Few of the many romantic figures of the nineties have weathered the changing schools of literary taste as well as Ernest Dowson, in whose verse there is found a timeless, ingratiating charm and enduring interest. This biography is only incidentally a critical appraisal of Dowson's achievements but attempts to give a more completely rounded picture of the man than we have had before it. The book is based on a great deal of new material, which clears up many misinterpretations of Dowson's personality. This consists of unpublished letters from various sources, including twelve from Oscar Wilde that have not been printed before and detailed information gleaned by the author in interviews and in correspondence with persons who knew the poet intimately. To modern readers versed in psychological explanations of behavior, Dowson's story unwinds in a foredoomed pattern: the talented child of neurotic parents, the maladjusted boy at Oxford, the discontented young man in London, his curious infatuation for the child Adelaide, the brief association with prominent literary leaders in the Rhymers' Club and on the short-lived Savoy, and then his mother's suicide, his homelessness, poverty, aimless wandering abroad, the escape in drinking, finally death. Yet with it all, the insatiable urge to weave out his dreams in facile words which now form a unique and permanent contribution to English poetry. From this book Dowson emerges as a tragically interesting figure. The biography gives as much of his story as probably will ever be known, and as such takes an important place among the lives of English poets.

The 50th anniversary deluxe edition of Travels with Charley in Search of America features an updated introduction by Jay Parini and first edition cover art and illustrated maps of Steinbeck's route by Don Freeman.
In September 1960, John Steinbeck embarked on a journey across America. He felt that he might have lost touch with the country, with its speech, the smell of its grass and trees, its color and quality of light, the pulse of its people. To reassure himself, he set out on a voyage of rediscovery of the American identity, accompanied by a distinguished French poodle named Charley; and riding in a three-quarter-ton pickup truck named Rocinante.
His course took him through almost forty states: northward from Long Island to Maine; through the Midwest to Chicago; onward by way of Minnesota, North Dakota, Montana (with which he fell in love), and Idaho to Seattle, south to San Francisco and his birthplace, Salinas; eastward through the Mojave, New Mexico, Arizona, to the vast hospitality of Texas, to New Orleans and a shocking drama of desegregation; finally, on the last leg, through Alabama, Virginia, Pennsylvania, and New Jersey to New York.
Travels with Charley in Search of America is an intimate look at one of America's most beloved writers in the later years of his life--a self-portrait of a man who never wrote an explicit autobiography. Written during a time of upheaval and racial tension in the South--which Steinbeck witnessed firsthand--Travels with Charley is a stunning evocation of America on the eve of a tumultuous decade.

Poet and anti-apartheid activist Dennis Brutus recorded a series of tapes in the 1970s which have been edited and annotated by Bernth Lindfors to give valuable insights into Brutus's life and works. Dennis Brutus (1924-2009) is known internationally as a South African poet, anti-apartheid activist and campaigner for human rights and the release of political prisoners. His literary works include Sirens Knuckles Boots (1963), Letters to Martha, and Other Poems from a South African Prison (1968), A Simple Lust (1973), and Stubborn Hope (1978). When Dennis Brutus was a Visiting Professor at The University of Texas at Austin in 1974-75, he recorded on tape a series of reflections on his life and career. In addition, he frequently responded to questions about his poetry and political activities put to him by students and faculty in formal and informal interviews that were also captured on tape. Transcripts of a selection of these tapes, as well as reprints of two interviews recorded earlier, are reproduced here in order to put on record fragments of the autobiography of a remarkable man who lived in extraordinary times and managed to leave his mark on the land and literature of South Africa. Brutus was an effective anti-apartheid campaigner who succeeded in getting South Africa excluded from the Olympics. His opposition to racial discrimination in sports led to his arrest, banning, and imprisonment on Robben Island. Upon release, he left South Africa and lived most of the rest of his life in exile, where he continued his political work and simultaneously earned an international reputation as a poet who often sang of his love for his country. The tapes are edited by Bernth Lindfors who has added an Introduction and a transcript of a 1970 interview as well as other transcripts of lectures and discussions. Bernth Lindfors is Professor Emeritus of English and African Literatures, The University of Texas at Austin, and founding editor of Research in AfricanLiteratures. He has written and edited numerous books on African literature, including Folklore in Nigerian Literature (1973), Popular Literatures in Africa (1991), Africans on Stage (1999), Early Soyinka (2008), and Early Achebe (2009).

Originally published in 1936, this book presents an account of some aspects of the life of the renowned French letter-writer and aristocrat Marie de Rabutin-Chantal, marquise de Sevigne (1626-96). The text was written by the Cambridge literary critic Arthur Augustus Tilley (1851-1942) and is divided into four chapters: 'Mme de Sevigne and the news'; 'Mme de Sevigne and her friends'; 'Mme de Sevigne at Livry and Les Rochers'; 'Mme de Sevigne and her books'. Notes are incorporated throughout. This book will be of value to anyone with an interest in the life and writings of Mme de Sevigne or seventeenth-century France.

A reexamination of Austen's unpublished writings that uncovers their continuity with her celebrated novels-and that challenges distinctions between her "early" and "late" work Jane Austen's six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen's first biographer described them as "childish effusions." Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot. Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen's regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen's work, Johnston asks whether it makes sense to speak of an early and a late Austen at all. Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.

After four years of travel in Europe, including a full year of being in love with Giulia Persiani in Rome, Henry Wadsworth Longfellow returned home in 1829 and fell in love again, this time with Miss Mary Storer Potter, whom he married in 1831. They travelled together to England and Scandinavia in 1834, but their happiness was cut short-and Henry was forced to continue through Germany mostly alone. In 1836, however, traveling in Switzerland, he met the woman who would become the grand passion of his life, 18-year-old Fanny Appleton of 39 Beacon Street, Boston. But Fanny Appleton, a wealthy textile heiress, wasn't interested in settling down with a Harvard professor. She remained unyielding for six years, and then suddenly changed her mind, accepted the professor, and married him on July 13, 1843. For the next eighteen years they were America's Couple-and Longfellow became America's Poet. And then tragedy hit once again.

In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life-1770 to 1850-tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.

'Don't think, dear' said Balanchine. 'Just do.' For centuries, being a ballerina has been synonymous with being beautiful, thin, obedient and feminine. It is the crucible of womanhood, together with the harassment, physical abuse and eating disorders endemic at top schools. Can we abide this in a post #MeToo world? Weaving together her own time at America's most elite ballet school with the lives of renowned ballerinas throughout history, Alice Robb interrogates what it means to perform ballet today. She confronts the all-consuming nature of the form: the obsessive and dangerous practices to perfect the body, the embrace of submission and the idealisation of suffering. Yet ballet also gifts its dancers 'brains in their toes', a way to fully inhabit their bodies and a sanctuary of control away from the pressures of the outside world. Perhaps it is time to reimagine its liberating potential.

The remarkable transformation of Orwell from journeyman writer to towering icon Is George Orwell the most influential writer who ever lived? Yes, according to John Rodden's provocative book about the transformation of a man into a myth. Rodden does not argue that Orwell was the most distinguished man of letters of the last century, nor even the leading novelist of his generation, let alone the greatest imaginative writer of English prose fiction. Yet his influence since his death at midcentury is incomparable. No other writer has aroused so much controversy or contributed so many incessantly quoted words and phrases to our cultural lexicon, from "Big Brother" and "doublethink" to "thoughtcrime" and "Newspeak." Becoming George Orwell is a pathbreaking tour de force that charts the astonishing passage of a litterateur into a legend. Rodden presents the author of Animal Farm and Nineteen Eighty-Four in a new light, exploring how the man and writer Orwell, born Eric Arthur Blair, came to be overshadowed by the spectral figure associated with nightmare visions of our possible futures. Rodden opens with a discussion of the life and letters, chronicling Orwell's eccentricities and emotional struggles, followed by an assessment of his chief literary achievements. The second half of the book examines the legend and legacy of Orwell, whom Rodden calls "England's Prose Laureate," looking at everything from cyberwarfare to "fake news." The closing chapters address both Orwell's enduring relevance to burning contemporary issues and the multiple ironies of his popular reputation, showing how he and his work have become confused with the very dreads and diseases that he fought against throughout his life.

If I had not kissed anyone, or danced with anyone, or had a reason to cry, the music made me feel as if I had gone through all that anyway . . . the music attracted and repelled, organised and disturbed and then let us into the night, clusters of emotion ready to dissolve into sleep. In The Importance of Music to Girls, Lavinia Greenlaw tells the story of the adventures that music leads us into: getting drunk, falling in love, dying of boredom, cutting our hair, terrifying our parents, wanting to change the world. This is a vivid memoir unlike any other, recalling the furious passion of being young, female, and coming alive through music.

By the 1930s, Stefan Zweig, born to an affluent Jewish family in Vienna, had become the most widely translated living author in the world. His novels, short stories, and biographies became instant bestsellers, and his cultural patronage, his generosity, and his literary connections, were legendary. In 1934, following Hitler's rise to power, Zweig left Vienna for England, then New York, and, finally, Petropolis, a suburb of Rio de Janeiro. With the destruction of the cultural milieu of pre-Nazi Europe, Zweig's life in exile became increasingly isolated. In 1942 he and his wife, Lotte Altmann, were found dead. They had committed suicide, just after Zweig had completed his famous autobiography, The World of Yesterday. The Impossible Exile tells the mesmerizing and tragic story of Zweig's extraordinary rise and fall, the gulf between the world of ideas in Europe and in America, and the alienation of the refugees forced into exile. Zweig embodied and witnessed the end of an era: the great Central European civilization of Vienna and Berlin.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

Known for her bestselling detective novels, Dorothy L. Sayers lived a fascinating, groundbreaking life as a novelist, feminist, Oxford scholar, and important influence on the spiritual life of C.S. Lewis. This pioneering woman not only forged a literary career for herself but also spoke about faith and culture in revolutionary ways as she addressed the evergreen question of to what extent faith should hold on to tradition and to what extent it should evolve with a changing culture. Thanks to her unmatched wisdom, prophetic tone, and insistent strength, Dorothy Sayers is a voice that we cannot afford to ignore. Providing a blueprint for bridge-building in contemporary, polarizing contexts, Subversive shows how Sayers used edgy, often hilarious metaphors to ignite new ways to think about Christianity, shocking people into seeing the truth of ancient doctrine in a new light. Urging readers to reassess interpretations of the Bible that impede the cause of Christ, Sayers helps twenty-first-century Christians navigate a society increasingly suspicious of evangelical vocabularies and find new ways to talk and think about faith and culture. Ultimately, she will inspire believers, on both the right and the left, to evaluate how and why their language perpetuates divisive certitude rather than the hopeful humility of faith, and will show us all a better way forward.

Who was John Updike? Fifty-three commentators have much to tell us. They reveal Updike through anecdote, observation, and insight. Their memories reveal Updike the high school prankster, the golfer, the creator of bedtime stories, the charming ironist, the faithful correspondent of scholars, the devoted friend, and the dedicated practitioner of his art. Among those who share their prismatic views of Updike through interviews and essays are his first wife and three of their children; high school and college friends; authors John Barth, Joyce Carol Oates and Nicholson Baker; journalists Terri Gross and Ann Goldstein; and academics Jay Parini, William Pritchard, James Plath, and Adam Begley, Updike's biographer. These writers provide views of Updike not revealed before. Concluding his offering, Donald Greiner maintains that we each create our own John Updike. Many readers may well find themselves enjoying remembrances of their own encounters with John Updike and his work.

A revelatory portrait of Chekhov during the most extraordinary artistic surge of his life. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself-to his surprise and occasional embarrassment-admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondent and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period-when read in conjunction with his correspondence-become a psychological and emotional secret diary. When Chekhov struggled with his increasingly fraught engagement, young couples are continually making their raucous way in and out of relationships on the page. When he was overtaxed by his medical duties, his doctor characters explode or implode. Chekhov's talented but drunken older brothers and Chekhov's domineering father became transmuted into characters, yet their emergence from their family's serfdom is roiling beneath the surface. Chekhov could crystalize the human foibles of the people he knew into some of the most memorable figures in literature and drama. In Chekhov Becomes Chekhov, Blaisdell astutely examines the psychological portraits of Chekhov's distinct, carefully observed characters and how they reflect back on their creator during a period when there seemed to be nothing between his imagination and the paper he was writing upon.

SHORTLISTED FOR THE 2015 SAMUEL JOHNSON PRIZE 'Gripping and at times ineffably sad, this book would be poetic even without the poetry. It will be the standard biography of Ted Hughes for a long time to come' Sunday Times 'Seldom has the life of a writer rattled along with such furious activity ... A moving, fascinating biography' The Times Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work. Yet he is also a poet of deep tenderness, of restorative memory steeped in the English literary tradition. A poet of motion and force, of rivers, light and redemption, of beasts in brooding landscapes. With an equal gift for poetry and prose, and with a soul as capacious as any poet who has lived, he was also a prolific children's writer and has been hailed as the greatest English letter-writer since John Keats. With his magnetic personality and an insatiable appetite for friendship, for love and for life, he also attracted more scandal than any poet since Lord Byron. At the centre of the book is Hughes's lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, the saddest and most infamous moment in the public history of modern poetry. Ted Hughes left behind him a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems and memorandum books that make up an almost complete record of Hughes's inner life, preserved by him for posterity. Renowned scholar Sir Jonathan Bate has spent five years in his archives, unearthing a wealth of new material. His book offers for the first time the full story of Ted Hughes's life as it was lived, remembered and reshaped in his art. It is a book that honours, though not uncritically, Ted Hughes's poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes's own..

WHEN DID YOU LAST SEE THE STARS? 'Look at a satellite image of the Earth. Where it was once as dark as night, it is now lit up like a Christmas tree. If you zoom in on a city, you'll see floodlights, neon lights, car lights, and streetlamps. If you zoom in even further, to your own bedroom, you might see lamps and TV, tablet, and phone screens. Humans have always struggled with the dark, but isn't it light enough now? What is all this artificial light doing to us and everything else that lives? What is it doing to our sleep patterns and rhythms and bodies? AN ODE TO DARKNESS explores our intimate relationship with the dark: why we are scared of it, why we need it and why the ever-encroaching light is damaging our well-being. Under the dark polar night of northern Norway, journalist Sigri Sandberg meditates on the cultural, historical, psychological and scientific meaning of darkness, all the while testing the limits of her own fear.

The son of Jewish immigrants, war correspondent Cecil Brown (1907-1987) was a member of CBS' esteemed Murrow Boys. Expelled from Italy and Singapore for reporting the facts, he witnessed the Nazi invasion of Yugoslavia and the war in North Africa, and survived the sinking of the British battleship HMS Repulse by a Japanese submarine. Back in the U.S., he became an influential commentator during the years when Americans sought a dispassionate voice to make sense of complex developments. He was one of the first journalists to champion civil rights, to condemn Senator McCarthy's tactics (and President Eisenhower's reticence), and to support Israel's creation. Although he won every major broadcast journalism award, his accomplishments have been largely overlooked by historians. This first biography of Brown chronicles his career in journalism and traces his contributions to the profession.