Steinbeck and Covici is a major contribution to the literature about John Steinbeck. "Steinbeck Quarterly" magazine wrote, "Thomas Fensch offers the first comprehensive account of one of John Steinbeck's most enduring, intimate, and important relationships: his association with his editor, Pascal Covici. The results are revealing, and broaden the dimension of Steinbeck studies." This book was first published in l979 and received not one, but two separate reviews in "The New York Times." It was also widely reviewed elsewhere and won the Book of the Year Award in Biogaphy from the Ohioana Library Association, in l980. Out of print in recent years, it has been re-published as part of the New Century Books "Exceptional Lives" series.

The story of Penguin Books, Allen Lane and how they changed the world, to celebrate the 90th anniversary of Penguin

By founding Penguin books and popularizing the paperback, Allen Lane not only changed publishing in Britain, he was also at the forefront of a social and cultural revolution that saw the millions of people given access to what had previously been the preserve of a wealthy few.

In Penguin Special, Jeremy Lewis brings this extraordinary era brilliantly to life, recounting how Allen Lane came to launch his Penguins for the price of a packet of cigarettes; how they became enormously influential in alerting the public to the threat of Nazi Germany; and how Penguin itself gradually became a national institution, like the BBC and the NHS, whilst at the same time challenging the status quo through the famous Lady Chatterley case. Above all, it is the story of how one often fallible, complex man used his vision to change the world.

"Las obras de arte siempre han sido de una infinita soledad. El verso de Dante, la prosa de Dostoiewsky jamas pueden ser comprendidas sino en la soledad del espiritu, en la meditacion profunda que cada frase contiene y en la belleza que los propios idiomas proporcionan a quien sabe expresarse con elegancia y dignidad. La obra de arte solo es posible en la infinita soledad, porque es la manifestacion pura y diafana del espiritu humano, de ese y de esos otros que se llaman Juan Sebastian Bach, Victor hugo o Enrique Heine. De ese y de esos otros que fueron Miguel Angel y Bernini, Tiziano y Rembrandt, Lucca Della Robbia y Durero. Un mundo de seres solitarios y siempre atentos a lo mas profundo de su alma." Dr. Adalberto Garcia de Mendoza

Shortlisted for the 2022 Plutarch Award A Washington Post 2021 Non-Fiction Book of the Year New York Times Review of Books Editors' Choice Non-Fiction Title Longlisted for the 2022 PEN / Jacqueline Bograd Weld Award for Biography A Sunday Times Best Paperback of 2022 'Brilliant, heart-stopping ... reads like a thriller, a memoir and a provocative piece of literary fiction all at the same time ... magical and compelling' Washington Post 'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. Elizabeth was born in 1806, a time when women could neither attend university nor vote, and yet she achieved lasting literary fame. She remains Britain's greatest woman poet, whose work has inspired writers from Emily Dickinson to George Eliot and Virginia Woolf. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself: a literary giant and a high-profile activist for the abolition of slavery who believed herself to be of mixed heritage; and a writer who defied chronic illness and long-term disability to change the course of cultural history. It holds up a mirror to the woman, her art - and the art of biography itself.

This intimate portrayal of the friendship between two icons of twentieth-century poetry, Czeslaw Milosz and Joseph Brodsky, highlights the parallel lives of the poets as exiles living in America and Nobel Prize laureates in literature. To create this truly original work, Irena Grudzinska Gross draws from poems, essays, letters, interviews, speeches, lectures, and her own personal memories as a confidant of both Milosz and Brodsky. The dual portrait of these poets and the elucidation of their attitudes toward religion, history, memory, and language throw a new light on the upheavals of the twentieth-century. Gross also incorporates notes on both poets' relationships to other key literary figures, such as W. H. Auden, Susan Sontag, Seamus Heaney, Mark Strand, Robert Haas, and Derek Walcott.

The Final Test - A Biography of James Ball Naylor, is about one of the most well known men in the country at the turn of the twentieth century, who has since faded into obscurity. A country doctor exceptionally gifted with natural ability, Naylor's passion for writing led to his greatest success as the author of a 1901 best seller. He wrote poetry, short stories, historical and other novels, and became well known as an entertainer and speaker on the Lyceum and Chautauqua Circuits, as well as a political force both as a candidate and a newspaper columnist. His contributions and accomplishment as an educator, writer, poet, public speaker, entertainer, public servant, and politician were numerous. His involvement in politics brought him more than passing friendships with local and national politicians, including Warren G. Harding, whom he knew from their earliest days in politics. This association led to Naylor's thirteen-year stint as a columnist for the Marion Star, but his staunch support of Harding in the face of the scandals after Harding's death affected Naylor's reputation as well. This is an inspiring story of a remarkable man with strong moral character and integrity who was dedicated to his family and to helping others in his profession as a physician. The Final Test A Biography of James Ball Naylor was a FINALIST in the Biography-Historical category in the 2011 National INDIE Excellence Awards.

The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet's understanding and imagination.

Because Thomas Hardy is so closely associated with the rural Wessex of his novels, stories, and poems, it is easy to forget that he was, in his own words, half a Londoner. Focusing on the formative five years in his early twenties when Hardy lived in the city, but also on his subsequent movement back and forth between Dorset and the capital, Mark Ford shows that the Dorset-London axis is critical to an understanding of his identity as a man and his achievement as a writer. Thomas Hardy: Half a Londoner presents a detailed account of Hardy's London experiences, from his arrival as a shy, impressionable youth, to his embrace of radical views, to his lionization by upper-class hostesses eager to fete the creator of Tess. Drawing on Hardy's poems, letters, fiction, and autobiography, it offers a subtle, moving exploration of the author's complex relationship with the metropolis and those he met or observed there: publishers, fellow authors, street-walkers, benighted lovers, and the aristocratic women who adored his writing but spurned his romantic advances. The young Hardy's oscillations between the routines and concerns of Dorset's Higher Bockhampton and the excitements and dangers of London were crucial to his profound sense of being torn between mutually dependent but often mutually uncomprehending worlds. This fundamental self-division, Ford argues, can be traced not only in the poetry and fiction explicitly set in London but in novels as regionally circumscribed as Far from the Madding Crowd and Tess of the d'Urbervilles.

This work is the first academic biography of North Carolina poet laureate James Larkin Pearson (1879-1981). Using material from Pearson's personal archive in Wilkes County, from the North Carolina Collection and the Southern Historical Collection at the University of North Carolina at Chapel Hill, and from contemporary examinations of his life and work, this study offers deeply personal insights into his life and provides extensive examinations of his hopes, joys, fears, pains, and sorrows. The work also includes lengthy studies of his poetry and his journalistic efforts and examines their place within the larger cultural milieu. In the process, the book addresses two themes that become apparent in Pearson's life and work: his Tar Heel spirit and his individualism. He was a fighter who overcame poverty, a poor education, personal tragedies, and professional neglect to achieve great success. He also abided by his own set of religious, artistic, and political values regardless of the consequences. This work thus offers the first personal and professional examination of James Larkin Pearson, provides insights on North Carolina and its people, and examines the benefits and drawbacks of following one's own path.

Reinhardt owned""The Bodley Head from 1957 to 1987, and smaller publishers like The Nonesuch Press and Reinhardt Books. This account of his life contains stories about his authors, among them Graham Greene, G.B. Shaw, Charlie Chaplin and his actor friends, illuminating the trajectory of British publishing in the second half of the twentieth century.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Ever since the first edition of Thomas Ligotti's 'Songs of a Dead Dreamer' appeared in 1985, it was clear that here was an author of extraordinary brilliance and originality. In following years there has been a great deal of interest in the author and his works, although, until now, articles about him have mostly been scattered in obscure journals. Now, at last, here is a book about him, a symposium of explorations and examinations of the Ligottian universe by such leading critics as S.T. Joshi, Stefan Dzimianowicz, Robert M. Price. With a complete, up-to-date bibliography of Ligotti's work, two interviews with him, and even a fascinating essay by Ligotti himself.

Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life. In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin's poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn't read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year) and he hasn't stopped performing and touring since. Nelson Mandela, after hearing Benjamin's tribute to him while he was in prison, requested an introduction to the poet that grew into a lifelong relationship, inspiring Benjamin's work with children in South Africa. Benjamin would also go on to be the first artist to record with The Wailers after the death of Bob Marley in a musical tribute to Nelson Mandela. The Life and Rhymes of Benjamin Zephaniah is a truly extraordinary life story which celebrates the power of poetry and the importance of pushing boundaries with the arts.

Maurine Whipple, author f what some critics consider Mormonism'a greatest novel, The Giant Joshua, is an enigma. Her prize-winning novel has never been out of print, and its portrayal of the founding of St. George draws on her own family history to produce its unforgettable and candid portrait of plural marriage's challenges. Yet Maurine's life is full of contradictions and unanswered questions, Veda Tebbs Hale, a personal friend of the paradoxical novelist, answers these questions with sympathy and tact, nailing each insight down with thorough research in Whipple's vast but under-utilized collected papers.