Charles Campbell was born in Sheridan, Wyoming in 1923. He studied engineering in Caltech and Purdue and earned a degree in Architecture in Columbia University in 1975. He shares his insights into some of the major developments and issues of the 20th century: the atomic bomb and peacetime control of atomic energy, national concern over the biological effects of atomic radiation, and efforts to penetrate Soviet nuclear development. He was involved in international cooperation on storage and retrieval of scientific information, and biomedical research in Rockefeller University and the New York Heart Association. His quest led to psychiatry, the Gurdjieff Work, Sufism, energetic healing, Shamanism and astrology. He gives vignettes of 35 Nobel Laureates, he earned a degree, he has known and tells about his avocations-architecture, telescope-making, printing, calligraphy and typography, and computers. He became a Dervish in Iran in 1968. After retirement, he opened a bookstore in New York specializing in Islam and the Middle East. In 2006 he graduated from the Fire and Wind Institute of Energetic Science and Heart Centered Healing and is a certified Energetic Healer and Shaman. He lives in Tappan, NY, with his wife, Vivian Davis Campbell, whose memoir, ""Love Hoped For"" was published by iUniverse.

Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.

Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician.

She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove, Ohio. In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed.

Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. "Driving with Dead People" is an extraordinary real-life tale with a wonderfully observant and resourceful heroine.

A SPECTATOR, NEW STATESMAN AND THE TIMES BOOK OF THE YEAR 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

Accomplished journalist Sam Weller met the Ray Bradbury while writing a cover story for the Chicago Tribune Magazine and spent hundreds of hours interviewing Bradbury, his editors, family members, and longtime friends. With unprecedented access to private archives, he uncovered never-before-published letters, documents, and photographs that help tell the story of this literary genius and his remarkable creative journey. The result is a richly textured, detailed biography that illuminates the origins and accomplishments of Bradbury's fascinating mind.

It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art market-publishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealers-ultimately establishing Van Gogh's reputation as one of the finest artists of his generation. In doing so, she fundamentally changed how we view the relationship between the artist and his work. She also lived a rich and fascinating life-not only was she friends with eminent writers and artists, but she also was active within the Social Democratic Labour Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this visionary woman with the drive to shake the art world to its core.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - I was advised on all hands not to write this book, and some English friends who have read it urge me not to publish it. "You will be accused of selecting the subject," they say, "because sexual viciousness appeals to you, and your method of treatment lays you open to attack. "You criticize and condemn the English conception of justice, and English legal methods: you even question the impartiality of English judges, and throw an unpleasant light on English juries and the English public - all of which is not only unpopular but will convince the unthinking that you are a presumptuous, or at least an outlandish, person with too good a conceit of himself and altogether too free a tongue."

A self-portrait of a great writer. "A Short Autobiography" charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25," to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.

An irresistible, nostalgic, insightful-and "consistently intelligent and funny" (The New York Times Book Review)-ramble through classic children's literature from Vanity Fair contributing editor (and father of two) Bruce Handy. The dour New England Primer, thought to be the first American children's book, was first published in Boston in 1690. Offering children gems of advice such as "Strive to learn" and "Be not a dunce," it was no fun at all. So how did we get from there to "Let the wild rumpus start"? And now that we're living in a golden age of children's literature, what can adults get out of reading Where the Wild Things Are and Goodnight Moon, or Charlotte's Web and Little House on the Prairie? A "delightful excursion" (The Wall Street Journal), Wild Things revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces. Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy's Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby. It's a profound, eye-opening experience to re-encounter books that you once treasured decades ago. A clear-eyed love letter to the greatest children's books and authors from Louisa May Alcott and L. Frank Baum to Eric Carle, Dr. Seuss, Mildred D. Taylor, and E.B. White, Wild Things is "a spirited, perceptive, and just outright funny account that will surely leave its readers with a new appreciation for childhood favorites" (Publishers Weekly).

Blue Suburbia is a searing memoir so fresh, original, and honest that it will break your heart and renew your faith in the human spirit.

With each spare stroke of her pen, Laurie Lico Albanese paints a vivid portrait of the blue-collar landscape of her childhood -- rusted swing sets, auto body shops, greasy hands, home improvements -- taking readers along for the wild, treacherous ride that leads to her escape. Her mother may stand silently at the sink year after year, or lie in the basement weeping, but Albanese is determined to flee the deadening certainty of her parents' lives. Her story does not disappoint us.

By turns haunting, hilarious, tragic, and romantic, Blue Suburbia is the chronicle of a determined young woman who overcomes family limitations, socio-economic obstacles, and personal fears to build a happy -- and blessedly ordinary -- life. Written entirely in free verse, Blue Suburbia's cadence is a steady, rhythmic heartbeat, pulsing with pain, rebellion, love, and triumph. This is the story many of us might tell, if we had the courage.

In Floor Sample, the author of the international bestseller The Artist's Way weaves an honest and moving portrayal of her life. From her early career as a writer for Rolling Stone magazine and her marriage to Martin Scorsese, to her tortured experiences with alcohol and Hollywood, Julia Cameron reflects in this engaging memoir on the experiences in her life that have fuelled her own art as well as her ability to help others realise their creative dreams. She also describes the fascinating circumstances that led her to emerge as a central figure in the creative recovery movement - a movement that she inaugurated and defined with the publication of her seminal work, The Artist's Way. Julia Cameron is a passionate and wry observer of the world and describes her life as a 'floor sample' for all she teaches in her brilliant books on creativity. Floor Sample is an absorbing literary memoir that will surprise, entertain, and inspire Julia's many fans and win her new admirers.

"Here is a life story so unbelievable, it could only be true." --Sandra Cisneros, bestselling author of The House on Mango Street From bestselling author of the remarkable memoir The Distance Between Us comes an inspiring account of one woman's quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. As an immigrant in an unfamiliar country, with an indifferent mother and abusive father, Reyna had few resources at her disposal. Taking refuge in words, Reyna's love of reading and writing propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to "a fierce, smart, shimmering light of a writer" (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist whose "power is growing with every book" (Luis Alberto Urrea, Pultizer Prize finalist); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna's exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.

NATIONAL BOOK CRITICS CIRCLE FINALIST

'...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet Tubman

Jesmyn Ward's acclaimed memoir shines a light on the community she comes from, in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young men dear to her, including her beloved brother - to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected, by identity and place, and as Jesmyn dealt with these losses, she came to a staggering truth: These young men died because of who they were and the place they were from, because racism and economic struggle breed a certain kind of bad luck.

The agonising reality brought Jesmyn to write, at last, their true stories and her own.

Men We Reaped opens up a parallel universe, yet it points to problems whose roots are woven into the soil under all our feet. This indispensable American memoir is destined to become a classic.

Although his hilariously entertaining stories have touched the hearts of generations of children, there was much more to beloved author Roald Dahl than met the eye. His fascinating life began in Norway in 1916, and he became a highly rebellious teenager who delighted in defying authority before joining the RAF as a fighter pilot. But after his plane crashed in the African desert he was left with agonising injuries and unable to fly. He was dispatched to New York where, as a dashing young air attache, he enraptured societies greatest beauties and became friends with President Roosevelt. Roald soon found himself entangled with a highly complex network of British undercover operations. Eventually he grew tired of the secrecy of spying and retreated to the English countryside. He married twice and had five children, but his life was also affected by serious illness, tragedy and loss. He wrote a number of stories for adults, many of which were televised as the hugely popular Tales of the Unexpected, but it was as a children's author that he found greatest fame and satisfaction, saying "I have a passion for teaching kids to become readers...Books shouldn't be daunting, they should be funny, exciting and wonderful." From 1945 until his death in 1990, he lived in Buckinghamshire, where he wrote his most celebrated children's books including Matilda, Charlie and the Chocolate Factory and Fantastic Mr Fox.

This biography examines the long life of the traveller and author Stephen Graham. Graham walked across large parts of the Tsarist Empire in the years before 1917, describing his adventures in a series of books and articles that helped to shape attitudes towards Russia in Britain and the United States. In later years he travelled widely across Europe and North America, meeting some of the best known writers of the twentieth century, including H.G.Wells and Ernest Hemingway. Graham also wrote numerous novels and biographies that won him a wide readership on both sides of the Atlantic. This book traces Graham's career as a world traveller, and provides a rich portrait of English, Russian and American literary life in the first half of the twentieth century. It also examines how many aspects of his life and writing coincide with contemporary concerns, including the development of New Age spirituality and the rise of environmental awareness. Beyond Holy Russia is based on extensive research in archives of private papers in Britain and the USA and on the many works of Graham himself. The author describes with admirable tact and clarity Graham's heterodox and convoluted spiritual quest. The result is a fascinating portrait of a man who was for many years a significant literary figure on both sides of the Atlantic.

Thomas Carlyle was a major figure in Victorian literature and a unique commentator on nineteenth-century life. Born in humble circumstances in the Scottish village of Ecclefechan in 1795, his rise to fame was marked by fierce determination and the development of a highly distinctive literary voice. In this clear, authoritative and readable biography, John Morrow traces Carlyle's personal and intellectual career. Wide-ranging, prophetic and invariably challenging, his work ranged from the astonishing pseudo-autobiography Sartor Resartus to major historical works on the French Revolution and Frederick the Great, and to radical political manifestos such as Latter Day Pamphlets. Thomas Carlyle is an account of his work and of his life, including celebrity as the Sage of Chelsea and his tempestuous marriage to Jane Welsh Carlyle.

Now in paperback, a “refreshing. . . . accessible, engaging, and genuinely hilarious” (Buzzfeed) series of essays―part memoir, part manifesto―that explore coming-of-age and coming out as bisexual while moving toward embracing and celebrating sex without shame

As a boy, Zachary Zane sensed that all was not right when images of his therapist naked popped into his head. He sometimes imagined other people naked, too, and without an explanation why, a deep sense of shame pervaded these thoughts. Though his therapist assured him a little imagination was nothing to be ashamed of, over the years, society told him otherwise.

Boyslut is a memoir-manifesto in which Zane articulates that, even today, we live in a world that shames people for the sex that they have and the sexualities that they inhabit. Through the lens of his bisexuality and much self-described sluttiness, Zane breaks down exactly how this sexual shame negatively impacts the sex and relationships in our lives, and through personal experience, shares how we can unlearn the harmful, entrenched messages that society imparts to us.

From stories of play sessions with a neighbor at age six to the first explorations of Zane’s bisexuality in college, as well as sex-dungeon parties, orgies, and fun with butt plugs, Boyslutis reassuring and often painfully funny, and most potently, it is a testimony that we can all learn to live healthier lives unburdened by stigma.

In Rural Hours, Harriet Baker tells the story of three very different women, each of whom moved to the countryside and was forever changed by it. We encounter them at quiet moments – pausing to look at an insect on the windowsill; jotting down a recipe; or digging for potatoes, dirt beneath their nails. Slowly, we start to see transformations unfold: Virginia Woolf, Sylvia Townsend Warner, and Rosamond Lehmann emerge before us as the passionate, visionary writers we know them to be.

Following long periods of creative uncertainty and private disappointment, each of Baker's subjects is invigorated by new landscapes, and the daily trials and small pleasures of making a home; slowly, they embark on new experiments in form, in feeling and in living that would resonate throughout the rest of their lives. In the country, each woman finds her path: to convalescence and recovery; to sexual and political awakening; and, above all, to personal freedom and creative flourishing.

In graceful, fluid prose, Baker vividly recreates these overlooked episodes, revealing how ‘rural hours’ defined the lives of three pioneering writers. In the end, she shows, their example is an invitation to us all: to recognize the radical and creative potential of rural places, and find new enchantment in the rituals of each day.

This novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days. Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him. Besserie delights in Beckett's bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work. Yell, Sam, If You Still Can won the "Goncourt du premier roman", the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world. Financial Times Book of the Year 2022