When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams's quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner "a perfect novel," and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it "a masterly portrait of a truly virtuous and dedicated man." The Man Who Wrote the Perfect Novel traces the life of Stoner's author, John Williams. Acclaimed biographer Charles J. Shields follows the whole arc of Williams's life, which in many ways paralleled that of his titular character, from their shared working-class backgrounds to their undistinguished careers in the halls of academia. Shields vividly recounts Williams's development as an author, whose other works include the novels Butcher's Crossing and Augustus (for the latter, Williams shared the 1972 National Book Award). Shields also reveals the astonishing afterlife of Stoner, which garnered new fans with each American reissue, and then became a bestseller all over Europe after Dutch publisher Lebowski brought out a translation in 2013. Since then, Stoner has been published in twenty-one countries and has sold over a million copies.

The first book to explore the extraordinary story of the legendary friendship - and quarrel - between Wordsworth and Coleridge, two giants of English Romanticism. Wordsworth and Coleridge's passionate intimacy, shared ambition and subsequent estrangement contribute to a tragic tale. But Sisman's biography of this most remarkable friendship - the first to devote itself wholly to exploring the impact of their relationship on each other - seeks to re-examine the orthodox assumption that these two poets flourished as a result of it. Instead, Sisman argues that it was a meeting that may well have been disastrous for both: for it was Wordsworth's rejection of Coleridge, and not primarily his opium addiction, that destroyed the latter as a poet, and that Coleridge's impossible ambitions for Wordsworth pushed the latter towards failure and disappointment. Underlying the poignancy of the tale is the intriguing subject of the influence one writer can have on another. Sisman seeks to answer fundamental questions about this relationship: why was Wordsworth so reliant on Coleridge, and why was he so easily swayed in the most critical decision of his career? Was it in Coleridge's nature to play second fiddle? Would it, in fact, have been better for both men if they had never met?

Rimbaud was the original enfant terrible. A poetic genius, he destroyed all those who attempted to befriend him, most notoriously wrecking the marriage and sanity of the poet Verlaine. Having conquered the literary world of Paris, he abandoned France and in the dogdays of August 1880 he disembarked in Aden, on the coast of Yemen, a lean twenty-five-year-old Frenchman carrying only a brown suitcase fastened with four leather straps and a touch of fever. The subsequent period, the lost years , is the subject of this biographical quest.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

This ambitious book presents the first sustained analysis of the evolving representation of Cuthbert, the premier saint of northern England. The study spans both major and neglected texts across eight centuries, from his earliest depictions in anonymous and Bedan vitae, through twelfth-century ecclesiastical histories and miracle collections produced at Durham, to his late medieval appearances in Latin meditations, legendaries, and vernacular verse. Whitehead reveals the coherence of these texts as one tradition, exploring the way that ideologies and literary strategies persist across generations. An innovative addition to the literature of insular spirituality and hagiography, The Afterlife of St Cuthbert emphasises the related categories of place and asceticism. It charts Cuthbert's conceptual alignment with a range of institutional, masculine, northern, and national spaces, and examines the distinctive characteristics and changing value of his ascetic lifestyle and environment - frequently constituted as a nature sanctuary - interrogating its relation to his other jurisdictions.

Dorothy Macardle (1889-1958) was a political and social activist, journalist, novelist, broadcaster, playwright, and one of the most popular and influential Irish historians of her time. Smith's biography traces her life from her involvement in the War of Independence to her role as a leading civil libertarian in the 1950s. Smith explores her literary career and her international human rights work. An Irish nationalist writer with an international reputation, Macardle was a fascinating woman, and her career sheds light on modern Irish political history, and Irish literature.

The stunning book from Christopher Ross, Sunday Times top 10 bestselling author of 'Tunnel Visions'. In 1970 Japan's most famous writer, Yukio Mishima, cut open his stomach and was then beheaded with his own antique sword. His anachronistic suicide has been called many things: a desperate heroic gesture; a work of art; a political protest; the antics of a madman. But which is correct? And what became of Mishima's sword? Thirty years later Christopher Ross sets out for Japan on the trail of those who might have answers: craftsmen and critics; soldiers and swordsmen; boyfriends and biographers; even the man who taught Mishima hara-kiri. Like his best-selling 'Tunnel Visions: Journeys of an Underground Philosopher', Christopher Ross has written another unclassifiable blend of travel writing, autobiography and philosophical enquiry to create a mesmeric account of modern Japan and the peculiar death that haunts it to this day.

The fictional nautical story was extremely popular in the period stretching from the mid 1820s to about 1850. The best known writer in this field was undoubtedly Frederick Marryat, but the stories of Matthew Henry Barker (17901846), The Old Sailor, rivalled those of his contemporary in popularity. Both authors are in the first rank of writers of nautical fiction, but it is generally acknowledged that Barkers descriptions of the man-of-wars man, the forecastle Jack Tar, are without equal. Although several biographies of Marryat have been published, very little relating to Barkers life and works is readily available. A Nautical Story Writer sets out the life and works of Barker, a journalist, novelist and Whig. Part One provides a detailed biography of his life, sea service, adventures and engagement with friends and politicians. Part Two details his published works, alerting to material erroneously credited to the author. Paul Marshalls book is based, in part, on information collected from institutions in the UK and USA. An additional primary source has been a substantial archive of material related to the Barker family, which consists of correspondence between Barker and his friends and business associates (eg: William Jerdan, Frederic Shoberl, Effingham Wilson, Edward Duncan), along with a variety of family documents. Although Barker is an author from the classic period, his written observations will be of interest to readers of the Horatio Hornblower novels of C S Forester, and the Aubrey-Maturin series of Patrick OBrian. The extensive bibliographic information provided makes this work an essential acquisition for university libraries and antiquarian booksellers.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley's life and work presents the poet not as popular legend would have it, but in a more objective light. A.Clutton-Brock notes his forthright and imperious attitude to life - a life in which Shelley found himself increasingly unhappy - and critically examines many facets of his artistic career which are often overlooked or misrepresented.

The extaordinary life of Sir Thomas Malory, author of the 'Morte d'Arthur'. Sir Thomas Malory's 'Morte d'Arthur' (1469) is one of the best-known books in the world. Virtually all modern versions of the Arthurian legends are derived from its energetic, memorably phrased and remarkably individual telling of the stirring exploits of King Arthur and his Knights of the Round Table. Yet the identity of the 15h-century knight who wrote it has remained an enigma for centuries. Only in the last few years has it become possible to construct a convincing life story for him. His life was constantly eventful, marked by great achievement, desperate situations and, at times, deep disgrace. He was an experienced soldier, a star performer at tournaments, a connoisseur of literature, connected to the great and the good, yet he also escaped from prison twice, and was accused of terrible crimes ranging from assault and cattle-rustling to attacks on abbeys and even rape. The foremost chronicler of the legends of the Knights of the Round Table almost certainly wrote much of his great work while imprisoned. Christina Hardyment writes his life story whilst also writing a social history of a fascinating period of English history, an age that marked the high-water mark of medieval chivalry but which was also an essential bridge from the Middle Ages to modern. The book is well furnished with details of clothes, food and domestic interiors, to say nothing of hunting, falconry and jousting techniques, and is a sumptuous work that fleshes out the man and the period in glorious detail. An entertaining book, guided by academic rigour in its scholarship and research.

This book, first published in 1944, provides a comprehensive overview of the work and life of the writer and philosopher Lev Nikolayevich Tolstoy. Widely considered one of the greatest novelists of all time, this title examines some of Tolstoy's most seminal works, including War and Peace and Anna Karenina. This book will be of interest to students of literature and philosophy.

Although refuted by recent theorists, Leavis's liberal humanist literary criticism remains the single most potent influence on the teaching of literature. This book surveys his career and locates him within the critical tradition. This book should be of interest to students of English literature, and cultural studies.

When Haven Kimmel was born in 1965, Mooreland, Indiana, was a sleepy little hamlet of three hundred people. Nicknamed "Zippy" for the way she would bolt around the house, this small girl was possessed of big eyes and even bigger ears. In this witty and lovingly told memoir, Kimmel takes readers back to a time when small-town America was caught in the amber of the innocent postwar period–people helped their neighbors, went to church on Sunday, and kept barnyard animals in their backyards.

Laced with fine storytelling, sharp wit, dead-on observations, and moments of sheer joy, Haven Kimmel's straight-shooting portrait of her childhood gives us a heroine who is wonderfully sweet and sly as she navigates the quirky adult world that surrounds Zippy.

In 1968 Egyptian novelist and political exile Waguih Ghali committed suicide in the London flat of his editor, friend, and sometime lover, Diana Athill. Ghali left behind six notebooks of diaries that for decades were largely inaccessible to the public. An Egyptian in the Swinging Sixties is the first publication of its kind of the journals, casting fascinating light on a likeable and highly enigmatic literary personality.Waguih Ghali (1930?-69), author of the acclaimed novel Beer in the Snooker Club, was a libertine, sponger, and manic depressive, but also an extraordinary writer, a pacifist, and a savvy political commentator. Covering the last four years of his life, Ghali's Diaries offer an exciting glimpse into London's swinging sixties.Moving from West Germany to London and Israel, and back in memory to Egypt and Paris, the entries boast of endless drinking, countless love affairs, and of mingling with the dazzling intellectuals of London, but the Diaries also critique the sinister political circles of Jerusalem and Cairo, describe Ghali's trepidation at being the first Egyptian allowed into Israel after the 1967 War, and confess in detail the pain and difficulties of writing and exile. Including two interviews conducted by Deborah Starr, with celebrated literary editor Diana Athill, OBE, and with Ghali's cousin, former director of UNICEF-Geneva, Samir Basta, the Diaries bring together those most familiar with Ghali's life and work, and offer a fresh take on a distinctive author and a vibrant decade.

Shortlisted for the 2022 Plutarch Award A Washington Post 2021 Non-Fiction Book of the Year New York Times Review of Books Editors' Choice Non-Fiction Title Longlisted for the 2022 PEN / Jacqueline Bograd Weld Award for Biography A Sunday Times Best Paperback of 2022 'Brilliant, heart-stopping ... reads like a thriller, a memoir and a provocative piece of literary fiction all at the same time ... magical and compelling' Washington Post 'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. Elizabeth was born in 1806, a time when women could neither attend university nor vote, and yet she achieved lasting literary fame. She remains Britain's greatest woman poet, whose work has inspired writers from Emily Dickinson to George Eliot and Virginia Woolf. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself: a literary giant and a high-profile activist for the abolition of slavery who believed herself to be of mixed heritage; and a writer who defied chronic illness and long-term disability to change the course of cultural history. It holds up a mirror to the woman, her art - and the art of biography itself.

WITH A NEW FOREWORD AND REVISED INTRODUCTION 'A superb biography ... full of compassion, perception' Roger Lewis, The Times 'I love this book. Douglas Murray is a genius' Rupert Everett Lord Alfred Douglas, known as 'Bosie', son of the Marquess of Queensberry, was known as one of the most beautiful young men of his generation. Aged twenty-one he met and became the lover and subsequent obsession of Oscar Wilde. Their relationship caused a scandal in 1895 when Wilde took Queensberry, Douglas's aggressive father, to court for libel. When the details of their relationship were aired in court, Wilde was convicted of gross indecency and later imprisoned. Wilde's story is well known, but this is the first book to tell it fully from Douglas's perspective. Written, and originally published in 2000, with access to never-before-seen papers , Bosie explores the contradictions, tensions and turmoils of Douglas's life with Wilde and beyond as a poet, husband and father. This compelling biography uncovers the life of one of the most notorious figures in literary history, and its course from gilded beautiful youth to semi-reclusive outcast, at the time of Douglas's death in 1945.

A new, fascinating account of the life of Agatha Christie from celebrated literary and cultural historian Lucy Worsley.

Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, "She was thrillingly, scintillatingly modern." She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?

She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.

With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.

It is the mid-1950s in Lewiston, a sleepy town near Niagara Falls, famous only for the invention of the cocktail. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. But with no siblings to provide role-models; a workaholic father chosen by most of her class as Lewiston's present-day saint; a mother who looks the part of the perfect 50s housewife but refuses to play it ('We ate all of our dinners in restaurants?Our fridge contained only allergy serum, coke and maraschino cherries. Our oven was only turned on to dry wet mittens on the door and the only cooking smell I remember from my youth is that of burning wool'); and a gambling-obsessed best friend, Roy, who is 30 years older, perhaps it's hardly surprising that Cathy grows up a little eccentric. Especially considering that the family doctor's prescription for her hyperactivity is a full-time job in her father's pharmacy ? at four.

Cathy is rarely out of trouble whether it's asking why seeing Elvis below the waist is a sin, stabbing the school bully with a compass, breaking through police cordons to interview the Tuscadora Indians or swapping holy water for vodka to test the local priest's alcoholism. She even delivers Nembutal to a sleazy Marilyn Monroe who promptly makes an assignation with Roy. Her highly unusual adventures make compulsive, often moving, reading, but are always hilariously counterbalanced by all the conventional concerns of 50s smalltown life ? TV and rock 'n' roll, matching mother and daughter outfits, teenage rebellion, communism and catholicism. Like all really good memoirs, Too Close to the Falls sneaks up on you; at first you're just reading it quietly to yourself and suddenly you're having to restrain yourself from reading great chunks out to everyone around you.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley's life and work presents the poet not as popular legend would have it, but in a more objective light. A. Clutton-Brock notes his forthright and imperious attitude to life - a life in which Shelley found himself increasingly unhappy - and critically examines many facets of his artistic career which are often overlooked or misrepresented.

Growing up in a conservative, middle-class family in Texas, Claire Myers Owens sought adventure and freedom at an early age. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York's Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman's Independence, which was banned by the New York Public Library for its ""risque"" content. Drawn to ideals of selfactualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley, and became an ardent follower of Carl Jung. In her later years, Owens devoted her life to the practice of Zen Buddhism, moving to Rochester, NY, where she joined the Zen Center and studied under Roshi Philip Kapleau. She published her final book, Zen and the Lady, at the age of eighty-three. Friedman's rediscovery of Owens brings well-deserved attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Friedman chronicles Owens's robust intellect and her tumultuous private life and, along the way, shows readers what makes her story significant. With very few role models in the early twentieth century, Owens blazed her own path of independence and enlightenment.

Sarah Robinson Scott was a writer, translator and social reformer. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott's letters to be published and presents all extant copies.

Sarah Robinson Scott was a writer, translator and social reformer. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott's letters to be published and presents all extant copies.

Upon publication, "Don't Panic" quickly established itself as the definitive companion to "Adams" and "The Hitchhiker's Guide to the Galaxy". This edition comes up-to-date, covering the movie, "And Another Thing" by Eoin Colfer and the build up to the 30th anniversary of the first novel. Acclaimed author Neil Gaiman celebrates the life and work of Douglas Adams who, in a field in Innsbruck in 1971, had an idea that became "The Hitchhiker's Guide to the Galaxy". The radio series that started it all, the five - soon to be six - book 'trilogy', the TV series, almost-film and actual film, and everything in between.