Part autobiography, part natural history, Bird Cloud is the glorious story of Annie Proulx's piece of the Wyoming landscape and her home there."Bird Cloud" is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and four-hundred-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy, and she knew what she wanted to build on it--a house in harmony with her work, her appetites and her character, a library surrounded by bedrooms and a kitchen. Bird Cloud is the story of designing and constructing that house--with its solar panels, Japanese soak tub, concrete floor, and elk horn handles on kitchen cabinets. It is also an enthralling natural history and archaeology of the region--inhabited for millennia by Ute, Arapaho, and Shoshone Indians--and a family history, going back to nineteenth-century Mississippi riverboat captains and Canadian settlers. Proulx, a writer with extraordinary powers of observation and compassion, here turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time.

Understands Nietzsche in the light of his activity as a creative writer from his juvenilia through the publication of The Birth of Tragedy, providing the first extensive study in English of his early literary works. The name Friedrich Nietzsche resonates around the world. Although known primarily as a philosopher, Nietzsche began his writing career while still a boy with literary texts: poetry, prose, and dramas. The present book is the first extensive study in English of these early literary works. It understands Nietzsche in the light of his activity as a creative writer from his juvenilia through his first two years as professor of classical philology at the University of Basel, that is, through the 1872 publication of his first major work, The Birth of Tragedy Out of the Spirit of Music. Knowledge of Nietzsche's early literary writings further underscores the value of The Birth of Tragedy as a work of world literature. The present study makes available almost all of Nietzsche's early poetry and extensive excerpts from his early prose works and dramas - much of it in English for the first time - along with commentary. A final, extensive chapter on The Birth of Tragedy treats it as the culmination of the early literary works. The book contains many new insights into Nietzsche and his work and essential source material for future research. All quotations from Nietzsche are given in both the original German and in English.

'Jan Marsh's book is the best researched and fullest biography of Rossetti we have yet had.' Fiona MacCarthy, New York Review of Books 'Although never formally part of the Pre-Raphaelite poetic school, which included her brother Gabriel, William Morris, and Algernon Swinburne, Christina Rossetti has always been linked to it. [Jan Marsh] gives full attention to both the individual and her unique variety of fantastic and devotional poetry... Marsh delineates an appealing person while examining her adolescent nervous breakdown, abortive engagement to a lapsed Catholic painter, frustrated love for an absentminded scholar, and relationships with her devout but hearty sister, Maria, and with her brothers... The author's steady, sympathetic course through Rossetti's divided life enables readers to delve into the intense and original self most fully expressed in her poetry.' Kirkus Review

In 1988 Hugo Williams began to pen his 'Freelance' column for the Times Literary Supplement: a window that allowed him to exhibit the full panoply of his gifts as travel writer, literary portraitist, working poet, and all-round chronicler of the curious existence of the contemporary writer. Freelancing is a collection of these TLS columns that finds Williams variously in Sarajevo, Central America, Jerusalem, Skyros, Portugal and Norwich. In the course of events he sees his Selected Poems published, his mother dies, his wife inherits a chateau and he crashes his motorbike. He reads and teaches, as most poets do, but also strolls through Paris dressed as Marlene Dietrich, encounters some of the great and good, and explores his personal history. His account of these adventures, reflections and discoveries is elegantly turned, frequently hilarious, and at times surprisingly poignant.

How four American cities shaped Poe's life and writings Edgar Allan Poe (1809-1849) changed residences about once a year throughout his life. Driven by a desire for literary success and the pressures of supporting his family, Poe sought work in American magazines, living in the cities that produced them. Scott Peeples chronicles Poe's rootless life in the cities, neighborhoods, and rooms where he lived and worked, exploring how each new place left its enduring mark on the writer and his craft. Poe wrote short stories, poems, journalism, and editorials with urban readers in mind. He witnessed urban slavery up close, living and working within a few blocks of slave jails and auction houses in Richmond and among enslaved workers in Baltimore. In Philadelphia, he saw an expanding city struggling to contain its own violent propensities. At a time when suburbs were just beginning to offer an alternative to crowded city dwellings, he tried living cheaply on the then-rural Upper West Side of Manhattan, and later in what is now the Bronx. Poe's urban mysteries and claustrophobic tales of troubled minds and abused bodies reflect his experiences living among the soldiers, slaves, and immigrants of the American city. Featuring evocative photographs by Michelle Van Parys, The Man of the Crowd challenges the popular conception of Poe as an isolated artist living in a world of his own imagination, detached from his physical surroundings. The Poe who emerges here is a man whose outlook and career were shaped by the cities where he lived, longing for a stable home.

Prior to the First World War T.E. Hulme was one of the most original and striking creative personalities in England, strongly admired by both Pound and Eliot. Yet he died in 1917, virtually unknown. A key figure in the genesis of Modernism, Hulme mixed among a great range of gifted artists and was never shy of courting controversy. Unusually among poets of his generation, he was convinced of the rightness of Britain's role in the war (and criticised Bertrand Russell for his pacifism.)

Robert Ferguson offers the first modern biography of Hulme, drawing upon access to Hulme's papers and later interviews with his associates.

'A humane, comprehensive biography... By the end, Ferguson's final judgment of his subject - 'the conservative character at its best' - seems justified.' Jeremy Noel-Todd, "Observer"

Here is the essential reference for fans of Elisabeth Ogilvie's books -- and a wonderful introduction to one of Maine's most prolific writers.

Bohemian, egoist and prophet of sensualism, Henry Miller remains to many writers and readers a literary lion. Born in Brooklyn in 1891, son of a tailor of German extraction, Miller would embrace a freewheeling existence that carried him through umpteen jobs and sexual encounters, providing rich source material for the novels he would write. Greenwich Village and Paris in the 1920s offered rich pickings, as did Miller's ten-year affair with Anais Nin. But he was 69 before "Tropic of Cancer" was legally published in the US and made him famous, almost 30 years from its composition and long after his peers had devoured it in contraband French editions.

Robert Ferguson reveals Miller as a amalgam of vulnerability and insouciance, who endured thirty years of official opprobrium but won the respect of Orwell, T.S. Eliot and Lawrence Durrell, and readers by the thousand.

'This impressive biography is] good, dirty fun.' "Observer"

'Engaging and perceptive.' "Economist"

'Lively and entertaining.' J.G. Ballard

In this richly detailed biography Victoria Glendinning brings alive the great Anglo-Irish novelist (The Death of the Heart, The Heat of the Day) whose literary achievements were matched by her tremendous talent for living. Taking us from Elizabeth Bowen's ancestral home in Ireland to Oxford (where she met Yeats and Eliot), through her service as an air-raid warden in London during World War II, to her friendships with such luminaries as Virginia Woolf, Evelyn Waugh and Graham Greene, Glendinning lifts the veil between Bowen's imaginative world and the complex emotional life that fired her novels. 'One of the best critical biographies to have come my way for some time... A beautifully composed portrait.' Sunday Telegraph 'It reads like a good novel.' Irish Times

It is a truth universally acknowledged that Jane Austen never goes out of style.

Jane Austen's much-loved novels vividly describe 19th-century society. But they are also timeless classics that continue to enjoy wild popularity 200 years after the author's death. Her delightfully quotable observations on love, men and women, society and class remain as relevant as they ever were. Packed full of intelligent insights, witty asides and wry observations, alongside fascinating facts about Austen's remarkable life, this Little Book showcases some of the best lines ever crafted in the English language.

One of Germany's greatest living writers offers up an analysis (and samples) of his failed projects. "My dear fellow artists, whether writers, actors, painters, film-makers, singers, sculptors, or composers, why are you so reluctant to talk about your minor or major failures?" With that question, Hans Magnus Enzensberger-the most senior among Germany's great writers-begins his amusing ruminations on his favorite projects that never saw the light of day. There is enlightenment in every embarrassing episode, he argues, and while artists tend to forget their successes quickly, the memory of a project that came to nothing stays in the mind for years, if not decades. Triumphs hold no lessons for us, but fiascos can extend our understanding, giving insight into the conditions of production, conventions, and practices of the industries concerned, and helping novices to assess the snares and minefields in the industry of their choice. What's more, Enzensberger argues, flops have a therapeutic effect: They can cure, or at least alleviate, the vocational illnesses of authors, be it the loss of control or megalomania. In Gone but Not Forgotten, Enzensberger looks back at his uncompleted experiments not just in the world of books but also in cinema, theater, opera, and journal publishing, and shares with us a "store of ideas" teeming with sketches of still-possible projects. He also reflects on the likely reasons for these big and small defeats. Interspersed among his ruminations are excerpts from those experiments, giving readers a taste of what we missed. Together, the pieces in this volume build a remarkable picture of a versatile genius's range of work over more than half a century and make us reflect on the very nature of success and failure by which we measure our lives.

In this, the companion volume to his earlier autobiographical Apostate (1926), Forrest Reid continues his 'chronicle of a prolonged personal adventure'. Private Road (first published in 1940) offers Reid's descriptions of his early writing efforts; a youthful correspondence with Henry James that began with promise yet ended disappointingly ('the Master was not pleased...'); his Cambridge encounters with such luminaries as Ronald Firbank and W.B. Yeats; the production and reception of his first published works; and his valued friendships with E.M. Forster and Walter de la Mare. The closing stages of the book reflect Reid's unique sense of the spiritual: a compelling meditation on our 'second life' in a place Reid calls 'dreamland', wherein a 'shadowy agent' conjures an atmosphere that can hold powerful inspirational properties for the artist. Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog faberfindsblog.co.uk. Normal 0 false false false /* Style Definitions */

Longtime fans of Rich's writing will welcome this engaging and thoughtful biography of her life. There is also a wonderful section that includes many of Rich's essays and stories -- which were published in magazines but never appeared in book form -- as well as excerpts from her journal and letters.

Virginia Woolf has been among the most scrutinised figures of the past century. Her unique literary genius, her pioneering work for women's rights, her position at the nucleus of the Bloomsbury group, her high-profile family and marriage, her relationship with Vita Sackville-West, and her suicide have all been dissected. Life and art were, for Woolf, inextricably entangled, and the autobiographical elements of many of her works, including the masterpieces To The Lighthouse and The Waves, have heightened interest in this most fascinating of figures. Elizabeth Wright here takes a fresh look at the life and legacy of one of the greatest figures of English literature. Perfect for Woolf enthusiasts and newcomers alike, Brief Lives: Virginia Woolf offers a concise, authoritative account of the author's life, and presents an engaging overview of her afterlife in literary history.

Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, "Lord Weary's Castle," won the Pulitzer Prize. With "Life Studies," his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill.

'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

'A searing, triumphant story. A testament to the tenacity of the human spirit as well as a beautiful ode to an iconic figure' IRENOSEN OKOJIE Letters to Gil is Malik Al Nasir's profound coming of age memoir - the story of surviving physical and racial abuse and discovering a new sense of self-worth under the wing of the great artist, poet and civil rights activist Gil Scott-Heron. Born in Liverpool, Malik was taken into care at the age of nine after his seafaring father became paralysed. He would spend his adolescence in a system that proved violent, neglectful, exploitative, traumatising and mired in abuse. Aged eighteen, he emerged semi-literate, penniless with no connections or sense of where he was going - until a chance meeting with Gil Scott-Heron. Letters to Gil will tell the story of Malik's empowerment and awakening while mentored by Gil, from his introduction to the legacy of Black history to the development of his voice through poetry and music. Written with lyricism and power, it is a frank and moving memoir, highlighting how institutional racism can debilitate and disadvantage a child, as well as how mentoring, creativity, self-expression and solidarity helped him to uncover his potential.

"'I had arrived at the Greek view of nature. In wood and river and plant and animal and bird and insect it had seemed to me there was a spirit which was the same as my spirit...'"

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Born in Belfast in 1875, Forrest Reid would earn a reputation as 'the first Ulster novelist of European stature.' He studied at Cambridge, but it was Belfast where Reid returned to make his home, and where his questing mind seemed to find all that it required of inspiration. As he writes in "Apostate" (1926), the first of two volumes of autobiography - "'The landscape was the landscape I loved best, a landscape proclaiming the vicinity of man, a landscape imbued with a human spirit that was yet somehow divine.'"

'Will surely rank as one of the foremost literary biographies of our time.' John Carey, Sunday Times In his lifetime Gerard Manley Hopkins (1844-1889) published just a single poem - only a few close friends were aware he wrote. Much of his work was burnt by fellow Jesuits on his death. And yet Hopkins is today a huge figure in English literature. Homosexual but terribly repressed, he channeled his emotions toward nature and God, with profound results. Princeton emeritus professor Martin, the only biographer to have unrestricted use of Hopkins' private papers, tells this extraordinary story from Hopkins' early life and studies at Oxford, through his tortuous conversion from Anglicanism to Catholicism, to his struggle in later years to retain his very sanity. 'In Martin, the unhappy and tormented genius has found the most sympathetic and intelligent interpreter... [The book] goes to the heart of Hopkins, and plants him firmly before us as a Victorian, and a great one.' Allan Massie, Sunday Telegraph 'Martin follows Hopkins through his toils with sympathy and a great unshowy command of the facts. In this magnificently solicitous biography he has re-established the contours of the story definitively and made the homosexual drama integral to the better-known drama of conversion and poetics.' Seamus Heaney, Independent on Sunday 'The triumph of this learned, scrupulously detailed and persuasive biography is that it brings the reader as near as it is perhaps possible to come to living Hopkins' life, to sensing the mysterious crushing pressures that were for him intimately bound up with the richness and complexity of his writing.' Hilary Spurling, Daily Telegraph

**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2021** **SHORTLISTED FOR THE DUFF COOPER PRIZE 2021** **SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE** **FINALIST FOR THE 2022 PLUTARCH AWARD** D. H. Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be. Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson presents a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'A work of art in its own right' OBSERVER 'Utterly enthralling' GEOFF DYER 'Brilliantly unconventional' RICHARD HOLMES 'A red-hot, propulsive book' THE TIMES

Charlotte Brontes years in Belgium (184243) had a huge influence both on her life and her work. It was in Brussels that she not only honed her writing skills but fell in love and lived through the experiences that inspired two of her four novels: her first, The Professor, and her last and in many ways most interesting, Villette. Her feelings about Belgium are known from her novels and letters her love for her tutor Heger, her uncomplimentary remarks about Belgians, the powerful effect on her imagination of living abroad. But what about Belgian views of Charlotte Bronte? What has her legacy been in Brussels? How have Belgian commentators responded to her portrayal of their capital city and their society? Through Belgian Eyes explores a wide range of responses from across the Channel, from the hostile to the enthusiastic. In the process, it examines what The Professor and Villette tell Belgian readers about their capital in the 1840s and provides a wealth of detail on the Brussels background to the two novels. Unlike Paris and London, Brussels has inspired few outstanding works of literature. That makes Villette, considered by many to be Charlotte Brontes masterpiece, of particular interest as a portrait of the Belgian capital a decade after the country gained independence in 1830, and just before modernisation and expansion transformed the city out of all recognition from the villette (small town) that Charlotte knew. Her view of Brussels is contrasted with those of other foreign visitors and of the Belgians themselves. The story of Charlotte Brontes Brussels legacy provides a unique perspective on her personality and writing.

'Tennyson and Holman Hunt, Carlyles, Rossettis and any number of celebrated Trevelyans people these pages; and Mr Trevelyan's handling of their comings and goings is masterly.' Hilary Spurling

Pauline Trevelyan, friend and patroness of so many in the Pre-Raphaelite circle, played an important part in the lives of Ruskin and Swinburne in the 1850s and 1860s. Some mischievous biographers have even claimed that Swinburne fell in love with her.

For long she has been an intriguing, not to say mysterious, figure to those interested in the artistic and literary life of the period. She spotted Swinburne as a potential genius when he was still a schoolboy; as scandal enveloped him she did not flinch from speaking out frankly. The daughter of a poor and learned parson, she was married to Sir Walter Calverley Trevelyan, twenty years her senior, a strange, tall, taciturn landowner-cum-scientist, and her opposite in character. Herself an artist, writer and critic, she commissioned important works from Rossetti, Woolner and others. From her immense correspondence, scarcely examined before this book was published, we learn much more about John Ruskin.

Ruskin's marriage in particular has always attracted great attention. It was feared, however, that the secrets surrounding its breakdown would never be fully known. Then a candid letter from Ruskin to a friend was suddenly unearthed. This so excited historians that this new edition of A Pre-Raphaelite Circle was published to include the letter in full, with all its revelations, making this important book a crucial work of reference for those interested in Ruskin and the Pre-Raphaelites who surrounded Lady Trevelyan.

"A shapely experiment, mixing memoir with biography . . . [Elizabeth Bishop] fuses sympathy with intelligence, sending us back to Bishop's marvelous poems." -- Wall Street Journal Since her death in 1979, Elizabeth Bishop, who published only one hundred poems in her lifetime, has become one of America's most revered poets. And yet she has never been fully understood as a woman and artist. Megan Marshall makes incisive and moving use of a newly discovered cache of Bishop's letters to reveal a much darker childhood than has been known, a secret affair, and the last chapter of her passionate romance with Brazilian modernist designer Lota de Macedo Soares. By alternating the narrative line of biography with brief passages of memoir, Megan Marshall, who studied with Bishop in her storied 1970s poetry workshop at Harvard, offers the reader an original and compelling glimpse of the ways poetry and biography, subject and biographer, are entwined. "Marshall is a skilled reader who points out the telling echoes between Bishop's published and private writing. Her account is enriched by a cache of revelatory, recently discovered documents . . . Marshall's narrative is smooth and brisk: an impressive feat." -- New York Times Book Review

'An acute literary intelligence ... the reader comes to trust instinctively Angier's assessments.' New York Times Jean Rhys (1890-1979) had a long life of great difficulty. So inept was she in its management that her authority as the writer of five beautifully shaped and controlled novels appears mysterious: how could someone so bad at living be so good at writing about it? Carole Angier answers this question. Jean Rhys never denied that she used her own experience in her writings, but no one hitherto has understood so well the nature of, and reasons for, this use. On her way to understanding, Carole Angier discovered more about the life than seemed possible. Jean Rhys's childhood, her momentous first love affair, her three marriages, the disasters which befell her husbands, her drinking and its consequences: all are shown with unsparing clarity. Equally clearly, and more importantly, we see the dynamics of her personality as it underwent, and sometimes provoked, these experiences. Sometimes what is revealed is shocking; but Carole Angier's sympathy and compassion dispel dismay, and her brilliant demonstrations of how art was made of events and emotions restores admiration on foundations which are stronger than ever. Jean Rhys did not want anyone to write about her, but this first full biography put beyond question her standing as a great writer of our time, written with an intensity and clarity which mirrors her own. It is a work of exceptional intimacy, sensitivity and power. 'Remarkable, the definitive biography. It is deeply researched, subtle, sympathetic.' Claire Tomalin Independent on Sunday 'Mesmerising.' Washington Post

This, the second volume of Alan Ross's autobiography, deals with his postwar life as cricket correspondent, publisher, man of letters and racehorse owner. The narrative is richly peopled: Johnny Minton, Keith Vaughan, Agatha Christie, Gavin Maxwell, Wilfred Thesiger, Cyril Connolly, T. C. Worsley, William Plomer, Terence Rattigan, William Sansom are just some who are memorably characterized.

William Boyd has written of Alan Ross, 'He was the opposite of parochial, his interests were wide and not elitist, his enthusiasms were carefully hedonistic. He was a very fine writer of prose - his two volumes of memoirs are small classics - and his poetry is limpid and evocative.' As a beguiling bonus, each chapter of Coastwise Lights is eked out with a small and apt selection of his poems.

The first autobiographical volume, "Blindfold Games," is also available in Faber Finds as will be many other of his titles.

'A true celebration of friendship and talent as well as the sports - football, cricket, horse-racing - which have engaged him in the last four decades.' Philip Oakes, "New Statesman"

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'His obvious affection for the friends who flit through this beautifully written sketchbook is masked by a writer's curiosity and detached amusement.' Euan Cameron, "Independent"

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'A fascinating history of metropolitan literary life from the end of the war.' Chris Peachment, "The Times"

First published in 1996, Robert Ferguson's controversial "Henrik Ibsen: A New Biography "is perhaps the most irreverent and critical of all the Ibsen biographies. Ferguson provides insight into Ibsen's personal life, his creative work, and the world in which he lived. He paints the portrait of a complex, emotionally tormented artist - not one who is necessarily likable, but one whom we can understand and appreciate.

Using previously unavailable material, including a letter in which Ibsen admits paternity of his illegitimate son, Ferguson chips through the hard enamel of Ibsen's public reputation. He details many of Ibsen's private traumas, such as how his inability to pay for the child's support very nearly landed him in jail, and shows the real impact of these experiences on Ibsen's growth, both as a man and as a playwright. The book clearly demonstrates that Ibsen was one of the great therapeutic artists.

"Henrik Ibsen: A New Biography" is a deeply researched, wide-ranging account of the man often called the founder of modern drama. At the time of its publication it polarised the critics and stirred up a great deal of debate. Essential reading for anyone interested in Ibsen and in the development of the modern theatre.