Although his hilariously entertaining stories have touched the hearts of generations of children, there was much more to beloved author Roald Dahl than met the eye. His fascinating life began in Norway in 1916, and he became a highly rebellious teenager who delighted in defying authority before joining the RAF as a fighter pilot. But after his plane crashed in the African desert he was left with agonising injuries and unable to fly. He was dispatched to New York where, as a dashing young air attache, he enraptured societies greatest beauties and became friends with President Roosevelt. Roald soon found himself entangled with a highly complex network of British undercover operations. Eventually he grew tired of the secrecy of spying and retreated to the English countryside. He married twice and had five children, but his life was also affected by serious illness, tragedy and loss. He wrote a number of stories for adults, many of which were televised as the hugely popular Tales of the Unexpected, but it was as a children's author that he found greatest fame and satisfaction, saying "I have a passion for teaching kids to become readers...Books shouldn't be daunting, they should be funny, exciting and wonderful." From 1945 until his death in 1990, he lived in Buckinghamshire, where he wrote his most celebrated children's books including Matilda, Charlie and the Chocolate Factory and Fantastic Mr Fox.

Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

One of the world's greatest writers, John Updike chronicled America for more than five decades. This book examines the essence of Updike's writing, propelling our understanding of his award-winning fiction, prose, and poetry. Widely considered "America's Man of Letters," John Updike is a prolific novelist and critic with an unprecedented range of work across more than 50 years. No author has ever written from the variety of vantages or spanned topics like Updike did. Despite being widely recognized as one of the nation's literary greats, scholars have largely ignored Updike's vast catalog of work outside the Rabbit tetralogy. This work provides the first detailed examination of Updike's body of criticism, poetry, and journalism, and shows how that work played a central role in transforming his novels. The book disputes the common misperception of Updike as merely a chronicler of suburban, middle-class America by focusing on his novels and stories that explore the wider world, from the groundbreaking The Coup (1978) to Terrorist (2006). Popular culture scholar Bob Batchelor asks readers to reassess Updike's career by tracing his transformation over half a century of writing.

Shortlisted for the Stanford Dolman Travel Book of the Year Award 'A gem of a book, informative, companionable, sometimes funny, and wholly original. MacLean must surely be the outstanding, and most indefatigable, traveller-writer of our time' John le Carre In 1989 the Berlin Wall fell. In that euphoric year Rory MacLean travelled from Berlin to Moscow, exploring lands that were - for most Brits and Americans - part of the forgotten half of Europe. Thirty years on, MacLean traces his original journey backwards, across countries confronting old ghosts and new fears: from revanchist Russia, through Ukraine's bloodlands, into illiberal Hungary, and then Poland, Germany and the UK. Along the way he shoulders an AK-47 to go hunting with Moscow's chicken Tsar, plays video games in St Petersburg with a cyber-hacker who cracked the US election, drops by the Che Guevara High School of Political Leadership in a non-existent nowhereland and meets the Warsaw doctor who tried to stop a march of 70,000 nationalists. Finally, on the shores of Lake Geneva, he waits patiently to chat with Mikhail Gorbachev. As Europe sleepwalks into a perilous new age, MacLean explores how opportunists - both within and outside of Russia, from Putin to Home Counties populists - have made a joke of truth, exploiting refugees and the dispossessed, and examines the veracity of historical narrative from reportage to fiction and fake news. He asks what happened to the optimism of 1989 and, in the shadow of Brexit, chronicles the collapse of the European dream.

The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a sensation all over again-both on Broadway and in Disney's upcoming film Saving Mr. Banks. Saving Mr. Banksretells many of the stories in Valerie Lawson's biography Mary Poppins, She Wrote, including P. L. Travers's move from London to Hollywood and her struggles with Walt Disney as he adapted her novel for the big screen. Travers, whom Disney accused of vanity for "thinking she knows more about Mary Poppins than I do," was a poet and world-renowned author as tart and opinionated as Andrews's big-screen Mary Poppins was cheery and porcelain-beautiful. Yet it was a love of mysticism and magic that shaped Travers's life as well as the very character of Mary Poppins. The clipped, strict, and ultimately mysterious nanny who emerged from her pen was the creation of someone who remained inscrutable and enigmatic to the end of her ninety-six years. Valerie Lawson's illuminating biography provides the first full look at the life of the woman and writer whose personal journey is as intriguing as her beloved characters.

From the renowned artist and author Patti Smith, a rare and generous look into the creative process A work of creative brilliance may seem like magic--its source a mystery, its impact unexpectedly stirring. How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture's beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith first presents an original and beautifully crafted tale of obsession--a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus's house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil's grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano's novels. Whether writing in a caf or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing. The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

"This work will change our understanding of Coleridge's politics and how we read his oeuvre." Dr. Michael John Kooy (Warwick University, U.K.) Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power - acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this volume Barry Hough and Howard Davis show how Coleridge's actions whilst in a position of power differ markedly from the idealism he had advocated before taking office - shedding new light on Coleridge's sense of political and legal morality. Meticulously researched and including newly discovered archival materials, Coleridge's Laws provides detailed analysis of the laws and public notices drafted by Coleridge, together with the first published translations of them. Drawing from a wealth of primary sources Hough and Davis identify the political challenges facing Coleridge and reveal that, in attempting to win over the Maltese public to support Britain's strategic interests, Coleridge was complicit in acts of government which were both inconsistent with the the rule of law and contrary to his professed beliefs. Coleridge's willingness to overlook accepted legal processes and personal misgivings for political expediency is disturbing and, as explained by Michael John Kooy's in his extensive Introduction, necessarily alters our understanding of the author and his writing. Coleridge's Laws contributes in new ways to the current debates about Coleridge's achievements, British colonialism and its engagement with the rule of law, nationhood and the effectiveness of the British administration of Malta. It provides essential reading for anybody interested in Coleridge specifically and the Romantics more generally, for political and legal historians and for students of colonial government.

George Eliot (1819-1880) was one of the leading writers of the Victorian period and she remains one of Britain's greatest novelists. This brief life offers new insights into Eliot's life and work focusing on the themes, patterns, relationships, feelings and language common to both her life and writing. Barbara Hardy discusses Eliot's relations with parents and siblings, her brave but joyful unmarried partnership with George Henry Lewes, her friendships and her late brief marriage to the younger John Cross. Setting her life and fiction side by side, Hardy reveals Eliot's ideas about society, home, foreignness, nature, gender, religion, sex, illness and death and her experiences as translator, journalist, editor and novelist. Drawing on letters, journals, journalism and the memoirs and biographies written by contemporaries, Hardy brings together a biographical approach with close reading of Eliot's novels to give a combined perspective on her life and art. This book offers students, academics and readers alike an illuminating portrait of George Eliot as a woman and a writer.

In recent years, under pressure from New Historicism and developments in the formal study of biography, scholars have become increasingly conscious of how deliberately fashioned were the images of Shelley, Byron and Wordsworth. In Byron's case, this was often with his consent or collusion; in Shelley's case, it was the active efforts of his widow and friends who struggled to construct a particular picture of both man and poet. With Wordsworth the picture is less clear, since the kind of scrutiny that his two counterparts have recently received has rarely extended to him. The memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains the original memoirs in facsimile together with introductions and headnotes. The headnotes set the relevant context for each document, cross-referencing controversial passages.

'He who thinks freely for himself, honours all freedom on earth.' Stefan Zweig was already an emigre-driven from a Europe torn apart by brutality and totalitarianism-when he found, in a damp cellar, a copy of Michel de Montaigne's Essais. Montaigne would become Zweig's last great occupation, helping him make sense of his own life and his obsessions-with personal freedom, with the sanctity of the individual. Through his writings on suicide, he would also, finally, lead Zweig to his death. With the intense psychological acuity and elegant prose so characteristic of Zweig's fiction, this account of Montaigne's life asks how we ought to think, and how to live. It is an intense and wonderful insight into both subject and biographer.

Updike is Adam Begley's masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike--a candid, intimate, and richly detailed look at his life and work. In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing "middleness with all its grits, bumps and anonymities." Updike explores the stages of the writer's pilgrim's progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer's colleagues, friends, and family, Begley explores how Updike's fiction was shaped by his tumultuous personal life--including his enduring religious faith, his two marriages, and his first-hand experience of the "adulterous society" he was credited with exposing in the bestselling Couples. With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike's best-loved works--from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy--and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else's.

This is the first scholarly edition of Aubrey's Brief Lives since 1898, the first to include the complete text of the three Brief Lives manuscripts (including censored and deleted material, title pages, antiquarian notes, and the indices), and the first to provide a full general and critical introduction and comprehensive commentary. This edition is the first to respect the original arrangement of the Lives in Aubrey's manuscripts. Brief Lives is presented as an antiquarian and collaborative text, containing the autograph papers of biographical subjects, the annotations of those among whom the manuscripts circulated, and wax seals. As well as 25 facsimile pages, there are over 160 images, reproducing for the first time all Aubrey's horoscopes, pedigrees, coats of arms, and topographical sketches as they are found in the manuscripts. The text respects the mise-en-page of the manuscript and its status as an incomplete and heavily revised work-in-progress while presenting an edited, rather than a diplomatic, text. The commentary presents extensive new research on manuscript sources including much material not previously known to be Aubrey's or associated with him. It also reflects the state of current scholarship. Each life is introduced by a headnote placing the life in context. This gives the dates and sequence of composition and an account of Aubrey's relationship with the biographical subject, the circulation of knowledge of that subject in Aubrey's circle, and a full account of Aubrey's notes on the subject of the life in other manuscripts and correspondence. Aubrey's biographical informants also have a long note, as do uncompleted or missing Lives.

Based on a rich range of primary sources and manuscripts, "A Rossetti Family Chronology" breaks exciting new ground. Focusing on Christina and Dante Gabriel Rossetti, the "Chronolgy" deomstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, reviews, finances, relationships, health and detailing literary and artistic influences. Drawing on many unpublished sources, including family letters and diaries, this new volume in the" Author Chronologies" series will be of value to all students and scholars of the Rossettis.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

Madeleine L'Engle is perhaps best recognized as the author of "A Wrinkle in Time," the enduring milestone work of fantasy fiction that won the 1963 John Newbery Medal for excellence in children's literature and has enthralled millions of readers for the past fifty years. But to those who knew her well, L'Engle was much more besides: a larger-than-life persona, an inspiring mentor, a strong-willed matriarch, a spiritual guide, and a rare friend. In "Listening for Madeleine," the renowned literary historian and biographer Leonard S. Marcus reveals Madeleine L'Engle in all her complexity through a series of incisive interviews with the people who knew her most intimately. Vivid reminiscences of family members, colleagues, and friends create a kaleidoscope of keen insights and snapshop moments that help readers to understand the many sides of this singularly enthralling woman.

Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remains widely admired. Iris grew up in Italy with her Irish mother after the death of her wealthy American father. They settled in the Villa Medici in Florence, where they became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons.When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.