The Empress of Crime's life was the ultimate detective story - revealed for the first time in this forthright and perceptive biography. While Ngaio Marsh had a flamboyant public persona, she was fiercely protective of her private life. And no one knows better how to cover tracks with red herrings and remove incriminating evidence than a crime fiction writer... This fascinating biography of Ngaio Marsh pieces together both the public and private Marsh in a way that is as riveting as a crime novel. Through her writing and her theatre work, Joanne Drayton assembles the pieces to the puzzle that is Marsh, proving that life can be as thrilling as fiction. Marsh wrote her first detective novel in a London flat in the depths of the 1930s Depression, bringing life to Detective Inspector Roderick Alleyn in her first book, A Man Lay Dead. Through 32 novels he would establish himself as one of the great super-sleuths, and Marsh as one of the four Queens of Golden Age detective fiction, alongside Agatha Christie, Dorothy Sayers and Margery Allingham. In 1932, a family tragedy brought Marsh home to New Zealand, to a life divided - between hemispheres, between passionate relationships at home and abroad, and between the world of publishing and her life as a stage director. In 1949 her writing would earn her the ultimate distinction when Penguin and Collins released the 'Marsh Million': 100,000 copies each of ten of her titles on to the world market. The popular appetite for classic whodunits was insatiable and Ngaio Marsh was one of the best. But her greatest love was the stage - or was it?

"Something will happen to me on Desolation Peak...I can feel it." In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, CA, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment. He wrote in his journal that he planned "to concentrate on emptiness of self, other selves, living beings, and universal self." In letters to friends he proclaimed, "Something will happen to me on Desolation Peak...I can feel it." Kerouac's experience on Desolation Peak forms the climax of his novel The Dharma Bums and has also been depicted in part 1 of Desolation Angels and a chapter in his nonfiction book Lonesome Traveler. None of these versions offers a full, true picture, however; and for that reason, Desolation Peak is essential reading. What separates Kerouac from all other writers is the depth that he went in exploring his own consciousness, and what will prove his most enduring legacy is the record he left of that exploration, revealing the psyche of a sensitive, tortured artist grappling with himself in the mid-20th Century. The highlight of Desolation Peak is the journal he kept, starkly revealing the depth of his poverty, the extremity of his mood swings, and the ongoing arguments with himself over the future direction of his life, his writing, and faith. Along with the journal, he worked on a series of projects, including "Ozone Park," another installment of the Duluoz Legend beginning in 1943, after his discharge from the Navy; "The Martin Family," an intended sequel to The Town and the City, and "Desolation Adventure," a series of sketches that became part 1 of Desolation Angels,. In writing it, Kerouac was re-committing himself to his more experimental, then-unpublishable style, declaring in the journal that "the form of the future is no-form." Also included in Collected Writings is "The Diamondcutter of Perfect Knowing," Kerouac's "transliteration" of the Diamond Sutra, his "Desolation Blues" and "Desolation Pops" poems, and assorted prose sketches and dreams.

Pocket Maya Angelou Wisdom is a collection of some of her best and most empowering quotes. This is the ultimate keepsake for fans of Maya Angelou's beautiful poetry, as well as for anyone looking for a bit of in-the-moment inspiration to have in their back pocket. Some quotes from Maya Angelou: `If you don't like something, change it. If you can't change it, change your attitude.' `You may not control all the events that happen to you, but you can decide not to be reduced by them.' `When we unite in purpose, we are greater than the sum of our parts' `Love recognises no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive as its destination full of hope.' `Prejudice is a burden that confuses the past, threatens the future and renders the present inaccessible.'

'I think the world should read it' LISA TADDEO, AUTHOR OF THREE WOMEN

A Guardian Book of the Year

After the unexpected death of her partner, Carolina Setterwall found herself bereft and rudderless at thirty-six, faced with the seemingly impossible task of raising her son alone.

In this remarkable Swedish memoir about grief and guilt, memory and intimacy, she explores the nature of bereavement itself - the difficulty of learning to live with the ones we love, and the trials of living without them.

'The most compelling book I've read in years' The Times

'It's impossible not to draw comparisons with Karl Ove Knausgaard. I absolutely loved it' Evening Standard

'Every spare, controlled sentence has the ring of truth. Gripping' Daily Mail

2019 National Book Award Finalist "Reading it will change you, perhaps forever." -San Francisco Chronicle "Astonishing, powerful, so important at this time." --Margaret Atwood What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman's brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman's radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life. Carolyn Forche is twenty-seven when the mysterious stranger appears on her doorstep. The relative of a friend, he is a charming polymath with a mind as seemingly disordered as it is brilliant. She's heard rumors from her friend about who he might be: a lone wolf, a communist, a CIA operative, a sharpshooter, a revolutionary, a small coffee farmer, but according to her, no one seemed to know for certain. He has driven from El Salvador to invite Forche to visit and learn about his country. Captivated for reasons she doesn't fully understand, she accepts and becomes enmeshed in something beyond her comprehension. Together they meet with high-ranking military officers, impoverished farm workers, and clergy desperately trying to assist the poor and keep the peace. These encounters are a part of his plan to educate her, but also to learn for himself just how close the country is to war. As priests and farm-workers are murdered and protest marches attacked, he is determined to save his country, and Forche is swept up in his work and in the lives of his friends. Pursued by death squads and sheltering in safe houses, the two forge a rich friendship, as she attempts to make sense of what she's experiencing and establish a moral foothold amidst profound suffering. This is the powerful story of a poet's experience in a country on the verge of war, and a journey toward social conscience in a perilous time.

When the first bombs fell on London in August 1940, the city was transformed overnight into a battlefront. For most Londoners, the sirens, guns, planes and bombs heralded gruelling nights of sleeplessness, fear and loss. But for Graham Greene and some of his contemporaries, this was a bizarrely euphoric time when London became the setting for intense love affairs and surreal beauty. At the height of the Blitz, Greene described the bomb-bursts as holding one 'like a love-charm'. As the sky whistled and the ground shook, nerves were tested, loyalties examined and infidelities begun. The Love-charm of Bombs is a powerful wartime chronicle told through the eyes of five prominent writers: Elizabeth Bowen, Graham Greene, Rose Macaulay, Hilde Spiel and Henry Yorke (writing as Henry Green). Volunteering as ambulance drivers, fire-fighters and ARP wardens, these were the successors to the soldier poets of the First World War and their story has never been told. Now, opening with a meticulous evocation of a single night in September 1940, Lara Feigel brilliantly and beautifully interweaves letters, diaries and fiction with official civil defence records to chart the history of a burning world in wartime London and post-war Vienna and Berlin. She reveals the haunting, ecstatic, often wrenching stories that triumphed amid the mess of a war-torn world.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

Nigerian author Chimamanda Ngozi Adichie (b. 1977) is undoubtedly one of the most widely acclaimed African writers of the twenty-first century. Best known for her insightful fiction, viral TED talks, and essays on feminism, she is also a notoriously outspoken intellectual. As she puts it in an interview with Lia Grainger, in her characteristically straightforward style: "I have things to say and I'll say them." Conversations with Chimamanda Ngozi Adichie is the first collection of interviews with the writer. Covering fifteen years of conversations, the interviews start with the publication of Adichie's first novel, Purple Hibiscus (2003), and end in late 2018, by which time Adichie had become one of the most prominent figures on the international literary scene. As both scholars and passionate readers of the author's work are bound to find out, the opinions shared by Adichie in interviews over the years coalesce into a fascinating portrait that presents both abiding features and gradual transformations. Reflecting the political and emotional scope of Adichie's work, the conversations contained in this volume cover a wide range of topics, including colonialism, race, immigration, and feminism. Collectively, these interviews testify both to the author's ardent wish to strive for a more just and equal world, and to her deep interest in exploring our common humanity. As Adichie says in her 2009 interview with Joshua Jelly-Schapiro: "When people call me a novelist, I say, well, yes. I really think of myself as a storyteller." This book invites Chimamanda Ngozi Adichie to tell her own literary story.

'A deeply intelligent and searching book, one that makes you re-consider the narrative of your own life and reframe the story you tell yourself' Hilary Mantel A Guardian reader's Best Book of 2018 "There was a question that had come to trouble me a bit earlier, once I had taken the first steps on this return journey to Reims... Why, when I have had such an intense experience of forms of shame related to class ... why had it never occurred to me to take up this problem in a book?" Returning to Reims is a breathtaking account of one man's return to the town where he grew up after an absence of thirty years. It is a frank, fearlessly personal story of family, memory, identity and time lost. But it is also a sociologist's view of what itmeans to grow up working class and then leave that class; of inequality and shifting political allegiances in an increasingly divided nation. A phenomenon in France and a huge bestseller in Germany, Didier Eribon has written the defining memoir of our times. 'I was overwhelmed by this book. I felt I was reading the story of my life' Edouard Louis, author of The End of Eddy 'A book about self-invention and belonging' Colm Toibin

The complex and fascinating life of Mark Twain, as told by a Pulitzer prizewinning biographer

Born in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.

In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.

Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing..

Updike remains both a critical and popular success; however, because Updike asked that his personal letters not be published the only way that Updike scholars and fans can read more of the author's candid and insightful remarks is to revisit some of the many interviews he granted-most of which are difficult to locate or obtain. Updike wrote about his home town of Reading in Berks County, Pennsylvania for much of his adult life, setting most of his early fiction and all of his award-winning novels in his home state. In John Updike's Pennsylvania Interviews, James Plath has compiled the first collection of interviews that illustrates and helps to explain the bond between one of America's greatest literary talents and his beloved Pennsylvania. Included in this volume are interviews and articles by Mark Abrams, Leonard W. Boasberg, Carl W. Brown, Jr., David Cheshire, Marty Crisp, Sean Diviny, John Mark Eberhart, William Ecenbarger, Elizabeth Greenwood, Ruth Heimbuecher, Dorothy Lehman Hoerr, Jim Homan, Tom Knapp, Karen L. Miller, Steve Neal, Richard E. Nicholls, Sanford Pinsker, James Plath, Bruce Posten, Carole Reber, Pamela Rohland, Carlin Romano, Daniel Rubin, Stephan Salisbury, Charles R. Shaw, Ellen Sulkis, Heather Thomas, Stanley J. Watkins, Michael L. Wentzel, and Robert F. Zissa.

Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

American cultural historian, literary and social critic and college professor Paul Fussell (1924-2012) wrote and edited 21 books on a wide variety of topics, ranging from 18th century British literature to works on World War II to sardonic takes on American culture. This book offers a thorough introduction to his writings and thought, constructing an argument for Fussell's continued importance and relevancy. Covering Fussell's traumatic experience in World War II and the important influence it had on his life and outlook, this intellectual biography puts in context Fussell's perspectives on ethics, the human experience and literature as an evaluative and critical endeavor.

A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance -- including Maya Angelou, Toni Morrison, and Alice Walker -- acknowledges Hurston as a literary foremother, and her 1937 masterpiece "Their Eyes Were Watching God" has become a crucial part of the modern literary canon.
"Wrapped in Rainbows, " the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston's history -- her youth in the country's first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodou. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, "Wrapped in Rainbows" not only positions Hurston's work in her time but also offers riveting implications for our own.

(This is the paperback edition of a previously released hardcover.) Yukio Mishima (b. 1925) was a brilliant writer and intellectual whose relentless obsession with beauty, purity, and patriotism ended in his astonishing self-disembowelment and decapitation in downtown Tokyo in 1970. Nominated for the Nobel Prize, Mishima was the best-known novelist of his time (works like Confessions of a Mask and The Temple of the Golden Pavilion are still in print in English), and his legacy-his persona-is still honored and puzzled over. Who was Yukio Mishima really? This, the first full biography to appear in English in almost forty years, traces Mishima's trajectory from a sickly boy named Kimitake Hiraoka to a hard-bodied student of martial arts. In detail it examines his family life, the wartime years, and his emergence, then fame, as a writer and advocate for traditional values. Revealed here are all the personalities and conflicts and sometimes petty backbiting that shaped the culture of postwar literary Japan. Working entirely from primary sources and material unavailable to other biographers, author Naoki Inose and translator Hiroaki Sato together have produced a monumental work that covers much new ground in unprecedented depth. Using interviews, social and psychological analysis, and close reading of novels and essays, Persona removes the mask that Mishima so artfully created to disguise his true self. Naoki Inose, currently vice governor of Tokyo, has also written biographies of writers Kikuchi Kan and Osamu Dazai. New York-based Hiroaki Sato is an award-winning translator of classical and modern Japanese poetry, and also translated Mishima's novel Silk and Insight.

'For anyone who enjoyed Hillbilly Elegy or Educated, Unfollow is an essential text' - Louis Theroux 'Such a moving, redemptive, clear-eyed account of religious indoctrination' - Pandora Sykes 'A nuanced portrait of the lure and pain of zealotry' New York Times 'Unfolds like a suspense novel . . . A brave, unsettling, and fascinating memoir about the damage done by religious fundamentalism' NPR A Radio Four Book of the Week Pick for June 2021 As featured on the BBC documentaries, 'The Most Hated Family in America' and 'Surviving America's Most Hated Family' It was an upbringing in many ways normal. A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night. Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God's truth. She was, in her words, 'all in'. In November 2012, at the age of twenty-six, she left the church, her family, and her life behind. Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself. --- More praise for Unfollow 'A beautiful, gripping book about a singular soul, and an unexpected redemption' - Nick Hornby 'A modern-day parable for how we should speak and listen to each other' - Dolly Alderton 'Her journey - from Westboro to becoming one of the most empathetic, thoughtful, humanistic writers around - is exceptional and inspiring' - Jon Ronson 'A gripping story, beautifully told . . . It takes real talent to produce a book like this. Its message could not be more urgent' Sunday Times

William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented-until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution-and the way you hear its music.