WITH AN INTRODUCTION BY BENJAMIN MARKOVITS In 1845 Thoreau, a Harvard-educated 28-year-old, went to live by himself in the woods in Massachusetts. He stayed for over two years, living self-sufficiently in a small cabin built with his own hands. Walden is his personal account of the experience, in which he documents the beauty and fulfilment to be found in the wilderness, and his philosophical and political motivations for rejecting the materialism which continues to define our modern world.

Effie Gray was an innocent victim of a male-dominated society, repressed and mistreated. Or was she? John Ruskin, the greatest art critic and social reformer of his time, was a callous misogynist and upholder of the patriarchy. Or was he? John Everett Millais, boy genius, rescued the heroine from the tyrannical clutches of the husband who left his wedding unconsummated for six years. Or did he? What really happened in the most scandalous love triangle of the nineteenth century? Was it all about impotence and pubic hair? Or was it about money, power and freedom? If so, whose? And what possibilities were there for these young people caught in a world racked by social, financial and political turmoil? The accepted story of the Ruskin marriage has never lost its fascination. History books, novels, television series, operas and a star-filled film by Emma Thompson (released in 2014) have all followed this standard line. It seems to offer an easy take on the Victorians and how we have moved on. But the story isn't true. In 'Marriage of Inconvenience' Robert Brownell uses extensive documentary evidence - much of it never seen before, and much of it hitherto suppressed - to reveal a story no less fascinating and human, no less illuminating about the Victorians and far more instructive about our own times, than the myths that have grown up about the most notorious marriage of the 19th century.

To the older generations in her native Slovakia, Hana Ponicka is well-known for her successful children's books and courageous fight against the communist regime. Her psychological ordeal began in February 1977 when the elderly lady refused to sign the so-called anticharta, a condemnation of the human rights group Charter 77, which had published its first manifesto in the West on 1 January 1977. All Slovak and Czech artists had to sign the anticharta; they were forced by the regime to condemn the dissidents, the most prominent among them being Vaclav Havel (1936-2011), who were standing up against the violation of basic human rights enshrined in the Czechoslovak constitution following the conclusion of the CSCE treaty of Helsinki. Ponicka, like most of her fellow artists, had neither read the Charter 77 manifesto nor the text of the anticharta; she thus refused to sign. Her courage prompted the regime to terrorize her psychologically. This political biography is the first ever written about Ponicka, despite her being a household name in Slovakia. Josette Baer's analysis is based on Ponicka's memoirs of that cruel year of 1977, newspaper articles she published prior to 1971, when the regime effectively banned any critical voice from publication, and newspaper articles she published after the Velvet Revolution of 1989 to promote the establishing of a rule-of-law state and democracy. The documents of the StB, the Slovak and Czech Security Services, are analyzed for the first time; they are evidence of how the StB tried to pressure the resilient and disciplined grandmother of three into obedience. Oral history interviews with Dirk Matthias Dalberg, Vlasta Jaksicsova, and Mary Samal inform the reader about the situation of the Slovak dissidents of Charter 77, how normal citizens lived in the regime, and how the Czech and Slovak exile communities in the USA saw the dissidents in Communist Czechoslovakia.

The groundbreaking biography of Maria Branwell reveals a remarkable woman who has been lost in the shadows of her gifted children, Charlotte, Emily and Anne Bronte. The witty, clever and intrepid Cornish lady of letters, lover of Patrick and mother of genius has been missing for too long. The extraordinary Brontes were a family like no other and it all began when Maria met Patrick.

Damned to Fame is the brilliant and insightful portrait of Nobel Prize-winning author Samuel Beckett, mysterious and reclusive master of twentieth-century literature. Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly recreates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.
Nearing the end of his life, Samuel Beckett chose James Knowlson to be his biographer because he "knows my work best." One of the world's leading authorities on Beckett, Knowlson has drawn on his twenty-year friendship with the Nobel Prize winner, more than one hundred interviews, and research in dozens of archival collections-many previously untapped by scholars-to produce this definitive biography of one of hte century's leading writers in both English and French.
Damned to Fame follows teh reclusive literary giant's life from his birth in Foxrock, a rural suburb of Dublin, in 1906 to his death in Paris in 1989. Knowlson brilliantly re-creates Beckett's early years as a struggling author in Paris, his travels through Germany in 1936-37 as the Nazis were consolidating their power, his service in the French Resistance during World War II, and the years of literary fame and financial success that followed the first performance of his controversial Waiting For Godot (1953).
Paris between the wars was a city vibrant with experimentation, both in the arts and in personal lifestyle, and Knowlson introduces us to the writers and painters who, along with the young Beckett, populated his bohemian community. Most notable was James Joyce, a fellow Irishman who became Beckett's friend and mentor and influenced him to devote his life to writing. We also meet the women in Beckett's life-his domineering mother, May; his cousin Peggy Sinclair, who died at a tragically young age; Ethna McCarthy, his first love, whom he immortalized in his poetry and prose; Peggy Guggenheim, the American heiress and patron of the arts; and the strong and independent Suzanne Deschevaux-Dumesnil, whom he met in the late 1930s and married in 1961.
Beyond recounting many previously unknown aspects of the writer's life, including his strong support for human rights and other political causes, Knowlson explores in fascinating detail teh roots of Beckett's works. He shows not only how the relationship between Beckett's own experiences and his work became more oblique over time, but also how his startling postmodern images were inspired by the paintings of the Old Masters, such as Antonello da Messina, Durer, Rembrandt, and Caravaggio.
Perhaps most striking of all is Knowlson's portrait of Beckett's complex personality. Although Beckett is often depicted as melancholic, self-critical, and intensely preoccupied with his work, his own letters reveal him to have been also a witty, resilient, and compassionate man who could respond to adversity with humor and who inspired deep affection in his friends.

Both a memoir and an investigation, "Swimming in a Sea of Death" is David Rieff's loving tribute to his mother, the writer Susan Sontag, and her final battle with cancer. Rieff's brave, passionate, and unsparing witness of the last nine months of her life, from her initial diagnosis to her death, is both an intensely personal portrait of the relationship between a mother and a son, and a reflection on what it is like to try to help someone gravely ill in her fight to go on living and, when the time comes, to die with dignity.

Rieff offers no easy answers. Instead, his intensely personal book is a meditation on what it means to confront death in our culture. In his most profound work, this brilliant writer confronts the blunt feelings of the survivor -- the guilt, the self-questioning, the sense of not having done enough.

And he tries to understand what it means to desire so desperately, as his mother did to the end of her life, to try almost anything in order to go on living.

Drawing on his mother's heroic struggle, paying tribute to her doctors' ingenuity and faithfulness, and determined to tell what happened to them all, "Swimming in a Sea of Death" subtly draws wider lessons that will be of value to others when they find themselves in the same situation.

Fay Weldon, one of England's best-selling and most celebrated authors, looks back on her life as wife, lover, playwright, novelist, feminist, antifeminist, and bon vivant in this funny and engaging memoir. She writes brilliantly about her upbringing in New Zealand, as young and poor girl in London, as an unmarried mother, wife, lover, playwright, novelist, feminist, anti-feminist, and winer-and-diner: there is little ground she's failed to cover.
Brought up among women-her intrepid mother, grandmother, and sister-Weldon found men a mystery until the swinging-sixties London introduced her to the indecent, the hopeless, and the golden-footed. A central figure among the Bohemian writers and artists of the sixties, she has maintained this unique position through four turbulent decades. An icon to many, a thorn in the flesh to others, she has never failed to excite, madden, or interest.
Born Franklin Birkinshaw in Barnt Green, Birmingham, in 1931, most of Weldon's childhood was spent in New Zealand. Her glamorous father, a philandering doctor, played only a minor role as was generally absent. Fay's intrepid mother and bohemian grandmother raised her along with her sister, Jane. Weldon's family, it turns out, has an impressive literary pedigree; her grandfather, Edgar, Uncle Selwyn and, for a brief while, her mother were all novelists. Arriving in London from New Zealand, just after the Second World War, her mother kept the brood together by working as a servant in a grand house-the experience of living below stairs later helped Weldon to script the television drama Upstairs, Downstairs.
After graduating from St. Andrews University, Weldon worked in the Foreign Office until becoming pregnant. Defying the conventions of the times, she remained a single parent. She struggled, living in poverty in post-war London made all the more grinding since she was trying to maintain respectability. Following a stint at the Daily Mirror, she drifted into advertising before desperately entering into a crushingly awful marriage of financial (in)convenience-a marriage so dreadful she writes of it in the third person as if writing about characters in a novel. With cool, unwavering honesty she details the truly crushing experience of being hitched to a celibate, Masonic headmaster who encouraged her to work in a seedy West End nightclub. She escapes eventually, and finds true love at thirty after meeting Ron Weldon at a party. When this union, too, comes to an end, Fay's packed enough experience into her life to begin her career as a writer. She develops into a bohemian intellectual, and works alongside poets such as Edwin Brock, David Wevill and Peter Porter, pens winning advertising slogans, and truly begins writing seriously. Fay closes her riveting memoir as she drops what will be her first success, a television play, into a Regents Park mailbox on her way to the hospital to give birth. The play will be the first of many triumphs for a writer whose provocative oeuvre has never failed to excite, madden, or interest.

Picturing Emerson reproduces and explores the background of all known images of Ralph Waldo Emerson created from life, including drawings, paintings, silhouettes, sculptures, and photographs. The book provides dates for these images; information about their makers and Emerson's sittings; as well as commentary by family members and contemporaries. The resulting work makes it possible for the first time to trace Emerson's visage over seven decades. Dating and correctly identifying images of Emerson has long challenged scholars, collectors, and the general public. By examining over fifty years of archival and published research-including web resources, library catalogs, and correspondence with international collections-the authors have been able to locate nearly 140 images dating from 1829 to immediately before Emerson's death in 1882. Joel Myerson has written or edited over sixty books on Emerson and the Transcendentalists, most recently Ralph Waldo Emerson: The Major Prose with Ronald A. Bosco. They have jointly received the Julian P. Boyd Award, the highest award presented by the Association for Documentary Editing. Leslie Perrin Wilson is a curator at the Concord Free Public Library, a repository known for significant holdings of Emerson portraiture. She has written extensively on local historical and literary topics.

How the legendary debate between a civil rights firebrand and the father of modern conservatism illuminates America's racial divide On February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro," and no one who has seen the debate can soon forget it. Nicholas Buccola's The Fire Is upon Us is the first book to tell the full story of the event, the radically different paths that led Baldwin and Buckley to it, and how the debate and the decades-long clash between the men illuminates the racial divide that continues to haunt America today.

Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating.

H. Beam Piper is one of science fiction's most enigmatic writers. In 1946 Piper appeared seemingly from out of nowhere, already at the top of his form. He published a number of memorable short stories in the premier science fiction magazine of the time, Astounding Science Fiction, under legendary editor John W. Campbell. Piper quickly became friends with many of the top writers of the day, including Lester Del Rey, Fletcher Pratt, Robert Heinlein and L. Sprague de Camp. Piper also successfully made the turn from promising short story writer to major novelist, authoring Four-Day Planet, Cosmic Computer, Lord Kalvan of Otherwhen and Little Fuzzy, which was nominated for a Hugo award. Even those who counted Piper among their friends knew very little about the man or his life as a railroad yard bull in Altoona, Pennsylvania. This biography illuminates H. Beam Piper, both the writer and the man, and answers lingering questions about his death. Appendices include a number of Piper's personal papers, a complete bibliography of Piper's works, and an essay on Piper's Terro-Human Future History series.

"Invaluable."--Eric J. Sundquist in The New York Times Book Review

From Puritans to heathens-Sarah Vowell takes on Hawaii in this "New York Times" bestseller.

Of all the countries the United States invaded or colonized in 1898, Sarah Vowell considers the story of the Americanization of Hawaii to be the most intriguing. From the arrival of the New England missionaries in 1820, who came to Christianize the local heathens, to the coup d'etat led by the missionaries' sons in 1893, overthrowing the Hawaiian queen, the events leading up to American annexation feature a cast of beguiling, if often appalling or tragic, characters. Whalers who fire cannons at the Bible-thumpers denying them their god-given right to whores; an incestuous princess pulled between her new god and her brother-husband; sugar barons, con men, Theodore Roosevelt, and the last Hawaiian queen, a songwriter whose sentimental ode "Aloha 'Oe" serenaded the first Hawaiian-born president of the United States during his 2009 inaugural parade.

With her trademark wry insights and reporting, Vowell sets out to discover the odd, emblematic, and exceptional history of the fiftieth state. In examining the place where Manifest Destiny got a sunburn, she finds America again, warts and all.

Emily Dickinson is among the most important of American poets, a beloved literary figure whose short, complex life continues to fascinate readers. But she was also a gardener and plant lover who studied botany and tended both a small glass conservatory and a flower garden. In Emily Dickinson's Gardening Life, Marta McDowell traces Dickinson's life as gardener and reveals the many ways in which her passion for plants is evident in her extensive collection of poems and letters. Organised seasonally, the book follows Dickinson through an entire year in the garden. Readers will learn that she forced hyacinth bulbs in winter, saved seeds in the summer, and pressed flowers year-round to include in her correspondence. They'll also find tips on how to plant a poet's garden and an annotated list of all of the plants Dickinson used. Packed with contemporary and historical photography, botanical illustrations, excerpts from Dickinson's letters, and some of her most cherished poetry, this revealing book is a must-read for Dickinson fans and a thoughtful gift for gardeners.

Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most enduring works. Since Hemingway's personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by grandson of the author, Sean Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Widely celebrated and debated by critics and readers everywhere, the restored edition of "A Moveable Feast "brilliantly evokes the exuberant mood of Paris after ?World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

"A majestic literary biography, a truly new, surprisingly fresh portrait. --
Newsday

A New York Times Book Review  Editors' Choice
National Book Critics Circle Award finalist

"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh."  
--The Philadelphia Inquirer
            
While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact.  Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit,  and her sanity and strength.

It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.

"One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history."  
--Financial Times

"The most distinguished study of Woolf yet."  --The New Republic

How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883-1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach's narrative invites readers deep inside this neglected period of Kafka's life. The book's richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates' memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka's wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest--his predilection for the back-to-nature movement--stemmed from his "nervous" surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.

The Life and Romances of Mrs. Eliza Haywood (1915) is a monograph by George Whicher. Highly regarded by feminist scholars today, Haywood was a prolific writer who revolutionized the English novel while raising a family, running a pamphlet shop in Covent Gardens, and pursuing a career as an actress and writer for some of London's most prominent theaters. In The Life and Romances of Mrs. Eliza Haywood, Whicher blends biography and literary criticism in order to present an authoritative vision of the life and career of one of England's most influential and misunderstood writers. Notoriously private, Haywood is a major figure in English literature about whom little is known for certain. Scholars believe she was born Eliza Fowler in Shropshire or London, but are unclear on the socioeconomic status of her family. She first appears in the public record in 1715, when she performed in an adaptation of Shakespeare's Timon of Athens in Dublin. Famously portrayed as a woman of ill-repute in Alexander Pope's Dunciad (1743), it is believed that Haywood had been deserted by her husband to raise their children alone. Pope's account is likely to have come from poet Richard Savage, with whom Haywood was friends for several years beginning in 1719 before their falling out. This period coincided with the publication of Love in Excess (1719-1720), Haywood's first and best-known novel. Alongside Delarivier Manley and Aphra Behn, Haywood was considered one of the leading romance writers of her time. Haywood's novels, such as Idalia; or The Unfortunate Mistress (1723), The Distress'd Orphan; or Love in a Madhouse (1726), and The History of Miss Betsy Thoughtless (1751) often explore the domination and oppression of women by men. In The Life and Romances of Mrs. Eliza Haywood, George Whicher does the best he can with an incomplete record to renew academic interest in the work of an iconic storyteller. With a beautifully designed cover and professionally typeset manuscript, this edition of George Whicher's The Life and Romances of Mrs. Eliza Haywood is a classic of English literary criticism reimagined for modern readers.

*Shortlisted for the Rathbones Folio Prize 2020*

*Winner of non-fiction book of the year at the Irish Book Awards*

'Utterly magnificent. Raw, thought-provoking and galvanising; this is a book every woman should read.' –Eimear McBride, author of A Girl Is a Half-formed Thing.

I have come to think of all the metal in my body as artificial stars, glistening beneath the skin, a constellation of old and new metal. A map, a tracing of connections and a guide to looking at things from different angles.

How do you tell the story of a life in a body, as it goes through sickness, health, motherhood? How do you tell that story when you are not just a woman but a woman in Ireland? In the powerful and daring essays in Constellations Sinéad Gleeson does that very thing. All of life is within these pages, from birth to first love, pregnancy to motherhood, terrifying sickness, old age and loss to death itself. Throughout this wide-ranging collection she also turns her restless eye outwards delving into work, art and our very ways of seeing. In the tradition of some of our finest life writers, and yet still in her own spirited, generous voice, Sinéad takes us on a journey that is both uniquely personal and yet universal in its resonance. Here is the fierce joy and pain of being alive.

In A House Unlocked, Whitbread Award- and Booker Prize-winning Penelope Lively takes us on a journey of her familial country house in England that her grandparents bought in 1923. As her narrative shifts from room to room, object to object, she paints a moving portrait of an era of rapid change -- and of the family that changed with the times. As she charts the course of the domestic tensions of class and community among her relatives, she brings to life the effects of the horrors of the Russian Revolution and the Holocaust through portraits of the refugees who came to live with them. A fascinating, intimate social history of its times, A House Unlocked is an eloquent meditation on place and time, memory and history, and above all a tribute to the meaning of home.

James Joyce's A Portrait of the Artist as a Young Man: A Casebook offers a comprehensive introduction to a landmark of modern fiction. The essays collected here will help first-time readers, teachers, and advanced scholars gain new insight into Joyce's semi-autobiographical story of an Irish boy's slow and difficult discovery of his artistic vocation.