Johnson himself wrote in 1782: "I know not that I have written any thing more generally commended than the Lives of the Poets." Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.
Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.
Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).
This is volume two of four.

Johnson himself wrote in 1782: "I know not that I have written any thing more generally commended than the Lives of the Poets." Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.
Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.
Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).
This is volume three of four.

Johnson himself wrote in 1782: "I know not that I have written any thing more generally commended than the Lives of the Poets." Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.
Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.
Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).
This is volume four of four.

Charlotte Brontes years in Belgium (184243) had a huge influence both on her life and her work. It was in Brussels that she not only honed her writing skills but fell in love and lived through the experiences that inspired two of her four novels: her first, The Professor, and her last and in many ways most interesting, Villette. Her feelings about Belgium are known from her novels and letters her love for her tutor Heger, her uncomplimentary remarks about Belgians, the powerful effect on her imagination of living abroad. But what about Belgian views of Charlotte Bronte? What has her legacy been in Brussels? How have Belgian commentators responded to her portrayal of their capital city and their society? Through Belgian Eyes explores a wide range of responses from across the Channel, from the hostile to the enthusiastic. In the process, it examines what The Professor and Villette tell Belgian readers about their capital in the 1840s and provides a wealth of detail on the Brussels background to the two novels. Unlike Paris and London, Brussels has inspired few outstanding works of literature. That makes Villette, considered by many to be Charlotte Brontes masterpiece, of particular interest as a portrait of the Belgian capital a decade after the country gained independence in 1830, and just before modernisation and expansion transformed the city out of all recognition from the villette (small town) that Charlotte knew. Her view of Brussels is contrasted with those of other foreign visitors and of the Belgians themselves. The story of Charlotte Brontes Brussels legacy provides a unique perspective on her personality and writing.

A father reflects on the rich life of his son, who died suddenly at twenty-six after living with schizophrenia. On the morning of Boxing Day 2009, the poet Fraser Sutherland and his wife found their son, Malcolm, dead in his bedroom in their house. He was twenty-six and had died from a seizure of unknown cause. Malcolm had been living with schizophrenia since the age of seventeen. Fraser's respectful narration of Malcolm's life -- his happiness as well as his sufferings, his heroic efforts to calm his troubled mind, his readings, his writings, his experiments with religious thought -- is a master writer's attempt to give shape and dignity to his son's life, to memorialize it as more than an illness. And in writing about his son's life, Fraser creates his own self-effacing memoir -- the memoir of a parent's resilience through years of stressful care. Fraser Sutherland, one of Canada's finest poetry critics and essayists, died shortly after completing this book. A RARE MACHINES BOOK

Life and Letters of Toru Dutt (1921) is a biography of Toru Dutt. Comprising biographical sections by scholar Harihar Das, selections from her many letters, and commentary on her novels and translations, Life and Letters of Toru Dutt is an invaluable resource for information on a pioneering figure in Indian history and Bengali literature. Born in Calcutta to a family of Bengali Christians, Toru Dutt was raised at the crossroads of English and Indian cultures. In addition to her native Bengali, she became fluent in English, French, and Sanskrit as a young girl, eventually writing novels and poems in each language. Harihar Das' biography is an exhaustive record of her life from youth to young adulthood, granting particular attention to her travels in England and Europe, which Dutt herself describes in beautiful prose in letters to friends and family. Despite her limited body of work, Dutt's legacy as a groundbreaking writer remains firm in India and around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Harihar Das and Toru Dutt's Life and Letters of Toru Dutt is a classic work of Bengali literature reimagined for modern readers.

A SUNDAY TIMES LITERARY NON-FICTION BOOK OF THE YEAR A GUARDIAN BEST BOOK OF THE YEAR (AS CHOSEN BY AUTHORS) **LONGLISTED FOR THE BAILLIE GIFFORD PRIZE** **SHORTLISTED FOR THE RSL ONDAATJE PRIZE** 'Outstanding. I'll be recommending this all year.' SARAH BAKEWELL 'A beautiful and deeply moving book.' SALLY ROONEY 'I like this London life . . . the street-sauntering and square-haunting.' Virginia Woolf, diary, 1925 Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. Francesca Wade's spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own. 'Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.' FRANCES WILSON 'A fascinating voyage through the lives of five remarkable women - moving and immersive.' EDMUND GORDON

Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women's postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.

From 1893-1895 George Griffith was the most famous science fiction writer in England. His books entranced the readers of the 19th century with tales of Martians, submarines, immortality, rogue comets and even spaceships whizzing around the solar system. He invented the Countdown in 1897 and his son would become the co-inventor of the jet engine. Griffith's name became synonymous with high adventure and so in the Spring of 1894 he was recruited to follow in the mythical footsteps of Jules Verne's Phileas Fogg. In just 65 days Griffith travelled through 24 time zones and established a new world record. Now for the first time in over 100 years his story can be retold along with a lengthy biography of his many literary achievements by noted Space writer and editor, Robert Godwin. It includes a special Introduction by John Griffith, grandson of George Griffith.

Japan in the 10th century stood physically and culturally isolated from the rest of the world. Inside this bubble, a subtle and beautiful world was in operation, and its inhabitants were tied to the moment, having no interest in the future and disdain for the past. The Pillow Book of Sei Shonagon was a product of a tenth-century courtier's experiences in the palace of Empress Teishi. A common custom of the time period, courtiers used to keep notes or a diary in a wooden pillow with a drawer. This "pillow book" reflects the confident aesthetic judgments of Shonagon and her ability to create prose that crossed into the realm of the poetic. The Pillow Book of Sei Shonagon is one of the earliest examples of diary literature whose passages chronicle the events of the court calendar, the ceremonies and celebrations specific to Teishi's court, and the vignettes that provide brilliantly drawn glimpses into the manners and foibles of the aristocracy. A contemporary of Murasaki Shikibu, the author of The Tale of Genji, this small diary brings an added dimension to Murasaki's timeless and seminal work. Arthur Waley's elegant translation of The Pillow Book of Sei Shonagon captures the beauty of its prose and the vitality of Shonagon's narrative voice, as well as her quirky personality traits. In a place and time where poetry was as important as knowledge and beauty was highly revered, Sei Shonagon's private writings give the reader a charming and intimate glimpse into a time of isolated innocence and pale beauty.

An intimate and expansive look at Judy Blume’s life, work, and cultural impact, focusing on her most iconic—and controversial—young adult novels, from Are You There God? It’s Me, Margaret. to Blubber.

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

"A vital guide ... It is difficult to imagine anyone seriously interested in Dante who will not want to own this book" AN Wilson, The Times Since Dante Alighieri wrote the Divine Comedy it has defined how people imagine and depict not only heaven and hell, but romantic love and the human condition. However, while Dante's works are widely celebrated outside Italy, the circumstances of his extraordinary life are less well known. Born in 1265, Dante's adolescence was characterised by literary genius, but his political activism in one of the medieval world's wealthiest cities led to his death in exile. Pre-eminent Dante scholar Alessandro Barbero and celebrated translator Allan Cameron bring the poet vividly to life. Animating the political intrigue, violence, civil war, exile and cities that shaped Dante's poetic and political life, this is a remarkable portrait of one of the creators of European literature and a towering medieval figure in time for the 700th anniversary of his death.

Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history's greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. "On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in..." From the remnants of memory, J. M. Barrie attempts to reconstruct his mother's life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, "she got her soft face and her pathetic ways and her large charity," but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. With a beautifully designed cover and professionally typeset manuscript, this edition of J. M. Barrie's Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

Autobiography of Sir Walter Besant (1902) is a posthumously published autobiography by Walter Besant. Although he is more widely known for his works of fiction and book-length studies of the city of London, Besant was also a gifted autobiographer whose unique sense of self and rich memories make for an entertaining, informative read. "I am supposing that [man] has the choice offered him, together with an outline of the future-not a future of fate laid down with Calvinistic rigour, but a future of possibility. And as time, past or future, does not exist in the other world, I am supposing that a man can be born in any age that he pleases." The son of a merchant, Walter Besant would combine ambition with wit to become one of Victorian England's leading intellectual figures. His autobiography is not just the portrait of a man, but a record of a century that saw empires rise and fall, industry outpace agriculture, and the life of humanity change forever, for better or worse. Unsatisfied with the success and fame he found in his literary work, Besant dedicated himself to social causes and was a true champion of the poor in London and around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Besant's Autobiography of Sir Walter Besant is a classic of English literature reimagined for modern readers.

Paul Laurence Dunbar: Poet Laureate of the Negro Race (1914) is a pamphlet on American poet Paul Laurence Dunbar. Published nearly a decade after Dunbar's untimely death, Paul Laurence Dunbar: Poet Laureate of the Negro Race contains three essays on his life, his legacy, and his importance to American literature. Born in Dayton, Ohio, Dunbar was the son of parents who were emancipated from slavery in Kentucky during the American Civil War. In 1893, he published Oak and Ivy, a debut collection of poetry blending traditional verse and poems written in dialect. Over the next decade, Dunbar wrote ten more books of poetry, four collections of short stories, four novels, a musical, and a play. In his brief career, Dunbar became a respected advocate for civil rights, participating in meetings and helping to found the American Negro Academy. His lyrics for In Dahomey (1903) formed the centerpiece to the first musical written and performed by African Americans on Broadway, and many of his essays and poems appeared in the nation's leading publications, including Harper's Weekly and the Saturday Evening Post. Diagnosed with tuberculosis in 1900, however, Dunbar's health steadily declined in his final years, leading to his death at the age of thirty-three while at the height of his career. Alice Dunbar-Nelson, in her essay, reflects on the man her husband was, a "true poet" who "reached out and groped for the bigness of the out-of-doors, divining all that he was afterwards to see." In his piece, classical scholar William S. Scarborough argues for Dunbar's importance to African American history as "the first among ten million," as a man who "did not inherit, [but] originated." To close the collection, Reverdy C. Ransom briefly eulogizes a poet whose loss was a blow to a people and a nation, whose name must be spoken in the same breath as Wheatley, Browning, Shelley, Burns, Keats, and Poe. More than anything, Paul Laurence Dunbar: Poet Laureate of the Negro Race cements his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Laurence Dunbar: Poet Laureate of the Negro Race is a classic of African American literature reimagined for modern readers.

Gurba is an extraordinary performer with an enthusiastic spoken word fan base, and the Mean's voice-driven quality should appeal to them directly Rather than a memoir, this is a nonfiction novel, a la How Should a Person Be-Gurba's life provides the plot points, but a novelistic impulse provides the frame. Gurba turns what might be tragic into piercing, revealing comedy, differentiating between "classic" (stranger rape) and "avant garde" (molestation by a classmate) sexual assault in a way that's in your face and unforgettable. Race, class, gender, and sexuality all break open in unexpected ways in Gurba's hands. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.

Literary museums today must respond to new challenges; the traditional image of the author's home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.

A unique chronicle of the hundred-year period when the Jewish people changed the world - and it changed them Marx, Freud, Proust, Einstein, Bernhardt and Kafka. Between the middle of the nineteenth and twentieth centuries a few dozen men and women changed the way we see the world. But many have vanished from our collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich no chemotherapy. Without Siegfried Marcus no motor car. Without Rosalind Franklin genetic science would look very different. Without Fritz Haber there would not be enough food to sustain life on earth. These visionaries all have something in common - their Jewish origins and a gift for thinking outside the box. In 1847 the Jewish people made up less than 0.25% of the world's population, and yet they saw what others could not. How?

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street-already a synonym for impoverished hack writers-before he became one of literary London's most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers' livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson's "Club" and those far less fortunate "brothers of the quill" trapped in Grub Street. Clarke emphasizes Goldsmith's sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish emigres: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife.

Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public.

Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.

Why were so many authors of the greatest works of literature consumed by alcoholism? In The Trip to Echo Spring, Olivia Laing takes a journey across America, examining the links between creativity and drink in the overlapping work and lives of six extraordinary men: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever and Raymond Carver. From Hemingway's Key West to Williams's New Orleans, Laing pieces together a topographical map of alcoholism, and strips away the tangle of mythology to reveal the terrible price creativity can exert.