Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'.

My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International.

'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V.S. Pritchett

The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson's expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson's life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.

In this autobiography Norman Nicholson vividly recaptures long-past times and places and demonstrates their compelling influence on the whole of his life.

He details with loving precision a picture of small-town life in Cumberland in the first three decades of the century, of close-knit family and fiercely independent shopkeepers; he tells of his ancestors, his family, his neighbours, friends and teachers, and enriches his story with anecdotes, impressions and memories - of his triumph as a 'reciter' at local functions and his failures as a cricketer; of the vigorous social life of the Church, and of Methodism in particular, which brought a warmth and brightness even into the dark days of the Depression.

Later, in a TB sanitorium in Hampshire, Norman Nicholson found himself in a pre-war rural Arcadia, surrounded by people very different from his neighbours at home. The effect on him was startling and disturbing, and when, two years later, he returned to Millom, it was with reluctance and trepidation - though nonetheless with the words, 'I thank God for a lifetime spent in that same town'.

A new approach to Thackeray. Although this study embraces all his work, it switches attention from his late novels, and bases the case for his imaginative vitality on the multifarious material - reviews, travel books, burlesques, Punch articles - that he turned out, mostly under severe financial stress, at the start of his writing career. Here was the breeding ground of Vanity Fair; here we find the subversive Thackeray, foe of humbug and high art, waylaying snobbery and the cant of social reformers with bravura and buffoonery - the Thackeray who, in Trollope's words, 'laughed, and ate, and drank, and threw his pearls about with miraculous profusion.' In portraying the range and intensity of Thackeray's imagination, topics singled out include: light and painting; ballet dancers; pantomime; haute cuisine; time's ruins; and the rainbow realm of commerce. The picture of Thackeray, as man and artist, that emerges, is fresh and challenging.

The question of who wrote Shakespeare's plays has been the subject of furious debate among scholars for over 150 years. Everything known about the facts of William Shakespeare's life seems incompatible with the extraordinary genius of his writing. How could a man who left school at the age of 13, and apparently never travelled abroad have authored the incomparable Sonnets or so intricately described Renaissance Venice? Shakespeare 'candidates' abound, among them Sir Francis Bacon, The Earl of Oxford, even Queen Elizabeth I herself, but none have stood up to serious scrutiny. Until now.... This remarkable, intriguing, and provocative book offers a completely plausible new candidate; Sir Henry Neville.

Paul Leautaud was both one of the oddest characters in French literature and, as a staff member of the review Mercure de France, at the centre of Parisian literary life for over half a century. First published in 1974, this book represents the first full length biography of Leautaud in any language. The author recreates the world of a man who, once regarded as a mere eccentric, is now recognised as a significant figure in contemporary literature. It traces Leautaud's intimate friendships with many famous writers of the time and gives a lively panorama of the French literary scene and its vivid characters.

This book, first published in 1944, provides a comprehensive overview of the work and life of the writer and philosopher Lev Nikolayevich Tolstoy. Widely considered one of the greatest novelists of all time, this title examines some of Tolstoy's most seminal works, including War and Peace and Anna Karenina. This book will be of interest to students of literature and philosophy.

Bringing together Islamic studies, a postcolonial literary perspective, and a focus on the interaction between aesthetics and politics, this book analyses Iqbal's Islamism through his poetry. It argues that his notion of an Islamist selfhood was expressed in his verse through the interplay between poetic tradition and creative innovation. It also considers how Iqbal expressed an Islamist geopolitical imagination in his work, and examines his exploration of the relationship between the modern West and a reconstructed Islam. For the first time, Iqbal's personal letters have been drawn upon to provide an insight into his inner conflicts as articulated in his poetry. Concentrating on the complexity of his work in its own right, the book eschews the standard appropriation of Iqbal into any one political agenda - be it Indian nationalism, Muslim separatism or Iranian Islamic republicanism. With its analytical and in-depth reading of Iqbal's verse and prose, this book opens a fresh perspective on Islam and postcolonialism. It will be a fascinating study for general readers and readers with interests in the intellectual and political history of modern South Asia, colonialism and postcolonialism, Islamic studies, and modern South Asian literature (especially Urdu and Persian poetry).

The first book to explore the extraordinary story of the legendary friendship - and quarrel - between Wordsworth and Coleridge, two giants of English Romanticism. Wordsworth and Coleridge's passionate intimacy, shared ambition and subsequent estrangement contribute to a tragic tale. But Sisman's biography of this most remarkable friendship - the first to devote itself wholly to exploring the impact of their relationship on each other - seeks to re-examine the orthodox assumption that these two poets flourished as a result of it. Instead, Sisman argues that it was a meeting that may well have been disastrous for both: for it was Wordsworth's rejection of Coleridge, and not primarily his opium addiction, that destroyed the latter as a poet, and that Coleridge's impossible ambitions for Wordsworth pushed the latter towards failure and disappointment. Underlying the poignancy of the tale is the intriguing subject of the influence one writer can have on another. Sisman seeks to answer fundamental questions about this relationship: why was Wordsworth so reliant on Coleridge, and why was he so easily swayed in the most critical decision of his career? Was it in Coleridge's nature to play second fiddle? Would it, in fact, have been better for both men if they had never met?

Hadley Richardson and Ernest Hemingway were the golden couple of Paris in the twenties, the center of an expatriate community boasting the likes of Scott and Zelda Fitzgerald, Gertrude Stein and Alice B. Toklas, and James and Nora Joyce. In this haunting account of the young Hemingways, Gioia Diliberto explores their passionate courtship, their family life in Paris with baby Bumby, and their thrilling, adventurous relationship--a literary love story scarred by Hadley's loss of the only copy of Hemingway's first novel and ultimately destroyed by a devastating mEnage A trois on the French Riviera.

Compelling, illuminating, poignant, and deeply insightful, "Paris Without End" provides a rare, intimate glimpse of the writer who so fully captured the American imagination and the remarkable woman who inspired his passion and his art--the only woman Hemingway never stopped loving.

This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers. In 1934, Eileen O'Shaughnessy's futuristic poem, 'End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. 'Now that is the kind of girl I would like to marry!' he remarked that night. Years later, Orwell would name his greatest work, Nineteen Eighty-Four, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now. From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, to the couple's narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, Eileen is the first account of the Blairs' nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and '40s. Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.

The stunning book from Christopher Ross, Sunday Times top 10 bestselling author of 'Tunnel Visions'. In 1970 Japan's most famous writer, Yukio Mishima, cut open his stomach and was then beheaded with his own antique sword. His anachronistic suicide has been called many things: a desperate heroic gesture; a work of art; a political protest; the antics of a madman. But which is correct? And what became of Mishima's sword? Thirty years later Christopher Ross sets out for Japan on the trail of those who might have answers: craftsmen and critics; soldiers and swordsmen; boyfriends and biographers; even the man who taught Mishima hara-kiri. Like his best-selling 'Tunnel Visions: Journeys of an Underground Philosopher', Christopher Ross has written another unclassifiable blend of travel writing, autobiography and philosophical enquiry to create a mesmeric account of modern Japan and the peculiar death that haunts it to this day.

'My New Year's Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle - may they never give me peace' - Patricia Highsmith (New Year's Eve, 1947). Made famous by the great success of her psychological thrillers, The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith is renowned as one of the most influential and celebrated modern writers. However, there has never been a clear picture of the woman behind the books. The relationship between Highsmith's lesbianism, her fraught personality - by parts self-destructive and malicious - and her fiction, has been largely ignored by biographers in the past. As an openly homosexual writer, she wrote the seminal lesbian love story Carol for which she would be venerated, in modern times, as a radical exponent of the LGBTQ+ community. Alas, her status as an LGBTQ+ icon is undermined by her excessive cruelty towards and exploitation of her friends and many lovers. In this biography, Richard Bradford brings his sharp and incisive style to one of the greatest and most controversial writers of the twentieth century. He considers Highsmith's bestsellers in the context of her troubled personal life; her alcoholism, licentious sex life, racism, anti-Semitism, misogyny and abundant self-loathing.

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English. Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: ‘by making poems, a language develops’, Jamie observes in a fascinating afterword.

Although refuted by recent theorists, Leavis's liberal humanist literary criticism remains the single most potent influence on the teaching of literature. This book surveys his career and locates him within the critical tradition. This book should be of interest to students of English literature, and cultural studies.

Published for the first time as Ernest Hemingway intended, one of the great writer's most beloved and enduring works: his classic memoir of Paris in the 1920s.
Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now, this spe- cial restored edition presents the original manuscript as the author intended it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by the editor and grandson of the author, Sean Hemingway, this new edi- tion also includes a number of unfinished, never-before-pub- lished Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of other literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Sure to excite critics and readers alike, the restored edition of "A Moveable Feast" brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

The extaordinary life of Sir Thomas Malory, author of the 'Morte d'Arthur'. Sir Thomas Malory's 'Morte d'Arthur' (1469) is one of the best-known books in the world. Virtually all modern versions of the Arthurian legends are derived from its energetic, memorably phrased and remarkably individual telling of the stirring exploits of King Arthur and his Knights of the Round Table. Yet the identity of the 15h-century knight who wrote it has remained an enigma for centuries. Only in the last few years has it become possible to construct a convincing life story for him. His life was constantly eventful, marked by great achievement, desperate situations and, at times, deep disgrace. He was an experienced soldier, a star performer at tournaments, a connoisseur of literature, connected to the great and the good, yet he also escaped from prison twice, and was accused of terrible crimes ranging from assault and cattle-rustling to attacks on abbeys and even rape. The foremost chronicler of the legends of the Knights of the Round Table almost certainly wrote much of his great work while imprisoned. Christina Hardyment writes his life story whilst also writing a social history of a fascinating period of English history, an age that marked the high-water mark of medieval chivalry but which was also an essential bridge from the Middle Ages to modern. The book is well furnished with details of clothes, food and domestic interiors, to say nothing of hunting, falconry and jousting techniques, and is a sumptuous work that fleshes out the man and the period in glorious detail. An entertaining book, guided by academic rigour in its scholarship and research.

First published in 1968. Richard Hengist Horne, virtually unknown today, was one of the more extraordinary figures of the nineteenth century literary scene. The author of an epic poem Orion was acclaimed a work of genius by almost every English critic. His voluminous literary output is for the most part forgotten, but his life and character, his widely romantic aspirations to be a Man of Genius, provide a fascinating tragi-comic study. As a background study to the literature and society of the time, Ann Blainey's book is packed with interest and anecdote, and as a study of a remarkable man it is consistently entertaining.

Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.

" Sherwood Anderson: A Writer in America" is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic "Winesburg, Ohio." In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to "Ripshin," his house near Marion, Virginia. The second volume will cover Anderson's return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941. No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography--one that locates the private man, while astutely placing his life and writings in a broader social and political context.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.