy to combine my two lives for once, and let the reader in on the secret. I have been Hebe for 85 years; and I have been Barbara for about 50 of those years. The two of us get on quite well: Hebe makes the beds and the coffee while Barbara gets to the computer. Hebe was married for 59 years to Dr Derek Moore Morgan, and looked after the family; Barbara, meanwhile, managed to establish her writing career. Looking back, I think both of me were quite successful at what we took on You may wonder what the point is in having a pen-name. People have often asked me this, and some have thought it was not sensible to try to make a name for oneself as a writer by using another name. The reasons will be as many as the people who choose to do this. In my case, I found it released me from thinking too conventionally. As we now say, it permitted me to think 'outside the square'. Being a wife and mother is wonderful, but it can tend to make one think along very straight lines. A fiction writer needs to be able think freely, to analyse characters, to imagine lives that perhaps have nothing to do with the author's daily existence. I found it very helpful. However you think of me, whichever hat I wear for you, I hope you will enjoy journeying with me for a little while as I explore my own 'fragment of life'.

Set against the lush backdrop of rural El Salvador at the turn of the century, Claudia Lars' richly evocative memoir is a simple, yet profound tribute to the folklore, customs, and traditions of her people. It is a lyrical exaltation of her land's beauty, brimming with warm, vibrant imagery. Born to an Irish-American father and a Salvadoran mother, Lars takes readers on an enchanting journey that celebrates her dual heritage and reveals, with innocence and charm, the gradual self-awareness of a child who, from a very young age, was endowed with the soul of a poet.

"Land of Childhood" was first published in El Salvador in 1958. Currently in its seventeenth edition, it is an award-winning book that has become a beloved national classic as well as required reading for students in secondary schools and university classrooms.

William Wordsworth: Interviews and Recollections collects and reprints, on a generous scale, selections from the texts of both immediately recorded opinions and characterizations that were written down in later years. Represented in this anthology are 22 of Wordsworth's most important contemporaries. With the exception of Shelley, they all knew Wordsworth personally. It was difficult, and perhaps impossible, for any of them to write neutrally or objectively about the impression that Wordsworth made on them. Their comments make for lively reading.

"Island Dreams" is a true story of the wonders of British Columbia's northern Gulf Islands. Swimming in the middle of the Strait of Georgia, these enchanting isles are serenaded by whales and surrounded by crushing depths; caressed by languorous calms and brutalized by terrifying storms.

"Island Dreams" tells of one family's move to Olsen Island, one of the uninhabited gems nestled close by the isle of Lasqueti. Their story tacks through the wild beauty of these islands and dives on glass sponge reefs shimmering in the surrounding depths. It's an exploration of earthquake faults deep below Vancouver Island and the birth of Qualicum winds.

"Island Dreams" also chronicles the natural and anthropological history of the islands-their formation, the glaciers that scoured them, and the first plants and animals that appeared there. It follows the first migrating Asians who skiffed down the coast, and explores the First Nations villages their ancestors founded. The robust cast of characters includes Sisters Islands light keepers and depression-era fishermen who beach-combed lumber for their island fishing shacks.

"Island Dreams" is also a tale of Lasqueti Island, held out of time by the special folks who make it their home. It is a story of islanders, and of the wind and waves that forge them into believers in the redemptive power of a wild environment.

'An intimate portrait ... Critical, generous and heartfelt' Ahdaf Soueif, Guardian 'An intriguing account of an alluring but evasive character' Daily Telegraph Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life. Places of Mind charts the intertwined routes of Said's intellectual development, revealing him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences of Said's thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said turned these resources into a groundbreaking counter-tradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, Places of Mind captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.

Newly revised and enlarged, the second edition of A Conrad Chronology draws upon a rich range of published and unpublished materials. It offers a detailed factual record of Joseph Conrad's unfolding life as seaman and writer as well as tracing the compositional and publication history of his major works.

A Writer's Topography examines French-Algerian Nobel Prize laureate Albert Camus's intimate yet often unsettled relationship with natural and human landscapes. Much like the Greek hero Sisyphus about whom he wrote his famous philosophical essay, Camus sustained a deep awareness of and appreciation for what he termed le visage de ce monde-the face of this earth. This wide-ranging collection of essays by Camus scholars from around the world demonstrates to what extent topography is omnipresent in Camus's life and works. Configurations and contemplations of landscape figure prominently in his fictional works on both a literal and figurative level-from the earliest writings of his youth to his final, unfinished novel, Le Premier Homme. Furthermore, as a core component of the way in which Camus perceived, conceived and expressed the human condition, topography constitutes an over-arching and particularly profound dimension of his personal, public and philosophical thought.

This largely chronological study of Iris Murdoch's literary life begins with her fledgling publications at Badminton School and Oxford, and her Irish heritage. It moves through the novels of the next four decades and concludes with an account of the biographical, critical and media attention given to her life and work since her death in 1999.