Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron's tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other's works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael's standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.

A gripping, unforgettable memoir from one of the best, most original writers of the 21st century. Blake Butler has changed the world of language with his mind-melting literary thrillers, and now he brings his abilities to bear on the emotional world.

Blake Butler and Molly Brodak instantly connected, fell in love, married and built a life together. Both writers with deep roots in contemporary American literature, their union was an iconic joining of forces between two major and beloved talents.

Nearly three years into their marriage, grappling with mental illness and a lifetime of trauma, Molly took her own life. In the days and weeks after Molly’s death, Blake discovered shocking secrets she had held back from the world, fundamentally altering his view of their relationship and who she was.

A masterpiece of autobiography, Molly is a riveting journey into the darkest and most unthinkable parts of the human heart, emerging with a hard-won, unsurpassedly beautiful understanding that expands the possibilities of language to comprehend and express true love.

Unrelentingly clear, honest and concise, Molly approaches the impossible directly, with a total empathy that has no parallel or precedent. A supremely important work that will be taught, loved, relied on and passed around for years to come, Blake Butler affirms now beyond question his position at the very top rank of writers.

Sir John Hill (1714--1775) was one of Georgian England's most vilified men despite having contributed prolifically to its medicine, science and literature. Born into a humble Northamptonshire family, the son of an impecunious God-faring Anglican minister, he started out as an apothecary, went on to collect natural objects for the great Whig lords and became a botanist of distinction. But his scandalous behavior prevented his election to the Royal Society and entry to all other professions for which he was qualified. Today, we can understand his actions as the result of a personality disorder; then he was understood entirely in moral terms. When he saw the dye cast he turned to journalism and publication, and strove maniacally to succeed without patronage. As a writer he was also cut down in ferocious 'paper wars'. Yet by the time he died, he had been knighted by the Swedish monarch and become a household name among scientists and writers throughout Britain and Europe. His life was a series of paradoxes without coherence, perhaps because he was above all a provocateur.In time he would also become a filter for the century in which he lived: its personalities--great and small--as well as the broad canvas of its culture, and for this reason any biography necessarily stretches beyond the man himself to those whose profiles he also illuminates.

Mary Shelley was brought up by her father in a house filled with radical thinkers, poets, philosophers and writers of the day. Aged sixteen, she eloped with Percy Bysshe Shelley, embarking on a relationship that was lived on the move across Britain and Europe, as she coped with debt, infidelity and the deaths of three children, before early widowhood changed her life forever. Most astonishingly, it was while she was still a teenager that Mary composed her canonical novel Frankenstein, creating two of our most enduring archetypes today.

The life story is well-known. But who was the woman who lived it? She's left plenty of evidence, and in this fascinating dialogue with the past, Fiona Sampson sifts through letters, diaries and records to find the real woman behind the story. She uncovers a complex, generous character - friend, intellectual, lover and mother - trying to fulfil her own passionate commitment to writing at a time when to be a woman writer was an extraordinary and costly anomaly.

Published for the 200th anniversary of the publication of Frankenstein, this is a major new work of biography by a prize-winning writer and poet.

Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

Millions of fans the world over got to know her beloved characters, Hercule Poirot, Miss Jane Marple, and the rest, yet for decades little was known about their creator. Dame Agatha Christie was a woman who scrupulously kept her private life hidden from view, dodging the press, granting no interviews, and even, for a brief time, famously disappearing. But shortly after the great lady's death, the silence was broken when An Autobiography was finally published.

The witty, insightful, and immensely entertaining reflections of a marvelous talent, An Autobiography is as compulsively readable as Christie's novels. In her own inimitable style, a brilliant eccentric whose life encapsulated her times sheds light on her past, including her childhood in Victorian England, her volunteer work during World War II, and, of course, her phenomenal career. Agatha Christie's An Autobiography brings into sharp focus a beloved and enduring literary icon whose imagination continues to mesmerize readers to this very day.

The definitive and revealing biography of the author of The Secret Garden. Frances Hodgson Burnett's favourite theme in her fiction was the reversal of fortune, and she herself knew extremes of poverty and wealth. Born in Manchester in 1849, she emigrated with her family to Tennessee because of the financial problems caused by the cotton famine. From a young age she published her stories to help the family make ends meet. Only after she married did she publish Little Lord Fauntleroy that shot her into literary stardom. On the surface, Frances' life was extremely successful: hosting regular literary salons in her home and travelling frequently between properties in the UK and America. But behind the colourful personal and social life, she was a complex and contradictory character. She lost both parents by her twenty-first birthday, Henry James called her "the most heavenly of women" although avoided her; prominent people admired her and there were many friendships as well as an ill-advised marriage to a much younger man that ended in heartache. Her success was punctuated by periods of depression, in one instance brought on by the tragic loss of her eldest son to consumption. Ann Thwaite creates a sympathetic but balanced and eye-opening biography of the woman who has enchanted numerous generations of children.

This is his first full biography, describing the early years of the Blaenclydach grocer's son, his abhorrence of chapel culture , his bohemian years in Fitzrovia, his visit to the Lawrences in the south of France, his unremitting work ethic, his patrons, his admiration for the French and Russian writers who were his models, his love-hate relationship with the Rhondda, and above all, the dissembling that went into Print of a Hare's Foot (1969), an autobiographical beginning , which proves to be a most unreliable book from start to finish.

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss's discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss's writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

Originally published in English in 1951, this biography of one of Germany's foremost mystical poets dis-proves many of the myths surrounding Rainer Maria Rilke and examines his life and work from social, historical and psychological perspectives, while all the time referencing Rilke's works to his complex personality. The legacy of his work on younger generations is also examined. All German prose quotations have been translated into English for this edition, existing translations used for the German poetry.

If a history of Russian-Jewish literature in the twentieth century (or, at least, a history of its authors and texts) were ever to be written, it would reveal a number of puzzling lacunae. One such lacuna is Andrei Sobol, a truly significant writer who, paradoxically, has not received due scholarly attention. This can easily be demonstrated by the fact that Sobol's name goes virtually unmentioned in some of the most representative and authoritative studies dealing with the Russian-Jewish literary discourse. It is this scholarly gap that has prompted Vladimir Khazan to write this volume, a comprehensive and exhaustive account of Sobol's public, literary, and artistic activities as a purely Russian-Jewish phenomenon. Khazan analyzes his biographical subject within the framework of cultural studies.

This biography came into being after extensive research in Moscow, Berlin, Paris, New York, and Los Angeles. The author is the first to analyze Eisenstein's diaries and correspondence' materials that were inaccessible in the past. Eisenstein's relations with Freemasons, Rosicrucians and Stalin, with rivals and admirers, with psychoanalysts who treated him are no longer faded out. Was Eisenstein homosexual? A Stalinist? A conformist? A dissident? He left no clear answers for his biographers. Oksana Bulgakowa's study of Eisenstein's life tries to uncover these themes in his films and drawings, between the lines of his diaries and letters, in his drafts to screenplays, projects, and research. Late in life Eisenstein viewed this research as his only possible means of salvation from the compromises he had consciously made with himself and his creativity. Oksana Bulgakowa (b. 1954) graduated from the Moscow Film Institute VGIK in 1977. In the same year she moved to Berlin/GDR and received her doctoral degree from Humboldt University in 1982. She works as an author, editor, translator, and filmmaker. Since 1998 she has been a visiting professor at Stanford University, USA. For further information go to www.PotemkinPress.com]

Written by his collateral descendant, sculptor Andrew Wordsworth, this insightful biography studies Wordsworth's poetry to understand more fully this deeply private and often enigmatic personality, and it observes the artist's life to better grasp the meaning of the deceptively immediate verses which conceal many layers of meaning. Andrew Wordsworth doesn't hesitate to describe faithfully his illustrious ancestor's complex and aloof personality, and his successes as well as his shortcomings. For example, he explains how after The Prelude (completed in 1805 but published posthumously) he composed little of note and his project with Coleridge, The Recluse, remained a literary pipe-dream. Perhaps, Wordsworth himself was the 'Recluse', increasingly isolated, ensconced in his bucolic corner in the Lake District, surrounded by his close family circle (the harem, as Coleridge called it): his sister Dorothy, his constant companion, and later his wife Mary and his daughters - tragically, Dorothy was to be afflicted by a mental illness for the last 20 years of her life. Moreover, Wordsworth became progressively conservative and nationalistic, abandoning entirely his earlier liberal ideals which led him to join the French revolutionaries several years earlier. One wonders if this need for a settled and steady life and for tradition was a reaction to the many upheavals he had experienced in his early life; he was orphaned as a young child and grew up separated from his brothers and sisters: he didn't see Dorothy for nine consecutive years. However, this lack of interest in the outside world and its progress was perhaps one of the causes stemming the flow of his creativity which nonetheless would change the course of English poetry forever. As Dr David Whitley notes, Well-Kept Secrets intersperses the narrative exploring Wordsworth's life with a wealth of poetic verses. This structure clearly shows how Wordsworth's art was intimately linked to his existence and how it was a means - more or less conscious - to come to terms with the world, with himself and the many contradictions running like chasms across his personality. It also enables Andrew Wordsworth to shed some new light on the interpretation of the poetry and to better understand the poet as a man.

Academic - Scholarly - Defoe Studies - Political History - Eighteenth-Century History; In this new book, Furbank and Owens attempt to disentangle the story of Daniel Defoe's political career, as journalist, polemicist, political theorist and secret agent. They argue that this remarkable career calls for a good deal of rethinking, not least because biography and bibliography are here inextricably intertwined. The book challenges the current account of Defoe's political career - rather drastically in some cases. It argues, for example, that Defoe's cherished story of his intimacy with King William - a staple of all previous Defoe biographies - was most probably an (immensely bold) fiction, a view which, if correct, entails considerable revision of his personality and career. Likewise, it offers a new interpretation of the famous series of letters Defoe wrote in 1718 to his Government paymaster, the Whig Undersecretary of State Charles de la Faye,

To the world she was Agatha Christie, author of numerous bestselling mysteries and whodunits, arguably the most popular writer in the English language. But in the 1930s she wore a different hat, traveling with her husband, renowned archaeologist Max Mallowan, as he investigated the buried ruins and ancient wonders of Syria and Iraq. Described by the author as a "meandering chronicle of life on an archaeological dig," Come, Tell Me How You Live is Dame Agatha Christie's first-person account of her time spent in this breathtaking corner of the globe where recorded human history began. It is a fascinating, eye-opening, vibrant, and vivid portrait of a place, a people, and a past, by a legendary writer whose extraordinary popularity endures to this day; an altogether remarkable narrative of everyday life in a world now long since vanished.

Curious, ruminative, and wry, this literary autobiography tours what Rachel Kushner called "the strange remove that is the life of the writer." Frank's essays cover a vast spectrum--from handling dismissive advice, facing the dilemma of thwarted ambition, and copying the generosity that inspires us, to the miraculous catharsis of letter-writing and some of the books that pull us through. Useful for writers at any stage of development, Late Work offers a seasoned artist's thinking through the exploration of issues, paradoxes, and crises of faith. Like a lively conversation with a close, outspoken friend, each piece tells its experience from the trenches.

Published for the first time as Ernest Hemingway intended, one of the great writer's most beloved and enduring works: his classic memoir of Paris in the 1920s.
Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now, this spe- cial restored edition presents the original manuscript as the author intended it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by the editor and grandson of the author, Sean Hemingway, this new edi- tion also includes a number of unfinished, never-before-pub- lished Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of other literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Sure to excite critics and readers alike, the restored edition of "A Moveable Feast" brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

In postwar rural England, Hilary Mantel grew up convinced that the most improbable of accomplishments, including "chivalry, horsemanship, and swordplay," were within her grasp. Once married, however, she acquired a persistent pain that led to destructive drugs and patronizing psychiatry, ending in an ineffective but irrevocable surgery. There would be no children; in herself she found instead one novel, and then another.

This biography covers both the literary and political career of John Morley, later Lord Morley of Blackburn (1838-1923). As a writer, Morley made his reputation as the radical editor of The Fortnightly Review from 1867 to 1882. This was an influential periodical for which Morley commissioned articles by writers such as Leslie Stephen and Frederic Harrison, and for which Morley wrote many articles himself. As a politician, Morley worked very closely with William Ewart Gladstone, particularly in the two attempts to introduce legislation providing for Irish home rule, with a Dublin parliament. Finally, at the end of his political career, Morley served as secretary of state for India (1905-1910) in the great Liberal government of Campbell-Bannerman and Asquith. Working with the viceroy Lord Minto, Morley was responsible for the first tentative steps toward a democratic government in India. Morley was strongly opposed to militarism: he had stood out against the war with the Boers in South Africa and he resigned from office in 1915 in protest against the declaration of war on Germany. This biography utilizes extensive primary archival material, including Morley's own diaries and letters, which have only recently become available.

Oxford held a special place in Evelyn Waugh's imagination. So formative were his Oxford years that the city never left him, appearing again and again in his novels in various forms. This book explores in rich visual detail the abiding importance of Oxford as both location and experience in his literary and visual works. Drawing on specially commissioned illustrations and previously unpublished photographic material, it provides a critically robust assessment of Waugh's engagement with Oxford over the course of his literary career. Following a brief overview of Waugh's life and work, subsequent chapters look at the prose and graphic art Waugh produced as an undergraduate together with Oxford's portrayal in Brideshead Revisited and A Little Learning as well as broader conceptual concerns of religion, sexuality and idealised time. A specially commissioned, hand-drawn trail around Evelyn Waugh's Oxford guides the reader around the city Waugh knew and loved through locations such as the Botanic Garden, the Oxford Union and The Chequers. A unique literary biography, this book brings to life Waugh's Oxford, exploring the lasting impression it made on one of the most accomplished literary craftsmen of the twentieth century.

Series Information:
Routledge Critical Thinkers