Daphne du Maurier's correspondence with Oriel Malet began in the early 1950s, after they met at a cocktail party in London. At least twenty years separated them: Oriel was a gauche young writer while Daphne was the famous, much-feted author of bestselling novels including Jamaica Inn, My Cousin Rachel, and Rebecca. The friendship flourished for thirty years, fed by the letters that arrived faithfully from Menabilly, the du Maurier house in Cornwall. While Oriel tasted life on a houseboat on the Seine and mixed with the aristocratic Who's Who of Paris, Daphne's letters tell of her family, past and present, her marriage to General Sir Frederick Browning-a war hero known privately as 'Moper' whose fits of melancholy caused many a crisis at Menabilly-and events like Prince Philip coming for dinner: 'We've got only four knives with handles, and one silver candlestick must be glued!' Most of all, her letters are a valuable record of the complex and rigorous art of a fine and well-loved writer: the 'brewing' of a plot, the research, and the 'pegging' of secret fantasies onto a living person in order to create classical characters such as Cousin Rachel and Roger Kylmerth. Disarmingly frank about sex, an earnest seeker after spiritual and psychological truth, Daphne du Maurier is revealed in her letters as an inspiring and delightful correspondent-as well as a once-in-a-lifetime friend.

This is a personal history of the twentieth century as seen through the eyes of Edith Kurzweil, author, teacher, editor of Partisan Review, and a recent recipient of the National Medal of Humanities. The book opens with Kurzweil early adolescence in Vienna during the Nazi takeover. It ends with the author finding herself in the new century. In between, she kept moving on and interrogating the world around her. The reader follows Kurzweil on her perilous journey, at the age of fourteen, to Belgium, through France, Spain, and Portugal, alone with her younger brother. Her fantasies of reunion with her parents in New York kept her going but came to naught: she had not expected to fall from a wealthy childhood into the life of the working-class poor, as a millinery apprentice or a diamond cutter. Instead of entering college life, she eventually became a conventional American housewife. Unhappy and anxious, she anticipated the social changes in America, and returned to Europe with her second husband and her two children. She arrived at the beginning of the Italian miracle--its post-war revitalization. In Milan she met many Americans as an active member of its community and of the British-American club. After personal tragedy she returned to New York, and only then pursued her early intellectual ambitions. The author eventually became a professor of sociology and quickly climbed up the academic ladder. Just as she had been as a little girl, she still "wanted to know everything," beginning with her study of Italian entrepreneurs and going on to European history and French thought, to psychoanalysis and anti-Semitism. Her early writings prompted William Phillips, co-founder and editor of Partisan Review, to invite her into the elite circle of New York intellectuals. She worked alongside him, first as a reader, then as executive editor, and took over the editorship of the legendary journal during its final period. Kurzweil's journey was one of courage, and of emotional and intellectual growth. Full Circle will be of interest to intellectual and cultural historians, literary and Holocaust scholars, and American studies specialists.

Published posthumously in 1766, A Journal to Stella by Jonathan Swift is a complete collection consisting of sixty-five letters he wrote to Esther Johnson, whom he bestowed the name of Stella. It is known that Stella is the name Swift gave to Esther Johnson. They met when she was only eight years old and knew each other for the entirety of the rest of their lives. Swift was first a mentor to young Esther. He taught her to read and write then introduced her to the arts. Jonathan's relationship to Esther is intriguing. While they shared a friendship for many years, Jonathan left her in Ireland when he moved to London for some time. In that time, he drew interest from several other women, but nothing came of those relationships. However, when a man showed interest in Esther and wished to propose, the letters disclose how Jonathan prevented this from happening. Such interference provides greater evidence for the affection he felt for Stella. There are no accounts from Stella herself, but Swift depicts her character wonderfully as a loyal, kind, and clever woman. The sixty-five letters to Stella that compose A Journal to Stella, explores Swift and Johnson's relationship and history. A Journal to Stella is an interesting study on the relationship between the highly esteemed classical author, Jonathan Swift and a woman who was very dear to him. Written with affection and detailed prose, the letters that are featured in A Journal to Stella also reveal insights on the culture of 18th century London and features many of the prominent men that Swift met. As he wrote of his daily routine and life, readers are allowed a privileged glimpse of how this famous author lived day to day, including the intimate details of his relationships. Containing the wit and humor Swift is famous for, A Journal to Stella reveals the author for who he really was, allowing even modern readers to know this incredible 18th century man. This edition of Jonathan Swift's A Journal to Stella features an eye-catching cover design and is printed in a readable font, making it both accessible and modern.

On June 23rd, 1950, Pavese, Italy's greatest modern writer received the coveted Strega Award for his novel Among Women Only. On August 26th, in a small hotel in his home town of Turin, he took his own life. Shortly before his death, he methodically destroyed all his private papers. His diary is all that remains and for this the contemporary reader can be grateful. Contemporary speculation attributed this tragedy to either an unhappy love aff air with the American film star Constance Dawling or his growing disillusionment with the Italian Communist Party. His Diaries, however, reveal a man whose art was his only means of repressing the specter of suicide which had haunted him since childhood: an obsession that finally overwhelmed him. As John Taylor notes, he possessed something much more precious than a political theory: a natural sensitivity to the plight and dignity of common people, be they bums, priests, grape-pickers, gas station attendants, office workers, or anonymous girls picked up on the street (though to women, the author could--as he admitted--be as misogynous as he was affectionate). Bitter and incisive, This Business of Living, is both moving and painful to read and stands with James Joyce's Letters and Andre Gide's Journals as one of the great literary testaments of the twentieth century.

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent."Memoirs of Casanova Volume VI finds Giacomo Casanova living in the city of Parma, where he has fallen in love with a beautiful Frenchwoman named Henriette. Despite their deep attraction, despite Casanova's efforts to lead a respectable, law-abiding life, Henriette discovers, after three months of passion, that he is no more than a broke, low-born, violent man, and leaves him for good. Brokenhearted, filled with self-doubt, Casanova returns to Venice once more, where a successful streak in gambling gives him the funds to make his way to Paris. With renewed hope, he sets out on the legendary Grand Tour, arriving in the French capitol in 1750. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protege of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between the Flash and Superman. When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marveldominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne's run on the Uncanny X-Men, Byrne's work on the Fantastic Four, Frank Miller's Daredevil stories, Walt Simonson's crafting of Norse mythology in Thor, and Roger Stern's runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant andBroadway Comics. Interviews collected in this book span Shooter's career. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, anextensive, original interview encompasses Shooter's full career.

The life story of the Victorian novelist George Eliot is as dramatic and complex as her best plots. This new assessment of her life and work combines recent biographical research with penetrating literary criticism, resulting in revealing new interpretations of her literary work. * A fresh look at George Eliot's captivating life story * Includes original new analysis of her writing * Deploys the latest biographical research * Combines literary criticism with biographical narrative to offer a rounded perspective

**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2021** **SHORTLISTED FOR THE DUFF COOPER PRIZE 2021** **SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE** **FINALIST FOR THE 2022 PLUTARCH AWARD** D. H. Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be. Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson presents a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'A work of art in its own right' OBSERVER 'Utterly enthralling' GEOFF DYER 'Brilliantly unconventional' RICHARD HOLMES 'A red-hot, propulsive book' THE TIMES

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent."Memoirs of Casanova Volume V finds Giacomo Casanova serving as an aide to a powerful Venetian senator. Back in the city of his birth, surrounded with the vices and old friends who forced him to leave in the first place, Casanova soon finds himself in dire straits. When a practical joke goes horribly wrong, he escapes to the city of Parma, hoping to reinvent himself yet again. There, however, he unexpectedly falls in love with a Frenchwoman named Henriette, a soul whose wit and beauty tempt the young libertine-perhaps for the first and last time-to settle down and sow his wild oats. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

Margaret Cavendish was one of the most prolific, complex and misunderstood writers of the seventeenth century. A contemporary of Descartes and Hobbes, she was fascinated by philosophical, scientific and imaginative advances, and struggled to overcome the political and cultural obstacles which threatened to stop her engagement with such discourses. Emma Rees examines how Cavendish engaged with the work of thinkers such as Lucretius, Plato, Homer and Harvey in an attempt to write her way out of the exile which threatened not only her intellectual pursuits but her very existence. What emerges is the image of an intelligent, audacious and intrepid early modern woman whose tale will appeal to specialists and general readers alike. -- .

First published in 1968. Richard Hengist Horne, virtually unknown today, was one of the more extraordinary figures of the nineteenth century literary scene. The author of an epic poem Orion was acclaimed a work of genius by almost every English critic. His voluminous literary output is for the most part forgotten, but his life and character, his widely romantic aspirations to be a Man of Genius, provide a fascinating tragi-comic study. As a background study to the literature and society of the time, Ann Blainey's book is packed with interest and anecdote, and as a study of a remarkable man it is consistently entertaining.

A E Housmans poetry (especially A Shropshire Lad) remains well-known, widely read and often quoted. However, Housman did not view himself as a professional poet, always making quite clear that his proper job was as a Professor of Latin. Housmans fame as a poet has often obscured the fact that he was the leading British classical scholar of his generation, and a Cambridge Professor. It has also sometimes been suggested that Housmans two areas of activity are the sign of a flawed or divided personality. This book argues that there is no fundamental tension between Housman the poet and Housman the scholar, and his career is presented very much as that of a working academic who also wrote poetry. The book gives a full account of what Housman described as the great and real troubles of my early manhood, and in particular his unrequited and life-long love for his undergraduate friend Moses Jackson. It resists the temptation to classify Housman too exclusively as a melancholic, and is sceptical about Housmans reputed rudeness and misanthropy, pointing out that, though Housman was famously aloof in manner, he was notably loyal and generous, courteous in his daily dealings and generally liked by those who knew him. He also possessed a highly developed sense of the absurd and a ready and often disconcerting wit, features which characterised not only his letters and miscellaneous writings, but also, famously, much of his scholarly work.

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent." Memoirs of Casanova Volume IV covers the young adulthood of Giacomo Casanova. As his time in Corfu draws to a close, the young Casanova revels in the final days of a heated love affair with Madame F., a beautiful noblewoman. Ending his military career, he returns to Venice and pursues the life of a professional gambler, but soon finds that his compulsiveness proves a poor match for the patience and cunning required of the craft. Desperately broke, he attempts to make a living as a violinist while continuing his fast, hedonistic lifestyle. When a chance encounter ends with him saving the life of a Venetian senator, Casanova begins several years of service under his patronage. Life as a nobleman is difficult for a young libertine, however, and as his patron's patience wears thin, Casanova looks to reinvent himself once more. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent."Memoirs of Casanova Volume III covers the young adulthood of Giacomo Casanova. When his religious career ends in disgrace and imprisonment, Casanova joins the Venetian military at Corfu. Following a brief sojourn in Constantinople, he enters the service of the Republic of Venice and slowly rises through the ranks to become an officer. Casanova soon grows tired of military life, however, and spends most of his time in Corfu gambling and socializing with the local elite. When he is arrested for disobedience, he begins looking for a way out of military life, and devotes much of his time to the service of Madame F., a beautiful noblewoman who enlists his services around the home. When an injury leaves her bedridden, his duties bring him closer to her than ever before, and soon threaten to turn a professional relationship into a forbidden romantic tryst. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

In 1968 Egyptian novelist and political exile Waguih Ghali committed suicide in the London flat of his editor, friend, and sometime lover, Diana Athill. Ghali left behind six notebooks of diaries that for decades were largely inaccessible to the public. An Egyptian in the Swinging Sixties is the first publication of its kind of the journals, casting fascinating light on a likeable and highly enigmatic literary personality.Waguih Ghali (1930?-69), author of the acclaimed novel Beer in the Snooker Club, was a libertine, sponger, and manic depressive, but also an extraordinary writer, a pacifist, and a savvy political commentator. Covering the last four years of his life, Ghali's Diaries offer an exciting glimpse into London's swinging sixties.Moving from West Germany to London and Israel, and back in memory to Egypt and Paris, the entries boast of endless drinking, countless love affairs, and of mingling with the dazzling intellectuals of London, but the Diaries also critique the sinister political circles of Jerusalem and Cairo, describe Ghali's trepidation at being the first Egyptian allowed into Israel after the 1967 War, and confess in detail the pain and difficulties of writing and exile. Including two interviews conducted by Deborah Starr, with celebrated literary editor Diana Athill, OBE, and with Ghali's cousin, former director of UNICEF-Geneva, Samir Basta, the Diaries bring together those most familiar with Ghali's life and work, and offer a fresh take on a distinctive author and a vibrant decade.

Follow in the footsteps of some of the world's most famous authors on the journeys which inspired their greatest works in this beautiful illustrated atlas. Some truly remarkable works of literature have been inspired by writers spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 35 influential journeys taken by literary greats and reveals the repercussions of those travels on the authors' personal lives and the broader literary landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world's most famous literary creations, including Dracula, Moby Dick, Murder on the Orient Express, Madame Bovary, The Talented Mr Ripley and Harry Potter and the Philosopher's Stone. From Herman Melville's first whaling voyage in 1841, from New York to Liverpool, to Jack Kerouac's on-the-road Odyssey, which is now an iconic drive, discover how these journeys imprinted themselves on some of the greatest literary minds of all time. Complete with navigational notes, colour photographs and commissioned maps, the fresh insights within tell readers something new about the places, work and personalities of some of the world's greatest minds.

Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe's most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: "I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent."Memoirs of Casanova Volume II covers the young adulthood of Giacomo Casanova. Having excelled in his study of law at the University of Padua, Casanova embarks on an ill-fated career as a cleric. Drawn further toward the life of a dandy than that of a man of God, he moves within some of Venice's highest social circles while womanizing and developing an addiction to gambling. After being forced to leave the seminary due to a debt-related imprisonment, Casanova manages to gain employment with a powerful Bishop in Rome. But his taste for freedom and fast-living proves much too strong, and soon ends his religious career for good. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova's Memoirs of Casanova is a classic of European literature reimagined for modern readers.

The Celtic Twilight (1893) is a collection of stories written and edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, The Celtic Twilight captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Belief and Unbelief," a story is shared about a village at the foot of Ben Bulben. One day, a young girl disappears while walking through a local field. Fearful that the faeries have gotten her, the townspeople conduct a search of the village, checking every home while burning ragweed and reciting spells to ward off the mischievous spirits. "Mortal Help" discusses the interdependence of humans and faeries, who require the presence of the living in order to play games in the physical world. As evidence, an old ditch digger tells a story from his youth, when he witnessed a group of faeries playing the game of hurling not far from the field where he was working. In "A Knight of the Sheep," an old farmer faces off with the local tax collector, and both struggle to maintain respect for one another while trading shrewdly concealed insults. "The Devil" discusses several demonic sightings among Irish peasants, who claim to have met Lucifer by the side of the road by day and under the bed at night. The Celtic Twilight captures the collision of ancient and modern Ireland, preserving its legends while ensuring their mystery remains. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Celtic Twilight is a classic of Irish literature reimagined for modern readers.

A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020 Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'. 'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________ 'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .' The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real Estate, is available now. _________________________________ 'I just haven't stopped reading it . . . it talks so beautifully about being a woman' Billie Piper on BBC Radio 4's Desert Island Discs 'It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself. Wonderful' Guardian 'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise . . . a brilliant writer' Daily Telegraph 'A graceful and lyrical rumination on the questions, "What is a woman for? What should a woman be?"' Tatler 'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times

Considered one of the best written biographies of all-time, The Life of Samuel Johnson gives insight into the glowing mystique of the prominent English writer. By incorporating key elements from his past and personal relationships, James Boswell creates an extensive narrative of the revered figure. Drawn from Boswell's own journals, the author recounts the life and experiences of Samuel Johnson. He uses his personal connection to investigate Johnson's origin and rise to power. His career is filtered through brief episodes highlighting obstacles and successes alongside his notable peers. It's an intimate record of the celebrated writer and fixture within literary circles. Through his compelling writing, James Boswell successfully illustrates the character and reality of Samuel Johnson. The biography explores his strengths and weaknesses as well as his motivations and fears. Boswell's input is crucial to the story structure, delivering an informative and impactful narrative. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life of Samuel Johnson is both modern and readable.

On the fiftieth anniversary of his death, C.S. Lewis was commemorated in Poets' Corner, Westminster Abbey, taking his place beside the greatest names in English literature. Oxford and Cambridge Universities, where Lewis taught, also held celebrations of his life. This volume gathers together addresses from those events into a single anthology. Rowan Williams and Alister McGrath assess Lewis's legacy in theology, Malcolm Guite addresses his integration of reason and imagination, William Lane Craig takes a philosophical perspective, while Lewis's successor as Professor of Medieval and Renaissance English, Helen Cooper, considers him as a critic. Others contribute their more personal and creative responses: Walter Hooper, Lewis's biographer, recalls their first meeting; there are poems, essays, a panel discussion, and even a report by the famous 'Mystery Worshipper' from the Ship of Fools website, along with a moving recollection by Royal Wedding composer Paul Mealor about how he set one of Lewis's poems to music. Containing theology, literary criticism, poetry, memoir, and much else, this volume reflects the breadth of Lewis's interests and the astonishing variety of his own output: a diverse and colourful commemoration of an extraordinary man.

In his travel narrative Travels with a Donkey in the Cevennes (1879), Robert Louis Stevenson declares, "I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move." Taking up the concepts of time, place, and memory, the contributors to this collection explore in what ways the dynamic view of life suggested by this quotation permeates Stevenson's work. The essays adopt a wide variety of critical approaches, including post-colonial theory, post-structuralism, new historicism, art history, and philosophy, making use of the vast array of literary materials that Stevenson left across a global journey that began in Scotland in 1850 and ended in Samoa in 1894. These range from travel journals, letters, and classic literary staples such as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde, to rarely read masterpieces such as The Master of Ballantrae or The Ebb-Tide. While much recent scholarship on Stevenson foregrounds geography, the present volume also examines the theme of movement across memory, time, and generic boundaries. Taken together, the essays offer a view of Stevenson that demonstrates how the protean nature of his literary output reflects the radical developments in science, technology, and culture that characterized the age in which he lived.

In their own time, Lewis Carroll, Robert Louis Stevenson and Algernon Charles Swinburne were highly successful writers. Part of the Lives of Victorian Literary Figures series, this three-volume facsimile edition draws together a range of biographical sources relating to these three celebrated Victorian authors. Diary extracts, letters, memoirs and other ephemeral material allows scholars to see these figures through the eyes of their contemporaries. These early accounts shed a different light on their personalities and reputations than more recent portrayals.

"A richly rewarding, insightful, and engaging study."
--"American Literary Realism"

"Glass provides a novel, nuanced, and sound critical perspectives on the productive interaction of seemingly opposite forces: modernism and the mass market."--"Choice"

"Glass offers insightful readings of such books as Stein's "Everybody's Autobiography"(1937) and Hemingway's "Death in the Afternoon" (1932)."
--"The Journal of American History"

"A fascinating exploration of the relationship among modern authorial celebrity, the rise of the mass market, and the crisis of masculinity at the turn of the twentieth century. This crisply argued book unites sophisticated theoretical arguments about the changing shape of subjectivity in American culture with attentive literary readings and careful historical scholarship."
--Janice Radway, Duke University

"Provocatively and deftly tackles the question of literary celebrity in modern America. A smart and combelling book that has broken through the silence on literary celebrity, and it will serve as the foundation for other inquiries into this complex phenomenon."
--"The Hemingway Review"

The first comprehensive and systematic study of literary celebrity in the twentieth-century United States, Authors Inc. focuses on the autobiographical work of Mark Twain, Jack London, Gertrude Stein, Ernest Hemingway, and Norman Mailer. Through these classic American authors, Loren Glass reveals the degree to which literary modernism in the United States is inseparable from the mass cultural forces it opposed.

Chronicling the emergence of literary celebrity in the late nineteenth century up through its contemporary manifestations, Glass focuseson how individual authors themselves struggled with the conditions of mass cultural renown. Furthermore, by emphasizing the complex relation between masculinity and modernist authorship in the United States, the book provides a bracing new account of the psychosexual economy of the American profession of authorship.

By combining a socio-historical approach with a rhetorical analysis of the autobiographical work in which classic American writers attempted to intervene in the formation of their public personae, Authors Inc. offers a long overdue study of one of the most important, and neglected, aspects of modern American literature.