The life of Charles Bukowski-laureate of lowlife Los Angeles-a novelist and poet who wrote as he lived. This is the only biography of Bukowski written by a close friend and collaborator. Neeli Cherkovski began a deep friendship with Bukowski in the 1960s while guzzling beer at wrestling matches or during quieter evenings discussing life and literature in Bukowski's East Hollywood apartment. Over the decades, those hundreds of conversations took shape as this biography-now with a new preface, "This Thing Upon Me Is Not Death: Reflections on the Centennial of Charles Bukowski." Bukowski, author of Ham on Rye, Post Office, and other bestselling novels, short stories, and poetry collections only ever wanted to be a writer. Maybe that's why Bukowski's voice is so real and immediate that readers felt included in a conversation. "In his written work, he's a hero, a fall guy, a comic character, a womanizing lush, a wise old dog," biographer Neeli Cherkovski writes. "His readers do more than glimpse his many-sidedness. For some, it's a deep experience. They feel as if his writing opens places inside of themselves they might never have seen otherwise. Often a reader comes away feeling heroic, because the poet has shown them that their ordinary lives are imbued with drama." Full of anecdotes, wisdom, humor, and insight, this is an essential companion to the work of a great American writer. Long-time Bukowski fans will come away with fresh insights while readers new to his work will find this an exhilarating introduction. "In his death, I hear him clearly," Cherkovski writes. "His voice comes to me resonant, full of unforced authority, a message of endurance, self-reliance, and honesty of expression. At the same time, he is also saying, 'Poetry is a dirty dishrag. Keep laughing at yourself on the way out the door.' "

Among the greatest of poets, TS Eliot protected his privacy while publicly associated with three women: two wives and a church-going companion. This presentation concealed a life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of "memory and desire" in The Waste Land; she is the Hyacinth Girl. Drawing on the dramatic new material of the only recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon reveals a hidden Eliot. Emily Hale now becomes the first and consistently important woman of life -- and his art. Gordon also offers new insight into the other spirited women who shaped him: Vivienne, the flamboyant wife with whom he shared a private wasteland; Mary Trevelyan, his companion in prayer; and Valerie Fletcher, the young disciple to whom he proposed when his relationship with Emily foundered. Eliot kept his women apart as each ignited his transformations as poet, expatriate, convert, and, finally, in his latter years, a man `made for love.' Emily Hale was at the centre of a love drama he conceived and the inspiration for the lines he wrote to last beyond their time. To read Eliot's twice-weekly letters to Emily during the thirties and forties is to enter the heart of the poet's art.

A homage to a remarkable poet and his world. 'At The Loch of Green Corrie is more than merely elegant, more than a collection of albeit fascinating insights, laugh-out-loud observations and impressively broad erudition' - Sunday Herald 'You could easily make a case that Andrew Greig has the greatest range of any living Scottish writer' - Scotsman For many years Andrew Greig saw the poet Norman MacCaig as a father figure. Months before his death, MacCaig's enigmatic final request to Greig was that he fish for him at the Loch of the Green Corrie; the location, even the real name of his destination was more mysterious still. His search took in days of outdoor living, meetings, and fishing with friends in the remote hill lochs of far North-West Scotland. It led, finally, to the waters of the Green Corrie, which would come to reflect Greig's own life, his thoughts on poetry, geology and land ownership in the Highlands and the ambiguous roles of whisky, love and male friendship. At the Loch of the Green Corrie is a richly atmospheric narrative, a celebration of losing and recovering oneself in a unique landscape, the consideration of a particular culture, and a homage to a remarkable poet and his world.

"A shapely experiment, mixing memoir with biography . . . [Elizabeth Bishop] fuses sympathy with intelligence, sending us back to Bishop's marvelous poems." -- Wall Street Journal Since her death in 1979, Elizabeth Bishop, who published only one hundred poems in her lifetime, has become one of America's most revered poets. And yet she has never been fully understood as a woman and artist. Megan Marshall makes incisive and moving use of a newly discovered cache of Bishop's letters to reveal a much darker childhood than has been known, a secret affair, and the last chapter of her passionate romance with Brazilian modernist designer Lota de Macedo Soares. By alternating the narrative line of biography with brief passages of memoir, Megan Marshall, who studied with Bishop in her storied 1970s poetry workshop at Harvard, offers the reader an original and compelling glimpse of the ways poetry and biography, subject and biographer, are entwined. "Marshall is a skilled reader who points out the telling echoes between Bishop's published and private writing. Her account is enriched by a cache of revelatory, recently discovered documents . . . Marshall's narrative is smooth and brisk: an impressive feat." -- New York Times Book Review

WHEN DID YOU LAST SEE THE STARS? 'Look at a satellite image of the Earth. Where it was once as dark as night, it is now lit up like a Christmas tree. If you zoom in on a city, you'll see floodlights, neon lights, car lights, and streetlamps. If you zoom in even further, to your own bedroom, you might see lamps and TV, tablet, and phone screens. Humans have always struggled with the dark, but isn't it light enough now? What is all this artificial light doing to us and everything else that lives? What is it doing to our sleep patterns and rhythms and bodies? AN ODE TO DARKNESS explores our intimate relationship with the dark: why we are scared of it, why we need it and why the ever-encroaching light is damaging our well-being. Under the dark polar night of northern Norway, journalist Sigri Sandberg meditates on the cultural, historical, psychological and scientific meaning of darkness, all the while testing the limits of her own fear.

The perfect gift for fans of All Creatures Great and Small, this is a charming collection of classic stories from James Herriot's much-loved books with insights into his life and work from his children Rosie and Jim. With astute observations and boundless humour, country vet Herriot captures the spirit of the Yorkshire Dales and of rural communities on the cusp of change, before tractors and machines had taken over and modern medicines and antibiotics transformed veterinary work. Along the way a beloved cast of characters emerges, from the squabbling brothers Tristan and Siegfried to Herriot's hapless courtship and eventual family life with Helen Anderson. But it's the animals which are at the heart of Herriot's stories. Whether he's dodging a raging bull on a risky artificial insemination assignment, becoming pen pals with Tricki Woo the spoilt Pikingese or the inevitable trials and tribulations of lambing season, there's never a dull moment in Herriot's company. At times moving and often laugh-out-loud funny, The Wonderful World of James Herriot will delight fans old and new.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

'You will find all of life in this' Deborah Levy After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. Then, too, the cultural and political moment seemed to collude with her condition: everywhere people were dislocated and angry. In this electrifying and brave examination of an ordinary enough death and its aftermath, Everyday Madness uses all Lisa Appignanesi's evocative and analytic powers to scrutinize her own and our society's experience of grieving. With searing honesty, lashed by humour, she navigates us onto the terrain of childhood, the way it forms our feelings of love and hate, and steers us towards a less tumultuous version of the everyday.

SHORTLISTED FOR THE 2015 SAMUEL JOHNSON PRIZE 'Gripping and at times ineffably sad, this book would be poetic even without the poetry. It will be the standard biography of Ted Hughes for a long time to come' Sunday Times 'Seldom has the life of a writer rattled along with such furious activity ... A moving, fascinating biography' The Times Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work. Yet he is also a poet of deep tenderness, of restorative memory steeped in the English literary tradition. A poet of motion and force, of rivers, light and redemption, of beasts in brooding landscapes. With an equal gift for poetry and prose, and with a soul as capacious as any poet who has lived, he was also a prolific children's writer and has been hailed as the greatest English letter-writer since John Keats. With his magnetic personality and an insatiable appetite for friendship, for love and for life, he also attracted more scandal than any poet since Lord Byron. At the centre of the book is Hughes's lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, the saddest and most infamous moment in the public history of modern poetry. Ted Hughes left behind him a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems and memorandum books that make up an almost complete record of Hughes's inner life, preserved by him for posterity. Renowned scholar Sir Jonathan Bate has spent five years in his archives, unearthing a wealth of new material. His book offers for the first time the full story of Ted Hughes's life as it was lived, remembered and reshaped in his art. It is a book that honours, though not uncritically, Ted Hughes's poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes's own..

Everybody knows about Sherlock Holmes, the unique literary character created by Sir Arthur Conan Doyle, who has remained popular over the decades and is more appreciated than ever today. But what made this fictional character, dreamed up by a small-town English doctor back in the 1880s, into such a great success? This is the fascinating and exciting tale of the man and people who created the Holmes legend. It is also the tragic story of an author who tried to escape from his own invention and the inheritance that ruined a family dynasty. The book also charts the unexpected fortune and success of the actors, writers and readers who, over the decades, have recreated and renewed the idea of this most-famous of all detectives: from the gentleman amateur of the 1890s to the odd genius of Sherlock today.

The book was winner of the Best Non-fiction Award by The Swedish Crime Writers' Academy 2013 and shortlisted for The Great Non-Fiction Book Prize (Sweden's biggest non-fiction award) in Sweden 2013.

'A daring and mesmerizing twist on the art of biography' - Douglas Smith, author of Rasputin: The Biography 'Anyone who loves [Dostoevsky's] novels will be fascinated by this book' - Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche Dostoevsky's life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written. In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author's work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky's world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar's fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky's: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy. Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life - and literary stardom - not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

Who was John Updike? Fifty-three commentators have much to tell us. They reveal Updike through anecdote, observation, and insight. Their memories reveal Updike the high school prankster, the golfer, the creator of bedtime stories, the charming ironist, the faithful correspondent of scholars, the devoted friend, and the dedicated practitioner of his art. Among those who share their prismatic views of Updike through interviews and essays are his first wife and three of their children; high school and college friends; authors John Barth, Joyce Carol Oates and Nicholson Baker; journalists Terri Gross and Ann Goldstein; and academics Jay Parini, William Pritchard, James Plath, and Adam Begley, Updike's biographer. These writers provide views of Updike not revealed before. Concluding his offering, Donald Greiner maintains that we each create our own John Updike. Many readers may well find themselves enjoying remembrances of their own encounters with John Updike and his work.

'Fascinating ... compelling ... very funny' Sunday Times 'A defiant call to arms ... affecting ... lingers long in the memory after its final page' Morning Star 'A skilful act of literary witness, sharp, moving and funny' Joanne Limburg 'Christoph Keller ... ranks among the great Swiss writers' Neue Zurcher Zeitung Most stories of disability follow a familiar pattern: Life Before Accident. Life After Accident. For Christoph Keller, it was different: his childhood diagnosis with a form of Spinal Muscular Atrophy only revealed what had been with him since birth. SMA III, the 'kindest one', allows those who have it to live a long life, and it progresses slowly. There is no cure. By the age of 25, he had to use a wheelchair some of the time. 'There were two of me: Walking Me. Rolling Me.' By 32, he could still walk into a restaurant with a cane or on somebody's arm. At 45, 'Rolling Me' took over altogether. Intimate, absurdist and winningly frank, Every Cripple a Superhero is at once a memoir of life with a progressive disorder, and a profound exploration of the challenges of loving, being loved, and living a public life - navigating restaurants, aeroplanes, museums and artists' retreats - in a world not designed for you. Threaded throughout are Keller's own photographs of the unexpected beauty found in puddle-filled 'curb cuts', the pavement ramps that, left to disintegrate, form part of the urban obstacle course. Those puddles become portals into a different, truer city; and, as they do, so this book - told with humour and immense grace - begins to uncover a truer world: one where the 'normal' is not normal, where disability is far more widespread than we might think, and where there always exist, just alongside our own, the lives of everyday superheroes.

Authoritative biography of cult writer and author of NAKED LUNCH, William Burroughs (1914-1997). It has been 50 years since Norman Mailer asserted, 'I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.' This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media - Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scrapbooks, produced hundreds of hours of experimental tapes, acted in movies and recorded more CDs than most rock groups. Made a cult figure by the publication of NAKED LUNCH, Burroughs was a mentor to the 1960s youth culture. Underground papers referred to him as 'Uncle Bill' and he ranked alongside Bob Dylan and the Beatles, Buckminster Fuller and R.D. Laing as one of the 'gurus' of the youth movement who might just have the secret of the universe. Based upon extensive research, this biography paints a new portrait of Burroughs, making him real to the reader and showing how he was perceived by his contemporaries in all his guises - from icily distant to voluble drunk. It shows how his writing was very much influenced by his life situation and by the people he met on his travels around America and Europe. He was, beneath it all, a man torn by emotions: his guilt at not visiting his doting mother; his despair at not responding to reconciliation attempts from his father; his distance from his brother; the huge void that separated him from his son; and above all his killing of his wife, Joan Vollmer.

The son of Jewish immigrants, war correspondent Cecil Brown (1907-1987) was a member of CBS' esteemed Murrow Boys. Expelled from Italy and Singapore for reporting the facts, he witnessed the Nazi invasion of Yugoslavia and the war in North Africa, and survived the sinking of the British battleship HMS Repulse by a Japanese submarine. Back in the U.S., he became an influential commentator during the years when Americans sought a dispassionate voice to make sense of complex developments. He was one of the first journalists to champion civil rights, to condemn Senator McCarthy's tactics (and President Eisenhower's reticence), and to support Israel's creation. Although he won every major broadcast journalism award, his accomplishments have been largely overlooked by historians. This first biography of Brown chronicles his career in journalism and traces his contributions to the profession.

This critical analysis of twelve of the plays of James Bridie (1885-1951) illustrates that throughout Bridie's work there exists a philosophical continuity which can be traced through three stages of moral awareness and which when recognized goes far in defining Bridie's genius. Bridie, as the study attempts to show, was essentially a moralist, and his plays are in a special sense morality plays; thus his original use of religious myth is explored, particularly his use of the myth of the fall from innocence. Bridie's first play, The Switchback uses the myth of Adam's temptation and fall to tell the story of a Scottish physician's struggle to meet both self and social responsibilities. Four other plays, Tobias and the Angel, The Girl Who Did Not Want to Go to Kuala Lampur, Marriage Is No Joke, and The Black Eye, again deal with the Fall, this time with innocent Adams who remain oblivious of the demons tempting them to leave their particular Garden of Eden. The discussion of Tobias also introduces Bridie's use of the Prodigal Son story. The disillusionment of experienced Adams is studied in the late plays; the disillusioned Adam of the last Play, The Baikie Charivari, seems to be a modern-day Pontius Pilate. Aside from exploring the mythical content of the plays, Helen L. Luyben defends Bridie as a craftsman against accusations that he was a bungler. She maintains that the structure of the plays is not diffuse but carefully plotted, as is apparent in the conscious use of myth (supported by a metaphysical use of language) and in the common structural techniques found throughout the plays. As Bridie's morality goes beyond the limits of logic, so his structure disregards the limitations of realistic drama, demanding dramatic forms-farce and fantasy-which will encompass the illogical and portray a higher reality than the realistic form. Thus his language operates both on a literal and poetic plane. Finally, Bridie's moral affinity with Shaw and Ibsen is explored, not with the intention of tracing literal borrowing, but to clarify Bridie's philosophical and dramatic intention.

Aristocrat, literary celebrity, 'Rose Queen', devoted wife, lesbian, recluse, iconoclast - Vita Sackville-West was many things, but she was never straightforward. Her life is re-told here in a dazzling new biography. Vita Sackville-West was a woman who defied categorisation. She was the dispossessed girl whose lonely childhood at Knole inspired enduring feats of imagination, the celebrated author and poet, the adored and affectionate wife whose marriage included passionate homosexual affairs (most famously with Virginia Woolf ), and the recluse who found in nature and her garden at Sissinghurst Castle solace from the contradictions of her extraordinary life. In this dazzling new biography, Matthew Dennison traces these complexities, depicting a prolific, radical, sensitive and uncompromising figure in all her depth.

Enid Blyton is known throughout the world for her imaginative
children's books and her enduring characters such as Noddy and
the Famous Five. She is one of the most borrowed authors from
British libraries and still holds a fascination for readers old and
young alike.
Yet until 1974, when Barbara Stoney first published her official
biography, little was known about this most private author,
even by members of her own family. The woman who emerged
from Barbara Stoney's remarkable research was hardworking,
complex, often difficult and, in many ways, childlike.
Now this widely praised classic biography has been fully
updated for the twenty-first century and, with the addition of
new color illustrations and a comprehensive list of Enid Blyton's
writings, documents the growing appeal of this extraordinary
woman throughout the world. The fascinating story of one of
the world's most famous authors will intrigue and delight all
those with an interest in her timeless books.

Originally published in 1919, this book contains a biography of the life and times of Zygmunt Krasinski, known in his day as 'the Anonymous Poet'. Gardner provides an introduction to Krasinski's importance to Poland for an English-speaking audience, drawing on Krasinski's own letters and works to illuminate his patriotism, mysticism and character. This book will be of value to anyone with an interest in Polish literature and European history.

During his 1920s heyday, Arnold Bennett was one of Britain's most celebrated writers. As the author of The Old Wives' Tale and Clayhanger he was a household name, writing just as much for the common man as London's literati. His face was plastered over theatre hoardings and the sides of West End omnibuses. His life represents the ultimate rags-to-riches story of a man who 'banged on the door of Fortune like a weekly debt collector' as one of his obituaries so vividly put it. Yet for all his success, few were aware how cursed Bennett felt by his life-long stutter and other debilitating character traits. In the years running up to his death in 1931, his affairs were close to collapse as he fought a losing battle on three fronts: with his estranged wife; with his disenchanted mistress; and from a literary perspective with Virginia Woolf. As the first full length biography of Bennett since 1974, the work draws on a wealth of unpublished diaries and letters to shed new light on a personality who can be considered a 'Lost Icon' of early Twentieth Century Britain.