Updike is Adam Begley's masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike--a candid, intimate, and richly detailed look at his life and work. In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing "middleness with all its grits, bumps and anonymities." Updike explores the stages of the writer's pilgrim's progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer's colleagues, friends, and family, Begley explores how Updike's fiction was shaped by his tumultuous personal life--including his enduring religious faith, his two marriages, and his first-hand experience of the "adulterous society" he was credited with exposing in the bestselling Couples. With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike's best-loved works--from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy--and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else's.

This is the first scholarly edition of Aubrey's Brief Lives since 1898, the first to include the complete text of the three Brief Lives manuscripts (including censored and deleted material, title pages, antiquarian notes, and the indices), and the first to provide a full general and critical introduction and comprehensive commentary. This edition is the first to respect the original arrangement of the Lives in Aubrey's manuscripts. Brief Lives is presented as an antiquarian and collaborative text, containing the autograph papers of biographical subjects, the annotations of those among whom the manuscripts circulated, and wax seals. As well as 25 facsimile pages, there are over 160 images, reproducing for the first time all Aubrey's horoscopes, pedigrees, coats of arms, and topographical sketches as they are found in the manuscripts. The text respects the mise-en-page of the manuscript and its status as an incomplete and heavily revised work-in-progress while presenting an edited, rather than a diplomatic, text. The commentary presents extensive new research on manuscript sources including much material not previously known to be Aubrey's or associated with him. It also reflects the state of current scholarship. Each life is introduced by a headnote placing the life in context. This gives the dates and sequence of composition and an account of Aubrey's relationship with the biographical subject, the circulation of knowledge of that subject in Aubrey's circle, and a full account of Aubrey's notes on the subject of the life in other manuscripts and correspondence. Aubrey's biographical informants also have a long note, as do uncompleted or missing Lives.

The newly revised and updated Charleston: A Bloomsbury House & Garden is the definitive publication on the Bloomsbury Group's rural outpost in the heart of the Sussex Downs. "It's absolutely perfect...", wrote the artist Vanessa Bell when she moved to Charleston in 1916. For fifty years, Vanessa and her fellow painter Duncan Grant lived, loved and worked in this isolated Sussex farmhouse, together transforming the house and garden into an extraordinary work of art and creating a rural retreat for the Bloomsbury group. Now, Vanessa's son, Quentin Bell, and her granddaughter Virginia Nicholson tell the inside story of their family home, linking it with some of the pioneering cultural figures who spent time there, including Vanessa's sister Virginia Woolf, the economist Maynard Keynes, the writer Lytton Strachey and the art critic Roger Fry. Taking readers through each room of the house - from Clive Bell's Study, the Dining Room, the Kitchen and the Garden Room, through to individual bedrooms, the Studios and the Library - Quentin Bell relives old memories, including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. In this refreshed edition of the original 1997 publication, Gavin Kingcombe's specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. For lovers of literature, decorative arts, and all things Bloomsbury, Charleston: A Bloomsbury House & Garden offers a window onto a truly unique creative hub.

Based on a rich range of primary sources and manuscripts, "A Rossetti Family Chronology" breaks exciting new ground. Focusing on Christina and Dante Gabriel Rossetti, the "Chronolgy" deomstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, reviews, finances, relationships, health and detailing literary and artistic influences. Drawing on many unpublished sources, including family letters and diaries, this new volume in the" Author Chronologies" series will be of value to all students and scholars of the Rossettis.

No writer alive today exerts the magical appeal of Gabriel Garcia Marquez. Now, in the long-awaited first volume of his autobiography, he tells the story of his life from his birth in 1927 to the moment in the 1950s when he proposed to his wife. The result is as spectacular as his finest fiction.
Here is Garcia Marquez's shimmering evocation of his childhood home of Aracataca, the basis of the fictional Macondo. Here are the members of his ebulliently eccentric family. Here are the forces that turned him into a writer. Warm, revealing, abounding in images so vivid that we seem to be remembering them ourselves, Living to Tell the Tale" "is a work of enchantment.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography "An exhilarating romp through Orwell's life and times and also through the life and times of roses." -Margaret Atwood "A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker." -Claire Messud, Harper's "Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way." -Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world "In the spring of 1936, a writer planted roses." So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions-from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

The Whitbread Prize-winning biography of Vita Sackville-West. Vita Sackville-West was a vital, gifted and complex woman. A dedicated writer, she made her mark as poet, novelist, biographer, travel writer, journalist and broadcaster. She was also one of the most influential English gardeners of the century, creating with her husband the famous gardens at Sissinghurst. In her Whitbread Prize-winning biography, Glendinning documents Vita's extraordinary life, focusing on her relationships with Violet Trefusis, Virginia Woolf, her husband, and her two sons together with her unpublicised love affairs. Vita was determined to be more than just a married woman and mother; her passionate, secretive character, and the strains, mistakes and achievements of her remarkable life makes this an absorbing and disturbing book.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

'The story of Coleridge's life does undoubtedly echo that of his poem; this is a book that provides rewarding rereadings of both' - The Sunday Times A new biography of Samuel Taylor Coleridge, shaped and structured around the story he himself tells in his most famous poem, 'The Rime of the Ancient Mariner'. Though the 'Mariner' was written in 1797 when Coleridge was only twenty-five, it was an astonishingly prescient poem. As Coleridge himself came to realise much later, this tale - of a journey that starts in high hopes and good spirits, but leads to a profound encounter with human fallibility, darkness, alienation, loneliness and dread, before coming home to a renewal of faith and vocation - was to be the shape of his own life. In this rich new biography, academic, priest and poet Malcolm Guite draws out how with an uncanny clarity, image after image and event after event in the poem became emblems of what Coleridge was later to suffer and discover. Of course 'The Rime of the Ancient Mariner' is more than just an individual's story: it is also a profound exploration of the human condition and, as Coleridge says in his gloss, our 'loneliness and fixedness'. But the poem also offers hope, release, and recovery; and Guite also draws out the continuing relevance of Coleridge's life and writing to our own time. 'Forcefully and convincingly argued' - The Telegraph

HarperCollins is proud to present its incredible range of best-loved, essential classics. Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

The National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about "clear unspeakable joy" and "just the wish to know" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author. A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers-often at night, often in nature-the pleasures of rescuing "a fleeting thought." Woolgathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in "the scarcely charted landscape of memory governed by clouds." Woolgathering celebrates the sacred nature of creation in Smith's singular language, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street-already a synonym for impoverished hack writers-before he became one of literary London's most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers' livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson's "Club" and those far less fortunate "brothers of the quill" trapped in Grub Street. Clarke emphasizes Goldsmith's sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish emigres: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

Sir Thomas Browne: A Life is the first full-scale biography of the extraordinary prose artist, physician, and polymath. With the help of recent archival discoveries, the biography recasts each phase of Browne's life (1605-82) and situates his incomparable writings within the diverse intellectual and social contexts in which he lived, including London, Winchester, Oxford, Montpellier, Padua, Leiden, Halifax, and Norwich. The book makes the case that, as his contemporaries fervently believed, Browne influenced the intellectual and religious direction of seventeenth-century England in singularly rich and dynamic ways. Special attention is paid in the biography to Browne's medical vocation but also to his place within the scientific revolution. New information is offered regarding his childhood in London, his European travels and medical studies, the setting in which he first wrote Religio Medici, his impact on readers during the English civil wars, and the contemporary view of his medical practice. Overall, the image of Browne that emerges is far bolder and more cosmopolitan, less complacent and provincial, than biographers have assumed ever since Samuel Johnson doubted Browne's claim that his life up to age thirty resembled a romantic fiction filled with miracles and fables. The biography has extensive material for anyone interested in the histories of religion, education, science and medicine, seventeenth-century England, and early modern philosophy and literature.

'Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over - a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell

Lewis Carroll is one of the world's best-loved writers. His immortal Wonderland and delightful nonsense verses have enchanted generations of children and adults alike. The wit and imagination, the wisdom, sense of absurdity and sheer fun which fill his books shine just as clearly from the many letters he wrote. '...each is a miniature Wonderland... They reveal a truly delightful man...the combination of intense goodness and unselfishness with a magic, nonsense wit is unique'. The Scotsman '...a magnificent collection of delightful and entertaining letters reflecting all that was embraced in that remarkable character...all his charm, inventive fun, wisdom, generosity, kindliness and inventive mind'. Walter Tyson, Oxford Times.